How Does The Motif Of Disease And Decay In This Passage Relate To A Larger Theme In The Play? It Highlights The Idea That The Strongest Bond Is The One Between Father And Son. It Reminds The Audience That The Government Of Denmark Is Rotten And Corrupt. I (2023)

1. A college student presents to the health care clinic with reports of no ...

  • It highlights the idea that the strongest bond is the one between father and son. It reminds the audience that the government of Denmark is rotten and corrupt.

  • The nursing diagnosis that the nurse confirm for this client would be Constipation.Constipation is usually caused by not taking enough liquids or fiber as these

2. [PDF] Hamlet - AP English IV: Literature and Composition

  • Shakespeare offers a vivid depiction of decay and stench by employing imagery of cancerous infection, rotting flesh, and the sun as an agent of corruption.

3. [PDF] Shakespeare's Mothers in Relation to Catastrophe.

  • ally in Perdita's natural environment and her autonomy from the corruption of court, as it does with Miranda in The Tempest. To the Renaissance mind which ...

4. [PDF] TIMON OF ATHENS - Knowledge Bank

5. U5L1-Spell-Checker.xml - The Beauty and Joy of Computing

  • ... corrupt,incorporating,destiny,proximity,ash,garments,cleansing,imperative ... rotten,pollutants,interns,descend,misunderstood,superiority,nash,permissions ...

6. [PDF] Sophie's World

  • act of mischief and corruption, and further, from the seduction of females or ... “That's a rotten thing to say! I suppose you think a rocky marriage that drives.

7. Liorah_Golomb_Thesis.pdf.txt - SOAR

  • ... corrupt, and anachronistic. The next chapter features two simple ... rotten), but where in Shakespeare is true rebellion possible? Perhaps the nearest we ...

  • PETER BARNES AND THE NATURE OF AUTHORITY Liorah Anrie G o l o m b A thesis subnitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Centre for Study of D r a r n a in the University of Toronto @copyright by Liorah Anne Golomb 1998 National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliograp hic Services services bibliagrap hiques 395 Wellington Street 395, nie Wellington OttawaON K 1 A W Ottawa ON K1A ON4 Canada Canada The author has granted a non- exclusive licence allowing the National Libmy of Canada to reproduce, loaq distriiute or sell copies of this thesis in microfonn, paper or electronic formats. L'auteur a accordé une licence non exclusive permettant à fa Bibliothèque nationale du Canada de reproduire, prêter, distri'buer ou vendre des copies de cette thèse sous la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fkom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. PETER BARNES AND THE NATURE OF AUTHORITY Liorah Anne Golomb Doctor of Philosophy, 1998 Graduate Centre for Study of Drama University of Toronto Peter Barnes, among the most theatrically-minded playwrights of the non-musical stage in England today, makes use of virtually every elernent of theatre: spectacle, music, dance, heightened speech, etc- He is daring, ambitious, and not always successful. While he obviously does not share the staging sensibilities of Renaissance playwrights, Barnes does share their perspectives on authority. He writes predominantly about the outward self and the private self, the significance of representation and the power of public display, corruption and innocence, order and chaos. 1 explore such questions as what attraction these themes hold £or Barnes, what connections exist (economically, socially, and politically) between Renaissance and post-industrialized England, and how Barnes and his Renaissance mentors use their work as cultural barometers and/or forecasters. But Barnes is still a modern playwright, and the discussion is not limited to his connection to the Jacobeans- I have identified five subthemes into which his plays fall. The first chapter, dealing with The Rulins Class and The Bewitched, is concerned with the continuity and preservation of the status quo through inherited power, even though it is decayed, corrupt, and anachronistic. The next chapter features two simple, unambitious priests, Father Flote in R e d Noses and Father Morrone in Sunsets and Glories, who reluctantly accept positions of authority; paradoxically, empowerment cornes £rom rejecting power. In Chapter 3, featuring Leonardors Last Sup~er and Clap H a n d s H e r e Cornes Charlie, we find that authority is not necessarily held by the strong, wealthy, or educated, and we see how some members of the underclass react to sudden empowerment- The construction of a persona1 identity, which would seem to be the one act over which we have inviolable control, is threatened when characters meet their likenesses in the four one-act plays discussed in Chapter 4: Noonday Demons, The Real Lons John Silver, Nobodv Here But Us Chickens, and The Three Visions. Chapter 5 compares two kinds of tyranny, autocratic and bureaucratic, in Laucrhter!. And in the concluding pages we glimpse at another, surprisingly uncynical , side of Peter Barnes as exhibited in one of his more recent plays, Heavenfs Blessinqs. iii TABLE OF CONTENTS INTRODUCTION - - . - - . . . . - - . . - - . . . , , . . . C W T E R 1: K e e p i n g A u t h o r i t y i n the Farnily: The R u l i n s C l a s s and The Bewitched . . . . 8 CHAPTER 2 : Inriocence i n Charge: R e d Noses and Sunsets and G l o r i e s . . . . - - - - . . - 56 CHAPTER 3 : The Bite of t h e U n d e r d o g : C l a ~ H a n d s Here Cornes Charlie and Leonardofs L a s t Surmer - . . - . . . . . . . 109 CHAPTER 4: The C r i s i s of Identity and t h e Double: N o o n d a v D e m o n s , The Real L o n s John Silver, Nobodv H e r e B u t U s C h i c k e n s , and The Three Visions . . . . - . . . . - . - 151 CHAPTER Power P e r f e c t e d : L a u s h t e r ! CONCLUSION: Things Are Looking U p : H e a v e n ' s B l e s s i n a s - . - - . - - . . . - . . 231 W O R K S C I T E D . . . . . . . . . . . . . 245 INTRODUCTION Sorne are born great, some achieve greatness, and some have greatness thrust upon 'em. Twelfth N i q h t 1I.v-145-46 During the past £ive or six years, whenev~r I have been asked the subject of my thesis by anyone who doesn't have an unusual interest in contemporary playwrights, the answer "Peter BarnesI1 elicits a blank look- sometimes there is some faint recognition of The Rulins Class, Bames's first theatrical success ( 5 t was done into a movie with Peter OfToo1e"), and sometimes someone has seen an amateur production of Red N o s e s . Since 1993, the mention of his Academy Award nomination for the screenplay adaptation of Elizabeth Von Arnim's novel, Enchanted A~ril, gets a relieved smile - which disappears when 1 inform the person that screenplay adaptations are Barnes's hack work, and his original work is much different. Besides, he didnrt win. That is the reaction to my subject's m e r e name. When I've stated my thesis to be about "Peter Barnes, a living English playwright, and his psycho-socio-economic-political connection to the Elizabethan-Jacobean mindset (as we understand it)," 1 am looked upon with profound suspicion. Peter Barnes is almost better known for his obscurity than for his plays. His lack of recognition is brought up in nearly every interview he has given and in much of the small body of criticism on his work. You can count on one hand the number of surveys of contemporary British theatre or theatre generally that include him.' His dramaturgy puts him at a disadvantage: his language is lavish; his staging, spectacular; his settings are as broad as the history of the world. He is daring, ambitious, and not always successful. Barnes gives us magnitude (of theme, character, costume, idea) at a time when Britainfs playwrights have largely focused on the minutiae of the ordinary lives of ordinary characters, from aison Porter's ironing in 1956 to Kyra Hoiiis's preparation of a spaghetti dimer in 1995.~ "One of my tasks, Bames has said, has been to try and get us back to the days when the audience went into the theatre not to get a slice of life, which they get anpay (and they don't have to pay for it) but to get something extra. If there is any rnotto 1 have over my desk it is the one word MORE. 1 want more of everything. More of comedy, more of drama, more of tragedy, more of parody, more of music, more, more, more, more. Not less, less, less . His work demands, and gets, highly skilled actors and directors, but often, the pieces cal1 for production values found today only on the musical stage: complicated lighting, reverberating sound, and deep wings and high fly space to accommodate huge set pieces. Phantom of the O~era has its chandelier; The Bewitched has its eight-foot-long phallus. Unfortunately, a play by Peter Barnes does not generate the revenue of an enterprise like Phantom, and more, more, more also costs more, more, more. Needless to Say, he is seldom produced . 3 Considering his appreciation of and frequent reliance on the visual elements of the stage, it rnay seem odd that the theatre Barnes most admires is that of the Elizabethan and Jacobean public playhouse. One draw is the language; he has often declared his admiration for the writing of early modern England, and he acknowledges being inspired it. Good work has been done on the origins and functions of Barnesfs peculiar neologisms, unexpected metaphors, and kenning14 so there is no need to focus on them here except to let the reader know that what may look like the result of my having fallen asleep over the keyboard is likely to be an accurate quote. Rather than scour for any technical or stylistic affinities Barnes rnay have with his Renaissance predecessors, 1 examine his work chiefly in tenns of the various ways in which it reflects his one overriding concern: the nature of authority. This aspect of Barnes's oeuvre is illuminated in part by linking it to the thematic and sociopolitical preoccupations of the Elizabethan and Jacobean playwrights and in making this link, 1 explore such questions as what attraction Renaissance themes hold for Barnes, how he appropriates them, what connections exist (economically, socially, and politically) between Renaissance and post- industrialized England, and how B a r n e s and his Renaissance mentors use their work as cultural barometers and/or forecasters. 4 For Barnes, the world turns on the constant shifting of power. Every relationship, from the one w e have with ourselves to how we fit into the world power structure, is based on authority - who has it, how to get it, how to keep it, how to get rid of it, how to avoid being the victim of it. Like the Elizabethans and Jacobeans, Barnes mites predominantly about the transfer of authority, the outward self and the private self, the significance of representation and the power of public display, corruption and innocence, order and chaos. His characters succeed according to how well they understand the basic immutable elements of human nature: people are self-senring, as we see in Leonardor s Last Sup~er; we are cowards, unwilling to take risks to help one another, as Auschwitz shows us; when we do help our less fortunate brothers we are repaid with ingratitude, as Aylmer is in Cla~ Hands Here Cornes Charlie; in The Rulins Class we find that when love is offered, we reject it; and when we are given a chance to be independent and responsible, as in The Bewitched, we beg to be ruled. But although he is steeped in the Renaissance, Bames should not be seen as a Renaissance playwright out of his time; he is a modern playwright writing on modem themes, and doing so with a Briton's-eye view. He can be compared to his contemporaries Pinter and Hare in his fascination with the psychology of power or to Churchill, Bond, Brenton, or Barker in his liberal use of history to highlight modem inequities of class and gender structure. We should also take care not to collapse the four centuries between the reign of Elizabeth and the Conservative govemment of Ted ~eath.' Barnes owes a stylistic debt not only to his theatrical idol, Ben Jonson, but to Wilde, Sheridan, Shaw, Monty Python's Flying Circus, popular music, Broadway shows, even advertising. He is by no means immured in the 17th century- Instead of taking a chronological approach to Barnes's dramaturgy, 1 have identified five subthemes into which his plays fall, and devoted a chapter to each. The first chapter, dealing with The Rulins Class and The Bewitched, is concerned with the continuity and preservation of the status quo through inherited power, even though it is decayed, corrupt, and anachronistic. The next chapter features two simple, unambitious priests, Father Flote in Red Noses and Father Morrone in Sunsets and Glories, who reluctantly accept positions of authority; paradoxically, empowerment comes £rom rejecting power. In Chapter 3, featuring Leonardofs Last Supper and Clap Hands Here Cornes Charlie, we find that authority is not necessarily held by the strong, wealthy, or educated, and we see how some members of the underclass xeact to sudden empowerment. The construction of a persona1 identity, which would seem to be the one act over which we have inviolable control, is threatened when characters meet their likenesses in the four one-act plays discussed in Chapter 4: Noondav Demons, The Real Loncr John Silver, Nobodv 6 Here But Us Chickens, and The Three Visions. Chapter 5 compares two kinds of tyranny, autocratic and bureaucratic, in Lauqhter!, doubtless Barnes's most controversial play on several levels. And in the concluding pages we glimpse at another, surprisingly uncynical, side of Peter Barnes as exhibited in one of his more recent plays, Heavenrs Blessinss. Barnes is an inveterate researcher and 1 have followed him (and detoured) down many avenues beyond the realm of theatre studies. My sources have included material by or about 16th century sociology, 20th century psychology, the womanfs movement, the music hall, Leonardo da Vinci, Ivan the Terrible, Elizabeth 1, James 1, Charlie Chaplin, Margaret Thatcher, the Black Plague, gender issues, Ingmar Bergman, and Me1 Brooks. 1 have tried not to conflate real figures from history with Barnesrs versions of them and ultimately, the "realU figure isn't the one that matters - though as a point of interest, each time 1 thought that something was too bizarre to be real, it turned out to have corne £rom an actual historical account. Al1 things are possible, including, one supposes, the more frequent production of Peter Barnes's plays . ENDNOTES - INTRODUCTION 1. The only ones I ' m aware of that are written in English are Martin Banham, ed., The Cambridse Guide to the Theatre, rev. ed. (Cambridge UP, 1992) ; Richard Allen Cave, New British Drama in Performance on the London Stase: 1970- 1985 (Gerrards Cross, Bucks.: Colin Smythe, 1987) ; Ruby Cohn, Retreats from Reaiism in Recent Enslish Drama (Cambridge UP, 1991); Christopher Innes, Modern British Drama 1890-1990 (Cambridge U P , 1992) ; and Harold Hobson (who called The Bewitched "one of the most important plays of the modem generationIf [203]), Theatre in Britain: A Persona1 View ( O x f o r d : Phaidon Press, 1 9 8 4 ) . 2. In John Osborne's Look Back in Ancrer and David Hare's Skvlisht, respectively. 3 - Peter Barnes, Veter Barnes and the Theatre of Disturbance,I1 interview with Yvonne Shafer, Theatre News 14:9 (1982) 8. 4. William McLaughlin devotes a chapter of his dissertation on Barnes to his use of laquage. vrScotsmen i n Hobnail Boots': an analysis of the original works of Peter Barnes," diss., U. of Pittsburgh, 1987. Bernard Dukore also looks at Barnes's unique linguistic style and how it operates in both The Theatre of Peter B a r n e s (London: Heinemann, 1981) and Bamestorm: The Plavs of Peter Barnes (New Y o r k : Garland Publishing, 1995). 5. At the time of this writing, the Labour party is in power with Tony Blair at its head. However, the latest of the Barnes plays discussed in this thesis was writton while Margaret Thatcher was Prime Minister. Keeping Authority in the Family: The Rulins C l a ç s and The Bewitched One of the most distinct ways in which the dramaturgy of Peter Barnes stands apart from that of his contemporaries is in his treatrnent of the family. When a twentieth-century play puts a family on stage, its m e m b e r s are generally bound to the unit by some intangible yet inescapable quality: shared characteristics, genetics, Freudian complexes, ancestral sins.' Determining the cause is beyond the scope of this work; what matters is that the individual, with no material need to remain connected to his people, finds that he is somehow indissolubly linked to them. Alison Porter is driven back to her parents in Osborne's Look Back in Ancrer (1956) not because she cannot adjust to reduced f inancial circumstances but because her llloyalty,tl a quality Jimmy Porter values above all, is divided between her husband and her family. In Pinter's The Homecominq (1965), Ted is drawn back to his working class family, held together it seems only by the constant struggle for domination, from which he has removed himself both geographically and socially. That both Alison and Ted ultirnately leave the parental family a second time does not lessen the strength of the pull which made them return to it. Isobel the graphic artist and Marion the Tory junior minister, sisters in David Hare's The 9 Secret Ra~ture (1989), share neither values, lifestyles, nor common memories of their father; Marion cheats Isobel in a business deal with no sense of sibling allegiance; and yet Isobelrs attempt to escape her family fails when she realizes its futility. And in Cary1 Churchill's Cloud Nine (i980), double casting, in addition to what it says about sexual relationships and the construction of gender, literally causes members of the family to become one another. Ibsen had explored this terrain in 1881 in Ghosts for example, and later, in the United States, OrNeill made much of this bond in works such as Lons Davrs Journev into Niaht (1940) and Mouminq Becomes Electra (1931), his version of the Oresteia. But in the Elizabethan and Jacobean dramatic tradition, although emotional familial bonding and the assumption of inherited behaviour are rarely entirely absent, they are f requently (to our minds, uncornf ortably) intertwined with extragenetic concerns over estate, lineage, power, position, or duty. While Lawrence Stone's contention that real parents in Early Modern England w e r e less attached to their offspring than those of today has been debatedf2 in the drama at least there is a lessened sense of either an affective or a metaphysical attachment, or else this attachrnent is made to connect with worldly goods. The in every You Like 10 ambiguous nature of family relationships is evident genre of Shakespeare's plays. While Orlando in Aç 1t3 feels that Inthe spirit of my father, which 1 - think is within me, begins to mutiny against this senrituden 1 - 2 - 2 3 , it is equally true that the servitude under which he labours is at the hands of his brother, who exercises control by virtue of primogeniture. In 1 Henrv VI, Talbot offers several reasons in trying to dissuade his son from entering the battle against the French: In thee thy rnother dies,4 our household's name, My deathts-revenge, thy youth, and England's fame: Al1 these and more we hazard by thy stay; AI1 these are savfd if thou wilt fly away. (IV-vi.38-41) The natural Eear of a father for his son's life, here expressed, if at all, as Why youthttl is wedged in among the less affectionate matters of revenge, continuation of the line, and duty to country, al1 of which may be expressed in tems of worth. Paradoxically, the ahility to place a value on a life decreases its value; a child should be priceless to its parent. Shakespeare's use of the word "hazardM is similarly telling. It is a gambling term, and in our view of society we don't like to think of o u children as chips to be wagered at the roulette table, nor do we care to put them in the position of risking our love. This of course is the position in which Cordelia finds herself, and she is warned by Lear, IrNothing will corne II of nothingtt and I1Mend your speech a little, / Lest you may mar your fortunesu (I.i.89, 93-94). And when Cordelia fails to mend her speech, Lear tells her sui tor the D u k e of Burgundy, When she was dear to us we did hold her so, /-But now her price is fallenn (I.i.195-96). The cormection of material For wealth to power in Kins Lear is made by Dollimore: Learrs behaviour in the opening scene presupposes first, his absolute power, second, the knowledge that his being king constitutes that power, third, his refusal to tolerate what he perceives as a contradiction of that power. . . . Even kinship, then - indeed es~eciallv kinship - is in-formed by the ideology of property relations, the contentious issue of primogeniture being, in this play, only its most obvious manifestation .' various reasons Peter Barnes would rather find himself in the Company of Ben Jonson than in that of Shakespearet6 and it is in Jonson's Seianus that we find perhaps the most horrifying example of the state's exigencies encroaching upon those of the family: I will not ask why Caesar bids do this, But joy that he bids me. . . . Were it to plot against the fame, the life Of one with whom 1 twinned; remove a wife From my warm side, as loved as is the air; Practice away each parent; draw mine heir In compass, though but one; work al1 my kin To swift perdition . . . . (111.714-15, 726-31)' Aside £rom the imagery, two elements of this speech are disturbing: first, it is spoken not by power-hurigry Sejanus but by Macro, a guard with an eye only a rung or two up the ladder, whose reasonable and seemingly benign philosophy is that The way to rise is to obey and pleasew (111.735). Second, Macro speaks in soliloquy, Tiberius having j u s t exited, so the words are spoken for the benefit only of the audience and not of the emperor. Appallingly, Macro is an ordinary servant of the state expressing, by implication, ordinary sentiments.' The distinction which 1 am trying to make between emotional (or psychological, or genetic) and material bonding is admittedly subtle and fluid, more a question of nuance than of two discrete categories. Perhaps it is best to Say that in the drama of Renaissance England, an ambiguity is present which would discornfort Our increasingly affection-based definition of f a r n i l ~ . ~ And in an express reversion to this earlier sensibility, Barnes's depiction of family relations (with the exception of that in Heaven's Blessinqs, written in 1989 and as yet unproduced) more closely resembles those of early modem England than of the mid-to-late twentieth century. In his produced work, Barnes has featured only three families: the Lascas of Leonardo's Last Sumer, the Gurneys of The Rulins Class, and the King, Queen, and Queen Mother of The Bewitched. Of these, the first is without property but resembles a Renaissance portrayal of family i n that the basis of their unity is material: their partnership in both business and crime. It is the propertied families with which we will be concerned in this chapter. As small, insular institutions whose members are either born into them or carefully selected from without, Barnes's privileged families serve as a convenient metaphor for the power- and wealth-hoarding English upper class. The impetus of the plot in The Rulins C l a s s (1968) is that a family wants to hold its house and lands, but this is not Chekhov's The Cherrv Orchard: unlike Madam Ranevskaya, the Gurneys are not quite outdated.I0 They are not about to hand their property over to the middle class any time soon, and when it goes it will have to be pried from their cold dead fingers, not allowed to slip through t h e m . We are always aware that Jack is not merely the heir to a large estate; he is a peer of the realm, an actual lawmaker whose final acceptance into society cornes when it is clear that he will use his vote t o protect the interests of his family and others like it to the detriment of the cornmon people. The same point is graphically made in The Bewitched (1974) in a scene near the end of the play in which Carlos, heretofore preoccupied with the business of getting an heir, is confronted with peasants and the effigies of starving children and recognizes that as a figure of authority he plays an innate role in their plight (II-xii). The continuation of the family is equated with the continuation of an oppressive class system in an equation which can go both ways. To attach a theory to this idea, we might turn to DoIlimore: Materialist theory ... argues that those areas of human life commonly thought to be antithetical to and independent of the political realm - for example subjectivity, personal identity, gender identity, the privacy of the the family, aesthetics - in and of ten actively reproduce home, the int f act actually , the exploita imacy of inc lude, .tion, repression and oppression visible in that larger public realm. " The Rulins Class immediately plunges its audience into a world which highlights the importance of lineage. Beginning with the Prologue, Barnes approaches this issue from al1 sides and both transparently and symbolically. A speech is being delivered to the Society of St. George by the 13th Earl of Gurney, a man whose very title dates his family and its estate half way back to the Norman Conquest. As it sets the tone for the play, it is worthwhile quoting the entire speech here: The aim of the Society of St. George 1s to keep green the memory of England And what England means to her sons and daughters. 1 Say the fabric holds, though families fly apart. Once the rulers of the greatest Empire The world has ever knowri, Ruled not by superior force or ski11 But by sheer presence. (Raises g lass in a toast.) This teeming womb of privilege, this feudal state, Whose shores beat back the turbulent sea of f oreign anarchy . This ancient fortress, still commanded by the noblest Of our royal blood; this ancient land of ritual. This precious stone set in a. silver sea.12 15 The thing that jumps out at us from this panegyric is that the last five lines parody John of Gaunt's speech £rom Richard II (II.i.40-68). While both Gaunt and the 13th Earl praise the English value system and its expansion, a somewhat narrower perspective is taken by the Earl: where Gaunt's %ceptrrd isleu houses "This happy breed of men, this little worldIrl the Earl of Gurney's flfeudal staten exists for "pri~ilege~~ and "the noblest / Of our royal blood." And while Gaunt ends with regret at what has become of "This precious stone set in the silvew sea," the Earl happily proclaims its essentially urichanged continuance. Thus, the class rank of Barnes's introductory character is established, along with his desire to protect it. And the method of protection - propagation - is likewise suggested by the language of the speech: Ilsons and daughters, If fam mi lie^,^^ "teeming womb," and again, "royal b10od.~~ The 13th Earl's speech is a success, but his mind is heavy with more i m p o r t a n t matters. As he confides t o his servant Tucker, If It ' s al1 based on land, and for the Wake of the family. Gumey nametf (81, he is planning a marriage t o Grace shelley,13 a middle class woman but one whom his half brother Charles has recommended as ffgood breeding stock. ~arnil~ foals welln (9). The loss of four of his five sons is treated as the loss of four layers of protection, and the fifth, Jack, does not seem reliable in 16 the breeding department for reasons we later leam. It is also noteworthy that the 13th Earl reminisces about his father the 12th Earl - that he loved his bed, was a great shot, and enjoyed a large breakfast. In the Prologue alone, then, we have memories of the 12th Earl, the presence of the 13th Earl, and plans to produce a 14th Earl, making prominent the theme of Earnilial continuation. Visually this continuation is established by Barnes's direction that the main set of the play, a room in the manor, feature "portraits of past Earlsn (16) . As Stone mites, T t was the relation of the individual to his lineage which provided a man of the upper classes in a traditional society with his identity, without which he was a mere atom floating in a void of social space."14 But what Stone places in the past tense, Barnes sees as being current. Unfortunately, before he can commence breeding, the 13th Earl dies by accidentally hanging himself to death. Only the death is accidental; the hanging is intended as part of an auto-erotic ritual practiced by the Earl which includes dressing in a ballet tutu, tri-cornered hat, long underwear and sword, and rambling on in fragments about the great days of British world domination. His last words as he draws his sword refer to a Sudanese uprising against the British in the mid-1880s: T o m squares men! Smash the Mahdi, and Binnie Barnes!" (11). The Earl is made to stand 17 for Empire, and Empire is therefore made ridiculous. Moreover, such mad behaviour suggests inbreeding, which is reinforced by the introduction in the next scene of the play's protagonist, Jack, fresh from the insane asylum and believing himself to be Jesus Christ. That the newly-established 14th Earl of Gurney should assume the persona of a decidedly unpuritanical God of Love is particularly ironic within the context of the social circle in which people of his station normally move. Throughout, Barnes portrays the upper crust as suffering from an absence of love on every level. Two society ladies are driven out in a mad stampede when Jack asks them simply, Van you love?" (36). Grace, the woman to whom the 13th Earl was to be wed, is the former mistress of his brother Charles and is later married to Jack in a ruse devised by Charles himself. Charles's wife Claire has an affair with Jack's psychiatrist chiefly in order to manipulate him. The couple refer to their son as a £001 and a disappointment (37), and Jack's suggestion that they "Relax. Have sexIr prompts Charles to declare, "hefs not only mad, hefs Bolshie! " (29) . Further, they cannot envision the presence of love in others. When Jack suggests that Tucker stays with the family, despite having inherited a large sum, out of love, Sir Charles briskly dismisses the concept: "Love? Tucker? Rot." (27)'' The family is united only by its common need to continue the line; to circumvent the provisions of the 13th Earl's will, Jack must have a son so that his relatives can declare him incompetent yet keep intact the estate on which they al1 live. The desire for a "blessed eventn is frequently expressed rather as a group effort: says Sir Charles of the 13th Earl, Wnderstood his duty to the family. Had to start breeding again" (17); Claire states simply, IfThe Gurneys must have an heirI1 (66); and after the christening of her son, Grace notes that the baby "saved you Gurneys from becoming extinctu (77). The absence of affection becomes noticeable amidst such talk of children as baton carriers in some sort of genetic relay race, a point which Barnes reiterates in The Bewitched when King Carlos and Queen Ana, whose sexual relations throughout the play have been treated as state business, find themselves together as mere husband and wife only to learn that they are incapable of conducting small talk.16 The objectives of both families are the same as those Stone accords to the landed classes of pre-Reformation England: "the continuity of the male line, the preservation intact of the inherited property, and the acquisition through marriage of further property or useful political allian~es.~~" By the end of The Rulinq Class, the family's political power is virtually self-contained. Claire's brother is a bishop, her son Dinsdale is headed for the House of Commons, and Jack has taken his place in the House of Lords. As Tucker notes early on, "The family. Ifve seen 'em at work a'fore. They got the power and they made the rulest@ (30). And as the family operates like a political unit, so is the definition of family extended to make that unit stronger. A little joke of Barnes's exploiting the cliché about sexual conduct in boysf boarding schools is revealing: Claire describes Sir Charles's willingness to rnarry off his own mistress first to the 13th Earl, then to Jack, as ~incestuous,~ and Charles counters, "Donft talk to me about incest. I remember young Jeremy Gore. You knew his father and 1 went to school together. But you went ahead and seduced his son. Thatfs incest, madam" (45). Similarly, the Master in Lunacy, sent to determine Jack's sanity or lack thereof, declares Jack fit once it is established that they both belong to the I1familyn O£ Etonians (11.3). Barnes, howevex, also presents the limits of the expandable family unit. Daniel Tucker certainly doesn't fit within those boundaries; the inheritance of cash (but notably, not land) left him by the 13th Earl may make him uppity, but it does not liberate him from his status as servant. L i k e the forgotten Firs of The Cherrv Orchard, his long-standing and faithful presence amons the family does not equal a position within it. As he asks himself what keeps him from leaving the Gurneys, Tucker, a bit in his cups, concludes: Fear and habit. You get into the habit of serving, Born a servant, see, son of a servant. Family of servants. From a nation of servants. Very first thing an Englishman does, straight from his motherfs womb is touch his forelock. Thatfs how they cari tell the wrinkled little bastard's English. (31) Lest anyone question whether this speech represents Barnesrs view, he responded to a question about characters such as Tucker, servants who collaborate in their own servitude, by saying : Thatfs this country. We are a nation of servants, it' s the one thing we do well, produce waiters and valets and servants, and we've always been that way, wefre very servile. How else could we have had a conservative government for thirteen years ?la So, money does not buy this particular brand of power, the power to really rule, which the aristocracy holds close to the vest through rare and cautious admittance to its ranks. Even those with a certain degree of authority may find themselves forever excluded. Dr. Herder may have controlled much of Jack's life during the years he spent at the "dancing academyfU as Jack calls the asylum, but on two separate occasions Barnes emphasizes his permanent exclusion from the ruling class by having members of the family, Sir Charles and Bishop Lampton, question whether Herder is English, and by following the negative response with a telling "AhhhH (24, 53) . And even as Grace, allowed to m a r r y into the family, secures a title and a certain degree of status ("Sixty m i l e s outside London an awful lot of cap tugging and forelock touching still goes onv 1911 ) , Charles reacts to a lack of discretion on her part with, "Madam, Jonson's Seianus, the same play which expresses Macrors horrifying willingness to sacrifice his family to the state, provides the stage with an instance of power exclusion very l i k e the one Barries gives us. Sejarius has been elevated by the emperor Tiberius from "obscure and almost unknown gentrym1 (V. 573) and indeed £rom his origins as "the noted pathic of the timen (1.216) to llcourt-god, IrReared equal with TiberiusIr (1.203, 219) . But Sejanus is not equal with Tiberius; ~iberius is head of the Roman Empire because Augustus C a e s a r chose him for his heir, as Tiberius will choose an heir, from among the royal family, to follow him. Sejanus comes from an unimpressive bloodline but he * uses the metaphor of a great progenitor to express his ion : A race of wicked acts Shall f low out of my anger, and O' erspread The worldfs wide face, which no posterity Shall e'er approve, nor yet keep silent . . . . (11.151-54) It is only at the point that Sejanus leaves metaphor and actually attempts to marïy into Tiberius's family (after creating an opening through the murder of Tiberiusts son Drusus) that the emperor sees that his favourite seeks to cross an unbreachable boundary. In fine political fashion, Tiberius is able to remove himself from the responsibility of denying Sejanus his suit by calling upon various external reasons why the marriage cannot take place: it would lower Liviafs place in society, the Senate, the people, nor Livia's family would such a match (111.551-59). The emperor can thus and neither approve refuse Sejanus without causing enmity Tiberius acknowledges the full request : between them. But privately significance of Sejanus's To marry Livia? Will no less, Sejanus, Content thy aims? No lower ob j ect? Well ! ' T i s then a part of supreme ski11 to grace No man too much, but hold a certain space Between thfascender's rise and thine 6wn flat, Lest, when al1 rounds be reached, his aim be that, Sejanus, like Tucker, Dr. Herder, and especially Grace Shelley, exists for the use of the aristocracy, not for inclusion within it. Barnes did not need to search a dramatic tradition for his view of the aristocracy as a closed society, but it is curious that, in 1968, a year filled with civil rights rnovements and student rebellions in North America and Europe, he chose to focus on such an antiquated and dwindling segment of Britain's population. Was the ruling class still ruling in 1968? One contemporary reviewer, John Wardle, felt that "the shots are at the aristocracy of many yesterdays ago.n20 Similarly, B. A. Young, declaring the play "wildly out of date," felt that "the real power-maniacs to-day are at the other end of the social scale. Al1 the millions of the Ford Motor Company canFt prevent a handful of men from overruling a Trade Union agreement and bringing production to a halt. But to Ronald Bryden the original Nottingham production gave off "the brimstone smell of revoluti~n,~~~~ and the subsequent London production was not about the aristocracy but about "Toryism, yesterday's, today's and tomorrow's: about the desire to conserve, and its consequences . "" Irving Wardle concurred: Veter Barnes's theme is the violence sanctioned by right-wing tradition and you could Say that his examples of it - hanging judges, blood sport enthusiasts, and the birching lobby - are a rnusty old crew , n24 Could Barries, then, be using a not-quite extinct past to comment on a current state of affairs? Although he does not daim to have had such a strategy in mind,25 it would indeed be in keeping with a dramatic tradition quite common to the Renaissance and then relatively abandoned until the last quarter of this century, when so many British playwrights , among them Arden, Churchill, Barker , Brenton, 24 Bond, Wertenbaker, and Hare, found historical settings and events useful for getting across very immediate political ideas or agendas. And what the critics seem to have forgotten is that Barnes, even in his only published play set at the tirne of its creation, brings in a dimension of English history by making the Victorian era coexist with the contemporary . In the second act of The Rulins Class the 14th Earl, having been wrestled to the ground just before intermission by a huge ape in evening dress, rejects his identity as J-C., the New Testament God of Love, becoming instead Jack, the Old Testament God of Punishment, embodied in Jack the Ripper. The choice is interesting not only for the contrast between universal acceptance and the desire for revenge, but because the victims of the famous Victorian murderer were women, specifically, prostitutes. The unempowered embraced by Christ in the Beatitudes, for example, are precisely those against whom the new Jack turns. Symbolically, Claire and Grace are silenced first with a kiss, then with a knife (99, 119), expressing both male dominance over womenfs voices and bodies, and the cowardice which motivates such violent expression. Power and the authority which it commands is belittled when it is exercised over an already impotent segment of the population. In keeping with Jack's new reality, the house is progressively Victorianized at his direction with heirlooms from the attic, which not only signifies his reactionary attitude but serves to reinforce a sense of lineage, an attachment to the past which in Barnes is always to be read without nostalgia and as counterproductive. Grace has borne a son, who, incidentally, the J-C. of Act One would have called Bussay dfAmbois (67). perhaps in the hope that he would be virtuous. The irony is that Chapman's Bussy, at least, is initially poor and he attributes his virtue to that poverty: Who is not poor, is monstrous; only need / Gives form and worth to every human seed" (Bussv D'Ambois, I.i.3-4),26 whereas the Gurney child will be bom privileged. The boy, in any case, is christened Vincent Henry Edward Ralph Gurney (77), and continuation of the Gurney line has been secured, with the appropriate pomp and dignity intact. As in the Prologue, past, present, and future exist simultaneously, but they are trapped in a place which should be long dead. When Jack cornplains to the Master in Lunacy that "You're MOCKED in the Strand if you speak of patriotism and the old QueenIl (87) he is referring not to Elizabeth II but to Victoria, monarch during the great age of British imperialism, the era commemorated by the 13th Earl in his speech to the Society of St. George; and at the same time he speaking of the current queen, who, regardless of any virtues she may possess, still confirms, by her very presence, a tradition of aristocracy rather than of meritocracy. And when Mrs. Treadwell, one of the society ladies who felt so threatened by Jack's former persona, remarks that "He's so like his father. He gets more like him every day, it's frightening" (95), we are, indeed, meant to feel frightened. It is not insignificant that the Jack of Act Two proudly wears the ancestral robes which in the first act he would have had burned: the devolution of the son into the father and even grandfather could never have occurred in J.C., champion of the brotherhood of man. The family of mankind neither requires nor values such trappings. The obvious Elizabethan example of the wayward son retuming to claim the rights and responsibilities of the father is, of course, Prince Hal. In both cases the son embraces an expansive society from outside his class and station, although Shakespeare has his prince privately distance himself £rom that society at the same time he publicly immerses himself in it. Upon becoming the father - in Hal's case, by succeeding Henry IV as patriarch of England and in Jack's, by siring a son, entering the House of Lords, and in the metamorphosis described above - each narrows his definition of society, enclosing himself in a small circle. Falstaff is banished; Tucker is allowed to be arrested for a murder he did not commit. Hal leaves off whoring at Mistress Quickly's; Jack as Jack the Ripper degrades women to whores and kills them. It bas been argued that Prince H a l uses Falstaff and Company as a conqueror uses an alien culture, learning its language and ways in order to exercise power,27 and indeed we hear this intention from the prince's mouth: "1'11 so offend, to make offence a skill, / Redeeming t i m e when men think least 1 willI1 (1 Hen. IV I.ii.211-12). Jack similarly uses the trust and confidence he has acquired to dispose of those who befriended him. Claire and Grace corne to love him and he murders them for it (II. 6 ; p . ) . Dr. Herder, realizing that Jack has murdered, is put in the untenable situation of having either to deny that he has cured his patient, or to acknowledge that he has, but that the cure is worse than the disease (II. 8) . And Tucker, who dropped his servile pose long enough to w a r n J - C . of the family plot against him, points to the aspect of betrayal by shouting, as he is being taken away for the murder of Claire, "Judas Jack Iscariot! You've sold me down the sewer, hard-hearted, stony-hearted, like the restu ( 1 . 7 ) "Presume not that 1 am the thing 1 was,I1 says King Henry V, "For God doth know, so shall the world perceive, / That 1 have tumfd a w a y my former self; / SO will 1 those that kept me companyI1 (2 Hen. IV V.v.56-59). In echo, Jack brings the House (of Lords) down with God the Son wants nothing only to give freely in love and gentleness. It's loathsome, a fou1 perversion of life! And must be rooted out. God the Father demands, orders, controls, crushes. We must follow Him, my noble Lords. (118) And in the event the spectators didnft happen to be drawing the comparison between Prince Hal/~enry V and J.C./Jack themselves, Barnes nudges them to it by having Jack end his speech by quoting Henry V ' s cal1 to battle precisely, substituting only his name for Shakespeare's king: 1 see you stand like greyhoundç in the slips Straining upon the start. The game's afoot Follow your spirit; and upon this charge Cry, God for Jack, England, and Saint George. (The Rulins Class, 118; Henrv V, III.i.31-34) In Shakespeare's play this speech indicates how fully the prince has come to be that which he is expected to be, and the same is true for Barnes. Jack is cheered wildly by the peers, and Sir Charles exclaims, "He's one of us at last! (118) . But in Barnes the blossoming of Jack is no cause for celebration since we cannot approve of what he has become; and further, Barnes may be attempting to force us to reevaluate Shakespeare's llheroictl Henry V as well. The ranks which Jack has joined by becoming Ilone of usv1 are the ranks of the dead: his ancestors, outmoded and inhumane principles, and above all, a musty past to which England clings. The legislative body before which Jack makes his rousing speech consists of nmouldering dumznies dressed as Lords and covered w i t h cobwebsm and "gai tered LORDS wi th bloated stomachs and skull-like facesm (117) . This scene cornes at the end of the play, but the decadence of the aristocracy was prefigured in the first moments as we watched the 13th Earl, ridiculously costumed, flirt with death as only those who are reasonably sure they won't die can. Perhaps the audience thinks back on this absurd beginning when they hear the characters of the House of Lords scene (sans Jack) exit singing: "Let us now praise famous men And our fathers that begat us. Such as did there rule in their kingdoms Men renowned for their power." (118) What Barnes is establishing is more than authority coming into its own; it is the strong abusing the weak becauçe they are in a position to do so, and the father-son continuum is the means by which this strength avoids becoming diluted. Tuckerrs Gethsemane reference is not really apt; Jack is rather acting very much in the Old Testament manner of the patriarchal god of the Book of Job, above being held accountable- "Behaviour which would be considered insanity in a tradesman is looked on as mild eccentricity in a lord," says Jack to Herder. " I ' m allowed a certain lat-i-tude" (110). We never get to see Jack's son, but Barnes so thoroughly weaves the pattern of the son 30 succeeding the father that the circle seems quite securely closed. What happens, then, when the continuum is broken? This is the premise of Barnes's other major family play, The Bewitched, "It is a sober fact," wrote Harold Hobson in his review of the play, Vhat the most important thing in Europe in the 1690s was Carlos 11's p e n i ~ . ~ ~ ~ ~ And indeed it would seem that Hobson (even if he did have his reproductive facts a bit confused) had correctly assessed both the historical reality and the theme of Peter Barnes's play in which nearly every moment of a three and a half hour performance and nearly every one of almost forty characters is devoted to helping Carlos, last of the Spanish Hapsburgs, produce an heir to the Spanish throne. Failing a natural heir, one must be chosen, and two opposing factions exist: the Queen Mother Mariana supports José of Bavaria while Carlos's wife Queen Ana is for Charles of Austria. The outcome against which both sides struggle is French control of Spain, and it is precisely this which Carlos achieves when, on his deathbed, he names as his successor Philip of Anjou, grandson of Louis XIV. Arnong the historical consequences of this legacy were the War of the Spanish Succession and the French and Indian Wars, so that a single king's failure to produce a son had a profound impact not only on the fate of Western Europe but on North America as well. As in a prologue 31 The Rulins Class, Barnes opens The Bewitched with which immediately introduces the importance of procreation among the ruling elite - in this case, a patriarchal monarchy. Funeral bells signifying the death of Felipé, heir to the Spanish throne, segue into a forma1 undressing of King Philip IV. Once the series of attendants has left him, the king prays, ironically, to the Blessed Virgin, "Tip my lance, plant my seed, that another son may be born tf inherit this Thy Kingdom" (194) . Moments later he confides to his fantasy lover, summoned from his imagination to help put him in the mood to Ildo sheet-duty wi' the Queen, " : One last assault on Evefs custom house where Adam made his first entry. No sin inft for 't will be no pleasure. A King who dies w'out an heir betrays his kingdom and his G o d . He leaves behind a hole in nature, and holes must be filled, eh Beatriz? Else they destroy the world. (195) As Queen Mariana enters she 1s followed by a procession of monks, the court priest gives a blessing and sprinkles holy water, and the skeleton of Saint Isidore is placed near the bed to serve as a cham. Thus the point is made that procreation, for most of us a personal and, most likely, inconsequential decision in tems of universal import, is in the case of a ruler a matter of duty and responsibility not only to the people but to the world and indeed to God. The union of Philip IV and Queen Mariana does in fact produce a son, the bir th of whom Barnes announces in a spectacular coup de théâtre: Ls.d.1 Lights d o m to a Spot on the widening crack which seems full of dark, glutinous liquid. It stirs as something rises out of it. First a hand, then a shapeless body emerges completely wrapped in a pale, pink feebly out of the crack where it lies curled up membrane: ~auiing itself it flops ont0 the floor tight. (197) This, of course, is Carlos II, a sight so horrifying that one look at his new son causes Philip IV to die of fright. Again, Barnes presents one generation only to emphasize its passing, as Shakespeare does by opening 1 H e n r , VI with the funeral of King Henry V. As a specimen of human life, Carlos may be wanting, but although he is imperfect he is good enough to perform the task for which he was created: securing the continuation of the Hapsburg line in Spain and keeping authority, for one more generation at least, within the family. In our time, as we watch a British royal family which seems to have little interest in continuity beyond the already accomplished production of Iran heir and a spare, lEzg the importance of primogeniture may appear outmoded and irrelevant. With few exceptions (the Kemedys would be one) , the I1childrent1 of those in power are, so to speak, adopted. John Major was the hand-picked heir to Margaret Thatcher's Tories and Ronald (and Nancy?) Reagan groomed George Bush to take over the reins. Neither Mr. Major nor M r . Bush, however, were able to produce any strong political When asked whether in creating The Rulincr Class and The Bewitched he intended to speak to contemporary methods of maintaining power, B a r n e s responded: I think ruling elites will always try and hold to the extent of their power, but not during one lifetime, but for generations. So, it's inevitable that if you're dealing with that subject you must touch on or at least show interest in this biological urge. Itfs not only to do with power, itfs also particularly imrnortality. And the only way the majority of people can be immortal is to have children? My line's imrnortality and the set of silver that goes with it is not, however, the same as that of the Gurneys and their peerage in perpetuity, or that of the Hapsburgs and their command over a substantial portion of Europe. The next time we meet Carlos he is a hideously deformed, drooling adult, the unfortunate possessor of the most pronounced of the Hapsburg j a w s . The decay and corruption which Barnes places in the psyches of the Gurneys through the suggestion of congenital insanity is in Carlos made physical and, hence, more conspicuous. The matter of succession is again in the forefront as Ana of Neuberg, Carlos's queen, and the Queen Mother Mariana argue over choosing an heir, while Carlos's only contribution to the debate is to make pathetic and absurd promises that he wonrt die. The scene ends with al1 three characters falling into epileptic seizures, which in the case of Carlos is later explained by the court doctor as having been caused by "part icular f ou1 vapours f rom a uterus (20 5 ) . That a womanfs reproductive system should be blamed for Carlos's condition is an interesting sidenote, and consistent with the way such symptoms would be diagnosed in wornen at the time. In Shakespeare and Fletcher's The Two Noble Kinsmen, the Gaoler's Daughter runs mad with love for Palamon until a doctor is finally brought in. He advises the girl's wooer, a man in a social position more appropriate to her own, to pretend to be Palamon and t o "Please her appetite, / And do it home; it cures her ipso facto / The melancholy humour that infects hern ( V . i i L 3 ' As Coppélia Kahn notes: From ancient times through the nineteenth century, women suffering variously from choking, feelings of suffocationj part similar to those of and lethargy were sa ial epil .id t ysis , convulsions aphasia, numbnes il1 of hysteria, caused by a wandering womb. 32 The prescription, then, for this "wornan' su affliction was sexual intercourse, placing the cure in the hands - or more accurately, the penis - of a man. Again, "holes must be filled." If we consider that as an individual his only truly important function is to weigh down Ana's womb with a child, Carlos possesses t h e sole meana of his own cure. 35 While producing an heir might not end his seizures, it would remedy Spain's ills, and, as Barnes knows, the health of a king and his country are not simply metaphorically linked. In response to an ambassador who claims to speak for France, Carlos says, "But 1 do not speak f r Spain. 1 - Spain" (229). Carlos is more than a patriarch; he is at once father and mother of his country as well as every child of that union. a patriarch condition. Bames Boasting to But if he cannot succeed in the primary task of - having children - then Spain is in a sorry risks no subtlety in expanding on this theme. the Spanish lords because Ana is finally pregnant , Carlos crows : CARLOS. 1 wooonJt die now, the Queen carries my SON. ... I've proved myself King, IIfI've the blood, balm, crown, sceptre and the BALLS! (He shambles round thrusting o u t his crotch.) 1111 humped, jocked, rutted, clicked and shafted. Haaaaven't 1 the finest gap-stopper, the largest whore-pipe, the biggest penis-stick i' Spain? TORRES. Like Atlas, Sire, you balance our world on 'ts tip. (212) The world proves to be but precariously balanced: the foetus is miscarried. The Archbishop Pontocanero and the grandees determine that Spain has offended God and must appease him by presenting an elaborate and gruesome auto da fé. God has already expressed his complete lack of interest in the king's fertility, however, by sending only a bolt of 36 lightning in response to Carlos's plea, MIfve prayed t' you. Where's my son?" (252). still, as a spectacle an auto da fé has a convenient side effect: there is a connection between violence and sexual arousal. The Archbishop recalls that "Nine months after the last auto generale, there was an almighty outcrop or births," and Motilla, the royal confesser, responds, "The stench O' burning flesh seems but t' stir up Our vile lust f f life. l1 (258) In fact the pretense that the auto has a religious purpose is quickly discarded. Barnes shows h o w little thought is given to the Spaniardsl God in a scene where a J e w who has finally converted after five years of torture is bribed to recant Christianity: only as a Jew can he be burned alive. Likewise, skeletons and effigies are paraded through the arena to add to the body count- Indeed, there seems to be an historical context for padding the procession in this fashion: as Foucault mites, in Europe from the middle ages through the eighteenth century, the value of the public display of torture was as an object lesson not to the accused, who in any case would not live to benefit £rom such education, but to the spectators, and therefore, humiliation and tonnent continued beyond the point of death.)" During the procession in The Bewitched, al1 eyes rest on Carlos's crotch, waiting for sexual arousal; one lord uses a telescope for better viewing. The act ends as a 37 ~monstrous phallusftr eventually reaching eight feet long, grows from between the king's legs while a choir sings Hallelujahs, and "When it overhangs the edge of the rostrum a PRIEST emerges f r o m out of the darkness, bends u n d e r it and lifts it on his shoulders.~ The queen moves to meet them until she is l1 Mpaled on the t i p of the co los sa l phallus. Clinging to it, she is l i f ted off her feet and borne backwards w h i l s t the voices soar: 'Deathfs mightiest powers have done their worst, and Jesus hath his foes dispersed; Let shouts of praise and joy outburst . . . 1 Il (272-73). Ana exits, naturally, by riding the phallus of fstage. However, despite the enormity of both the religious display and the resultant erection, no çhild is produced. Eventually Carlos chooseç José of Bavaria as his heir, but in keeping with his misfortune, it tums out that José has died, and attempts to make Carlos fertile must continue. Medicine, the Church, astrology, have al1 failed to improve Carlos's condition; evil forces must be at work. The king's confessor, Father Froylan, determines that Carlos is the victim of witchcraft because he achieves erection but produces infertile seed, while a second opinion, that of the Archbishop, argues that the king is possessed. In either case, Carlos and his overbred Hapsburg ancestors are freed from blame, and this is how it must be in a political system which insists upon divinely inspired monarchs, placed in power and protected by God himself: "Nat al1 the water in the rough rude sea / Can wash the balm off from an anointed kingn (Richard II III.ii.54-55). Just as Spainfs health is a reflection of that of Carlos, the king's health is a reflection of that of God- A n impotent monarch would be an imperfect creation suggesting nothing less than an imperfect creator and an orderless world: [Inquisitor-Generall VALLADARES. The King's bound t' Godf s throne wit a gleaming chain. ~ r a y f ' him. The Pray f f him. His sins stain the coming-years, f' if he sows bad seeds now 'tis future Kings who'll reap bad harvests. But if he sows no seeds, 'tis worse, f f authority and submissionfre the twin poles on which Jehovah turns the world and wi'out an heir the King's no longer its standing pillar. [ . . . ] Fr in loving and praising him [Carlos] , we love and praise thee, Lord, ff hefs thy true representative , the very image o f thy monarchy o'er al1 creation. (319-20) true significance of whether or not Carlos is bewitched or possessed is that if he is, the world is following an ordered, divine design and there is no persona1 responsibility; but if his impotence has its basis in nature, then IlBlind chance rules the worldm (304, 305), the Spaniards must themselves create order £rom chaos, and there is, in effect, no God- A natural heir to the throne would therefore prove both God's interest in man and the necessity of rnonarchy. Looking back to The Rulins Class, it becomes clear in this context that the simultaneity of the birth of Jack's son and his acceptance of his role as aristocrat has significance beyond dramatic juxtaposition. It is in putting this sort of metaphysical problem upon the stage that Barnes, often tenuously labelled neo-Jacobean for reasons of his language and stagecraft," really connects with early modem England. Compare with Valladaresrs speech above these lines from King James to his son, printed in 1616: GOD giues not Kings the stile of Gods in vaine, For on his Throne his Scepter doe they swey: And as their subiects ought them to obey, So Kings should feare and serue their God againe If then ye would enioy a happy raigne, Obserue the Statutes of your heavenly King And from his Law, make al1 your Lawes to sp~zing.~~ Obviously it is useful for the sitting authority to position himself near to God, not only for when things go awry but, as Francis Bacon notes : Envy, which is the canker of honour, is best extinguished by declaring a man's self in his ends rather to seek merit than fame; and by attributing a man's successes rather to divine Providence and felicity, than to his own virtue or p01icy.~~ To this Barnes adds that when providence seems less than apparent, it is better to be associated with another supematuxal being than to take blame oneself. Once Satan, speaking through the possessed Nuns of Cangas, confirms the king's bewitchment, Father Froylan and Carlos are jubilant: FROYLAN. Praise be t' God! 1 k n e w 't. You're bewitched, Sire ! CARLOS (joyfully, w a v i n g trident) . BBBBB eeee If m bewitched ... 's not my fault, 's nothing wrong. 1 IIIIItm jusf bewitched, bewitched, bewitched . . . . (306) Ironically, what has proven so difficult a task for Carlos is effortless for his subjects. In scenes seemingly peripheral to the main action, Barnes reinforces the notion of patriarchalism so prevalent in The Bewitched by presenting two sets of commoner fathers, both shown in the process of passing their professions dom to their sons. On the day on which the son is to replace his father at court, Sebastien de Morra, the court jester, advises his son Rafael: MORRA- [ . . . ] You've been at Court long enough to know who's in, whofs out. Remember, the King's always in. Thy only cal1 is t' entertain, tf fil1 an - idle hour. RAFAEL. 1 believe 1 can do more and mix a little purpose wir my wit . MORRA. Fatal. Ifve survived two reigns by having no purpose 'cept tr please. If thou has a message, send 't bymessenger. ( 2 0 3 ) ~ ~ Similarly, the Chief Torturer Alcala tries to teach his apprentice son to respect their profession: ALCALA. [ . . . ] Tl tickle a true confession f rom a relapsed sinner takes time and patience, now werve tf gouge 't out, quick and bleeding. Standardsfre collapsing, Gomez. Werre turning this house of truth into a butcher's shop. 1/11 go brain-mad wifout our integrity as craftsmen. GOMEZ. Ours isn't a craft, but a trade. Our profit lies in bulk. [ . . . ] Who caïes about the kality O' the pain, so long as 't hurts? (314) 41 Perhaps the primary point being made by Barnes through these brief scenes is simply that it is in the nature of sons to rebel, or perhaps the playwright is lamenting the loss of quality control: they donlt make lem like they used to (although in The Rulincr Class Barnes demonstrates that they make lem exactly like they used to). But the fathers and sons also serve to indicate Carlosls sonlessness, his inability to pass on his profession. In I Henrv VI John Talbot's attempt to succeed his father is prefigured in the scene between the French Master Gunner and his boy (1V.i-1-SI), so that Shakespeare, like Barnes, illustrates the persona1 and societal importance of continuity among al1 classes. Further, in the digenerational jesters and torturers of The Bewitched are depicted two motherless households. Alcala relates that his wife left him twenty years before, but de Morra makes no mention of a wife at all. Ana, the queen, has likewise been marginalized; although she is present, the Court's efforts to produce an heir have centred on Carlos, as though he should be capable of a wombless conception. Why privilege the male's part in the reproduction process? We should consider that objections to our own contemporary feminist movement often focus on the womanls perceived inability to succeed in the workplace because of the tirne commitment involved in her role as rn~ther.~' But here Barnesfs thinking is again rooted not in this century but in the English Renaissance. A ready comparison between The Bewitched and K i n s Lear cornes mind . The thorough absence of Lear's wife in Shakespeare's play prompts Kahn to Through this conspicuous omission the play articulates a patriarchal conception of the family in which children owe their existence to their fathers alone; the motherfs role in procreation is eclipsed by the fatherfs, which is used to affirn male prerogative and male p~wer.'~ Hinton, explicating various political writings on patriarchalism, notes that a way of thinking became necessary in seventeenth century England which could reconcile the two divergent interests of monarch and commonwealth, On a most basic level, the question becomes one of servitude: by what law, natural or divine, do societies put themselves under monarchal rule? The justification, Hinton finds, was achieved through the analogy of the family: As the Church was the bride of Christ and bishops were married to their sees, so kings were to be married to their commonwealths. As the father loved the son and the son honoured and obeyed the father, so kings and commonwealths were to be understood as comprising a single farnil~.~' And this family, in which love flows downward while honour and obedience fly up frorn below, adhered to a system of patriarchalism. Stone cites a 1618 work, God and the 43 Kinq, by one Richard Mocket, which argued that al1 subjects were children of the king and which so pleased James 1 that "he ordered it to be studied in schools and universities and bought by al1 hou~eholders.~~' However, as is true today, during the seventeenth century there were different ways to use the family analogy. In terms of power, Hobbes went so far as to privilege the mother because, although she contracts to serve the husband in the marriage compact, it is only she who can verify pater nit^.^^ As Aaron says to Tamora's sons of the mulatto child which he sired, I1Nay, he is your brother by the surer side, / Although my seal be stampèd in his facet1 (Titus Andronicus IV.ii.126-27).43 This is precisely what gives Queen Ana a greater degree of potential power, although she is virtually ignored as an agent of reproduction, than has the king. Carlos's power is a matter of display, £rom his very position as the son of hiç father the former king, to his expected function as the father of future kings. Though it seems insignificant today (and in fact c m be detrimental to a politician), in 17th century Spain an erect male sex organ was a visible display of authority; lacking that, the power that Carlos wieldç is incomplete. Even so, there are places where the king's authority is unchallenged. Carlos cannot master court dancing but he c m have the dance changed to suit his jerky movements; IlThe perfect hamony of the dance glorifies the perfect harmony of God's universe" (214), and rather than admit that the universe is chaotic, the conception of harmony is modified. Order is preserved only if everyone at court dances like their spastic monarch. Such is the prerogative of the king. Greenblatt calls a sign of power "the ability to impose one's fictions upon the world: the more outrageous the fiction, the more impressive the manifestation of power, t144 and Stephen Orgel, commenting on Prosperofs masque in The Tempest (111, iii) , asserts : Imagination here is real power: to rule, to control and order the world, to change or subdue other men, to create; and the source of the power is imagination, the ability to make images, to project the workings of the mind outward in a physical, active form, to actualize ideas, to conceive actions. 45 The relationship of authority to display and invention in Jacobean England has been discussed extensively in recent y e a r ~ , ~ ~ but the lack of imagination and physical grace with which B a r n e s imbues Carlos can only mock his authority in Our eyes. Our attention is directed not to the harmony which Carlos makes in his own image but to the absurd and sad fact that not one courtier will correct him. But if Carlos has authority his display of it nonetheless consists of being on the field running around in circles, while off in the sidelines are two who are really calling the plays. Surprisingly, they are neither grandees nor church officiais, in this play portrayed as reasonably obedient, but women: the queen and the queen mother. It is they, we recall, who argued so passionately over an heir, and as Carlos held no opinion, it is reasonable to assume that either of them might have controlled the choice if the other had not existed. arian na has been seen throughout to be politically savvy, as when she defends the choice of José to the grandees: "My lords casnft see Charlesfd 've governed wifout a Regent or Council of State? José's pliable" (210) . Her grasp on her son is literal and eternal; even in death, her skeleton hand reaches out of its sarcophagus to grab his shoulder (283). And the king is likewise dependent upon her. He pleads with the skeleton: Help me Marna. God gave me crown, sceptre, throne: as he reigns in the heaven so I reign on earth. 1 stretch out my hand t' bring order tf the Universe. But Mama, t ' has no edge, no bottom, no centre, no 'nowt, 'beforef or 'after'; one thing doesn't lead tf another . . . 1 flounder, Marna. Help me rule, Marna. (283-84) Ana, too, has significant influence. She commands the authority - or inspires the fear - to enable her to extract valuable gifts £rom the Court with a mere glance (286), and although she is aware of her unpopularity, it does not concern her; during her brief pregnancy she confides to her cornpanion, IISpanish lords deserve t' be gutted of their surplus gold and silver - sneezing at me i f the shadows, jeering behind corners! ... But my power g r o w s wif my 46 bellyV1 (218). As the discussion on legitimacy, above, demonstrates, a pregnancy would indeed empower her, if only until the child is born (about the time when Grace Shelley ceases to be useful) . The true extent of this power which is unique to women is demonstrated before Ana's miscarriage is comonly known. In a deception instigated by Father Motilla, Ana agrees to be impregnated by Almirante, one of the lords. The planned adultery, or "State business,~ as Ana refers to it (244), is sanctified by the presence of the priest, who carries a bible and keeps a sharp ear out for sounds of pleasure x But w e do not forget that Ana is committing a mortal sin. Like harmony, sin is a malleable notion. Ironically, Ana and Almirante are interrupted by Carlos; by his presence the king bungles the conception of his own heir. Should the world of The Bewitched, then, be perceived to be balanced in the centre of Ana's womb rather than on the tip of Carlos's penis? Such a view could never be reconciled with a patriarchal society. Two of the strongest women in Shakespeare appear in the Henrv VI trilogy: Joan la Pucelle and Queen Margaret. Both do a man's job, soldiering, better than their male counterparts, yet neither is permitted much glory. The accomplishments of each are diminished, in the case of Joan by attributing her power to the supernatural, and in Margaretfs case, by turning her into a bitter, cursing hag (chiefly in Richard III). Peter Barnes clearly does not have a feminlst agenda, nor would I wish to impose one on his work. But the question of how power is held and passed down in such a way as to leave no vacancy for the formation of a democratic goverriment is very much inherent to The Rulins Class and The Bewitched, and to the extent that they participate in this essentially male-controlled process, the presence of Grace Shelley and Queen Ana provokes the question: why do the women behind the men not move forward? Why, for that matter, does the vast common majority not end an aristocratic, patriarchal system so seemingly contradictory to their welfare? In each of these two plays. the door to doing just that is opened and it is the people themselves who slam it shut. J . C . offers love, equality, equanimity - and he is deemed mad for it by his family, his butler, and most of al1 by the middle-class, until he asserts authority and practices hate, superiority, and self-interest. A reverse movement occurs in The Bewitched when, in a moment of post-epileptic clarity shortly before his death, Carlos realizes that authority ff'Twill make a desert of this world / Whilst therefs still one man left t f gif commands / And another whofll obey 'ernlt (327). It is the peasants themselves who, upon hearing Carlos's decision that hefll abdicate, "let out terrified shrieks and f leew (329). Perhaps Carlos makes his unfortunate choice of heir in punishment for such cowardice. ENDNOTES - CHAPTER 1 hi11 bibliographie information for editions of Elizabethan and Jacobean plays is given in the list of works cited. 1. Lawrence Stone finds that by 1750 characteristics of what he labels the modern family developed in the middle and upper classes of English society: ~lintensified affective bonding of the nuclear core at the expense of neighbours and kin; a strong sense of individual autonomy and the right to persona1 freedom in the pursuit of happiness; a weakening of the association of sexual pleasure with sin and guilt; and a growing desire for physical privacy." The Familv, Sex and Marriase in Ensland 1500-1800, abr. ed. (London: Penguin Books, 1979) 22. Although his point about sex and guilt seems debatable - think of the Victorian era or the 1950s - the first t w o characteristics, particularly in their almost contradictory combination, shed some light on the discussion of families in contemporary drama, below. Much of the struggle which characters such as the Tyrone brothers or Alison Porter undergo does seem to arise from being pulled between the need to bond with the family and that to assert autonomy. 2. Stone holds that as a defence mechanism against high infant mortality rate, "parents were obliged to limit the degree of their psychological involvement with their infant childrenn (571 , and that high adult mortality rates "severely reduced the companionship element in marriage and increased its purely reproductive and nurturance functionsn (81). But cf. Christopher Hill, who finds that Stone draws this conclusion from insufficient data ( " S e x , Marriage, and the Family in England," The Economic Historv ~eview 2nd series, 31 LI9781 : 450-63) . And Lynda E. Boose, who fauits new historicist studies of family generally, notes: Vhen new historicism locates itself upon the site of family, sex, and marriage, the literal arena of domestic space has a way of losing its local habitation through its name and turning into its descriptive other. ... 'The familyf of the Elizabethan-Jacobean era has thus been repoçitioned as a metaphor for the Elizabethan-Jacobean state, and scholarly focus consequently shifted away from literal families and their reproduction back ont0 the patriarchal state and its self-generating modesIt ("The Family in Shakespeare Studies; or - Studies in the Family of Shakespeareans; or - The Politics of Politics, Renaissance Ouarterlv 40 [1987] : 731). Nonetheless, when the family in question ~ a political unit, as are those of Barnes under discussion in this chapter, it seems fair to view it a political unit. 3 . Unless otherwise noted, a l l ref erences to Shakespeare's plays are to the Arden Shakespeare. The full bibliographic information of each volume is given in the list of works cited. 4. Emotionally? Or because her identity consists solely of being the rnother of young John, whose end of existence would also signify the end of his mother's value and hence, life? And note the very opposite reaction of Volumnia in Coriolanus to the questionof her reaction should her son die in battle: "Then his good report should have been my son; 1 therein would have found issue1I (1-iii-18-19, The Pelican [Viking-Penguin] Shakespeare). 5 - Jonathan Doliimore, Radical Traqedv, 2nd ed - (London: Hanrester Wheatsheaf, 1989) 198-99. 6. In "Staging Jonson, If Barnes mites, If Shakespeare gives us rulers, Jonson, the ruled, and proves they are every bit as important. ... One can hear his voice as one cannot hear Shakespearef s (in Ian Donaldson, ed. , Jonson and Shakespeare [Austraiian National University, 19831 162); defending Jonson against charges of being hopelessly connected to the popular culture and laquage of his time, B a r n e s counters, "Some of Shakespeare is so over-complicated 1 swear three-quarters of the audience donft know what the hellfs going on, They sit there because it's culturally acceptableH ("Ben Jonson and the Modem Stage, Gambit 6:22 [1972] 5); and in the introduction to Surisets and Glories, he feels it necessary to relate: "Shakespeare, seeing Jonson on a toilet and reading a book said that he was sorry Jonson's memory was so bad he did not know how to shit without a book. This is probably the only remotely, half-decent joke Will ever made - if he made itm (London: Methuen, 1990) vi. Keeping in mind that Barnes has caught plenty of flak for his editings and adaptations of Jonson - particularly of The Devil is an Ass and Eastward Ho!, to which he added scenes - it does seem that in the matter of Jonson's accessibility, B a r n e s is trying t o have it both ways. If al1 that separates Jonson £rom a modern audience is a bit of antiquated slang, there should be no need, for example, to tag a speech to the end of The Devil is an Ass which has Satan banning demons from the too-wicked Earth. For the text of that scene, see Barnes, "~taging Jonsontf 160-61. 7. The Xevels edition. The full bibliographie information is given in the list of works cited. 8. Stuzrt Kurland, however, finds this speech "no doubt extreme." I1'No innocence is safe, / When power contentsf : The Factional Worlds of Caesar and Sejanus," Comparative Drama 2 2 3 (Spring 1988): 65. 9. If what holds for North America also holds for England, even the barest definition of family no longer requires blood or marriage ties; neither do ties of blood or marriage necessarily constitute a family. l!Familyu is an ever-broadening concept. 1992 witnessed the introduction of legislation in Canada bestowing certain benefits to same-sex couples formerly available only to married or common-law heterosexual couples; in the United States, a boy successfully I1divorcedl1 his parents in court (New York Times, 10 July 1992: A 1 3 ) ; and the Republican incumbent lost the U.S. presidential election when his strategy to extol "family valuesn backfired. 10. The play itself, though, is arguably anachronistic and irrelevant, as 1 discuss further on. Even upon its debut thirty years ago, the aristocracy as an institution was for al1 intents and purposes extinct. 11. Dollimore xxvii. 12. Peter Barnes, The Ruliris Class, Bames Plavs: One, (London: Methuen, 1989) 7. Further references to the play will appear parenthetically in the text. 13. A glance perhaps to Grace Kelly, American actress curn Princess of Monaco? 14. Stone 29. 15. This line, and his disregard for Grace Shelley's will in the two rnarriages he has arranged for her, suggest to me that Sir Charles's reaction is also rooted in the same thinking which for so long kept Hollywood from showing black couples kissing on screen: a refusal to acknowledge the humanity, of which love is the most celebrated evidence, of the unempowered. Domination is better accomplished when the dominated is considered innately inferior. 1 6 Peter Bames, The Bewitched, Plavs: One 321. Fbrther references to the play will appear parenthetically within the text. 17. Stone 37. 18. Peter Barnes, persona1 interview, 2 Nov. 1992. 19. For a note tracing this sentiment to Machiavellifs Discourses, see Philip A y r e s ' s note to Act III, lines 637-42 of Sejanus His Fa11 (Revels ed. 173) . Kurland reads as "almost an afterthoughtu the fact that Tiberius leaves until the end of his letter to the Senate Sejanusfs "aspiring to be our son in-lawu (V.588), whereas I find the placernentpof this infraction deliberately strong because it packs the most punch, Kurland 63. 20. John Wardle, "Shots at a double target, " rev. of The Ruïins Class, The Times 9 Nov. 1968: 19. 21. B. A, Young, rev. of The Rulins Class, The Financial Times 27 Feb. 1969: 3. 22. IfNottingham Discovery, rev. of The Rulins Class, The Observer 17 Nov. 1968: 2 4 , 23 . "Tricks in Toryland," rev. of The Rulins Class, The Observer 2 Mar. 1969: 27. 24. "Overloaded With G~od'Material,~~ rev. of The Rulinq Class, The Times 27 Feb. 1969: 7 , 1 feel, too, that The Rulins Class still has relevance, even after three decades, even though modem Tories corne largely from the middle class (Margaret Thatcher and John Major both have middle-class roots) , even when the Democratic, Liberal, and Labour parties are in office in the national governments of the United States, Canada, and Britain, respectively. An audience could mentally substitute CEOs or media moguls for earls and dukes and corporate boardrooms for the House of Lords, and Jack's speech and the coûp de théâtre of the lordsf decay, would lose nothing in the translation. 25. In answering a question about bis use of history generally, Barnes reasoned that it keeps the play from - dating, and in responding to the observation that The Rulinq Class doesn't seem dated, he said, The thing is that, that is, again, a very closed world in which fashion doesnrt much corne into it, actually, as itJs supposed to be about the aristocracy. Those sort of worlds, theyrre very particuiar . Personal interview, 2 Nov. 1992. 26. Russell A. Fraser and Norman Rabkin, eds., Drama of the Encrlish Renaissance II: The Stuart Period (New York: Macmillan, 1976) . 27. Stephen Greenblatt, Shakes~earean Nesotiations: The Circulation of Social Enerw in Renaissance Ensland (Berkeley and Los Angeles: University of California Press, 1988). 28. Harold Hobson, "Royal Fantasia," rev. of The Bewitched, Sundav Times 12 May 1974: 38; reiterated in Harold Hobson, Theatre in Britain: A Personal View (Oxford: Phaidon Press, 1984) 203. 29. Attributed to the late Diana, Princess of Wales. 30. Barnes, personal interview, 2 Nov, 1992. 31. The New Penguin Shakespeare. 32. Coppélia K a h n , luThe Absent Mother in 'King Lear, Margaret W. Ferguson, Maureen Quilligan, and Nancy J. Vickers, eds., Rewritins the Renaissance: The Discourses of Sexual Difference in Earlv Modern Euro~e (Chicago: University of Chicago Press, 1986) 33. Kahn also suggests that Lear is suffering from hysteria: "Regan and Goneril betray and disappoint Lear by not being mothers to hirn, but in a deeper, broader sense, they shame hirn by bringing out the woman in himW (45, citing Kins Lear IIAv.274-88, and including Lear: lutouch me with noble anger, / And let not womenfs weapons, water-drops, / Stain my m a r s cheeks!I1). Although not quite identifiable as hysteria, instances of men made (or perceived to be) mad over love exist, among them the behaviour of the cousins in The Two Noble Kinsmen, which, after they have seen E r n i l i a , moves £rom intense affection to confused cornpetition and eventually pits them against one another in a battle to the death; and more familiarly, Poloniusrs diagnosis of the Prince in Hamlet: "This is the very ecstasy of love, / Whose violent property fordoes itself / And leads the will to desperate undertakings / As oft as any passion under heaven / That does afflict our naturesm (II. i) . 33, Michel Foucault, Discipline and Punish: The Birth of the Prison, trans. A l a n Sheridan (New York: Vintage Books, 1977) Part One, esp. 34, 45, 58. 34. See, e.g., William J. Mc~aughlin, Wcotsmen in Hobnail BootsIf: An Analvsis of the Orisinal Works of Peter Barnes, diss., University of Pittsburgh, 1987, and Bernard Dukore, The Theatre of Peter Barnes (London, 1981) . But see Ronald Bryden, introduction, The Bewitched: "[The Bewitched] penetrates to the heart of the Jacobean melancholy which is also our own: the discovery that 'the new philosophy casts al1 in doubtf, that the universe is absurd and al1 the comforting beliefs in which we were reared are frantic constructs to mask this intolerable truthH (ix) . 35. King James 1, Basilikon Doron, The Political Works of James 1, ed. Charles Howard McIlwain (New York: Russel & Russel, 1965) 3 , 36. Francis Bacon, Essavs (London: Dent, 1972) 160. This essay came to my attention via Dollimore 90. See also Jonathan Goldberg's discussion in James 1 and the Politics of Literature: Jonson, Shakespeare. Donne, and Their Contem~oraries (Baltimore: Johns Hopkins UP, 1983) 6-7. 37. Two points of interest regarding the scene between Morra and Rafael: first, it is ironic that Morra uses the phrase, "who's in, whofs outur and states that "the King's always in," because it recalls Learfs Act V reunion with Cordelia, where he envisions their imprisonment t o be filled with Talk of court news; ... / Who loses and who wins; whofs in, whofs outu (V.iii.14-15) at a time when the king is definitely not in. The second point is to acknowledge Barnes's debt to Sam Goldwyn. 38. See, e.g., Phyllis Schlafly, The Power of the Positive Woman (New Rochelle, NY: Arlington House, 1977). 39. Kahn 35-36, 4 0 . Hinton, R. W. K., wHusbands, Fathers and C~nquerors,@~ Political Studies, part 1, 15:3 (1967) 291. Such an analogy obviously becomes problematic in the case of a ruling queen, and some of the thinkers of whom Hinton mites - Filmer, Hobbes - were born during the reign of Elizabeth. Still, the family analogy was employable by the Commons to daim closer kinship, and therefore greater fealty, between Elizabeth and her subjects than between the queen and Mary Stuart. Hinton 296. 41. Stone 110. 4 2 . Thomas Hobbesf argument, from Leviathan, summarized by R. W. K. Hinton, "Husbands, Fathers and Conquerors,~ Political Studies, part 2, 16:l (1968) 56. This brand of feminism based on biology arises, incidentally, in a Darwinian context early in our century, in C . Gasquoine Hartley8 s The Truth About Woman : IlThe female was the start of life, and woman is the main stream of its force. Man is her agent, her helper; hers is the supreme responsibility in creating and moulding life. It is thus certain that wornanfs present assertion of her age-long rights and d a i m for truer responsibilities has its cause rooted deep in the needs of the race." (New York: Dodd, Mead, 1914) 3 8 4 . 43. The Pelican Shakespeare. 44. Stephen Greenblatt, Renaissance Self-Fashioninq from More to Shakespeare (Chicago: University of Chicago Press, 1980) 13. 45. Stephen Orgel, The Illusion of Power (Berkeley: University of California Press, 1975) 47. 46. In addition to Orgel and Greenblatt, see, e.g., Goldberg, James 1 and the Politics of Literature, CHAPTER 2 Inriocence in Charge: Red Noses and Sunsets and Glories In The Rulina Class and The Bewitched , Peter Barnes presents power structures which have become insulated and degenerate but to which the proffered alternative - true egalitarian empowerment - has been rejected by a populace unprepared to assume the responsibility of self-government. The putrefaction depicted in the House of Lords scene of the earlier play and in Carlos himself in the later is left to fester to still greater degrees of rot, In this pessimistic outlook only one condition is indicated which could alter the scenario: the complete and sudden disappearance of the existing authority base. Such is the situation in the worlds created by Barnes in Red Noses (1985) and in Sunsets and Glories (1990). In Red Noses, the absence of authority is quite literal. It is 1348 in Auxerre, France and the Black Death is raging; most of the clergy have fled; in Avignon, Pope Clement VI has immobilized himself b e t w e e n t w o £ires, giving audience only via his reflection in a mirror; the nobility are nowhere to be found. No one is really minding the store. The vacancy of power is not as thorough in Sunsets and Glories, set primarily in Naples at the end of the thirteenth century, where the problem is one of electing a n e w pope: the structure of the College of Cardinals still stands and a king still rules, but two years pass during which the Church is without a head, and in that time Europe bas become vulnerable to invasion by both the Turks and disease. In these plays, the circle of power, so securely impenetrable in The ru lin^ Class and The Bewitched, has been breached, and the sort of change the Gurney butler, Tucker, could cal1 for only because it was safely improbable becomes inevitable. What seeps into the broken circle is a kind of anti-authority, leadership which refuses to lead; and whereas J - C - and Carlos attempted without success to pass the responsibility of government to the commons, the pwotagonists of Red Noses and Sunsets and Glories inspire those around them to author their own lives by thernselves refusing the position of authority, It may seem perverse of Barnes to have set Red Noses, a play rife with his signature slapstick and groan-inducing humour, during such a horrific period of European history as the Black Death of 1348-50. Not only was the disease itself dreadful, its psychological side effects were even more so: the desperate will for self-preservation caused some to put their faith in numerous bizarre yet ineffectual preventions and cures and at times fed to the abandonment of values such as love and charity towards one's fellow or even towards one's family. Here it should be said that Barnes researched his subject well. The value of a theatrical work, of course, is neither limited to nor enhanced by its degree of historical accuracy; but it is worth noting that nearly al1 of the pathetically inadequate precautions taken by his characters (arnong them sniffing scents, dancing frantically, sitting stock still, swatting the air, cross-dressing) as well as the behaviour the characters exhibit towards one another, have been documented, although Barnes liberally mixes remedies used in several different outbreaks.' But we do not need to be overly particular: both Barnes and history provide us with a Dr. Antrechau who developed a theory of how plague spread, and whether the doctor lived in Toulon in 1721 and his theory blamed microscopic winged worms, as history would have it, or whether he lived in Auxerre in 1348 and cited a white mist, as B a r n e s would have it, is triviaL2 Discussion of plague conditions and mentality in this chapter, therefore, will be limited neither to the plague during which Red Noses is set nor to the relatively mild plague which coincided with the death of Elizabeth and the ascension of James. It is assumed that in Europe, whether during a plague of the fourteenth century or one of the eighteenth, conditions which combine great fear with little knowledge will elicit similar human reactions. While thewe are many reports of distasteful responses to life during pe~tilence,~ times of plague have also been seen as, if not joyous, at least free, cleansing, and offering opportunities for egalitarianism which are not normally available. A rather cheery description of the plague comes from the Roman poet Franscesco Berni: Plague time is the golden age, that divine first state of innocence of humanity. It is the finest time of the whole year, for then there are no talkative bores, no creditors, no crush in the churches, no schools, no boredom, no exertion, and no pecuniary troubles. It brings freedom to the individual, a wise enjoyment of life, free £rom al1 external restriction, deliberate relish of al1 earthly pleasures and a turning to God and divine art. Such a passage almost makes one long for corpse-filled streets, even though its comparison of plague time to prelapsarian Eden is clearly tongue-in-cheek. Still, we can imagine that it contains some genuine truth. The poet is putting a positive face on a chaotic circumstance. The confusion and incomprehensibility of the plague, combined with the absence of church or state authority, has certain political implications, some of which are liberating. Al1 the rules become null. The concept of theft falls apart when houses are left open and property is left unprotected, because the owners have either fled or died. The concept of sexual propriety disappears in the face of death. And the concept of social order disintegrates when pestilence strikes al1 strata of society indiscriminately. This absence of socio-economic discrimination is a favourite motif of Thomas Dekker's in his writings on the plague of 1603, and is nicely (if somewhat morbidly) quipped here : Therets one, who in the morne with gold Could haue built Castells: now heers made A pillow to a wretch, that pïayde For halfe-pemy A l m e s , (with broken lim) The Beggar now is aboue him.' Today it would be difficult to discuss plague without looking at Artaud, who not only addresses the social ramifications of the disease, but goes on to use his findings in forming a theory of theatre. He cornes to this conclusion: The theater like the plague is a crisis which is resolved by death or cure ... from the human point of view, the action of theater, like that of plague, is beneficial, for, impelling men to see themselves as they are, it causes the mask to fall, reveals the lie, the slackness, baseness, and hypocrisy of our world; ... and in revealing to collectives of men their dark power, their hidden force, it invites them to take, in the face of destiny, a superior and heroic attitude they would never have assumed without it." In their very different ways, Berni, Dekker, and Artaud are describing the plague as a time when the very constructs of normal society are destroyed, when beggars and rich men are equal and when death and disorder bring life and freedorn. Social structure, in other words, falls apart, leaving the way open for reconstruction in, perhaps, an inverted fashion or in a way which parodies the hegemony of more ordered times. Within the recent cultural memory of the people of Elizabethan and Jacobean England, there were other, less lethal, times when similar phenornena occurred: during periods of festival. Puritan influence had begun to constrict the content and practice of festival, carnival, and itinerant performance,' but these outlets of popular expression remained a part of the cultural heritage of the Renaissance. Historians of popular performance agree that carnival and other holiday practices challenged the chain of authority: servants dressing and acting as lawyers, doctors, or lords, for example, mocked the significance, necessity, and authority of actual lawyers, doctors, and lords. As C. L. Barber puts it , "holiday licenseM was disruptive because "to act 'My Lord of Misrule' or be created one of his retainers says 'We are as good as Lordsr and at the same tirne, 'Lords are no better than we.rm9 Where the historians disagree is in their interpretations of authority's tolerance of customs which clearly belittled it. Conservative views support one or another variation on the "safety valveN theory, that license for these virtual rebellions was given to the plebs on specified occasions in order to prevent actual rebellion. Burke finds value in this theory although he does not feel that allowing rebellion in jest necessarily will contain it to mere jesting.1° And Barber writes that while the Anglican and Catholic churches "allowed nature to have its day," their tolerance was limited: [Tlhe release of that one day was understood to be a temporary license, a vmisrulen which implied rule, so that the acceptance of nature was qualified. Holiday affirmations in praise of folly were limited by the underlying assumption that the natural in man is only one part of him, the part that will fade.'' Michael Bristol points out, however, that interpretations such as these assume that authority was at al1 times pulling the strings, that it was in the hands of the powers that be to permit the disruption of order or not, and that the only group served by such disruption was, ultimately, those in authority. He argues instead for a consideration of sixteenth-century social structure as being under constant revision, its limitations subject to redefinition in a sort of cultural struggle between the populace and the elite, and he notes that authority does not rest solely with ruling institutions: Carnival is an heuristic instrument of considerable scope and flexibility. Though it is a festive and primarily symbolic activity, it has immediate pragmatic aims, most immediately that of objectifying a collective determination to conserve the authority of the community to set its own standards of behavior and social discipline, and to enforce those standards by appropriate means. At the same time Carnival is a form of resistance to arbitrarily imposed foms of domination, especially when the constraints imposed are perceived as an aggression against the customary noms of surveillance and social control. It is, finally, an idiom of social experimentation, in which utopian fantasies are perfonned and collective desires for a better lif e are expressed. l2 There are, of course, some important dif f erences between festival and plague: the former is a scheduled, man-made event under the control of its participants, a time of corporal indulgence and fattening, while the latter is organic, unpredictable, devastating, wasting. Although Bristol disagrees with Barber and Burke as to how much control over festival the ruling elite actually held, it is clear that no one controls the plague. The consequences of both events are, however, related: for a period of time, power - to drop social convention, to imitate and mock one's social superiors, to revel, and to lose onef s quotidian identity - is released to those who are under other circumstances excluded from power . Citing Dekker' s plague writings, Bristol concludes, "The plague becomes a kind of grim and terrifying Carnival, a seriocomic transformation of the hierarchies of everyday existence. "13 And Bakhtinr s assessrnent of carnival is strikingly sirnilar to Berni's assessrnent of the plaque: Camival is not a spectacle seen by the people; they live in Ft, and everyone participates because its very idea embraces al1 the people. While carnival lasts, there is no other life outside it. During camival time life is subject only to its laws, chat is, the laws of its own freedom. It has universal spirit; it is a special condition of the entire world, of the worldrs revival and renewal, in which al1 take part.14 The threads which connect plague, festival, and empowerment make up the fabric of Red Noses. The play sets us d o m firmly in a plague-ridden world, and we are confronted at the outset with the chaos of various individuals - Viennet, Moncriff , de Bonville and his wif e, Father Flote - each trying to stave off the plague in a different way. A confounding of expectations occurs in the character of Dr, Antrechau: as a doctor he should be able to cure and comfort, yet he can only admit defeat and cruelly keep the il1 at bay. Viennet tears at his scabs to convince himself that if there is no pain, there is no pestilence. Moncriff has a rotation of herbs to sniff. Madame de Bonville dances in the belief that constant rnovement will Save her. And Father Flote, in the midst of a spasm, prays to God for guidance. There is no common belief, no community, no normalcy; the world is inverted, a vacuum exists, and it is therefore unavoidable that into this chaos must corne those who would attempt to recreate it in their own image. In plague history as in Barnes's play, factions develop, no one of which has the omnipotent authority of the church or the state, but each of which has its own interna1 rnechanisms, rules, and what may loosely be called systems of government. Some will inevitably try to maintain normalcy during the abnormal circumstances of plague, as Barnes demonstrates in his gold merchants, who carry on their amual meeting although there are but two of the guild left, and in his whores, who, like good economists, take advantage of the law of supply and demand to up their fees - as if money continued to have meaning. But others respond to the absence of authority by accepting the carnivalesque reality and forming new microsysterns. Barnes features three such alternative governments: the Black Ravens, whose response to the plague has both socialist and capitalist resonances; the Flagellants, who take it upon themselves to atone for the sins which they feel brought about the plague; and the Floties who, under the direction of Father Flote, endeavour to bring levity to an essentially bleak situation. Dekker confirms the existence of individuals who sound very like Barnes's Ravens: Only a band of Desper-vewes, some fewe Empiricall madcaps . . . turned themselues into Bees (or more properlie into Drones) and went humrning vp and downe, with hony-brags in their mouthes, sucking the sweetenes O£ Siluer, (and now and then of Aurum Potabile) out of the poison of Blaines and Carbuncles: and these iolly Mountibanks clapt vp their bills vpon euery post (like a Fencers Challenge) threatning to canuas the Plague, and to fight with him at al1 his owne seuerall weapons . . - . 15 By exposing themselves to the plague, these wdronesu likely built up an immunity, and, it seems, made money doing it;16 reason enough f o r their actions. Barnes invests his Black Ravens with a clear purpose, but what that purpose is cannot even be agreed upon by the factions's two representatives, Scarron and Druce. When questioned by Flote, Druce gives profit as his reason for "greasing, " i. e. , deliberately transrnitting the plague by spreading the pus collected from boils ont0 objects people will touch, but Scarron's motivation is both levelling and purgative: That 's not it at all. We grease f o r a higher purpose, to wipe the slate clean, turn the world underside up, crack the Universe. We grease because we hate. 1 travelled through my life in the world's bowels like Jonah in the dark fish- Now 1'11 stride into sunlight palaces. Grease the fat bellies out. War, famine, pestilence, the worldfs dying only to be born again. Just as the seed corn rots in order ta sproutWand bear good fruit, so mankind must stink to flower in glory. Salvationfs built on putrefaction. (16) As in any faction, it is the responsibility of the leader to have a crusade; the followers can be motivated by persona1 necessity, like soldiers in an army. In this faction Scarron is clearly the brains of the operation, as demonstrated not only by the relative quality of his speech but by dint of his authority over his associate, as when he orders Druce to leave off sexually abusing the dead and dying bodies (16). Like the peasant taking on the role of a lord during festival, Scarron ironically places himself in a position of power even as he abjures its inequity. Anarchy doesnJ t last long in Red Noses; in the absence of centralized power, the characters merely form smaller governments. Through Scarron Barnes is, however, revealing a far more hopeful outcome for the putrefied social structure than he was able to envision in The Rulinq Class and in The Bewitched. In those plays, rot gave way only to even greater rot; as thorough as corruption becomes, there is no point where it seems that the only possible next step would be a healthy reconstruction. In Red Noses and in Sunsets and Glories, the possibility of a social recovery in which the meek might indeed inherit the earth is considered and even occurs, if only for a time. The historical Flagellants travelled primarily through Germany during the mid-fourteenth-century plague, putting on exhibitions of public self-scourging and gathering followers and admirers who supported their conviction that the diseaso was a punishment from God. Philip Ziegler provides an interesting take on this group: They did achieve something. In some at least of the towns they visited they brought about a spiritual regeneration, ephemeral, no doubt, but still real while it lasted, Adulterers confessed their sins, robbers returned stolen goods. They provided some diversion at the places along their route and left behind them a fleeting hope that their pain might bring an end to the greater sufferings of the plague-stricken. l7 But he goes on to note that on the negative side, the Flagellants - unwashed, bleeding from open wounds, and therefore al1 the more susceptible to contagion - were also a significant factor in spreading the pestilence. When Barnes examines the question of the palliative value of comedy in Red N o s e s and still more prominently in Laushter!, he is balancing similar qualities: the comfort, release, and sanity which humour cari offer on one side of the scale, weighed against the goal-attainment which sober action can accomplish on the other. Of course in Red Noses, unlike in Laushter!, there is no weapon, no coalition, no earthly power which can stop the destruction, Barnes's Flagellants (again, he uses two to stand for the lot) are set up as foils to the Floties, or Red Noses; their very sombre purpose is made ridiculous when Father Flote and the Master of the Flagellants, Grez, engage in pounding one another with clubs. The laughter which this live Punch and Judy show elicits is taken by Flote to be a sign £rom God instructing him in his purpose in life. Both groups attempt to position themselves near the Prime Power, Christ, as they vie for permission to use the same forum on the same day: GREZ. We sought Pope Clement in Avignon, found him a sucking dog-leech selling Christ's cross and flesh for profit. His court is a stinking bank of usury. We Say no man need go to Avignon or Hel1 to find Pope or Devil. Both lodge in his own breast. . . . On Easter Monday in the square in Auxerre we'll denounce false world, f alse Church. Wer re Christ s red meat, hacked raw. They that sow in tears shall reap in joy. Closest to Him when speared, flayed, racked . FLOTE. On Easter Monday in the square in Auxerre wefll put on a honey-pellet show thatfll set toes a tap-tap-tapping. Your suffering's nothing to mine. Despised, rejected, laughed at, If m closer to Hirn than you. And Ifve got better legs. (32-33) In any event, the square is not assigned on the basis of one daim being more valid than the other, but according to chance: it happens that some violent bodily tics of Flote's help the gold merchants, who control the booking of the square, in their sexual endeavours (33). In contrast to the Ravens' refusal to acknowledge any power other than, perhaps, death, or to the Flagellants' deliberate distancing from what remains of ecclesiastical authority, Flote, despite his faith in his work, is willing to submit to the command of Pope Clernent VI even if he should order the disbanding of the Floties (50-51). However, it does not suit the purposes of the pontif f to do so, for reasons which will be examined b e l o w . There is much source material available on the Flagellants and a fair bit on the Black Ravens, or similar types. But in creating the Floties, Barnes seems to have picked up on a mere footnote in plague studies. Here is Nohlfs entire entry on an analogous group: A particularly interesting feature of the Middle Ages are the ecclesiastic fraternities of fools which were founded to combat the fear of death - for instance, "The Company of the Foolt' of Aarau under the patronage of the plague saint St. Sebastian and the Virgin Mary. Unfortunately no details concerning them have been preserved, and we only know that on the outbreak of great epidemics they cheered the hearts of the people by public masquerades and processions. l8 Whethew or not this passage served to inspire Barnes to create his comic troupe, once the connection between festival and plague is established, it is fitting that the Floties should exist in the climate of Red Noses- They are carnivalesque figures not so much because they are entertaining (in fact their chief entertainment value lies in being lousy), but because they are acting out roles which under normal circumstances they could never play. When the peasant acts the judge during Carnival, he temporarily becomes the judge and enjoys the perquisites of the judge, if only in an impermanent reality. Father Flote's party of revellers is made up of Le Grue, a blind juggler, and his assistant Bembo; the Boutros Brothers, a pair of one-legged dancers; Frapper, a stuttering stand-up; Marguerite, a lascivious nun; Brodin, a mercenary turned underpaid entertainer; Rochfort, an aristocrat; Father Toulon, a rigid priest; and Sonnerie, who communicates only with bells but is understood by all. They are led by the most simple of men, Father Flote, who, far £rom having any political ambitions, States simply, ~ ' r n God's blind instrument, His obedient servant, chosen to bring the salvation of joy to the fearful and pain-rackedN ( 5 0 ) . As during festival time, these characters are playing at being what they are not; in fact, most of them are playing at being, or at least are taken for being, more than they are. Outside of plague or festival a simple priest like Flote could not attract such followers any more than an uncoordinated blind man could find employment as a juggler. But during the plague al1 are welcomed into the Flotie fold, unquestioned and unjudged. In taking on some of the more unqualified performers, Flote reasons that "Failing to be good they succeeded in being completely bad" (39) . Even those who would oppose the clowns - Father Toulon, or the unwittingly comic Master of the Flagellants in the scene noted earlier - must take up their red noses, literally or figuratively- In this inverted state of affaixs, failure equals success, ineptitude equals ability, no one is excluded and no one is exempted. Here is a utopian society indeed, not quite as Sir Thomas More meant the word but in the sense that impossible dreams are fulfilled, plain men become leaders, governments are toppled and restructured, Such freedoms can only occur when the centre of a society gives way. The 13th Earl of Gurney, as J.C., failed in his attempt to empower the individual because he was operating alongside the very solid monolith of British patriarchy. No plague, carnival license, or sudden absence of power forces the chaotic circumstance necessary to incite real change. The death of the 12th Earl and the ensuing kerfuffle over inheritance creates only a minor inconvenience in the scheme of things. In much of Shakespearean comedy, as well, the disorder which drives the plot seems to be just that: a good 71 theatrical device of a temporary nature. Al1 will be sorted out when the lovers awake from their midsummer night's dream; the shrew will be tamed and man will regain his dominant position over woman; the duke will re-establish justice and mete it out, measure for measure. In the non-comedies, of course, a new order may arise from the ashes of the old (we hope that Denmark under Fortinbras will be less rotten), but where in Shakespeare is true rebellion possible? Perhaps the nearest we come to this possibility is in the Henry VI trilogy. As 1 mentioned in the previous chapter, the trilogy opens with the death of Henry V, and although an heir exists, King Henry VI has neither the experience, wisdom or desire to hold power effectively. Like Middleton's Constantius of H e n s i s t Kinor of Kent, who will be discussed in connection with Sunsets and Glories, Henry VI has, by being so disinterested and ineffectual in the task of centralizing authority, achieved a sort of absence even while he wears the crown. There is a dangerous sense of carnivalesque inversion throughout the Henry VI tri10g-y.'~ It begins, before Henry V is even laid in the ground, with the succession of messengers delivering news of French revolts which overturn completely the victories of Henry V; continues in the image of the woman-warrior Joan la Pucelle; is personified by Jack Cade in the middle play; and doesnft end until the defeat of yet another woman-warrior, Queen Margaret, who not only usurps her husbandfs place on the battlefield but shoos him away as 7 2 though he were a pesky dog, Al1 are signs of a disordered, decentralized universe in which the disenfranchised segments of the population, namely, women and the peasant class, briefly threaten to upset the status quo. The two characters who best embody this threat in the trilogy are Joan la Pucelle and Jack Cade. hile Shakespeare endows Queen Margaret with great rnilitary prowess (see, for example, her speech to the troops, 3 Henrv VI V.iv.1-38), her status as queen gives her a certain leeway, particularly since her ability no doubt called to mind Elizabeth's recent victory over the Spanish Armada. Joan, however, is not nobility but only the daughter of a shepherd; and more significant than her actual station is her claim of being noble (1 Henrv VI V. iv. 21-22. 36-41) . Phyllis Rackin, interpreting a mid-sixteenth century account of Joan's crimes, notes the double subversiveness of the historical Joan of Arc's actions: "Assuming masculine dress, Joan has violated biblical prohibition and the gender regulations that governed women's 'estater in society. Assuming a coat of arms, she represents a threat to the entire social order. n20 In a Platonic view of imitation, Joan's crimes of impersonation are the crimes of theatre itself, but in a less paranoid mode w e are generally happy to enjoy disguise on stage even where we might find it threatening or warped in real life. (What percentage of the audience who were entertained by, Say, La Case aux Folles would be equally pleased to serve tea to a fernale impersonator in their home?) Bristol's take on the perversity of disguise outside the playhouse is also relevant here: To W e a r another man's clothes or to permit the indiscriminate exchange of garments is to display contempt for the most fundamental values. Temporal authority has the duty to enforce and to regulate expressions of identity in the social integument, for to do otherwise is to fail to observe the difference between, for example, Jew and Christian. The participants in Carnivalesque travesty radically confuse and transgress social space - in Carnival a crown & just a funny hat, and a fumy hat, or some even more inappropriate object, is a ~rown.~' The paper crown and declaration, V'm GodN ( 5 7 ) which Barnes gives to Father Toulon for the performance of Evervman are not sufficient to "radically confuse and transgress social space," even if Grez, embodying Plato's nightmare, is confused: "It's a lie. 1 know that voice. He's not God. It' s Father Toulonm (57) . Theatre in which a division exists between performer and audience, whether it takes place during an atmosphere of festival or not, maintains a distance which would seem to counter serious subversive intent; thus we laugh at Grez or at Shakespeare's Bottom for failing to make the proper distinctions. Conversely, Joan's subversion is still more profound when we see her as assurning - perhaps masquerading in - the role of Christ when she is neither performing for an audience nor participating in a communal performance such as Carnival: like the Christian saviour, she has been sired by both a poor man and by a great power; her 74 words stir an army of followers; her influence exceeds her authoritative station; and her death is viewed as a martyrdom- An additional discornfort in comecting Joan to Christ is her s e x : devout women in Catholicism do not aspire to be Christ but to be bis bride, a role traditionally understood to be subservient and filled with denial, As Barnes's nun, Marguerite, cornplains: "When Jacques died of the hot sweat, 1 f e l t the Church ' tween my thighs rnisery-moaning and holding me. 1 thought cold chastity would clean my bones, sober my heart- Mistake. Dead, Jacques was more alive than the living Christu (34). For Marguerite, the act of taking up her red nose and metaphorically tossing away her wedding band is akin to Joan's refusal to play the wife: both are inversive acts with subversive consequences.22 The more obvious carnivalesque character in the trilogy is Jack Cade, Like Joan, Cade makes claims of noble birth, defying anyone to prove that he is not the bastard grandson O£ Edmund Mortimer (2 Henrv VI IV.ii.129-39), a statement based upon faulty logic and as difficult to prove or disprove as Joan's. The very act of Cade presenting his argument as logical mocks rhetoric itself as a reveller mocks the mathematician by pretending to be one, or as Touchstone, for example, mocks the art of argument in his speech on "a lie seven times removedm (As You Like It V.iv.67-811, or, to bring Barnes back into the discussion, as the Floties mock artistic talent by performing. The difference is, the reveller and the 7 5 Floties have license for the tinte of the festival (or plague) only, and Touchstonefs license cornes with his rnotley dress; but Cade is acting out of season. His inversion of the rules, conventions, and values of his society - making education a crime, for example, or insiçting upon having the maidenhead of al1 girls before they are married (2 Henrv VI IV-vii) - would be safe and amusing during Carnival; outside of it, however, the donning of the role of Lord of ~isrule becomes not only inappropriate, but dangerous . I1But then are we in order when we are most out of order," declares Cade (1v.ii.182-831, and Barnes would seem to Say the same. Flote and his ragtag troupe succeed in alleviating the horrors of life during something as incomprehensible and chaotic as plague by being themselves still more incomprehensible and chaotic. To describe their performance of Evervman, for example, as amateurish would be an insult to amateurs everywhere. Poor stuttering Frapper is given the job of prompter, Flote as Death entirely subverts awe by taking a pratfall upon one of his entrances, and the perfomers must break character to silence an audience which has not been convinced to suspend its disbelief. At the intemal Barnes takes a tip from Jonson's Evervman Out of His Humour by having Flote's audience deliver the kind of criticisrn and commentary which his own audience might be thinking: "Rubbish. They havenft shown the world as it is or how we can change it"; "It al1 looks penny-pinched and tat-like to me. They should've spent more money on the whole thingt ; "No bloodn (60 -61) . If the moral of this Everyman, in which the title character dices with Death and wins, is supposed to be an admonition to straighten up and fly right, it fails miserably. But that is not its moral. That would be the moral of an Evervman which conformed to the dominant paradigm. Flote's version delivers a far more subversive message: BRODIN. . Death doesnft count, and probably doesnrt read or write either. When he comës again werll play it to the very end. Whether dying in a privy or marble halls, green field or white bed, the hand pointing to zero, the smell in your throat, donrt do Deathf s job for him. Donr t start dying before you die, already half dead. Donr t go easy, make him work for you, let the calendar tear its own leaves, fight dirty. (63) It is the shortest of steps to go from suggesting that Death is a force which can be opposed to imagining the same of popes and kings, which is what Brodin then does: FIRST LEPER. ... Kingsss decree al1 lepersss be banished, Princesss of Provence set mobs to massacre USSSS. ROCHFORT. Scapegoats are needed. The poor are always destroyed, not because they're poor but because they' re weak . BRODIN. Hunting wouldnr t be such fun for lords if the rabbits had swords. Cuirassiers, Brother Leper, Cuirassiers! (66) Brodinrs cal1 for the lepers to take up swords borders on the seditious, and we will never know what effect it might have had on them since they are promptly murdered by a mob. But it is doubtful that a threat of armed lepers would cause much concern. Rackin holds that, in the final analysis, although the Cade rebellion as dramatized in 2 Henrv VI is dangerous in the sense that the rebels' cornplaints are very real and timely, ultimately they are made too ridiculous to be taken seriously: Potentially subversive, they [the rebellion scenesl seem finally designed to justify oppression. Dissident sentiments are first evoked, then discredited and demonized as sources of anxiety, and finally defused in comic ridicule and brutal comic violence. 23 The Cade rebellions, in other words, are made carnivalesque by Shakespeare, and hence, safe. Whether Shakespeare was politically conservative or as subversive as he felt could get away with, he seems to have purposefully deflated the validity of the Cade rebels. Barnes would not be held back out of fear of offending the powers that bel but the question remains: has he, too, taken his comic rebels too far and hence, buried their political validity? Most states, even those with an autocratic bent, will to some degree tolerate a plurality of voices such as make themselves heard in Red Noses. Even Machiavelli supported the Roman practice of allowing the plebs to protest: "every city should provide ways and means whereby the ambitions of the populace may find an outlet, especially a city which proposes to avail itself of the populace in important un der ta king^."^' And on the face of it, there is no reason to consider either the Flagellants or the Red Noses to be subversive threats. The Black Ravens are another story, as they are deliberately spreading the plague and singling out the wealthy to boot. So if Pope Clement VI does not find it necessary, for most of the play, to declare even the Ravens heretic, why should he care whether one group of people is going around flogging itself and another is flogging its audience with bad jokes? Barnes's characterization of the relationship between Pope Clement VI and the Flagellants is, again, historically accurate; they were tolerated, even admired, until such time as they became too popular and too independent of Church doctrine.25 Mere popularity, however, is not what makes the Red Noses a potential menace to the Church, and Father Flote's obedience is never in question; the threat comes from the power (and the politics) of humour and irnpersonation. In his essay "Filthy Rites," Stephen Greenblatt describes a Z u f i i ritual performed for a European observer in which the Europeans themselves are mocked, yet the observer cornes away feeling superior. He postulates that humour is always a tool of the oppressor: The gesture of insult is at the same time an acknowledgement of defeat, for the satiric hurnor of the oppressed, no matter how telling it may bel always assumes the condition of oppression, perhaps even reinforces that condition, both by releasing aggression nonviolently through laughter and by confirming in the minds of the conquerors the impotence of the ~onquered.~~ Here is the essence of both the perceived danger of the Floties - that they will mock the sobriety of Christianity and the authority of the Church - and of their inherent harmlessness. Before he catches the spirit of the Noses, Father Toulon, oblivious to the insult contained in his remark, tries to persuade the pope to bar the Floties' actions, arguing, "Laughter produces freedom. It's against al1 authority, ripping off the public mask to show the idiot face beneathtl ( S O ) , but Clement VI is well aware that Carnival rnay be held, that in fact it is in his best interests for it to be held, because at the end of the day, his purposes will have been served by it: Living behind a mirror, 1 look out and see therers liberation in the plague air as well as worms. The restraints, customs and laws of centuries buckle, the old moulds crack - happen they should crack - but the green force that liberates the poet and thinker also frees the maniac with a butcherfs knife. The wayfs rough; no level roads left. 1 see you as a useful lubricant, Father [Flote] ; holy oil. (51 Father Toulon's concern about the ripping off of masks is interesting in light of Artaud's similar assertion about plague and identity. The freedom of festival (or of plague) allows for the putting on of masks by the common people, either literally as was the practice in some parts of Europe, or figuratively, in that, as Burke writes, lTarnival may be seen as a huge play in which the main streets and squares became stages, the city becarne a theatre without walls, and the inhabitants, the actors and çpectators, observing the scene from their bal~onies."~' Toulon worries that the masks which are put on by the Floties - their characterizations - will cause the public masks worn by the great to fall; and at the same time he admits that what lies beneath these masks are idiot faces. It is not without a measure of subversive humour 80 that Barnes casts Toulon as God in the Noses' production of Evervman. Artaud likewise finds characterization a means of unmasking, but he expects to find not idiots but heroes beneath the mask. The dorming of a mask, disguise, or characterization - impersonation generally - as a means to expose deceivers and hypocrites is among the most pervasive devices in Renaissance drama. We find it in the history genre in the service of Shakespeare's Prince Hal, whose mastery of the technique is both impressive and complex. To cite just two instances of Hal's use of false identity: disguised as a robber he exposes Falstaff's cowardice (1 Hen. IV II.ii.88-981, and afterwards, playing at having been absent from the robbery of Falstaff, the prince exposes him as a liar (1 Hen. IV II.iv.156-261). 1 have chosen these examples because of the significance of Falstaff's defense. Having been himself unmasked, he claims to have seen through Hal's disguise: "By the Lord, I knew ye as well as he that made yeu (1 Hen. IV II.iv.263). Falstaff would have it that the prince cannot hide his identity; in an extension of the lfsafety valve" theory of festival, Hal may have his day of pretense, but in the end, he is always the prince. If an ordered universe requires peasants to reassume their identities after festival, then it must also require princes to reassume theirs. But, as Greenblatt's interpretation of characterization indicates, it is Falstaff who, ultimately, can never benefit from deception; that distinction lies solely with the authority figure, in this case, Hal. 28 Not surprisingly, Barber again takes, and assigns to Shakespeare, a conservative view of Prince Hal as a carnivalesque figure: Shakespeare dramatizes not only holiday but also the need for holiday and the need to limit holiday. ... The issue, in his hands, is not whether H a l will be good or bad but whether he will be noble or degenerate, whether his holiday will become his everyday . 29 Barnes would seem to support this concept of the danger of holiday and everyday intermingling becoming confused with one another; he differs £rom Barber, though, in that he would view such chaos as a positive, perhaps necessary, step towards the development of an egalitarian society. His Floties are acting in season when they perform a skewed Evervman during a period of general disorganization; once the plague has ended, however, carnival-tirne ends with it, and criticism of authority is no longer tolerated. "Now the plague has passed," says Clement VI, I1we must immediately limit, tame, subordinate, rule. Submission and belief, the twin poles of the world must be restored. And quick, else they acquire a taste for the other waym (87). Suddenly, mockery of authority has become unfashionable, and when the Red Noses stage their version of the birth of Christ, the Church cries out "Anathema!" and the audience cornplains that it is being made to think (98) . (Here, incidentally, 1 feel that Barnes has veered off course: there is nothing particularly intellectually challenging in the second play, and it would have been more consistent to have the audience take offence on the grounds of moral depravity . ) What does the Church find so upsetting about the Floties' production of Christ and Kinss? Though the irony is evident, Marguerite, in her role as the mother of al1 the slain Jewish infants, is not uttering anything treasonous when she tells her children, "Don't cry, my little lambs, m y lambkins. If you had lived you would have learned to love your rulers for the way their softest whisper is obeyed like a shouted comrnand" (103). Herod is the only figure given a comical treatment, and he isnft exactly a hero of the Judeo-Christian world. However, to the Jacobean way of thinking, even such a one as Herod enjoys a special relationship to God. As King James saw it, a wicked king is sent by God for a curse to his people, and a plague for their sinnes: but that it is lawfull to them to shake off that curse at their owne hand, which God hath laid on them, that 1 deny, and may do so iustly. The Archbishop agrees, telling Flote, "You mock God. For the authority of kings, yea even Herodfs, cornes from God, and in mocking them you mock Himn (98) . Again, the problem lies not in the material but in the timing. Comedy - in fact artistic representation generally - which foregrounds inequality is acceptable, desirable, and appropriate only during equalizing circumstances and times of social upheaval. Once order is restored, it loses its flavour. As Flote answers the cries that his play isnrt No, it isnft funny, In the days of pestilence we could be f m y but now werre back to normal, life is too serious to be funny. Godrs a joker but His jests fa11 flat, (He takes off his red nose.) It isnrt funny when they feed us lies, crush the light, sweep the stars from the heavens. Isnft fumy now ineqÜalityf s in, naming rich and poor, mine and thine. Isn't funny when power rules and men manifest al1 their-deeds in oppression. Isnrt funny till we throw out the old rubbish and gold and silver rust, Then itfll be funny. (103) Whether Flote and his troupe accomplished anything during their period of holiday license, or whether holiday was successfully contained in its place, is a question to which Barnes gives two answers. Flote sees himself as a fa i lure: 1 tried to lift Creation £rom bondage with mirth. Wrong. Our humour was a way of evading truth, avoiding responsibility. Our rnirth was used to divert attention whilst the strong ones slunk back to their thrones and palaces where they stand now in their saggy breeches and paper crowns, absurd like me. (103-04) Recalling Greenblattrs assessrnent of humour and power, Flote would seem to have arrived at the same conclusion, that laughter is an ineffective tool in the cause of redressing social intbalance, that in the end it always serves the status quo, %aughterfs the ally of tyrantsrft as the Author says in produced around the that finished Red Noses. In that play, he explores this premise in the context of the Holocaust, and indeed, there is an irresistible connection to be made with the humour developed by the Jews over the course of their history of oppression. Barnes made this connection and revealed his mixed feelings about comedy in Our 1992 conversation: ... it's too easy to sit on the very comfortable assurnption that comedy is for the oppressed against the oppressors, and that it's a sort of cleansing wind that sweeps through society, and that if we can laugh at something then we are in some way alleviating the misery and the problem. . . . 1 think there are many, many occasions when the comedy is used to quietly justify rage and anger, and I certainly would use it. The Jews have one of the greatest senses of humour in the world. There is more than a true connection between the fact that they're always laughing, that they always make jokes about things that have happened to them, the oppression and the pogroms and the rest of it , I wonder if it would have gone on for so long if they hadnrt got a sense of humour. ... if you block off that outlet, maybe you'd have a revolution.'* The readiness with which the stage audience desert the Red Noses would indicate that Flote, and his creator, are justified in their pessimism. The Pope's subsequent attempt at erasure of the troupe also leaves us wondering about the effectiveness of being a lone voice in the wilderness: "Let the Floties sleep forgotten, their light, ashes. They have never been. Sand out their namesu (106) . But in the next breath Clement VI recognizes the futility of erasure: "Yet to be nameless and have lived, showing how men should live, is a true remembrance. . Fatner Flote thought he'd failed. No man fails completely who shows us gloryN (106). And the replaying of the Floties' voices in an epilogue leaves us agreeing that a voice once heard can never be completely silenced . 85 To return to the mysterious Company of the Fool mentioned earlier, Of Sebastian, the third century A.D. saint selected as their patron, Butler's Lives of the Saints records that his body "was pierced through with arrows, and he was left for dead" at the order of Emperor Diocletian, but that he later rose and spoke to the emperor about his cruel treatment of the Christians. "This freedom of language, " Butler continues, "coming £rom a person whom [~iocletian] supposed to be dead, for a moment kept the emperor speechless; but recovering £ r o m his surprise, he gave orders for h i m to be seized and beaten to death with cudgels, and his body thrown into the common sewer . tl 33 Flote and his followers are also pierced through with arrows yet rise to speak again, and there the play ends- The Emperor tried to silence Saint Sebastian, but his story was recorded and continues to be remembered, as will that of the Red Noses whenever the play is produced or read. They have not gone to the trouble of speaking £rom beyond the grave only to go, finally, unheard, and the question posed by Brodin's Voice - "Father, we were famous but do you think we' 11 live?" (109) - is answered even as it is being asked, Barnes's epilogue, in fact, is rather superfluous; the characters have already corne back to life by appearing on stage, as surely as Hamlet and Company return to life with every performance of that play. (St. Sebastian, incidently, in addition to his status as plague saint, is the patron saint 86 of archers - an i rony when one considers that he was the target - ) What is more to be feared than either death or erasure is to be ignored; and that is the unhappy fate which much of contemporary English d r a m a has been facing for several years. The thought that somewhere, a spectator or reader was taking in and in some way being made to think about the questions of authority raised in Red Noses is a happy one which, when t h e play was written in 1978, a still-idealistic Barnes had the luxury of possessing; by 1985, the year it finally received its first production and six years into the Thatcher government, he had become less hopeful. "The world has moved on in seven years , he wrote, "and not towards the light . 1134 In Sunsets and Glories (1990), his most recently produced play, Bames almost recovers his optimism; to date it is the most idealistic of his staged theatre, but that idealism is ultimately crushed. (Heaven's Blessinss, which will be discussed in my concluding chapter, is an actual happy-ending fairy tale taken £rom Old Testament Apocrypha, but it has not yet received a production.) In Sunsets and Glories, the contagious political innocence of Marcel Flote is transferred from one small-time priest to another, Father Peter de Morrone, with the significant difference that Morrone goes on to head not just an easily squashed band of entertainers, but the powerful Catholic Church itself. Sunsets and Glories might be grouped with The Rulinq Class and The Bewitched in that it presents the problem of how to fil1 a void in a power structure which elects £rom within its own ranks, if we view the College of Cardinals as being a non-reproductive equivalent of the aristocracy. Indeed, the brief opening scene, in which Pope Nicholas IV is litexally stamped out by the foot of God, more than evokes the opening scenes of the plays discussed in Chapter 1 (as well as, for anyone who has ever seen it, the anirnated title sequence of Montv Pvthonfs Flvina Circus) . The College is every bit as reluctant to elect Father Morrone Supreme Pontiff as was the Gurney farnily to allow mad J - C . to inherit the esCate and the seat in the House of Lords. The Gurneys had to acquiesce, finally, to the intricacies of the law; the College is likewise subject to an authority even greater than itself. Once Cardinal Malabranca nominates Morrone (apparently receiving his name via divine inspiration), the other cardinals, in tu rn , object to the nomination on the grounds of Morrone's inexperience as a leader, and in the next breath find themselves electing him. The first reaction of Cardinal Orsini to the nomination, for example, is Teter who? Do you mean that old, raggedy-arsed hermit who lives in the Abruzzi rn~uritains?~~~ But as he listens to Malabranca humming the "Te Deum," something happens within him: ORSINI. Peter de Morrone is a peasant, untutored in worldly affairs with no experience of ruling. He's a man of wondrous sanctity and goodness, but - . - (He suddenly f a l l s on his knees.) In the name of the Father and the Son and the Holy Ghost, I elect Peter de Morrone ruler of the Church of God. (4) For once, the realpolitik of the Church is made to submit to the authority of the divine, and Peter de Morrone becomes Pope Celestine V. We should perhaps feel a bit disconcerted at finding Godts presence at a papal election unusual (Malabranca finds it so odd that he spends Celestine's entire reign believing himself to be dreaming), but Barnes's portrayal of the College of Cardinals as a collection of politicos with private agendas, motivated not by love of God but by wealth and power, seems al1 too natural. In David Harets Racins Demon, first produced only months before Sunsets and Glories, the point is less cynically but quite clearly made that actual faith is rather out of sync with the workings of the modern Anglican Ch~rch.~~ Religious belief is likewise a credential of lesser importance in Barnesrs thirteenth-century clergy, and matters of the spirit, when they are thought upon at all, are connected to political gain. Cardinal Gaetani explains that he has refrained from carnal activity for practical as well as spiritual reasons. The Holy Father is a saint. But hefll be destroyed 'less 1 can protect him. To do that, I must stand by him but herll not allow it if 1 stink of lust. (16) The Elizabethans and Jacobeans were also clear on the difference between a man of the cloth and a man of faith. (Perhaps ours is the first culture to expect, naively, purity from our religious leaders, and to find it so shocking when they disappoint-) The truly spiritual figures we find in the drama of the Renaissance are rarely, if ever, holding positions in the Church, and the churchmen we find are rarely engaged in spiritual activity. We get reports such as those £ r o m Machiavel in the Prologue to Marlowe's The Jew of Maita ka. 1592) and from Malevole in Marstonr s The Malcontent (1604) : Malevole, responding to the question of whence he has come, answers, "Frorn the public place of much dissimulation, the churchm (1 Aii.4) 3 7 ; reasoning why men will not sin in future years, he says, "Because (thanks to some churchmen) our age will leave them nothing to sin with" 1 - i i . O . The audience makes allowances for Malevole because he is "the mal~ontent,~~ but that licence doesntt dilute the sentiment- And Machiavel assures the audience that wise rulers, even those who head churches, know and use his instruction: Admired 1 am of those that hate me most. Though some speak openly against rny books, Yet they will read me, and thereby attain To Peterfs chair: and when they cast me off Are poisoned by my climbing followers. 1 count religion but a childish toy, And hold there is no sin but ignorance. (Pro. : 9-15) 38 Political savvy makes popes, then; not a God-whispered word in the ear of the electing body of cardinals. Webster provides a deliciously corrupt and hypocritical Cardinal in The Duchess of alf fi (ca. 1614) , complete with a scene between the Cardinal and his mistress in which we hear him boast how he taught her to lie to her husband (II.iii). (A touch of humour follows when the arriva1 of a former lover of Julia's suggests that, in fact, the mistress did not need the Cardinal's instruction-) In a darker context, though, Webster reminds us how far the Cardinal's power extends. We are permitted to eavesdrop on two pilgrims who are discussing the Duchess's banishment £rom the state of Ancona: 1 PILG. But 1 would ask what power hath this state Of Ancona, to determine of a free prince? 2 PILO. They are a free state, sir, and her brother showed How that the Pope, forehearing of her looseness, H a t h seized into thf protection of the Church The dukedom which she held as dowager. 1 PILG- But by what justice? 2 PILG. Sure 1 think by none, Only her brotherf s instigation. (III Av.27-34) 39 In Sunsets and Glories, too, the authority of the secular rulers Charles II and Maria of Naples is eclipsed by that of the Church which, far from being the tool of the aristocracy that The Rulincr Class (witness the character of Bishop Lampton), must be carefully courted by the monarchs; indeed, they seem to rule by the grace of the Church. Much of the plot of Sunsets and Glories is driven by the tug-of-war between those who would have Pope Celestine hold court in Rome and those who would prevent him from leaving Naples, taking the seat of power with him. When, near the end of the play, Gaetani becomes Pope Boniface and proposes to do just that, Charles and his queen are reduced to shuffling around the palace in carpet slippers : MARIA. . . . We ' re no longer at the centre. Pope Boniface ignores us and sends us home. We play our last scene in poor light, pushed to the margin, flip-flop. CHARLES. 1 didn't ask much. 1 had a simple dream, of ruling the world. Where was I wrong? 1 betrayed Father Morrone and Judas hanged himself in a potter's field for it, but kings betray their subjects daily and thrive, flip-flop. MARIA. We shrink; 1 feel myself shrinking, the squeaking consort of a minor princeling in the wet fish trade. (78) 1 want to be careful, though, not to make it seem as though Renaissance playwrights necessarily faulted the clergy for its secular activity; on the contrary, the corrupt prelate fares far better on the Renaissance stage than does the holy innocent - or, at least, than does he who would leave political matters in the hands of God. In a reversal of (perhaps not strongly-held) expectations, Shakespeare has Henry VI out-do the Cardinal in Christian sentiment during a KING. 1 prithee, peace, Good queen, and whet not on these furious peers; For blessed are the peacemakers on earth. CAR. Let me be blessed for the peace 1 make Against this proud Protector with my sword! (2 Hen. VI II. i. 32-36) - Any suspicion that the king is motivated purely or even substantially by religious belief, however, should be allayed when Henry. upon learning that al1 the French lands won by his father are lost, reacts, "Cold news, Lord Somerset: but God's will be done!" (2 H e n . VI III.i.86), or when he sits himself d o m during battle and declares: "To whom God will, there be the victo~y!~ (3 Hen. VI II.v.15). It is clear that we are not meant to view him a pious £001 but rather as a £001 who excuses his weakness by calling it Godrs will. A truly spiritual character, and one who bears rather startling similarities to Peter de Morrone, is Constantius in Middletonrs little-known Henqist, Kins of Kent; or The Mavor of Oueerrborouqh (ca. 1616) Constantius, the eldest son of the recently deceased king, had been placed in a monastery becauçe his father felt that it was not within his son's abilities to rule the kingdom. Far £rom being embittered by this choice, Constantius thrives out of the world, and when the people choose him to be their king over the Machiavellian Vortiger, he does so only under protest. Vortiger connivingly offers to run the show from backstage, taking on the burden of authority while leaving the glory to Constantius; what he omits to mention in his gracious offer is that he will also hold al1 real power. In many ways Barnes's Morrone is the direct descendent of Constantius. Constantius finds his election to be cruel, and, once resigned to accept his fate, complains: CONST. 1 feele want And extreme pouerty of Ioy within me, The peace 1 had is parted mongst rude To keepe them quiet 1 haue lost it al1 men, What C& ye ~ingdome gaine by my vndooing? Similarly, Morroners reaction to having been elected pope is: MORRONE ( s ing ing) . "Lord, 1 am tired and 1 am old. It ' s snowing and my feet are cold. Why me? Why me? If 1 leave, it will never be the same. No end to rnisery or to sharne. Lord, answer me if you can. I'm led to slaughter like a la&. Why me? Why me?" (8 Both characters value the spiritual wealth they had gained through living out of the world - Constantius in his monastery, Morrone on his desolate mountaintop - far more than the wealth, power, and position which they are offered and which most men would envy. And both are as out of place in their authoritarian roles as would be the carnivalesque reveller during Lent. Performing his first official order of business, hearing suitors, Constantius tells them: CONST. Pray doe not follow me, vnles you doot To wonder at my garmCen1ts: theirs noe Cause - - 1 giue you why you shold: tis shame enough Me thinks for me to looke vpon my selfe; It greiues me that more shold: the other weeds Became me better . . . . (I.ii.48-53) Barnes, in keeping with his love of spectacle, expresses the same sentiment visually: at his papal instalment, Morrone, dressed in full regalia, takes the ring of St. Peter and his new name, and then runs to greet King Charles II. The papal robe, however, fails to accompany him (10). And while signing blank papers representing as-yet unmade suits, the new pope suddenly begins to topple to the ground from the weight (18). The writing board he had been wearing around his neck is converted into a tiny hut into which Morrone can "crouch cramped in the dark, feasting on stale bread and staler water: 1 want paradise al1 to myself" (20). Constantius, too, is happy only once the suitors leave: Weeres a wishrd howre for Contemplation now; / Al1 still and silent, this is a true Kow long can such a figure live in the world? In the case of Constantius, only through Act Two, scene one. It is Vortiger, of course, who has him assassinated, shortly after the wornan sent to marry the pious king returns, vowing never to marry and to forever forgo pleasures of the flesh. Unfortunately the woman, Castiza, had been engaged to Vortiger, and ber new-found cornmitment to spirituality is not appreciated. Middletonfs play goes on to follow Vortiger and later Hengist in their reigns, exploring the nature of wealth, power, and authority and the various ways in which they are gotten and lost. Morrone £ares somewhat better, for a time. Like Constantius, he brings a sou1 into the fold, performing a psychological exorcism on the ruthless rnercenary Montefelto. Elsewhere, to the amazement of the court and clergy, order and stability are achieved, old arguments are settled, strange alliances are formed. But, Barnes asks, are peace and harmony necessarily the most desirable states of being for either the populace or those in power: GAETANI. . . . The Holy Father has done good - brought peace to Sicily - though wars are what nation states are for. He has cured-~ontefelto and by so doing lost a soldier for Christ. And Guelph and Ghibelline are united - thus making them doubly dangerous. Good is Janus faced. What is the link between man and God, man and man? Fear. God wants to be feared rather than loved. So does man.... The Holy Father is good but isnf t feared, so he cannot hold and who knows what hellish chain of events will result from just one act of unconsidered goodness? ( 3 3 ) The wheels turning in Cardinal Gaetani's head are quite visible. He is not the power-hungry, scheming character that Vortiger is; he is, however, a political realist, and in that he is truly Machiavellian, as the Renaissance thinker would have understood him. Felix Raab summarizes Tudor comprehens ion of Machiavelli this w a y : On the one hand we see Machiavelli as the sage political observer; on the other we see him identified with the horror of atheism, of a political world no longer determined by the Will of a universal Providence rnanifested in Christian precepts of political morality." Raab identifies this conflict as one between "policyv and "religion," and he makes a case for increased attention paid to this conflict in the Jacobean years: The general tenor, then, of political writing in Our period [1603-401 was anti-Machiavellian in the sense that most men could not accept the basic assumptions upon which Machiavelli's statecraft was built- ~lthoÜgh they frequently agreed on points of detail and cited Machiavelli as a weighty authority, there was a point at which his blatant secularism aroused hostility and rejection. For many, that point was "politick religionm, the principle of religion as a political device Like the Renaissance thinker described by Raab, Gaetani comes to an impassable obstacle in accepting Machiavelli's argument: how to fit in his Augustinian beliefs. He settles his self-debate on the side of Christian belief: GAETANI. 1 cannot act against the laws of man and God. The blessed Peter sits like a rock on St. Peter's rock, if needs be, till the seas dry, the suri blacks, the light fades. (The light fades to darkness. ) Only a Pope can pull d o m a Pope. (33 1 This is not to say that completely to God, only that expediency such as murder to detexmines that "Only a Pope 96 Gaetani will leave Morrone he will not exercise a secular dethrone him- When Gaetani can pull d o m a Pope" he is not expressing helplessness but rather the necessity of getting Morrone to abdicate on his own- To thiç end Gaetani is not above using deception, and in the following scene we see the whore Sophia being coached to act the part of the Angel Gabriel. The plan is that the Ange1 will urge Morrone to abdicate on the grounds that having the power of Pope w i l l eventually corrupt him, Charles and Maria have, offstage, come to the same conclusion as Gaetani, that no human being can destroy a Pope; curiously, they have also arrived at the same solution- Their Angel Gabriel, played by Queen Maria, will try to convince Morrone to remain Pontiff. This doubling technique, frequently enlisted by B a r n e s , challenges individuality and by extension authority, and will be more thoroughly discussed in Chapter 4 - The identical Gabriel costumes are one type of disguise used in Sunsets and Glories; as 1 have already suggested, Barnes is also playing with the concept of travesty, of being falsely dressed, when he shows how ill-suited is Morrone to the papal vestments. Though not to the extent that it exists in Red Noses, there is a hint of festival atmosphere in Sunsets and Glories: in this case, the holiday unreality of an unknown hermit becoming Supreme Pontiff. Morrone as Pope 97 Celestine becomes a king-clown figure, and like the costumed peasant, he only plays at being Pope; but as Barber noted, such role-playing presents a challenge to the authority structure. The Floties wore the red nose as the proud emblem of their foolishness; Morrone, however, becomes a clown when he puts on the most respected of costumes, the papal dress. Atop his mountain, in his poverty, Morrone is a saint-like figure, an ascetic with a direct line to God. There is something penrerse, however, about Morrone dressed as Pope Celestine V, wearing the trappings of earthly power; it is the same sort of perversion created when the Maid of Orleans dresses as the Master, throwing our sense of order and propriety out the window. That Morronefs gown does not move with him in the sight gag noted above is more than an expression of the emptiness of authority or the essential nakedness of great men (though I think we are meant to see these things as well) ; it is a visual reinforcement of how unsuited Morrone is to occupy St. Peter's chair. As Constantius complains, the other weeds became him better. Morrone cannot wear the mask of authority and be taken for anything other than an impersonator: the mask always points to itself and therefore to the artificiality of authority. Essentially, seeminq and beinq are, for Morrone, inseparable states, and therein lies the essence of both his true power, and of his incompetence as a ruler, Both Montefelto and Mistress Maifreda, a woman claiming to be the true pope, comment on how little Morrone looks like what he daims to be, yet his quiet influence over them accomplishes what the law and the Church have failed to. And after Morrone's unconventional diplomacy sets James of Aragon and Charles II towards resolving a conflict, Gaetani comments: GAETANI. Your Holiness seems to have put two royal fools on the road to talking peace. But at what cost to your dignity? It matters. The Pope's power lies as much in his image as in his canons. The mask is more important than the face. MORIIONE. No, itrs more important to be than to appear- 1 shouldfve remembered al1 men are princes and not fear them. (29) This is the conflict between policy and religion which, as Raab notes, was of such concern to Jacobean thinkers. Morrone has aligned himself with essence, spirituality, seul; with the Jesus who warns: Woe unto you, scribes and Pharisees, hypocrites! for ye are like unto whited sepulchres, which indeed appear beautiful outward, but are within full of dead men's bones, and of al1 unclea~ess. (Mt. 23 :27) Gaetani on the other hand has aligned himself with appearance and policy - the sort of policy expressed by the very king under whose direction the above passage was translated into English, James 1: It is a trew old saying, That a king is as one set on a stage, whose smallest actions and gestures, a l1 the people gazingly doe behold: and therefore although a king be never so praecise in the discharging of his Office, the people, who seeth but the outward part, will ever judge of the substance, by the circumstances." Likewise, in The Prince, Machiavelli cautions: Men in general judge by their eyes rather than by their hands; because everyone is in a position to watch, few are in a position to come in close touch with you. Everyone sees what you appear to be, few experience what you really are." The similarity of James's thinking to Machiavelli's is striking but not surprising, and in fact both offer sensible and even self-evident advice worthy of being followed by anyone in the public eye. That Morrone does not choose to follow this wisdom shows him to be a fool, albeit a holy one, disconnected £rom the realities of the world. 1 would go so far as to suggest that Barnes deliberately emphasizes the fantasy world in which Morrone lives by making the characterts last scene as pope so reminiçcent of Tinkerbell's dying scene in Peter Pan. Morrone addresses the audience from downstage centre : MORRONE. Brethren, 1 am Pope Celestine the Fifth, soon to be plain Peter de Morrone the First again. An old man who wants to die as he lived, at peace. But 1 will stay Pope if just one of you stands up and shouts '1 believe in goodness and virtue. 1 believe in truth, purity, justice and mercy!' Shout and believe it . . . (44 Unfortunately, no one believes in fairies quite strongly enough . In contrast, Cardinal Gaetani is completely immersed in real~olitik, and, once elected Pope Boniface VIII, he wears the papal costume easily. 1 have for the most part been using the tems "powerm and "authorityU rather interchangeably, and indeed the two qualities are usually found in the same character. In Sunsets and Glories, however, they are not, and Barnes makes this distinction most clearly, The two popes serve as very embodiments of this difference. Morrone has power; that is, he possesses an inherent quality which emanates f rom hirn and inspires others to behave in a humane marner without the threat of law or punishment. It is, simply put, a divine quality - an interpretation Barnes seems to want us to find when he has Sala tell the post-papal Morrone, who claims that he can influence no one because he does not preach, Tou yourself are the word" (62). Compare, of course, the first passage of the Gospel according to John: "In the begi~ing was the Word, and the Word was with God, and the Word was Godn (Jn. 1 : 1) .. Gaetani lacks power in this sense of the word - in fact, there is no indication that he has any spirituaf calling - but he is expert in practicing authority. His first official act as Pope Boniface VI11 (and the first thing the audience hears after the interval) not only re-establishes the authority of the position, but expands it beyond any precedence: GAETANI. 1 declare the Bull Sanctum, which establishes the singular oneness of the Holy Church and its absolute necessity for salvation. To those who argue they are not subject to the authority of the One Church and its ruler we proclaim they do not belong to Christ's flock. But the One Church has two swords, two powers, spiritual and secular, but the secular power is subordinate to the spiritual power of the clergy which is not human but Divine. We declare, determine, proclaim, pronounce that henceforth every human being is subject absolutely to Our authority, the authority of the Roman Pontif f , absolute. (47) With his lawyer's mind, Gaetani/~oniface has created - authored - a way to rule every soul on the planet, whether his authority will be recognized by those souls or not. Morrone/Celestine also does some reasoning: comparing the vast differences between Christ's mission and what the Church has become, he rejects authority, concluding: MORRONE. 1 ask; when you al1 honour me, that means you are al1 more humble than 1 am, which means you are al1 better than 1 am. So why should you al1 honour me when 1 should honour a l 1 of you? I am not worthy. (31) It is Pope Boniface who can command even the stars to shine: GAETANI. The stars shine brightest on winter nights like this ... shine . - . shine on for me ... As he points , the stars shine i n the d a r k n e s s above them a s they ex i t upstage centre and right . ( 5 0 Yet it is before Morrone that the new pope kneels and asks to be blessed (66) ; it is a recognition of Morrone' s power over Gaetanifs soul. Finally, the difference between power and authority is revealed when Gaetani orders Morrone to die, and Morrone has the power - the soul-connection to the angels, including the Angel of Death - to do so ( 8 4 - 8 5 ) . Under whom will the people choose to live? Will they be ruled, or inspired? When the papal and secular courts begin to feel that they are being punished for the abdication of Morrone, Gaetani brings the old hennit back, declaring, "If you want him back, take him. . . . Poor, humble, despised, his powers increase by abstinence and sufferingtl (80). Silently, Morrone performs miracles, removing each cardinal's and 102 courtier's obstacle to perfection, but, as Carlos found in The Bewitched, people reject the existential burden of empowerment; they prefer "a fireside and an overstuffed chairf1 (82) to the discornfort - Barnes calls it guilt but it seems akin to Sartre's nausea - which cornes of being free, self-authorized beings. Interestingly, the difference between Morrone and Gaetani is also one of chaos and order, which, as Dollimore reminds us, was a dichotomy with which the early seventeenth century was preocc~pied.'~ Cardinal Orsini tells Morrone, I1You are a man of chaosN (81), and it seems a fair assessment: we have seen the miscast pope bumble about in a mass of flying papers, known that his mind can accommodate such contradictions as the presence of two ange1 Gabriels, seen him conduct diplomacy by completely countering the rules of mediation. He is, like Father Flote or Jack Cade, carnivalesque, an exception to the rule, a dream such as the one Cardinal Malabranca believes he is having and which ends upon Gaetani's installation as pope. Gaetani is a man of order; like Pope Clement of Red Noses, he defines when holiday has ended by tightening the reigns of authority, thereby reasserting his supremacy as author. His view of the Christian Church contrasted against Morrone's demonstrates this orderliness; Morrone sees the Church metaphorically, as "The river of life," but Gaetani gives a far more pragrnatic definition: GAETANI. It is a centralized, coherent and structured movernent with objectives and rules, disciplines and prerogatives. It camot be governed by saints. Its lower orders may be made up of good men but it can only flourish in the world by installing Judas as chief steward- (83) Not only can the Church not be governed by saints, apparently, it must never be known to have been so. As Clement finds it necessary to erase al1 evidence of Flote and his followers, Gaetani, too, must erase Morrone. Erasure is not a technique invented by Stalin or historical revisionists; although he calls the practice "exceedingly cruel," Machiavelli endorses erasure as a means whereby a new prince can establish himself in a seized land. He recommends razing everything and replacing it with buildings and institutions which bear only the new prince's stamp: in short, to leave nothing of that province intact, and nothing in it, neither rank, nor institution, nor form of govemment, nor wealth, except it be held by such as recognize that it cornes £rom y o ~ . ~ ~ Dying, Morrone predicts that the seeds planted by his existence will grow and their fruits be gathered and enjoyed by a future generation: "In due time 1 will come to hamestu (85). And he does: Barnes calls for rows of wheat to sprout up until the stage becomes a dense wheat field. But Gaetani knows that men are not ready to follow the Celestine example, and he orders, "Send in the reapers!" (85). In the epilogue, Gaetani confirms that Morrone has been thoroughly erased by the Church: "Pope Celestiners deep in oblivion's pit. The Church condemns him for incompetence as if that had ever been a bar to high office. They're asharned of him because he shamed thernM (86). As i n R e d N o s e s , the question is raised as to whether something of goodness is left after its source has been eradicated and forgotten. A more pessimistic Barnes is in evidence as, rather than give Peter de Morrone the last word as he gives it to the Floties in the earlier play, it is Gaetani who delivers the epilogue of Sunsets and Glories, alone, disheartened, spiritually lost . He inf orms the audience that "1 made a mess of it but my mess had musclem (86) . The suggestion is that, while the anti-Machiavellian prince cannot rule, neither can t h e prince who practices real~olitik; we are left having t o examine the nature of authority itself. ENDNOTES - CHAPTER 2 Full bibliographie information for editions of Elizabethan and Jacobean plays is given in the list of works cited- 1. See, e ,g., Johannes Nohl, The Black Death : A Chronicle of the Plaque Compiled from Contem~orarv Sources, trans. C.E. Clarke, abr. ed. (London: Unwin Books, 1961) ; Philip Ziegler, The Black Death (New York: The John Day Company, 1969) ; and Thomas Dekker, The Plasue Pamphlets of Thomas Dekker, ed. F.P. Wilson (London: Oxford UP, 1925). 2. Nohl 53 ; Peter Barnes, Red Noses (London : Faber and Faber, 1985) 11. Further references to Red Noses will appear parenthetically within the text. 3. E.g. as a source O one another ( Nohl cites Boccaccio~s preface to The Decameron information regarding family m e m b e r s abandoning ) , as well as an anonymous G e r m a n writer, who reports that, contrary to one's eqectations that Ifthe proxirnity of death would act as a deterrent £rom sin," robbery and burglary rates increased (30). 4. Quoted in Nohl 156. 5. Dekker, Newes from Graues-ende, The Plasue Pamphlets 95. 6. Antonin Artaud, IlThe Theater and the Plague," The Theater and Its Double, trans. Mary Caroline Richards (New York: Grove Press, 1957) 31-32. 7. For example, in 1541 a proclamation was passed in England forbidding the practice of sending up Church officiais in popular rituals such as the election of boy bishops; under Elizabeth, the English Act of 1572 required licensing of various classifications of travelling-performers; and James 1 issued orders prohibiting several typei of entertainments , including plays, from taking place at the Stourbridge Fair. See Peter Burke, Popular Culture in Earlv Modern Europe (New York: Harper & Row, 1978) 210, 99, 112. 8. See Mikhail Bakhtin, Rabelais and His World, trans. Hélène Iswolsky (Bloornington: Indiana UP, 1984) ; C L . Barber, Shakespeare's Festive Comedv: A Studv of Dramatic Form and its Relation to Social Custom (Princeton UP, 1959); Michael Bristol, Camival and Theater: Plebian Culture and the Structure of Authoritv in Renaissance Enqland (New York: Methuen, 1985); and Burke. 1 have no explanation for the fact that historians of festival have names begiming with B. Barber 3 7. Burke 199-204. Barber 10 . Bristol 52. Bristol 195. Bakhtin 7. 15. Dekker, The Wonderfull Yeare, The Plaaue Pam~hlets 37. 16. It's not clear to me how they made their profit. Did they charge to suck out the poison £rom boils to help those infected with, but not yet dead from, the plague, or sel1 the pus for use either as a murder weapon or as preventive medicine, or use it, as Barnes's Ravens do, to kill off the rich and then steal their possessions? In Leonardo's Last S u ~ ~ e r , Lasca profited during the Plague of 1494 by selling bottled farts and later, excrernent, because he had observed that those exposed to these elements seemed immune. 17. Ziegler 96. 19. See related discussions in Bristol 89-90; and in PhyLlis Rackin, Stases of Historv: Shakespeare's Enslish Chronicles (Ithaca: Cornell UP, 1990). 20. Rackin 202. Rackin refers to a passage in Edward Hall, The Union of the Two Noble and Illustre Famelies of Lancastre and Yorke (1548), quoted on the same page. 21. Bristol 64-65. 22. Pilso note Leonard Tennenhouse~ç comments on the change in attitude towards Carnival which he notes occurred between Elizabeth and James, specifically as related to a less generous view of women. As Tennenhouse sees it, a correlation can be drawn between a lenient view of Carnival under Elizabeth, when women were seen as being means to expand the aristocratic body, and a rather more sinister perception of festive behaviour once James had firmly excluded women from positions of authority. Power on Dis~lav: The Politics of Shakespeare's Genres (New York: Methuen, 1986) 117-18. 24. Nicc016 Machiavelli, The Discourses, ed. Bernard Crick, trans. Leslie J. Walker, S.J. (London: Penguin Books, 1983) 114. 25, Ziegler 92-95. 26. Stephen J. Greenblatt, "Filthy Rites," Learnins to Curse (New York: Routledge, 1990) 63-64. 27. Burke 182. 28. For a related discussion focussing on what he tems "disguised ruler plays,I1 see Tennenhouse, Power on Display 154-59. A salient assertion from this section reads: "In suggesting the possibility of a monarch-free bureaucracy, 1 must hasten to add, absent rnonarch plays offer no alternative to a monarchy- Quite the contrary, their whole purpose is to dernonstrate what happens with the loss of the monarch's presence; the ensuing disorder cal l s forth new and distinctively Jacobean strategies of representing the orderly state" (156) . 2 9 , Barber 192, 195. 3 0. James 1, "The Trew Law of Free Monarchies, The Political Works of James 1 67. 31. Peter Barnes, Laushter!, Barnes Plavs: One 343. 32. Peter Barnes, persona1 interview, 2 Nov. 1992. 33. Butler's Lives of the Saints, ed., rev- and supplemented H e r b e r t 3. Thurston, S.3. and Donald Attwater, 2nd ed., vol. 1 (Westminster, MD: Christian Classics, 1956) 129-30 . 34. Peter Barnes, introduction, Red Noses 7. 35. Peter Barnes, Sunsets and Glories (London: Methuen Drama, 1990) 4. Subsequent references to the play will appear parenthetically within the t e x t - 36. David Hare, Racins D e m o n (London: Faber and Faber Limited, 1990) . 37. The New Mermaid edition. 38. Fraser and Rabkin edition. 39. Fraser and Rabkin edition. 40. Quotations from this play are from the version edited by R.C. Bald (New York and London: Charles Scribner's Sons, 1938), but 1 have also consulted the version bearing the title The Mavor of Oueenboroush, The Works of Thomas Middleton, ed. A.H. Bullen, vol- 2 (New York: AMS Press, 1964). For the dating 1 consulted Professor Leslie Thomson, University of Toronto, who infomed me that current scholarship places the play circa 1616-19, with the earlier date seeming more likely. 41. Felix Raab, The Enslish Face of Machiavelli: A Chansins Intemretation 1500-1700 (Toronto: University of Toronto Press, 1964) 69-70. 42. Raab 90. 43. King James 1, "Basilikon Doronn 43. 44. Nicc016 Machiavelli, The Prince, trans. George Bull (London: Penguin Books, 1961) 100-01. 45. Jonathan Dollimore, Radical Trasedv, 2nd ed. (London: Harvester Wheatsheaf, 1989) 93. 46. Machiavelli, T h e Discourses 177. The Bite of the Underdog: C l a ~ Hands Here Cornes Charlie and Leonardo's Last Sumer In Peter Barnes's dramatic vision as we have examined it thus far, those who opportunistically take advantage of others are usually the types we w a n t them to be: greedy, power-mad authoritarians cornfortable with climbing on the backs of their social or economic inferiors. Many of these empowered authoritarians experience moments of doubt and regret, but ultimately Jack, Earl of Gurney saves his own hide by sending Tucker to the slaughter; Carlos names an heir certain to leave Europe in even worse shape than he £ound it; Clement VI sacrifices the Floties at the altar of Order; and Cardinal Gaetani commands the only pure-hearted man he has ever known to die, not because goodness cannot exist in the world, but because it cannot exist in his world. Fathers Flote and Morrone are the two characters who, being immutably good, are in a position to exercise their will over others and resist doing so, and it is no coincidence that each seems to be more saint than man. It is pleasant to think that wicked oppressors are at the top of the power structure as they should be and that the rest of us are good and kind folk who havenrt forgotten basic human decency. But before w e grab Our forks and knives and settle dom to eat the rich and powerful, we should look at those plays of Barnes's which more closely examine opportunism and the human impulse to enrich ourselves at the expense of others. As the old saw has it, power corrupts; when B a r n e s snatches that power from its usual holders and offers it to members of the underclass, as he does in Clap Hands Here Cornes Charlie and in Leonardo's Last Supper, he reminds us that the adage applies to any of us. The ugliness of selfish oppression is not lessened for being practiced by those who are, themselves, traditionally oppressed. As Dukore notes of Leonardo's Last S u ~ ~ e r , "Property and authority concern not only the ruling class, who have them, but also the middle class, who want them. 1 should own that my use of the term Noppressionlf above is in a broad and vaguely Marxist sense. Neither Charlie of the first play up for discussion nor the Lascas of the second are being oppressed by an individual; their wills are not being subjugated to that of a more powerful being or collective which sets about consciously to keep others dom. They were not bred to the most hopeless rungs of society: the Lascas are merchant class, while Charlie is an itinerant entertainer, perhaps even formerly of the stage. These characters are, more accurately, victims of an oppressive system - capitalism - which undervalues individuality and overvalues cornmodity. When the price of their stock falls, so too does their ability to exist in their societies. However, as we shall see, even the victimized are not without resources . Clap Hands Here Comes charlie was originally written in 1966, significantly revised in 1990, and still awaits production. Conceived, as was The Rulincr Class , before Barnes turned his hand almost exclusively to historically-situated theatre, Charlie is set in the present - in fact in both mpresentsu of its quarter-century-long birth, as Act Two takes place twenty-four years after Act One. The Charlie of the play's title is Charlie Ketchum, who seems to ber judging from his vast knowledge of popular music hall songs and patter-like speech, a former Variety artist fallen on tough times.' Now an occasional Street musician and full-time vagrant, Charlie is tldiscoveredm in a mission house by Michael Ayirner, a television presenter of BBC ilk, who brings the unfortunate sou1 home for the weekend and provides him with a bath, fresh clothing, and good food. But as we might expect of a Barnes character, Charlie's gratitude is less than complete: he rapes Aylmer' s wife Joan and attempts to rob the couple, then returns uninvited with others, raids the liquor supply, and destroys the furnishings. When Joan walks in on them, Charlie beans her with a bust of Bertrand Russell, killing her. The second act takes place a quarter-century later. Charlie is released, due to budgetary constraints, from the psychiatric hospital where he had been placed for his crime, but the world has changed: he is no longer a quaint tramp, the individualist hobo whose freedom we al1 secretly envy; now he is one of the legion of urban homeless fighting for a patch of the cardboard city. In the mid-1960s Aylmer can idealistically conclude his television segment on beggars by philosophizing: AYLMER' S VOICE . ... It is said that the quality of a nation's civilisation can be judged by what it throws away. As we have seen, our buskers are too vivid a of that civilisation to be lightly disregarded. They are the last individualists . . . 4 but by 1989 Charlie muses: KETCHUM. England's dead, m'dear. They've turned mean with the years. I thought theyfd-set out flags to greet the retum of the old battler. In the old days me and my kind were one-of £S. Now there ' s thousands and thousands of mumbling bastards tramping the gutters of England. (2.58) Charlie is the modem-day equivalent of what was known in Tudor and early Stuart England as a Vnasterless mann: he is able-bodied, mentally competent (despite his term in hospital) , deliberately rootless, and unemployed. As an entertainer he is not unskilled, but the demand £or his particular skills is slight. Having outlived his profession, Charlie has been left without a place in the structure of society - or perhaps he has given up his place - and now he circles the periphery of order, a walking reminder that not everyone can be made to fit in. A.L. Beier, in his work on vagrancy in England between 1560-1640, differentiates between the masterless men in his study and "the dom-and-outs, of ten middle-aged alcoholics, of the early 1960s in Britain" and finds thern more comparable to " the unemployed of the Great Depression of the 1930s, or the 113 jobless millions of today's inner cities. Our Charlie is no alcoholic, and he hardly cultivates the dom-and-out demeanor of one who is beyond hope. Rather, he thinks highly of himself and expects others to think the same. He cheerfully sings snatches of music hall songs throughout, and finds it unthinkable when Joan suggests that Aylmerfs assistant, Diana Bishop, rnight not want him (1.21) . (Diana later rejects Charlie on what she presumes to be the safe grounds that he doesnrt have at least f1,000 11-291, a fact whose importance will become clear shortly.) While he sleeps at the play's start, one of his flophouse acquaintances wams Aylmer, " ' E r s not like usu (1.06) . Explaining to his wife why he wants to focus a special television program on Charlie, Aylrner tells her: "He doesn' t work, he doesn' t Save, he doesn' t get onf . Hers what I've been looking for, the real thing, one hundred percent proof; he' s unique" (1.11) . It seems quite clear that Barnes is not using the Charlie of Act One to represent mid-1960s vagrants in Britain. He has other characters to serve that function: Charlie's acquaintances and fellow street-performers Zacchaeus, an alcoholic; Gunboat Smith, a petty criminal; and Joe Gaff, a paranoid who sees "Lituaniansn as the chief cause of the world's evils. Charlie, on the other hand, if he has not quite chosen his lifestyle, has certainly embraced it, rnaking him a source of wonder, envy, and fear to men like Aylmer who have taken the prescribed road to success. He resembles Tudor-S tuart as an unruly doesn't seek 114 masterless men in their most important attribute: person in an ordered system, and one moreover who integration, he represents chaos. In agreement with Christopher Hill, who notes that "such men - servants to nobody were anomalies, potential dissolvents of the societyrn6 Beier writes : The masterless man represented mutability, when those in power longed for stability. He stood for poverty, which seemed to threaten their social and polit ica l dominance. Fundamentally, in prescribing that the vagrant be employed, governments were preoccupied with a problem of disorder. ' Aylmer's employment of Charlie for his quality of being unemployed, therefore, is not so ironic when we look at Aylmer as being quintessentially societal and having the need to bring disorder into the realm of order. Aylmer is part of the codifying establishment of which Charlie complains towards the end of the play when, told that research has turned up no record of his life, he responds: KETCHUM. Perhaps 1 wasnrt born then? Perhaps me Dad just pissed up against a wall one hot day and 1 hatched out in the sun? Thatf s the trouble now, you've gutta have yer bits of paper else youfre not real , not breathing . That ' s how they keep you under, do the dirty on you, by bits of paper. (2.93) As a character Aylmer seems to be far more symbolic of a type than is Charlie, which further highlights the latter's uniqueness. The bust of Bertrand Russell which sits in his livingroorn in Act One serves as a convenient shortcut to reading Michael Aylmer's nature: it says of him that he is lef t - leaning, educated but not intelliaensia, proud England's successes, and a bit fawning. Russell was, after all, still alive at the time during which the act is set, and there is something perversely deifying about displaying a bust of a living human - one who is moreover an unrepentant atheist and egalitarian (even if a titled landowner). The joke of Bertrand Russellfs plaster likeness being used as a murder weapon by a member of the underclass is at the expense of facile leftists like Aylmer who perhaps remember only the philosopher's early, unqualified writings, such as: The more unfortunate sections of the population have been ignorant, apathetic from excess of toi1 and weariness, timorous through the imminent danger of immediate punishment by the holders of power, and morally unreliable owing to the loss of self-respect resulting from their degradation. * * . But the modern world, by the increase of education and the rise in the standard of comfort among wage-earners, has produced new conditions, more favourable than ever before to the demand for radical reconstru~tion.~ Aylmer, who boasts that he knew Earl Russell at Cambridge (1.17), is only doing his part to bestow dignity upon a less fortunate being by raising Charliets "standard of comfortfM and he expects a positive outcome for his trouble: a reconstruction of Charlie's moral fibre. No consideration is given to Charliets nature; he is clay to be molded by Aylmer, who in innocent arrogance has set the vagrantts misfortunes dom to a set of circumstances which, as an enlightened member of a more privileged class, are his o m to influence. "1 shouldntt work on so many committees but I always want to be involvedfU he tells Joan. The worldfs changing, taking a few more faltering steps towards the light" (1.31). Later in his career, Russell pinpoints the error of assuming the best of everyone, and notes a tendency of the empowered to attribute, as a sort of consolation prize, superior virtue to those to whom they deny full equality.' It is the mistake Aylmer makes when he romanticizes Charlie's unfettered life. Of course Aylmer is nothing if not well-intentioned, but it is the paternalistic concern of one who knows his existence to be uniquely correct and who would impose that existence, beneficently, on another. Aylmer, assisted by his wife, is in fact attempting to civilize Charlie, and Charlie would not be civilized, Civilization is usually both the professed goal of colonialism and its justification; as a national policy, it assumes that one's own culture is so unquestionably superior to another's that it can only be beneficial to a l l , and no doubt pleasing to Gad, to replace the native language, religion, and way of life with that of the colonialist. At the same tirne, the ucivilizedfl may be drawn to certain aspects of the %avageIU as Mannoni, taking a psychological approach to colonialisrn, observes: The savage ... is identified in the unconscious with a certain image of the instincts - of the id, in analytical terminology. And civilized man is painfully divided between the desire to 'correct' the 'errorst of the savages and the desire to identify himself with them in his search for some lost paradise (a desire which at once casts doubt upon the merit of the very civilization he is trying to transmit to them) because of his unconscious and ambivalent attitude towards his mernories of his own early childhood.1° We donft need to speculate about Aylmer's childhood in order to appreciate how Mannoni's obsemations on mixed feelings apply: we have seen this ambivalence in his actions towards Charlie. Despite Aylmer and Charlie both being born Englishmen, the values of cleanliness, industry, possessionf sexual propriety and so forth held by Aylmer are so foreign to Charlie's existence that it can hardly be said the two come from the same culture. Like Mannoni's colonialist, Aylmer feels a paternalistic responsibility to correct Charlie, to turn him into his idea of a proper person, but he is confounded by a nagging sense of guilt for having disrupted a kind of Eàen, and the superiority of his own lifestyle is brought into question. When Charlie is released from the institution in Act Two and surprises Aylmer and his former assistant, now second wife Diana, he is able to invoke and make use of this guilt and self-doubt: KETCHUM. . . . 1 must say you two look your age - guilt can do terrible things, Mike me lad. If it wasnrt for you and your kind Ifdrve had a really full life as a layabout and lowlife. AYLMER. I know you were saved [frorn execution] because they changed the law. But at least we were doing our best, we were organising a petition to the Home Secretary to try and get your sentence commuted. ( 2 . 7 4 ) Intending to organize a petition may not be the most committed form of protest, but it is more than one would expect £rom the widower of a victim on behalf of her murderer. Much recent scholarship by those critics who keep one eye on the arts and the other on historical tex ts focusses on Shakespeare's The Tem~est as being in or operating alongside of the discourse of early seventeenth-century c~lonialism,'~ and 1 think adding Clap Hands Here Comes Charlie to the equation further sheds light on Barnes's play as being, like Shakespeare's, one concerned with the power imbalances inherent to colonization, as welL as the economic, cultural, and ethical implications. There are surface commonalities linking the two plays: like Caliban, labelled by Trinculo a foul-smelling fish (The Tempest II. ii.25-27) ,12 Charlie unwashed; much is made of his stench, a point of pride for him, as well as an economic necessity: KETCHUM. . . . 1' 11 lose me stink if 1 wash and If ll stanre if 1 lose me stink, 'cause al1 I 'ave to do is sidle up to an easy mark, dom-wind, stick out me hand and he'll pay just to get out of smelling distance. But one wash and itfs all over. One wash and I'm left clean and Stoney back on the Holyhead Road. 1'11 be sat there smelling of carbolic, al1 me strength washed away . (1.14 ) He speaks in argot and music hall patter, colourful language but incomprehensible to those around him. At his trial for Joanfs rnurder he asks: "Wherers the altar? The old piano? The trizzer? The shouse? (the JUDGE looks bemused) Has anybody got a pot for a pee? ! " (1.48 ) . Caliban, although he remains on the island of his birth, for the convenience of his captors also has had to learn a new language, as Miranda reminds him: MIRANDA. . . . 1 pitied thee, Took pains to make thee speak, taught thee each hour One thing or other: when thou didst not, savage, Know thine own meaning, but wouldst gabble like A thing most brutish, 1 endowfd thy purposes With words that made them known. (I.ii.355-60) Miranda, practicing what Stephen Greenblatt identifies as "linguistic colonialism,~" never questions that Caliban's quality of life is improved by having learned her language any more than Aylmer questions the goodness of the act of bringing Charlie into his home. But Charlie repays his gracious host by raping and murdering his wife; Caliban, too, has repaid Miranda by atternpting to rape her, and his further gratitude is this: "You taught me language; and my profit on 't / Is, 1 know how to curse. The red plague rid you / For learning m e your language!lr (I.ii.365-67). Charlie has a way with curses, too; my persona1 favourite, to an uncaring Anglican priest: KET 'CHUM. (s inging) "May your eyes go rheumy and your arse go slack. May your dentures stink and your bridgework crack. May you sweat and have scabs on al1 your pores. May you have Brights Disease and Bright have yours. But most of al1 1 pray you end up poor. You hairy loathsome git-eyed bore." We could cal1 such â discrepancy between societal behaviour as defined by Aylmer or Prospero and that as practiced by Charlie or Caliban a misapprehension of culture. Charlie exhibits such a misapprehension when he tries to play according to what he perceives to be the rules. After he kills Joan, we see Charlie experiencing what appears to be a crisis of conscience as he debates with himself whether to "scarperU or stay (and note the parodic phrasing): KETCHUM. ... You gotta stay fer her sake. Stiff upper, face the music, old soldiers-never. Only one life to give . Duty. ( w h i p s out medals and &ns them on his chest) Itfs the right thing to do, Charlie, but why is the right thing always so bloody hard. and the wrong thing always so bleedinr easy? (1.38) Having decided to stay, Charlie picks up the telephone receiver and confesses his crime- His confession, however, is made not to the police but to a Fleet Street tabloid, to which he offers to sell his story for E l , 000. It will be remembered. that this is the sum Diana claimed Charlie would need to have before she would consider him as a suitor. It is also noteworthy that it is the exact sum and no more. On his own turf, money has little importance; when Joan tries to get rid of him with cash at their first encounter, Charlie thinks the notes she is giving him are for use as toilet paper - and low quality toilet paper at that (1.11) . Charliers decision to sell his crime story is an interpretation of right and wrong according to what he sees as the morality of people like Aylmer, Joan, and Diana: the acquisition of wealth. This is reinforced in Act Two: the act opens with what appears to be a business meeting, complete with a report on international stock markets. It turns out, however, that the Chairman is Charlie, the executives are fellow patients, and the boardroom is in the mental hospital where they al1 reside. Charlie is playacting at being a participant in the circle that runs things, as a child imitates adults. Can we, perhaps, Say that Caliban's attempted rape of Miranda is in imitation of what Prospero has done to his rights to self-government and the island? Aylmer's resemblance to Prospero in this comparison is not, of course, in terms of artistry, although Aylmerrs medium - television - could be interpreted as being the successor, as the collecter and disseminator of knowledge, to Prospero's books; and since Aylmer has mastered his craft to the extent that in Act Two it is revealed that he has been offered a knighthood, we can assume he possesses a degree of wizardry in his field. Aylmer's less tenuous connection to Prospero, as 1 have already suggested, is as a colonialist. He has gone to Charlie's flophouse - into his world, in fact - and appropriated its riches: Charlie himself. He profits from the flophouse "nativeu in great disproportion to the native himself; aside from his earnings as a television presenter, Aylmer's career is furthered by the docurnentary he has made of Charlie's life. As Trinculo says of the English, "any strange beast there makes a man: when they will not give a doit to relieve a lame beggar, they will lay out ten to see a dead Indian" (The Tem~est, II. ii. 31-34] . While prof essing to appreciate Charlie's distinct way of life Aylmer prevents him £rom living it, setting himself up as a government to whose rules, such as bathing, respecting property, and showing gratitude, Charlie must conform. When Charlie fails to live up to Aylmer's standards he is expelled and later confined. A significant connection between Charlie, the masterless man, and Caliban, the savage, is in terms of their peripherality and the threat, including sexual, which that poses to the nom. Vagrancy and savagery are connected in that both pose threats, one internal and one external, to the social structure while at the same time pointing to the flaws of that structure. Paul Brown observes: Masterlessness analyses wandering or unfixed and unsupervised elements located in the internal rnarghs of civil society .... Savagism probes and categorises alien cultures on the external margins - of ekanding civil power .... Masterlessness reveals the mastered (submissive, observed, supervised, deferential) and masterful (powerful, observing, supervising, teleological) nature of civil society. Savagism (a-sociality and untrammelledlibidinality) reveals the necessity of psychic and institutional order and direction in the civil regime.'" Charlie has more than a bit of the libidinous savage in him; in addition to the business with Joan, his first encounter with Diana is marked by a farcical moment of confusion which results in him holding her panties, acquired, naturally, while reaching up her dress. Notably unaware of acting in a manner most of us would find inappropriate to a first meeting, Charlie instead complainç of the shoddy workmanship of the knickers (1.09 . Towards the play's end, Diana, having endured being pursued by Charlie at every turn, tells him, "You're everything 1 hate and fear, Ketchum. Youfre everything hairv!" (2.91), and that single adjective is particularly evocative of every oversexed man-beast from the satyrs to mountain men; although curiously, on a literal basis Europeans are more hirsute than most of the %avageu races whose land they have colonized. But Diana is not being literal, and if 1 123 were casting Charlie 1 would not ask the auditioners to show me their chests. She is using the term to express a lack of civility, particularly an inability to keep one's libido in one's metaphoric pants, and as a civilized woman, and one moreover who is sexually ftcold" (2.80) , she f inds this f rightening and threatening . l5 Both Brown and Mannoni note a tendency among colonists to project their own sexuality ont0 the natives Citing among other evidence the courtship and marriage between John Rolf e and Pocahontas, Brown writes that the presumption of a heightened sexuality in the uncivilized was common, as was the image of the European as tarner of this sexuality: "Such tropes as that of the coloniser as husbandman making the land fruitful, or of the wilderness offering a dangerous libidinal attraction to the struggling saint, are ubiquitous," and he continues, Y . . the proof of Prospero's power to order and supervise his little colony is manifested in his capacity to control not his, but his subiectsf sexuality, particularly that of his slave and his daughter. Unsurprisingly, Mannoni also connects sexuality to The Temest, arguing that Prospero's reasoning for enslaving Caliban on the grounds that he tried to viofate Miranda is illogical and motivated by sexual guilt springing £rom improper desires: "The 'inferior being8 always senres as scapegoat; our own evil intentions can be projected on to h i m . " 1 7 f am in danger of taking this psycho-sexual interpretation much further than the text or even the subtext of C l a p Hands Here Cornes Charlie will permit; after all, the fear of Charlie's libido is not mere projection. It is significant, however, that not one but both of "Aylmer's womenN have been accosted sexually by the chaotic, unmanageable Charlie. This would suggest that Aylmer is a rather ineffective colonizer; as keeper and extender of the dorninant/dorninating culture, he should possess a certain degree of control which he seems to lack, judging by his inability to keep the savage away from the women - Prospero manages to keep both Caliban and Ferdinand from violating Miranda. But Charlie, unempowered though he may be in Aylmer's world generally, proves to have potency in one area, and Aylmer is impotent to keep the sexual threat at bay- As a point of curiosity, there is one other resemblance, though not a direct parallel, between Clap Hands Here Comes Charlie and The Tem~est, As Kermode mentions in his edition of Shakespeare's play, the identification of Prospero with his creator is widely accepted." That point will not be debated here, but oddly enough, Charlie also contains a character who lends himself to identification with the playwright. The character, a friend of Michael and Diana (now the second Mrs. Aylmer) , is a playwright with a corny sense of humour ("The only lucky thing that ever happened to me was 1 once went to the Fuhrer's bal1 and as you know he only had one" C2.671) and the name of Peter Barnes. As a strictly parodic : Prospero rnay 12s Prospero figure , though, he is get his puppet-strings tangled now and again (e.g., the wedding banquet masque rnakes him nearly forget Caliban- plot to assassinate him [IV.i.139- 4 2 ] ) , but he still pulls the strings. The character B a r n e s , in contrast, is little more than a burnbler with so little control over his creatures that they accuse him of being a fraud (2.69-70, 2.75-76). But behind this metatheatrical joke there does lie a serious question which our Peter Barnes foregrounds through his Peter Barnes: who gets to tell the story, or, who owns the truth? Not the playwright, apparently, whose stage manifestation doesnft know his characters any more than they know him. And not the voice of the dominant culture, which though Ifve concentrated on Aylmer is really a chorus which includes Joan, Diana, Barnes, and most of the minor characters; that voice is subverted often enough by those speeches true. Charlie may be poor of Charlie's which ring undeniably and politically powerless, but he is not without the ability to control and manipulate.Ig He understands the Aylmers of this world and how best to use them. As he has done with the art of stinking his way to a handout, he has honed the skill of telling the tale his listener expects to hear. If Aylmer had been searching for a pirate Charlie would have appeared with a peg leg, eye patch, and shoulder-trained parrot (he is already equipped with the 126 patch). Interviewing, Aylmer asks Charlie how he got started on the road, and he is answered with two well-worn excuses: in the first Charlie claims to have been in The War (no particular one) and been unable to readjust to civilian life, but he immediately, without explanation, and unprompted, changes the story to one about jilting a woman at the altar (1.6. Aylmer protests that both these stories can't be true, and Charlie replies cryptically, Truth is as long as longN (1 . 17) . The truth is, Aylmer is welcome to believe whatever he likes; Charlie is not concerned with accuracy, he is concerned with results. Sob stories open pursestrings. Accuracy belongs in the realm of the accountant, the shopkeeper, or the television presenter. At times Charlie is less creative in his campaign against fact and relies on childish bullying to redesign the world as he thinks it should be - insisting & nauseam that the bust of Bertrand Russell is of a con artist named Pie-Face Pearson (1.17) , or, more disturbing in its repressiveness, that the three patients released from hospital with him in Act Two take on the narnes, quirks, and identities of his three former flophouse mates from the first scene (2.59-61). Even at his bleakest moments, like a tornado Charlie maintains control over himself while chaotically destroying everything in his path. Nearing the end of the play, and of his life, Charlie winds up a homeless street-person living outside Waterloo Station - only to be asked to leave by the "official, self-appointed representatives of Cardboard City Community Association UKl1 (2.83) . They are concerned with his potential to %tir." This act, of course, takes place during the tenure of Margaret Thatcher, the Prime Minister who said, Tou camot have f reedom unless you have order, w 2 0 which makes it al1 the more curious and horrifying of Barnes to present as regulationists those who, like Charlie, have been "freedM from the mental hospital to the Street, or who have suffered because others were "freedtI of the burden of supporting social programs. But again, Charlie is not a typical member of the homeless : Cs.d.1 Before anyone can stop him he puts the trumpet to his lips and blows. He hits a long piercing note of power and volume which reaches a crescendo and blows away every cardboard box and packing case to reveal, j u s t before the FADE OUT, astonished DERELICTS caught frozen like dummies in various domestic poses: washing in a tin bath, a family eating, a man reading, a woman cleaning, a couple making love. ( 2 . 8 4 ) This is the most theatrical, Barnesian, moment in the play, and perhaps the most disquieting. We are not permitted to catch the derelicts drinking bad wine or passed out in soiled clothes, but engaging in activities such as we do, only without a home to do them in; and their insufficient shelter is destroyed not, this tirne, by the Tories or the aristocracy or the capitalists but by one who possesses only one thing more than they do: the potential to %tir." Barnes is nudging his audience towards a Brechtian stance of being able to see through eyes quite alien to its own, to shift its point of view in spite of itself, to dislike Charlie, be disgusted by him, and yet to empathize with him. As Greenblatt observes of Shakespearef s monster, Charlie is not just like us: "Caliban is deformed, lecherous, evil-smelling, idle, treacherous, naive, drunken, rebellious, violent, and devil-worshippingn2' . Indeed, most of Greenblattfs adjectives apply equally to Charlie. It is natural to those of us who are industrious, refined, clean, honest and so on to see from Aylmer's perspective. But when we note Charlie's ingratitude for Aylmer's gifts, we also ought to squinn a bit: what the donor sees as a gift, the recipient m a y see as an intrusion, and in that case, why should he be grateful? Ultirnately, the defense of a world which includes Charlie Ketchum in it cornes from none other than the ghost of Joan, who tells Aylmer: JOAN. From the other side it isnft your disorder but your order that looks so horrible. White haired and slack jawed Charliefs feet are still as light as a four year olds. He turns and turns those who can truly see his dancing, for in their hearts he works both weeping and rapture in one. (2.81) Joanfs sou1 rests in Heaven; we know this is so because in the Epilogue, after listing his many names and titles, Satan tells the now-deceased Charlie, "Actually 1 prefer the Great AdministratorI1 (2.103). "You could define Hel1 as a perfect bureaucracy," Old Nick tells him. "We give Our souls security and an eternal peace in (2 .los) . Naturally, Charlie exchange for a worthless freedornI1 could not l a s t long in such a place, and he manages to get himself bounced from Hel1 much as he did from Michael Aylmer's home or £rom the Cardboard City Cornmunity. A s he ascends towards Heaven he finally receives the welcome he missed when he was released £rom hospital: a choir of angels sing Nine o'clock and nothing doin'. what a du11 and dreary night! Just a good tirne gone to min, not a bit O' fun in sight. Take a look what just blew in. Hurry up, unlock the door. Itrs that great big muggins werve been waiting for ... Charlie Ketchum - Clap Hands! Here cornes Charlie! ... (2.107) Charlie Ketchum is in his Heaven and al1 is disjointed in the world, which of course is how it should be in a Barnsonian universe. Meanwhile, in another corner of that universe occupied by the characters of Leonardors Last Supper (1969), an oversized reproduction of Leonardo da Vinci's IfThe Divine Proportion," the well-known illustration which places man securely in the centre of a geometrically-ordered and decidedly non-Barnsonian universe, d r a w s our visual attention while a Lecturer informs US: The Renaissance began in Italy in the Fourteenth Century and spread over Western Europe. In an extraordinary burst of intellectual energy the human spirit recovered its freedom after centuries of political and spiritual oppression .... Gothic night dissolved, making way for the birth of modem man And and the achievements of our age ... Renaissance - a noun, meaning, a new birth: revival: resurrection. 22 there the battle lines are drawn. In Clap Hands Here Comes Charlie the dramatic aqon is fought between freedom and comfort, independence and CO-option, savagery and civilization; in Leonardo's Last Supper, it is between high culture and base greed, sublimity and the grotesque, darkness and enlightenment: the Gothic night and the Renaissance dam. But is the canvas on which the Renaissance is painted a palimpsest, as the Lecturer suggests, so that its advent erases al1 that has gone before, or is it more comparable to a layer of a pentimento, adding a dimension to the picture without obliterating what lies beneath? The qualities assigried to terms like "Renaissancen and "GothicH are, of course, far less cooperatively categorical than the Lecturer suggests. Certainly we must also question the Lecturer's smug placement of the Renaissance hegemonically above the Middle Ages, though his lecture no doubt recalls that of many a teacher of European history. It is Barnesfs (1 suspect, joyful) task in Leonardofs Last Supper to take these familiar sentiments and make them strange to us, forcing, again, a reexamination of our assumptions. A compact and unified one-act, Leonardofs Last S u ~ ~ e r takes place in the charnel house run by the Lasca family: father Angelo, mother Maria, and teenaged son Alphonso. Native Florentines, they left their homeland some ten years earlier, leaving behind a pile of bad debt; they now ply their trade in Amboise, France and drearn of returning to Florence, That dream becomes a plan on the day they are awarded the corpse of their countryman, Leonardo da Vinci, to bury in a lavish - and expensive - funeral ceremony. But al1 is r u i n e d when Leonardo sits up in his coffin: reports of his death were , to the f amily s annoyance greatly exaggerated . 2' There being no money in non-burials, the Lascas do what they must to earn their bread. Never mind the art which might have been created, the inventions which might have improved daily living, the value of a man's life or the bond among Florentines: Leonardo is the personification of rational humanism, the Lascas are the personification of blind greed, and in the end greed squelches humanism in a tale that is as timely as that O£ U S . Senator Jesse Helms versus the National Endowment for the Arts. As the Lecturer sees it, the Renaissance was a time of freedom, but we know that it was also an age of putting things in order, of categorizing, systematizing, and codifying manr s observations about his world. Thus, when Leonardo da Vinci wants to express his joy at the rightness of things in Barnesrs play, he does so in terms of geometry: ttAll's mathematical again: heart, lungs, brain, sinews. The span of my outstretched ams equals my height. From the roots of my hair to the bottom of my chin is exactly l/lOth of my heightrtt and so forth (146). And if al1 were not mathematical again, the historical Leonardo would have done his best to make it be so. Writes Roger Whiting: He refused to abandon his conviction that there were regular causes behind natural effects. Thus he insisted that everything must have a mathematical explanation, increasing-the complexity of his drawings to support this . 24 Nature may stray £rom the formula; art must bring it back on path. As Leonardo advises the young artist: Measure on yourself the proportion of the composition of your limbs, and if you find any discordant part; take note of it and make v e e sure that you do not adopt it in the figures that are composed by you, because it is a common vice of painters to take delight in making things similar to themselves . 2s At one and the same time Leonardo da Vinci assumes nature's perfection while insisting upon correcting its pesky imperfection. There is a reluctance to include nature's darker and uglier aspects : disorder, corporality, excess - the Gothic, the Lascan (to recall Barnes's characters) . The Renaissance never completely supplants the Gothic era (in fact Whiting goes on to note the connection between Leonardors faith in mathematics and that of Medieval alchemists such as Alhazen, Pecham, and Roger acon^^) ; they are on the cusp of one another, CO-existing in a way which makes life difficult for lecturers on history. Rabelais, for example, is a younger conternporary of Leonardo, and is creating Garsantua and Pantasruel after the death of the quintessential Renaissance artist - The terni "Gothic" is in fact particularly slippery, taking on different meanings and encompassing different time periods dependent upon whether, as an adjective, it modifies art, architecture, music, or an historical period. MaryBeth Inverso identifies Barnes's work as being neo-Gothic, thematically and structurally akin to works such as Dracula and Frankenstein, and-although she does not specify Leonardots Last SURD~T in her discussion, it clearly belongs with the Gothic text as she defines it: Gothic literature absolutely pulverizes any sense of a morally operative universe, instead substituting a radically amoral one in which the innocent perish alongside the wicked - or instead of thern- Hence the Gothic tends to be obsessive about injustice, whether meted out by a demonic god or by his minions here below , 27 She also notes that the only two roles available on the Gothic stage are those of victim or tyrant, and that when one role is escaped or lost, the other is assumed. She sees the Gothic figure as an "ernbattled creature frantically struggling to maintain his grip on a world that constantly threatens to wriggle out of his contr01."~~ This will prove to be a very accurate description of Leonardo da Vinci. If Leonardo, or Barnes's Leonardo at any rate, has a preference for the exalted in nature, then the Lascas are his worst nightmare. Not only do they deal in nature's abject, they embrace it. Their profession as disposers of life's ultimate waste product, the corpse, is hardly incidental. And back in Florence, Lasca profited during the plague by selling bottled farts and "Lascat s Excremental Goodnessrl (142) . Ironically, Lasca partially credits his plague-time success to Leonardo : LASCA. My nostrums and remedicinal powders were the finest in Florence. The public always looks f' something new and fresh. 1 gave it to 'em, thanks in part to your famous method, Signor da Vinci. You said to look to facts as they are and not to rank superstition and magic. 'Swhat 1 did. I used me eyes and ears, In time o f pestilence 1 noted that tomturd men and privy cleaners never fell sick. They were protected by the stench O' their work, (142) The familyfs first attempts to prove themselves human (and not creatures of hell) to the newly-risen Leonardo include Lasca blowing his garlic breath into the artistfs face and Ange10 retching into a bucket (139). The contrast between these most earthy of humans and Leonardo da Vinci - whose imagination set man winging towards the heavens - is sharp : the inventor of flying machines, the creator of "Mona Lisam and "The Last Supper, l1 the mind behind "The Divine Proportion, '1 can scarcely be imagined to belong to the same species as the Lascas. The comection is made still more rlubious by the stage picture Leonardo, and the audience, see when he awakes from his death-like sleep. Alphonso is costumed as Death, his role in this (and every) year's production of "Everyman in ~ e 1 1 " ; ~ ~ Lasca père is sporting the crow mask he wore at plague-time to protect himself while tending to the dying; and aria is caught in an unseemly pose: T w o fiends, and a woman with her skirts up, lr says the artist upon seeing the family. "It's the And yet, they are comected. For starters, Leonardo and Lasca share an interest in human anatomy, Discussing the apparent resurrection, the two men demonstrate their comrnonality as well as their difference: LASCA. Yourre not just corpse-dancing are you, Signor? My dead 'uns oft thresh about a bit in their coffins, not wanting to go- Corpse-dancing we call it DA VINCI (off -handed) . Rigo Mortis . The muscles tighten after death making the limbs contract and jerk compulsively, giving the appearance of life. LASCA. Thatfs it, corpse-dancing. (138) Though Leonardo cari call it by its (nearly correct) Latin nameIo and knows the scientific reason for its occurrence, his practical knowledge of the phenomenon is not greater than the rnorticianfs. Nor, as Lasca knows, will be his ability to cheat decay. Speaking while Leonardo is still thought to be dead, he muses : LASCA. 'A a cloud-topping man. But now he's wrapped in cool crêpe. His mind was the light of the world, they saith, but his fleshfll rot, red, green and black, jüst the same- Hetll ooze away like that idiot Notary we dug in last week. His tongue'll swell and eyes pop out like old Gentile Bardi the tom-turd man- (136) The only winners in this contest are the survivors - and of course they only enjoy that status until they, too, are equalized by death. Al1 persona1 power, authority, talent, intelligence, beauty, and wealth end with the last breath, as Evervman hot Alphonsofs, but the extant version) reminds us: GOOD DEEDS. Al1 earthly things is but vanity: Beauty, Strength, and Discretion do man forsake, Foolish friends, and kinsmen, that fair spake - All f leeth Save Good Deeds, and that am 1. 3' It is often not until "al1 earthly thingsm have fled and that last breath has been drawn that those in the ranks of the Lascas can assert their equality or indeed, as survivors, their superiority. Lasca tells a story of ernotionally bonding with his father during the funeral of a Young, rich, beautiful prince - "Fortune's Darlingt1 - and how together, while bowing before the dead prince, they pissed ont0 the corpser s face (134-35) . Such action is, of course, a sadly impotent demonstration and yet one which is conceivably very satisfying to those who, during the prince's life, may have felt similarly treated by him. Both Lasca and Leonardo spend a fair bit O£ time with dead bodies: the former treats corpses for burial and other forms of disposal, while the latter attends dissections to gain a better understanding of human anatomy - though Whiting notes that Leonardo made this study despite having no stomach for it,32 while Lasca thrives amidst the dead and dying. The plague of 1494, he fondly reminisces, was "Lasca timew: LASCA. ' Twas a time of f ear and opportunity. An upright man could make his way without benefit O' breeding or influence. 'Twas a time of truth. With bedrooms and parlours rank with death, no man could prate on about love and honour; such wordstd stick in a throat soon to be vomiting plague-blood, Twas a tirne for the man O' business. For the only question asked was 'how does it profit me?' (141) In the previous chapter we explored plague as a time, like Carnival-time, when the normal is flipped on its head and essential truths about human nature are exposed as the mask of social convention falls. This is the point being made by Lasca, but to him, truth is the condition whereby man admits to being selfish. When al1 the niceties of life are stripped away (as the flesh is stripped £rom the bone in Lasca's line of work) , we are left with a being who, at base, exists only to take advantage of opportunity, without consideration of morality, ethics, or his fellows. Lasca possesses an assured non-belief in the essential goodness of man, which goodness Leonardo is counting on in his last moments, and doesn't find. The things the two men have in common only make more striking their basic dissimilarity, which is neither their station in life nor their aesthetic appreciation, but that they have conflicting understandings of human nature- Indeed, considering his fate, it would seem that Leonardo's understanding is wrong. In featuring members of the socially inferior class prevailing over those of the upper, not by class struggle but by sheer individualistic wit, guts, determination, or greed, Leonardo's Last S u ~ ~ e r iç perhaps the most Jonsonian of Barnes's plays. The motif of alchemy and Lascars talent in that area (having, in a sense, turned excrement into gold) has been noted by Christopher Imes, as has the resemblance between the narnes "Lascan and Volpone ' s servant "Moscaaf . 3 3 To expand upon this observation, it is noteworthy that una mosca is a fly, and una lasca is a roach - two common, if unwelcorne, varieties of household pests. And Volpone's promise of his imminent death as a means to gain fortune does connect the morbid with the acquisition of wealth. But trying to tie Leonardo's Last Su~ner to Volnone or The Alchemist leads only to a cul-de-sac. More than style, themes, or motifs, it is cynicism which the two playwrights share: the cynical eye that trains itself on the pickpockets at the fair, the Roman functionary who so artfully rises to the top, the mischievous youth pulling one over on Morose: those who possess a fine comprehension of human nature and who know how to use it, For al1 that he knows about art, mathematics, physics, and the human body, Leonardo seems plainly stupid when, having spent an hour or so with the Lascas, he expects that they will forfeit the profit they were promised for his burial because "Your reward is the gratitude of future generations" (149). As with Charlie Ketchum, good intentions and gratitude are useless in a practical world. Leonardo is answered by Alphonso in what might be an anthem of youth: ALPHONSO- Hrrrrrrzzzzzzzz . . - I ' m the future, and I'm not grateful. The futurerll only be grateful if we sunrive. We' re needed. Your re a luxury . We ' re the new men you scholars prate on about. Y& put us in the centre O' the Universe, Men or trade, o'money, we'll build a new heaven and a new earth by helping ourselves . (149) Alphonso has his own interpretation of the figure in "The Divine Proportion," as though the outstretched arms grabbed for riches while the spread legs rested on the backs of others - 1 3 9 Then, in a horrifying parody of Christ's last supper and the crucifixion combined (Leonardo , paraphrasing the Gospels , even says "friends, friends you k n o w not what you ..." [150]), Leonardo is disposed of in a manner which exceeds in crassness even Alphonse's speech, while the philosophical conflict over whether the essence of man's nature is humanity or self-interest is argued one last time - with self-interest coming up the clear winner: LASCA. Nothing personal, Signor. This is just business. DA VINCI. Stay ... stay let me live ... for blood . . . I'mRCY . . . - . . ME ... Mmmmmmmm [s.d.l DA VINCI'S voice - - . Oh let me not die again . . . truth and beauty a . flesh and I'm a man like you . . . WEtRE MEN 1s cut off as he is plunged headfirst into the bucket of excrement, urine and vomit. He struggles frenziedly, splattering the LASCAS as they hold him under. His stmggles soon grow weaker; legs stop kicking, arms f laying. Finally no movement at al1 - (150) The play's title, then, comes up a triple pun: it refers to the famous painting by Leonardo da Vinci; to the event that painting depicts; and to the abject human waste products on which the character Leonardo dînes in his ultimate meal. A less dignified end for such an exalted figure could hardly be imagined - But it was, as Lasca says, just business. " Barnes has, it seems, been intrigued with the notion of death as a capitalist enterprise for as long as he has been writing plays. The Time of the ~arracudas,~~ pl-oduced in 1963 in San Francisco and Los Angeles, is about a couple who, unbeknownst to one another at the time of their marriage, each makes a practice of marrying, then murdering in order to get the spouse's insurance money. They find one another out early in the play, and the comedy springs £rom whether or not there will be honour among thieves - or murderers. And Philip and Stella are not the only ones in Barracudas whose livelihoods trade on the misfortune or demise of others: incidental characters include a policeman, an insurance agent, a funeral director. Like them, Philip and Stella are professionals, though it could not be said they serve the public; they are indeed gleefully self-interested- The idea also surfaces in Cla~ Hands Here Cornes Charlie when Charlie tries to turn the accidental killing of Joan into an opportunity to make some money . Looking at Leonardo's Last S u ~ ~ e r £rom the perspective of its music, Elizabeth Winkler likewise notes the Lascas' concern for the state of their purse over the state of their souls. She points out the irony in the choice of spiritual sung by the family when it first gets Leonardo's (presumed) corpse : A variant O deliver Dan as celebrat f the iel? , ion O Negro spiritual "Didri't my Lord " the tune was originally intended f spiritual deliverance and as expression of faith-in religious salvation. The Lascas, however, employ it to convey their hope of material rirofit and deliverance £rom material poverty. '" This perversion of spiritual matter, its alchernical transformation from soul-fodder to meat, continues through the 141 play's remaining moments: after Leonardo is tnily dead d aria blesses the holy family, and Lasca, discounting the possibility that the artist might rise yet again, says: "Another blessed miracle'd be too much to inflict on hard-working Christian folk like us, We deserve better O' the good Lordn (151) . Leonardo da Vinci never stood a chance against the Lascas. If in his normal, rational, mathematical world he might have been protected against them by virtue of having a social position which would force their respectful treatment (if not actual respect), there is no such protection in the Lascasf charnel house. The charnel house is outside the sphere of society; it is the Lasca family's owri dominion where rich and poor, important and comrnon, are al1 handled in the same fashion. Once someone enters this world, whether they had been prince or privy cleaner in life, they must submit to Lasca and the tools of his trade. Charlie Ketchum gains a similar freedom f r o m society by taking an opposite approach: rather than create a srnall kingdom, he takes the world for his own. While in The Rulins Class the Gurney butler, Tucker, had an existence so interwoven with those he served that he could not escape it even when given the means to do so, Lasca and Charlie have avoided this trap: Charlie senres no one and Lasca provides the same (essential and indispensable) service to all. (Leonardo da Vinci, on the ironic other hand, depends 142 upon the commissions and patronage of others, and funding to artists is the first item in many a list of budget cuts.) Though as outsiders they are exempt £rom many of the rules, the system can rein in even the Ketchums and Lascas of this world when it needs to. Charlie, still subject tu the law, spends two dozen years in the psychiatrie hospital; the Lascas are forced into bankruptcy and exile with the creation, by his peers, of the Apothecaries' Guild, which set prices and standards for his successful product, "Lascals Excremental GoodnessN (143 -44) . These characters can be knocked dom but, given half a chance, they don't stay dom. They stand apart from Tucker, or from the Head Footman and Keeper of the First Door in Barnes ' s (unbroadcast ) radio monologue "A True-Born Englishmanu (1990) . 3 6 The subject of this caustic piece has worked himself up through the ranks to reach the pinnacle of his career: he opens the first of three sets of doors in the Banqueting Hall of Buckingham Palace. "The Germans have schools for servants where they teach people the principles of service. We English don't need to be taught. It cornes natural, something we drink in with our mother's milk," says the f ootman, echoing ~ucker . 37 It is not the Lascas' Florentine nationality that saves them from what Barnes sees as a national characteristic (after all, as in Shakespeare or Jonson, no rnatter where they are set, ail of Barnes's plays are about England). They, like 14 3 Charlie, are masterless men, and their livelihoods must come £rom a different source than the wealthy, the ambitious, the political. The price of refusing to live within the dichotomous servant/master arrangement is to orbit society, an outsider dispossessed of goods and country, But what they do have which the True-Born Englishnan and Tucker lack is an unusual ability to recognize opportunity, and a still more unusual ability to grab it. As a corollary, it would seem that the means of oppression are in and of themselves not creators of amoral beings, but that the amoral exist in every class, and their ability to practice their inhumanity is limited only by their access to such means. Pope Celestine V, with his opportunity, might have made rnany men suffer, and did not; Lasca takes his opportunity to end one man's life for his own personal gain, and he uses it, very disturbingly, with no hesitation. 1 alluded to Sejanus earlier to support a claim of Jonson's cynicisrn, and such an allusion may cal1 for a word about one of the supreme opportunists of Jacobean theatre, Shakespeare's Iago. In many ways Sejanus and Iago are cut from the same cloth: both gain through their ability to slither through every available crack, and neither is troubled by the immorality of his actions. These qualities (such as they are) are descriptive, too, of Charlie and the Lascas, but unlike the Barnes characters, Sejanus and Iago have a driving passion (which, reduced to one word, is ambition for Sejanus 144 and jealousy for Iago). In contrast, Barnes's characters have rather bourgeois desires: they only need money, and then, only for its power to obtain, in Charlie's case, a woman, and in the Lascas', material goods. There is no need to destroy or to reign on a grand scale; there is only a persona1 need of the sort most of us have, coupled with a willingness to satisfy it in ways most of us are not. Though 1 have grouped C l a ~ Hands Here Cornes Charlie with Leonardors Last Surmer in this chapter, there is one screaming difference between Charlie Ketchum and the Lasca family: in the end we are urged to evaluate Charlie's character as a sort of Puck, a mischievous but admirably free soul, lovable and ultimately necessary: a bit of spice to heat up the bland porridge that is, often, life. Even his murder is forgiven by the victim herself. And the murder, which was largely accidental, is never his really unconscionable act: that is the attempt to profit from the murder. 1s intention al1 that separates the charming Charlie from the grotesque Lascas, who also murder and profit by it? To be sure, killing an artist of the stature of Leonardo da Vinci leaves more of a void in the world than killing an ordinary person, but most legal and moral systems do not care to make such a distinction. The murder of Leonardo is dramaturgically more significant than that of Joan, being the central action in the one-act, while Joan's demise is just one incident in a full-length play of much larger scope. And to some extent we can justify Charlie's actions because he is more "done againstU1 than most. But 1 don't believe there is a real distinction between Charlie and the Lascas in this regard; it is only that Barnes chose to make Charlie, in spite of his filth and bad temper, somehow cute, while the Lascas are decidedly uncute. After the voice of the Lecturer returns to eulogize Leonardo, the stage directions cal1 for Alphonso and Lasca to I1savagely descend on the corpse, hacking and cutting to drain off the bloodN while Maria, in a Brechtian moment, stands beneath the drawing of "The Divine Proportion," holding a knife and singing the popular Song "Mons Lisan "in a beery, maudlin voicen (151). The fact that representation can so affect our ethical judgment is a point Bames himself will make in Laushter!, which contrasts personalized murder and cruelty with the institutionalized variety. In both C l a ~ Hands Here Cornes Charlie and Leonardo's Last Su~per, Barnes demonstrates that there are many roads to gaining the upper hand. Though the temptation is often overwhelming for those who are, it is not necessary to be born into the ruling class to be an opportunist and small-scale oppressor. Charlie trades on his image as homeless, unemployed, disadvantaged, and powerless to gain control over those around h i m ; the Lascas simply recognize the power of endurance. Regardless of one's stature in life, death will come, and when it does the Lascas will be there to profit £rom it. Were's to Old Mortality then, Our sure and certain 146 provider, If of fers Lasca in a toast (128) . But the p r o f i t they gain is not purely monetary; there is a sense of having lived long enough to see those who in l i f e had the social s t a t i on t o treat the Lascas as i n f e r i o r s felled, to know that they will decay just the same as those who keep charnel houses. Full bibliographie information for editions of Elizabethan and Jacobean plays is given in the list of works cited. 1. Bernard F. Dukore, The Theatre of Peter Bames (London: Heinemann, 1981) 20- 2- Al1 the dates are approximate, both within the world of the play and "in real lifem: for example Act One is set in the Spring of 1965 but then reference is made to the present day as being 1964. Dukore dates the play itself to 1964 (The Theatre of Peter Bames), while William J- McLaughlin places it in 1966- tfScotsmen in Hobnail BootsM: An Analvsis of the Oriainal Works of Peter Barnes, diss., University of Pittsburgh, 1988, 8. Although the revision was much more recent, in the Fa11 of 1992 Barnes could not give me the exact year in which the play was finished but estimated 1990. Since no play is truly finished before it receives a production, 1 am happy to consider Clap Hands Here Comes Charlie to be a work-in-progress and to be not overly concerned with its dating. For a complete description of the earlier version, see Dukore's work cited above. 1 am using the revision, in typescript; my gratitude to Peter Barnes for his generous permission to do so. 3. For a general history of music hall and Variety theatre, see Roger Wilmut, Kindlv Leave the Stase! The Storv of Varietv 1919-1960 (London: Methuen, 1985). Wilmut notes that after the first World War Variety went through many changes and lost popularity, but by 1960 "the corpse was t m l y coldu (17). The timing is right for Barnes to have conceived Charlie as a former professional entertainer, although there is no evidence of that given in the text and we don't know whether Charlie sings poorly or well. 4. Peter Barnes, C l a ~ Hands Here Comes Charlie, ts., 1.09. Subsequent references will appear parenthetically within the text using Barnes's folio style: the first digit indicates the Act, and the numbers after the period indicate the rurining page count . S . A.L. Beier, Masterless Men: The Vaarancv Problem in Ensland 1560-1640 (London: Methuen & Co- Ltd,, 1985) 3 - 6 Christopher Hill, The World Turned Upside Dom: Radical Ideas Durins the Enslish Revolution (London: Penguin Books, 1975) 40, 7. Beier 9-10. 8, Bertrand Russell, Roads to Freedom: Socialism, Anarchism and Svndicalism, 3rd ed- (London: George Allen & Unwin, 1966) 14, 9. Bertrand Russell, "The Superior Virtue of the Oppre~sed,~~ Unpopular Essavs (London: George Allen & Unwin, 1976) 69-75. 10. 0. Mannoni, Pros~ero and Caliban: The Psvcholocrv of Colonization, trans. Pamela Powesland, 2nd ed. (New York: Frederick A - Praeger, 1964) 21- 11. See, e.g., Francis Barker and Peter Hulme, "Nymphs and reapers heavily vanish: the discursive con-texts of The Tem~est," John Drakakis, ed,, Alternative Shakes~eares (London: Routledge, 1985) 191-205; Paul Brown, "'This thing of darkness 1 acknowledge minef : The Tem~est and the discourse of colonialism,~ Jonathan Dollimore and Alan Sinfield, eds-, Political Shakes~eare: New Essavs in Cultural Materialisnt (Manchester: Manchester UP, 1985) 48-71; Thomas Cartelli, "Prospero in Africa: The Tem~est as colonialist text and pretext," in Jean E. Howard and Marion F. O'Comor, eds,, Shakespeare Re~roduced: The Text in Historv and Ideolow (New York: Routledge, 1987) 99-115; and Stephen J. Greenblatt, Learnincr to Curse: Essavs in Earlv Modern Culture (New York: Routledge, 1990), ch. 2. 12. The Arden Shakespeare, See, generally, 14. Brown 50-51. 15. The New Shorte among its definitions of unpleasant, frightening; ill-mannered," Greenblatt, Learnins to Curse, r Oxford English Dictionary "hairyN: V i q . Difficult; crude, clumsy" and "Uncouth ch. 1 6 Brown 51. 17. Mannoni 106. 18. Frank Kermode, introduction, The Tem~est by William Shakespeare, 6th ed. (London : Routledge-Arden, 1958 ) lxxxi- 19. William J. McLauglin, using the/an earlier version of the play, also locates Charlie in the discourse of control and makes a brief and valid comparison to Shaw's Pvmalion. "Scotsmen in Hobnail Bootsn 153-54. 20. "Margaret Thatcher: The Downing Street YearsrU A & E r s Biosraphv, Arts and Entertainment Network, 1993. 21. Greenblatt, Leamincs to C u r s e 2 6 . 22- Peter Barnes, Leonardo's Last Supper, Eames Plavs: One (London: Methuen, 1989) 126. Subsequent ref erences to this play are to this edition and will appear parenthetically within the text. 23- Apologies to Mark Twain. 24. Roger Whiting, Leonardo: A Portrait of the Renaissance Man (London: Barrie & Jenkins, 1992) 93. 25. Leonardo da Vinci, Leonardo on Paintinq, eà. Martin Kemp, trans. Martin Kemp and Margaret Walker (New Haven: Y a l e U P , 1989) 120. 2 6 - Whiting 93. 27- MaryBeth Inverso, The Gothic Impulse in Contem~orarv Drama (Ann Arbor, MI : UMI Research Press, 1990) 2. 28. Inverso 59- 29. Thanks to Professors Alexandra Johnston and Anne Lancashire, both of University of Toronto, for replying, via REED-L (the electronic discussion forum of Records in Early English Drama), to my query on whether there is evidence suggesting a no-longer extant piece called vEveryman in Hell." Both replied that to their knowledge, the answer is no. 30. B a r n e s may be commenting on Leonardo's lack of formal education, a point about which the artist seems to have been touchy . See Leonardo da Vinci, I1Preface : Knowledge, Learning and Experience , " in Kemp. 31. Evennnan and Medieval Miracle Plays, ed. A.C. Cawiey, (New York: E.P. Dutton & Co., 1959) 232. 32. Whiting 8 5 - 33- Christopher Innes, Modem British Drama 1890-1990 (Cambridge : Cambridge UP, 1992) 305 - 34. Peter B a r n e s , The Time of the Barracudas, ts- 35. Elizabeth Hale Wirikler, The Function of Sons in Contem~orarv - British Drama (Newark: U. of Delaware Press, 1990) 218, 36. The piece was, as Barnes reports, "submitted [to the BBC] , bought, cast with the actor, Antony Sher, and scheduled," but then reconsidered and cancelled, "not because," Barnes reckons, "of politics, sex, or bad language . . No, the piece had references to royalty and that is something that & taken seriously in dreamland." Peter Barnes, introduction, The S~irit of Man and More Barnes' People (London: Methuen, 1990) viii. 37. Bames, The Rulins Class 100. CHAPTER 4 The Crisis of Identity and the Double: Noondav Demons, The Real Lona John Silver, Nobodv Here But Us Chickens, and The Three Visions In exploring power relationships in this thesis, 1 have looked at the interaction of Peter Barnes's characters and at how they exercise authority and control over one another. This power-wielding has taken many forrns, obvious and subtle, large and small, from the power of kings over their subjects to Charlie Ketchun's ability to manipulate, or Father Morronets irresistible sway. When relationship is missing, though - when a character stands alone - what happens to the seesaw of power? outside of the realm of any govemment or external authority (other than, perhaps, the omnipotent playwright as ultimate author, or a Divine Creator even more powerful than he), it would seem that the character, or any of us, achieves autonorny: governor and governed are one. 1 may, at times, wonder whether 1 am the person 1 believe myself to be; 1 may disguise and try to influence the way my identity is perceived by a political or social group; but somewhere, 1 like to think, there is a "real me," hidden as it may be to the world in which 1 live; no one can disrupt the essential nature of that core. Alternatively, there may be no core; my identity may be a tablula rasa upon which 1 am free to construct any being I like - either way, my identity is not subject to outside 152 authority. To be stripped of authority over selfhood equates to the very disconcerting - or liberating (depending upon whether one takes the modern or the postmodern view) - prospect of being utterly powerless. At the heart of this line of thinking is the assumption that uniqueness is a true characteristic of identity - that, like sncwflakes, no two selves are alike. It is Barnes's task to blow that assumption right out of the water. We have already had a taste of what happens when a character is confronted with the suggestion that he is not in fact unique in the scene from The Rulins Class between JC and the Electric Messiah - JC seems to have formed a new identity overnight, and it is a far more dangerous one. The question which 1 did not raise in my earlier look at The Rulins Class but which is central to this discussion is, Who is the 14th Earl of Gurney when he is neither Jesus Christ nor Jack the Ripper? Barnes does not show us; there is no moment in the play in which this state of being occurs. 1s there even such an animal as the "realn Earl? Who decides who the E a r l will be: his inner being, societal circumstance, nature? 1s individuality possible, are we in charge of it or are others, and what threatens our sense of it? In short, what are the politics of identity?' As an aside, in the same play the Earlfs bride, Grace Shelley, invents herself first as Marguerite Gautier and then as Lady Grace. Her identity is entirely self-constructed. In her wedding night monologue she 153 tells us of her past perfonning career as a stripper, and then boasts: "Nobody need worry about me fitting in. Al1 1 have to do is play it cool. 1 c m cock my little f inger [a gesture, 1 am told, commonly made in striptease performances] with the best . u2 In The Rulinq Class, one threat to a sense of identity is the challenge to individuality, and nothing presents that challenge quite so forcefully as encountering a doppelganger. It is that situation in which the characters in Noondav Demons (1969) , The Real Loncr John Silver (radio, 1986) , and Nobodv Here But Us Chickens (television, 1989) find themselves. In a fourth piece, The Three Visions (radio, 1986) , it is not a question of meeting one's double, but of meeting oneself at different stages of l i fe . The use of doubles on stage did not originate with Peter Barnes; he merely perverted it. The Elizabethan play which springs to mind here is of course Shakespeare's farcical Comedv of Errors, in which being unwittingly doubled is the cause of chaos for the Antipholus twins and the Dromio twins who serve them. As in Barnes, too many individuals try to occupy too few places, not understanding why their world has suddenly gone mad. Notably, however, the ultimate uniting of the twins brings about order, whereas juncture is the point at which order falls apart in the Barnes plays. It is only in the last scene of the Comedv, when the twins are recognized as such, that al1 is righted, not only for the two pair of 154 brothers, but for the parents of the Antipholi, the goldsmith, the courtesan, the off-stage kitchen wench - and perhaps for the city of Ephesus itself, whose laws would othewise have demanded the execution of an innocent man. And in keeping with most of Shakespeare's comedies, the proper pairing of the twins is a kind of marriage which is appropriately celebrated with the promise of a feast. In Barnes, adversity and violence corne of one character meeting his double- Bames exhibits a special interest in the double elsewhere in his work: two imposter Angel Gabriels visit Pope Celestine with contradictory advice (Sunsets and Glories act 1, SC. 9); the dwarf father and son jesters dress like the Spanish grandees in The Bewitched, but because they are miniatures, they mock authority (act 1, SC. 2). These matching sets are used politically, but they do not cause any crises of identity; the jesters do not think themselves to be grandees, and the Gabriels know that they are, in fact, a whore and a queen, disguised. When I asked Barnes about his use of doubles, he replied: T t has to do with theatre, to do with the fact that drama is in the end conflict ... One can actually personify [the conflict within oneself] by having a doppelganger to actually be there visibly to show the other side, what the struggle is. lt3 The nature of conflict is a battle for supremacy, and when the battle takes place within one entity or between two entities claiming the same identity, winning and losing become 155 peculiar concepts. In The Real Lons John Silver, Henry and Madge, a married couple, and their friend George discover, as they meet to leave for a fancy dress party, that they are al1 wearing identical Long John Silver pirate costumes. (Who but Peter Barnes would present a radio comedy based on a sight gag?) The three spend the play contending for the right to be the notorious buccaneer for one evening- While each defends his or her right to the identity al1 wish to Wear - the identity each, in fact, feels belongs to him alone - the disappointment of their daily lives is revealed. That only one of them rnay use the identity at a tirne is never questioned, and speaks to the importance of individuality in building identity. There is more at stake here than showing up at a cocktail party and finding another guest wearing the same ensemble (traumatizing as such an experience may bel . By the play's end, the struggle to earn the identity of Long John Silver gets ugly, the insults escalate, accusations fly, a pistol is even drawn - fortunately, it is the toy one that came with the costume. This evening is clearly the last, desperate moment these characters have to redefine themselves. They fail; there is no more a point to being a mass-produced pirate than there is to being jus t another housewife, supervisor, or Company cashier. And, too, how can the costume which so particularly represents what each feels is his or her true self be shared? How can it express the individuality of three different 156 people? The three Long John Silvers, ultimately realizing that Song they cannot escape themselves, Einally mite in a bleak and dance : 'We struck out for the sea, sea, sea- But it was not to be, be, be. We wanted to be bold, bold, bold, To start breaking the mould, mould, mould. But life is so grey, grey, grey. Dribbles away, away, away. NOW weJ re lost and weJ re cold, And we' 11 al1 soon be old - . ' 'Arr, Jim 1ad.1~ Noondav Demons examines the appropriation not of a clearly mythic and occasional persona, but of one that the "ornerN considers to be his own unique core. St. Eusebius is an ascetic Christian whose rejection of comfort is so extreme that he lives alone in a desolate cave, in horrid squalor, lice-ridden and maggot-infested, willingly chained, consuming only old olives, older bread, and muddy water which he further contaminates by adding dirt from the ground. A more unenviable existence can hardly be imagined; and yet another virtually identical ascetic, St. Pior, comes along to usurp Eusebius from his post. "Another will corne, just as ... as ... as me, but with smaller feet," predicts Beckett's Estragon (and it comes to pass),' as though the world somehow requires a certain number of hobo-clowns, martyr saints, or frustrated graduate students, and when one is removed, another pops into its place - but they do not occupy the same space at the same moment. Eusebius8s sense of self is bound to his singular expression of his devotion to God, as surely as chains bind 157 his body to this place. Confronted by another just as himself who demands the space he inhabits, St. Eusebius is made to fight for the only possession he has or wants: his selfhood. Barnes again pits two nearly identical characters against one another in Nobodv Here But Us Chickens- George Allsop is a man who believes himself to be a chicken and has been placed under psychiatrie observation because of it. As it happens, Allsop believes himself to be no ordinary cockerel, but Very Important Poultry: Goldcrest, Cock of the i or th, who, as the character tells us, "crowed the morn [Christ] was born in Bethlehem? When H e m , a man claiming to be the equally irnpressive cock Chanticleer, "who crowed the night Christ was deniedu ( 4 9 ) , is thrown into the room with him, the uniqueness which Allsop thought he had achieved is duplicated and therefore made common. In contrast to the t h ree pirates, however, t h e two roosters (after some initial mistrust) decide that they are "the Yin and Yang of itw (49) and join forces against a common enemy that would rob them of their identities, As a group, these short plays raise questions about the nature, value, and problems of persona1 identity; indeed, into whether we author (and authorize) ourselves, or are written, This insecurity over ownership and control of identity, the last province of personal agency, has been a significant motif in Western popular culture throughout the second half of this century, for example in films ranging from the classic 1956 horror film Invasion of the Bodv snatchers7 to the recent movie The et.' In Bodv Snatchers, the technique used by the alien invaders to achieve world domination is to create an exact duplicate of a person known and trusted by his community. The shell is used, but the essence is replaced; the identifiable and the identity are separated, In The Net, a woman is stripped of every number that identifies her in the modern, computerized, networked world. With no one to verify her identity, she simply cannot &.' To my knowledge, however, Peter Barnes is the first contemporary English- language playwright to depict identity theft? The examples above suggest an anxiety-ridden society nearly obsessed with its vulnerability to invasion - an understandable concern during the Cold War. The fear is that invaders will replace every aspect of a familiar way of life and replace it with their own. Invasion of the state is also invasion of the individual. Now, the question is, how thoroughly can the individual be invaded? It is a question which Barnes poses in the plays being considered here, and, in exploring it, the findings of a couple of experts in the field of human identity will help to define terms and identify certain problerns with persona1 and social identity generally. The two main criteria usually considered essential to a sense of personal identity are, according to Rom Harré: first, "the individual should be self-conscious, that is be 159 aware of their experiences as constituting a persona1 unityw and have the "capacity to identify [oneselfl as a unique person among others," and second, "a person's present actions must be located in an autobiographym;" L e . , one must have a sense of persona1 narrative. The persona1 identity problems faced by the characters in the plays under discussion here are generally that of sameness: their uniqueness, that is, numerical singularity, is challenged when they are confronted with another who appears to be the same as them (another martyr saint, another pirate, another chicken). Although the cliché has it that imitation is the sincerest form of flattery, to these characters it presents the greatest threat. To further cornplicate things, the social identities of these characters who unwilling meet their doppelgangers axe total constructions to begin with. Harré writes of two of the constituents of social identity being 'Yolen and "human category1I: "The distinction between child and adult, male and female, black and white, and so on 1 shall call one of category, while that between bank manager and priest 1 shall call ' role. A woman reassigns her human category by dressing and acting masculine in The Real Lonq John Silver; she also takes on a role which differs radically £rom the one her husband and friend expect to find her in. In Nobody Here But Us Chickens, Allsop doesnft stop at altering his human character: he leaves the category of human altogether. Even St. Eusebius, striving to achieve a state of pure essence, has built his role as a martyr. In addition, some characters are identifiable as one numerical person but with such a fractured narrative that they seem to become different people. The chief example of this phenomenon in Barnes is JCfs transformation to Jack in The Rulins Class, and the assumed transformation he underwent in becoming JC before the action of the play; but the psychomachia within St. Eusebius when he seems inhabited by the devil, or in Carlos when by his rnother (in The Bewitched, act 2, SC. 3 ) ' are other examples. The Three Visions, a radio play about the making of a radio play, offers a third (albeit temporally and spatially unlikely) identity problem: a consistent personal narrative is split among three numerically distinct individuals who soon come to realize that they are the sarne person at different phases of his life. A t tirnes, one's view of oneself clashes with societyfs - what Harxé terms Vom ring] unstuckm - and he identifies two major ways in which this could happen. First , If [t] he persona1 sense of identity may not be matched by adequate social constituents of personal identity. ... one's projects may not be matched by what other people take to be one's prospects."" In Red Noses, Father Flote's acting troupe is filled with characters whose prospects do not meet their projects but who carry on regardless, and so we get a stuttering stand-up comic, a pair of one-legged dancers, and a blind plate- spinner. Failure to succeed in these projects is an asset to the Fioties: "Failing to be good, they succeeded in being completely badn (39) - But in The Real Lona John Silver, such failure is little short of a persona1 tragedy. The identity each character tries to project by doming the Long John Siiver costume fails to be accepted by his or (especially) her peers. Having already insinuated a connection between penis size and piracy (HENRY: "How can you look more like Long John than 1 do?" GEORGE: "Because my parrotrs bigger than yours O . . " [ 3 4 ] ) , 1 4 George tells Madge: GEORGE. I 1 m sorry, Madge, I'rn a bit uruierved. The sight of you two wobbling around on wooden legs .., Now Madge, I1ve been a f riend for f if teen years and I1ve got to tell you the truth. Madge, you're a woman. HENRY. Ifve told her that but she wonrt listen, shers obsessed. Shers having trouble knowing what she is - animal or mineral. Shels lost touch with reality. (35) But when the three express what they had hoped to get from spending a night as Long John Silver, it is evident that Madge is for once in touch with reality, and through her costume had at last - briefly - exceeded the limitations of her social station as a housewife: MADGE. 1 wanted . - . 1 wanted to throw off for a night, this skin that doesn't fit me ... but if yourre wedlocked and weak it destroys your rnentals . 1 wanted to win instead of living a borrowed life knittingrnittens ,,. 'Arr, Jim, Jim.' (38) Clearly, there are political implications of attempting to expand the societally-acceptable borders of one's identity. Madge becomes a threat to the men by momentarily trying to escape her station in life; the men threaten each other by suggesting that the otherts masculinity is inadequate to the role. 1s there something inherently inappropriate in Madge's choice to dress as a male swashbuckler simply because she is a woman? She is headed to a fancy dress Party, where the whole point is to be something which she cannot be on any other day of the year. Yet the men react as though she had committed a crime against nature. when George and Henry put on the Long John Silver costume, they becorne boys playing pirate; when Madge wears it, she becomes an abomination. The men cannot articulate why Madge's sex should make her ineligible to dress as Long John Silver, but 1 will speculate that her cross-dressing contributes to the sense of worthlessness - perhaps emasculation - the men feel in their daily lives. In revealing the contrast between the lives they lead, and the person they see their true selves to ber they explain the significance Long John Silver to them. Says Henry : Oh yes, I eat my cheese and Mamite sandwiches every day and catch the six forty-three home every evening. And these four walls go on being four. My lifers a Eorm of petrified dreaming, I 1 m s t i f f with the cares afid worries of it. But deep dom, Long John Silver is the true me - mean, murderous and magnificent. 'Urr Jim lad, we live rough and risk swinging at noon ... ' I ' m not giving him up; not ever, r , a a . (32) Likewise, George, unable to convey convincingly the thrill of his job as the supervisor at the gas Company, where he sends teams of men rushing into danger when "[al gas main bursts. a gas cooker' s faulty, a radiator springs a leakm ( 3 6 ) , comes to admit : I've had enough of paying excess £are at the end of the journey like an honest man. 1 sit at my desk at South Eastern Gas and think of the Mongols with their wild horses and their towers of skulls. (37) Despite the incongruous irnagery (perhaps the original title was "The Real Ghengis Khann), al1 ultirnately must acknowledge the mundane reality of their lives. Says Henry (with a nearly embarrassing lack of subtlety), "we give ourselves a role to play so as to have some pretext for living and mine was taken f rom me . . . ' A r r , Jim Jimu' (3 9) . What has taken Henry's role £rom him? Life, of course: a society which rewards conformists and punishes eccentricity (while paradoxically touting it as a tourist attraction); the anti-art, pro-capitalism England of the Thatcher government, perhaps; something in his nature that holds him back £rom taking risks. And, Madge. His (and George's) disappointment in life is compounded by the notion that a woman can play as good a pirate as a man can, even though she lacks the male apparatus. In her costume, Madge has acquired a degree of freedom which rivals theirs and removes their thin security blanket of knowing that, first, by virtue of their sex they are closer to being Long John Silver than Madge can ever be, and second, no matter how unnecessary they are in the world, at least they are not wornen. Women8s rejection of ferninine cloLhing as an expression of independence has historical precedence. A decade or so before Barnes wrote Lona John Silver, some American women made a public gesture of removing their bras,'' a fairly insignificant action performed by a minuscule percentage of feminists, yet which became the universal metaphor for (perceived) aggressive, unfeminine, symbolically castrating wornen. The connection drawn is understandable: there is no common item of clothîng more gender-specific than a bra. But for good or ill, a bra 3s a binding device, and the protesters releasing themselves £ r o m this bond were making a conscious declaration of liberation. In addition to so-called bra-bumers, who cast off women's clothing, another category of women whose style O£ dress emulated or suggested a man's led to the perception of feminists as being aggressive, unfeminine, and symbolically castrating. Many women denied being feminists to avoid such characterization, and it was not uncornmon to hear men equate the very daring act of a woman wearing pants to the office with the end of civilization as they knew it- In early modem England, a woman in man's dress was perceived as being far more than a protester; she had the potential to bring about far-reaching disorder, as expressed in a 1620 letter by John Chamberlain: Yesterday the bishop of London called together al1 the Clergie about this tome, and told them he had expressed commaundment from the King to will them to inveigh vehemently and bitterly in theyre sermons, against the insolencie of Our women and theyre wearing of brode brirnd hats, pointed dublets, theyre haire cut short or shome, and some of them stilettaes or poinards, and such other trinckets of like moment: adding withall the y£ pulpit admonitions will not reform them he would proceed by another course: the truth is the world is very far out of order, but whether this will mende yt God knowes . l6 One of the unnatural women referred to in Chamberlain's letter was no doubt Mary Frith, l7 or Moll Cutpurse, who was credited with having several underworld occupations, but was most infamous for wearing men's clothing. This she apparently did on a daily basis, in defiance of the sumptuary law, not for carnival or to disguise her sex (which she made no attempt to do), but as a persona1 preference. Middleton and Dekker memorialized Moll in The Roarinq Girl (c. 1610) . The playwrights take a very kindly view of her misdeeds, but at the same time, make much of her attire.'' They present her as being a strong, independent woman who never "dwindled down to a Mrs . rr as Madge has (LJS 32) ;19 indeed, in the last scene she points out that, while Sir Alexander Wengrave has been tearing his hair out worrying that his son would marry her, no one has considered that she might not agree. She will marry, she says: When you shall hear Gallants void from sergeants' fear, Honesty and truth unslandered, Woman manned, but never pandered, Cheats booted, but not coached, Vessels older ere theyrre broached; If my mind then not be varied, Next day following 1'11 be married. (V.ii.219-225) Which is to Say, never. And in not marrying, Moll usurps the privileges of men to go about unescorted and unmasked, to keep her wealth and property her own, and to maintain her independence. In an essay on The Roarins Girl, Marjorie Garber draws a connection between female tranvestitism and emasculation. Garber expands the feminist reading of the play as being "a metaphor for the changing condition of womenn by arguing that [the playf s] anxiety is not so much based upon womenf s emancipatory strategies as upon the sexual inadequacies of men, u20 and she notes that Moll ' s clothing, particularly the codpiece she has made for her in Act 11, scene 2, spurs that sense of inadequacy. 1 donrt h o w that the overriding sema1 mood in The Roarins Girl is inadequacy; there is a variety of sexuality expressed by the characters, including men being aroused by Mollfs masculine representation. About the only man who pursues a woman dressed as a woman is Gallipot, whose pregnant (and therefore hyperfemale) wife spums him for being an "apron husbandw (III.ii.33). And Laxton is not quite the eunuch Garber sees him as being; he is aroused by Mollrs androgyny: "[Aside] Heart, 1 would give but too much money to be nibbling with that wenchu I I . i . 9 - 9 Mol1 finds it strange to see the young lovers, Sebastian and Mary, kiss while Mary is cross-dressed, but Sebastian replies, "Ifd kiss such men to choose, Moll; / Methinks a woman's lip tastes well in a doublet" (IV.i.48-49). George and Henry should be so secure in their masculinity. Because Madge's flirtation with transvestitism is by way of a costume, she brings to mind Rosalind from As You L i k e It or Viola £rom Twelfth Nisht, but the Shakespearean women play at being men to transport their bodies through the forest or into court. Madge's disguise transports her soul. As Garber points out, Rosalind and Viola differ £rom Mol1 Cutpurse on the grounds that they are disguised for reasons of necessity; Moll's mode of dress is not a disguise at all. And Madge's Long John Silver costume disguises her sex while expressing her desires. Harrérs second major way in which a sense of identity cari come unstuck occurs when one's social identity is weak, borderline, or undesirable, leading to a cultivation of a more acceptable identity to present to the public. This may be motivated by one's own feelings of social inadequacy, or a very real external threat may exist: a homosexual finding himself to be amongst violent homophobes might find it prudent to "rnake a deliberate effort to display the distinguishing marks of an approved social identity.l12' This subversion of oner s "trueM identity serves as a survival technique in the same way as does a charneleon's ability to camouflage itself. Harrérs premise is nicely demonstrated, with an ironic twist of course, in Nobodv Here But Us Chickens. In his Authorrs Note to the set of plays about disability to which Chickens belongs, Barnes begins: There are so many conditions which are handicapping in the widest sense - being an Arab in Israel, a Jew in Syria, being a woman, gay, black or poor anywhere. These handicaps prevent people making the normal responses to their surroundings, stifle their opportunities and create prejudices in others. Yet w e al1 make sure we suffer disabilities to some degree or other. 22 Bames's observation that we desire some degree of disability is pertinent here. Disability serves to set one person apart from others in the same way that having an extraordinarily able dimension does. Perhaps Long John Silver was a particularly fitting syrnbolic choice: three able-bodied characters long to Wear the identity of a half blind, single- legged villain. To be something more than just another face in the crowd, some defining characteristic, positive or negative, is necessary. And if Long John's body is marred, it became so in adventurous forays, not from sitting behind a desk. Allsop, the principal fowl in Nobodv Here But Us Chickens, is driven by this need to stand out. As he describes his former existence, it is plain that Allsop was already a chicken in almost every sense; what changes is the characterts attitude towards chickenhood: ALLSOP. I asked myself the question 'Who am I?' Am 1 an obstacle or an opening, a wall or a door, a man or a chicken? P d been with the firm of Harcourt and Ridley, man and boy, but 1 slipped out of orbit; couldn't cope. ... So 1 was taken away to rest. . . . 1 touched peace, at last, in the oxder of the henhouse, cluck-cl uck-cl uck, cock-a-doodl e-do ! 1 saw the top birds pecked al1 the others and those in the middle ranks pecked those below but respected those above, whilst the fowls at the bottom took it £rom everybody. This was the England 1 knew and loved! ( 4 4 - 4 5 ) And, as long as ~llsop is going to be a chicken, he might as well be Goldcrest, the one at the top - the one that doesn't get pecked, Unless, of course, an equally impressive cock is thrown into the same henhouse. Hem, too, has taken a step up in the world by becoming Chanticleer: HERN- I was a bank teller for twenty years before 1 found myself. People would corne to my window for money. I'd count out £ive - ten - twenty - fifty - hundred; quick - quick - quick - quick. Two tellers to a cage. Caged birds crarnped and grey. Then the light came and 1 spread my wings - (47) When, at the end of the play, Hern and Allsop decide to rejoin the world, they do so by developing working social personae. While still knowing themselves to be chickens, they play at being men, and that is al1 that the world requires of them. 23 In the a r t i c l e I've referenced here, Harré seems to assume a core identity, and begins his discussion by stating, T h e basic distinction tha t will be deployed in this chapter is that between the fact of persona1 identity - what it is that makes a human being this or that particular person - and the sense of personal identity - how people experience their unique self. w 2 4 Not al1 sociologists would agree, however, that there a "fact of personal identityN; James J. Dowd, for example, proffers the concept that al1 identity is construction, that there is no authentic self. ~ o w d takes a postmodernist view of personal identity: now that the I1death of the author, has occurredI2~o1e theory encourages . a recognition or reappreciation of the once remarkable notion that the self is an image we construct from the materials at hand. in a sense, a self resembles a wardrobe: we pick up bits and pieces of identity along the way and, as long as these elements fit and are suitably stylish, we will Wear them for the time beingO2= In Dowd's view, the nature of identity shifts away from being determined by environment, G o d , and/or genetic inheritance, ont0 the individual, as self-author. The paranoia such a school of thought would create in the powers that be is obvious: we are no longer creations, but creators; we are the gods of the tiny universes of ourselves. It becomes clear why the real Mary Frith's presentation of herself landed her in prison for awhile. But even the freedom of self-authorship does not give license to be anything at all. Thinking back to the discussion in Chapter 2 of Tudor- Stuart dress code, we recall that in the 16th century, except during brief periods of Carnival implicity or explicitly sanctioned by the Church or state, self-creation is not the privilege of the common man. Nor is it now, according to Dowd : In the current age, civilization's discontents are not restricted to those with unruly ids but include those who have failed to acquire a self that is estimable in some way and that can withstand public scrutiny . '' As both Harré and Dowd note, popular acceptance of the identity claimed is necessary for an individual's smooth fusion with society. Even if we do have the power to author and authorize ourselves, it is limited by the external authority of the public. Without the safety nets of make- believe or mental illness, an unconvincing identity is a virtually non-existent one. When the mainstream public feels sufficiently threatened by an excessive display of individuality, one way of dealing with the unacceptable self-creation is to institutionalize the offender, taking him away from the public eye, as Allsop was presumably taken away in Nobodv Here But Us Chickens. Ultimately Hem convinces him to perform the role of a very ordinary man to regain entrance to the mainstream, where he will spy on men and attempt to sabotage their plan to eliminate chickens. In order to maintain uniqueness (as an agent in the exciting world of fowl espionage), Allsop must now be a chicken pretending to be a man; in actuality, a man pretending to be a chicken pretending to be a man; in reality, the same man he was before he was Goldcrest- He seems to re- glue himself, to borrow Harréfs terminology, via this intricate path. That such a thing might be possible gives weight to the argument that we have a great capacity for designing ourselves, and even psychochernical imbalances or physical restrictions may be partially within Our power to re-write. Strangely (or not, considering Barnes's vast intellectual storehouse of trivia), it has also been observed that mental patients in the world outside of Barnes are capable of acting normal, when it is called for, but the awareness that they are doing so as a performance reinforces in them the reality of their abnormality. In a related vein, another interesting tidbit 1 found 172 while lurking around the sociology researchers is the classification of people according to whether their idea of their llreal selfn has an winstitutionaln or an nirnpulsell emphasis, In this school of thought, those with an institutional emphasis feel that they are their real selves while performing well within a group; those with an impulse ernphasis feel that when they perform well in a group, they are conforming at the expense of their true selves.28 Clearly, the characters in both Lons John Silver and Chickens feel their true identities to be sublimated by the workaday world in which they must function; they express their impulsive natures only on special occasions such as fancy dress balls or nervous breakdowns. The cruel Barnsian irony is, these departures from conventional society lead only to a new conventional society. Becoming a chicken or a pirate suddenly becomes the most normal thing in the world to be: wherever you go, there you are. The issues of persona1 identity raised by Barnes in these plays also emerged in the theatre of the English Renaissance. In her discussion of identity on the Elizabethan/Jacobean stage, Ernily Bartels argues that our modern notion of character was sown when the rnedieval stage convention of the platea, that floating anywhere £rom which a farniliar stock character with a predictable pattern of behaviour often speaks directly to the audience, met with an emerging locus, where the locale and characters are rneant to be understood as being specific and indi~idual.'~ The thoughts, intentions, and emotions of platea characters are external (think Iago, Richard III, and Learts Fool), while those of the locus figures are often tied to turbulent interior struggles of identity ( think Lear , Hamlet , Othello) . Unexpectedly, she finds that in playing types, the stock characters have a more authoritative presence than do those meant to have depth and individuality: For platea characters carry the weight of being and perfom as subjective, rather than submerged or subjected, selves - not because of what they (or we) see within themselves, but because of what they (and through thern, we) see in others, in the state and status quo, and what they do, and can do, with what they see .Io Locus figures on occasion are transformed, if only irnpermanently, into stock figures, and then they, too, gain increased authenticity. Bartels finds this to occur in Kinq Lear, for example, when Edgar plays at being mad Poor Tom, and when Kent pretends to be Learfs cunning servant." Freedom of expression is made possible through restriction (to standard types) of identity; it is precisely this restriction which frees the characters of The Real Lons John Silver. As on the Elizabethan stage, the "realn and the "fictional" meet - in fact, they do so in the very title of the play. Was there ever a Ivreal" Long John Silver? Madge, Henry and George are basing their ideal personae on a movie pirate who has become the icon of his kind. The opening stage direction reads: "HENRY BOWER hobbles into sight Down Stage Centre as Long John Silver complete with peg-leg, crutch and a stuffed pa r ro t on his shoulder. He speaks in an exaggerated 'Robert Newtonr accentm (29) . Robert Newton's pirate creations for film include: Long John Silver in Treasure Island (1950) , Lonq John Siiver (1954), and "The Adventures of Long John Sirver" (television, 1955), as w e l l as the title character in Blackbeard the Pirate (19521, and a Royal Navy lieutenant impersonating pirate early Hitchcock film, Jamaica Inn (1939). These film fantasies are the source of three people's dreams and disappointrnents. Jonathan Dollimore sees in the growing cornplexity of character during Shakespeare's era "the realisation that identity itself is a fiction or construct," and, in line with Bartels, finds that ftlheatrical disguise and play were net merely a representation of this, but in part the very means of its discovery . . . rt 32 One tidy example, Marlowe's Tamburlaine, certainly illustrates Renaissance theatre's exploration of self-created identity, and, in a perverse way, so does Barnesrs Allsop. Says Tamburlaine: "1 am a lord, for so my deeds shall prove, / And yet a shepherd by my parentage" 18m Goldcrest, the original Cock of the North! . . - Dr. Exley keeps saying L ' m a man like him, as if that's something to be proud of. ... Toms and cities change their names, 1 changed rny being, blotted out, no roadsigns, not even a station. 1 won8t go back to living a lie. Now 1 stand newborn, consumed with faith in my chickemess . . , ( 4 5 ) Each aspires to transcend the limitations of his birth and become the perfect creation of his world. Each does so largely by sheer faith in his ability to create himself as he chooses. In Barnes's Thatcherite England, for the middle class, that creation is a chicken. Philip Massinger's 1631 play, Believe As You List," provides us with a character who has suffered from being too much a locus figure. After having spent twenty-four years in self-exile, shamed for having lost his army in an ill- conceived campaign, King Antiochus returns to Carthage, now a piece of the Roman Empire. If his identity is believed, he will likely be restored to the throne, and Flaminius, the Roman governor, will have to face a rebellious populace and perhaps even step dom. The politics of identity in this play are quite palpable- Flaminius, because he doesn't like the consequences of acknowledging Antiochusrs identity, simply refuses to believe it, even in the face of al1 evidence, short of a DNA test: FLAMINIUS : The relation the villain made, in every circumstance appeared so like to truth that I began to feel an inclination to believe what 1 must have no faith in. By my birth 1 am bound to serve thee Rome, and what 1 do necessity of state compels me to. (II.i.120-126) Unlike Tamburlaine and Allsop, Antiochus is not creating himself; he merely wants to resume the identity he legitimately had before his unfortuate battle. But he has no faith in that identity. Tamburlaine and Allsop assert their conquerority and chickenhood, respectively, but Antiochus, for much of the play, cannot convincingly project hirnself as a king. In the very first speech, his companion the Stoic advises him to f orget the contemplations of a private man and put in action that which may comply with the majesty of a monarch. (1,it6-9) But Antiochus8s telling response is: How that title, that glorious attribute of majesty that troublesome, though most triumphant robe designed me in my birth, which 1 have w o r n with terror, and astonishment to others affrights me now! (I.i.10-15) Later, in preparation for presenting his case to Flaminius, Antiochus does dress the part, but complains, "this shape that you have put me in suits il1 / with the late austereness of my lifeu (II.ii.120-121); he cannot even convince himself that hefs no imposter. But gradually he learns, or recalls, how to Wear the identity he would like to be seen in, and in the end, Antiochus successfully authors and projects himself. Flaminius feels the threat and tries to suppress the king's identity by reversing the first step Antiochus took towards reinhabiting his title: he strips him of majestical clothing: FLAMINIUS. Have you forced on him the habit of a slave? SEMPRONIUS. Yes, and in that Pardon my weakness, still there does appear a kind of majesty in him. (1V.i~. 31-34) By now a mere refusal to accept Antiochus as king is not enough; Antiochus has managed to "acquire a self that is 177 estimable in some way and that can withstand public scrutiny," in Dowdts words, cited earlier. And Flaminius's power is sufficiently broad so as to compel others to disbelieve the king's identity, in sp i t e of what they know to be true. Three merchants who, after a comical inspection which includes comparison to their memory of Antiochusfs moles, scars, and extracted teeth, conclude that the man before them is who he daims to be (I.ii.182-95). Though unable to sway Flaminius from his refusal to believe, they have, by their acceptance of him, authorized Antiochus to be Antiochus. But finally they recant; fear for their lives, generated by the threat of Flaminius's disapproval, makes them betray the king: If . . . having proved Our testimonies could not help him / we studied our safetiesI1 V i . 8 - O . With no one to confirm his identity, Antiochus is not permitted to be Antiochus. Still, he is enough like Antiochus to present a threat to the State, whether Flaminius truly disbelieves (Righly unlikely), or not. Only by going about as an imposter of himself, renouncing both his monarchic right and his persona1 identity, can Antiochus live. It is an ironic condition which Allsop also experiences: to be himself, he must hide himself, but his disguise looks exactly like him. Noondav Demons shares with The Real Loncr John Silver and Nobodv Here But Us Chickens the device of one character being surprised by meeting his very close likeness, but in this case, the identity being duplicated is neither appropriated from popular myth nor the result of a deluded mind. To the extent that there is such a thing, we are seeing the "realN St. Eusebius: a religious hennit who lives in isolation £rom al1 society and al1 material goods. Yet he, like every character we have seen in this chapter, would transform himself- Feeling the threat of the Devil within him, he says: He canst not harm me. 1 riddeth myself of old style man and am becorne as one new: new eyes, ears, hands, heart, head. These years or prayer and pain hath transformed me. In destroying my body 1 destroyed Space and Time. '' Eusebius, by attempting self-fashioning, performs the Creator's role and assumes his privileges, including the privilege to destroy God's creations Man, Space, and Tirne. It is while he is boasting of having been "caught up even unto Heaven and seen the consuming £ire o f the Lord a thousand, thousand times brighter than-n-n-n-nu (1571, in fact, that Beelzebub is introduced, speaking from within the ever- lessening body of Eusebius. The devil tries to convince the saint that his life, like his body, is wasted. This, indeed, is suggested in the enigmatic ending of Noondav Demons: after Eusebius defeats Pior, he seems finally to have realized nothingness ("Yea, now 1 enter Him, burst brain's last barrierH he says, as the set becomes "a blue infini ty of spacem [180] ) ; but then St . Pior rises, and is joined by another St. Eusebius, and the two take a surreal curtain ca l l . The original St. Eusebius looks on, praying for mercy (180-81). His eternity will be spent watching his own story be played over and over, himself duplicated again and again. As his demon has foreseen: You'll be resurrected in the second half o f the twentieth century as a stage freak. Your agonising abstinencefll be treated as a subject for laughter. You'll be regarded as just another figment of your authorrs grotesque imagination. Woonday Demons' by Peter Barnes. (161) It seems a rather infernal end for one of Christ's most dedicated servants, and perhaps Barnes is trying to make a statement about the insignificance of spiritual devotion, a theme which forms the basis of his yet unproduced play Heaven's Blessinqs, to be discussed at the end of this thesis. It is certainly demonstrated, however, that Eusebius is not self-authored; worse, he is a creation of a man, noi of a god, and he cannot prevent the treatment he will receive on the stage. When he tempts Eusebius with riches, women, and power, Beelzebub apologizes for the lack of originality: Vt's Temptation Time, folks! 1'11 slip you three standards. It's routine stuff, but don't blame me. Blame Saint Anthony with his B-picture Temptationsn (158) . Supporting Bartelsr theories on platea figures, the more this demon gives us what we expect in a demon, the more we credit him. Beelzebub is not just the tempter inhabiting the martyr's body; he is the audible evidence of the psychomachia taking place within Eusebius. And he is the "realv Eusebius too. When Eusebius tries to exorcise him, he says, "1'11 go when youfre good and ready, and not before, same as alwaysm (157). Like JC/Jack, Eusebius/~eelzebub~s elves are fragmented and cannot be joined, though trapped in the same person. The medieval stage characters vice and Virtue have been internalized, and both speak from the same mouth. On the Elizabethan stage, the conflicted thoughts of a character often take the form of soliloquy. Reading the Elizabethan soliloquy as a descendant of the morality play, Catherine Belsey notes: As the literal drarna discards allegory, and morality personifications give way to social types, concrete individuals, the moral conflicts externalized in the moralities are internalized in the soliloquy and thus understood to be confined within the mind of the protagonist. The struggle between good and evil shifts its centre from the macrocosm to the microcosm. 36 Without the soliloquy, Elizabethan playwrights would not have been able to let us into a characterfs head, or at least not as gracefufly. Barnes, not generally known for graceful subtlety, provides his saint with a sort of indoor-outdoor convertible moral conflict: though Eusebius houses both good and evil, he can evict one of the tenants. Eusebius extracts from deep within hirnself a huge black spider which obviously represents evil. Soon after he rids himself of that dernon, however, St. Pior enters the action. 1s he, as Eusebius accuses, a devil in a saint's disguise? If so, it is more than a little ironic that this demon presents himself to Eusebius as his double. For the purposes of this discussion, however, 1 will take St. Pior at face value and consider him a legitimate individual. The confrontation of the two holy men brings about a kind of chaos that the demons have not been able to accomplish. Two formerly contemplative recluses who literally would not harm a fly engage in a cornpetition that ranges £rom verbal insult to attempts at levitation to comic book physical violence to, finally, murder. Interestingly, the possibility that Eusebius and Pior might both be the Christian martyrs they appear to be never arises; the initial reaction is complete mistrust : ST EUSEBIUS. Demon or Man, you were sent by the Devi1 to rnake me doubt . ST PIOR. Demon or Man, you were sent by the Devil to confuse and corrupt me, (178) What shakes the faith of these two ascetics is being confronted by themselves. At their first awareness of one another, each believing the other to be an emissary from the underworld, Eusebius shudders and says, ".., thou hast nefer corne to me in such a loathsome guise!" while P i o r , repulsed, tells his double, "Thou must be the mightiest of demons for thou hast the mightiest of smells ! (164) . Each sees and smells hirnself - not only the unsavouriness, but the £utility of being hirnself- You spend seven or so years festering away in the desert, just killing tirne waiting for your too too sallied, sullied, and solid flesh to melt, and what should pop up but a duplicate, making you suddenly twice as corporeal! In the words of St . Eusebius, " Tis true Godf s house has many mansions, but this one is occupied" (167) . When we get d o m to the barest bones of who we think we are in the scheme of being - what we think Our place is (in the case of Eusebius it's very literally a place, a particular mound), we can't hold it, we can' t clah it . Why would anyone want to steal the place of a starved, filthy hermit-martyr? Barnes gives no reason. The identity displacements that take place in al1 of these play are unintentional, and clearly coincidental in the case of The Real Lons John Sil~er.~' Had the likenesses in any of these works not met each other, they would have enjoyed their several identities in undisrupted peace, whether there were three Long John Silvers or three thousand. Barnes puts the doubles and triples together and stands back while they play out the scene, which in each case must unfold as it does, in a battle for ownership of the identity. To have St. Eusebius invite St. Pior to set up his mound next to his own would be to avoid the conflict that is the nature of drama, and the reality of the nature of men. This, regardless of the undesirability of the prize: "an ill-favoured thing, sir, but mine own," says Touchstone of his Audrey (AYL, V.iv.58). Like food and water, having something unique to cal1 your own seems to be necessary to sustain life. The soul and the body cannot be completely separated; identity is made up of both. However, in Barnes's world, body and soul can be fragmented. The three characters in The Three Visions, Barnes (age 55) , Old Man (74) , and Young Man (31) , encounter one another at the BBC. Barnes has gone there to record his new radio play, The Three Visions; Young Man is there for the first time to discuss a project on Ben Jonson; and Old Man gets out of saying why hef s there by tripping and falling into the equipment. It doesnrt take them long to realize that they are encountering themselves in different years and at different phases of one life, not unlike Dickens's Scrooge, but without the Victorian moral lesson. The greater debt Barnes owes here is to Samuel Beckett. As in Beckett's Krap~' s Last Tape (1958) , ir, The Three Visions age conf ronts youth, but whereas Krapp does that via audiotape, Barnes has his older and younger selves present themselves fully, in forms which are capable of conversing with one another. Now youth can confront age, too. Circularity expresses inescapability in Visions: a sound effects tape canft be shut off; there is joking about the impossibility of navigating one's way out of the circular Broadcasting House; and of course we are auditing a play about the recording of the play we are auditing. Most significantly, a circle of one man's persona1 history is presented in such a way that his past, present, and future exist in the same moment rather than linearly. Though it moves back and forth on a linear plane, Krappfs tape achieves a similar effect: an old man listens to a tape of himself at 39, and the 39 year old is commenting on a tape he's just played of himself as a foolish youth, Krapp begins his last birthday tape with, I1[j]ust been listening to that stupid 184 bastard 1 took myself for thirty years ago, hard to believe 1 was ever as bad as thatW? It's as if he wasnyt the same person; in Visions, Old Barnes quite literally is not the same person he once was, as we can tell for ourselves. And yet he is; each of the three is no one other than Peter Barnes, the underrecognized writer. Al1 three Barneses are rightful owners of the life and the identity they al1 share. "Oh yes," says the old man to the other two, V'm the writer - the Peter Barnes. " "No, youyre just Peter Barnes. You see, I ' m Peter B a r n e s , too, If replies the young man. 3g If they are al1 dreaming, they wonder, whose dream is it? The temptation is to think of middle-aged Bames, whose age is the same as that of the author of the piece, whose time is the time of the audience, and who does not have a qualifier preceding his name, as the "truew Barnes- But, if self-agency means having the authority to direct one's life, none of the Barneses, including the youngest, has that authority. Young Barnes has an outburst when his older selves tell hirn that he will never achieve his idealistic goals, and the middle-aged Barnes responds: "It's no good you shouting, just as it's no good us giving you advice. You're going to become the perçons we aret1 (111). There is a plastic knee in Young Barnes's future, a body that has suffered from neglect, and worst of a11, the foreknowledge that he has "risen from obscurity and [is] headed for oblivionlI (110) (though 1 hope to help change that prediction). For his part, the only purpose the young man serves for the elders is to rernind them of their lost hopes and unattained dreams. Even Krapp can find his moment of happiness and play it repeatedly. On the question of whether we are bom with a set identity, or whether we build it as we go along, Barnes clearly cornes down on the side of the former. He introduces the volume that contains both The Real Lons J o h Silver and The Three Visions with this assurance: In a sense they are al1 true stories, only the names have been changed to protect the guilty. Though set in different times and places, they celebrate the particularity of individuals, each of whom has a distinctiveness which makes them that which they are and no other. . Such individuality, visible yet unknowable, is a defence against cruelty which feeds on complacency and indif f erence . 40 This optirnistic view is not supported by The Real Loncr John Si lver , Nobodv H e r e But Us Chickens, Noondav Demons, or The Three Visions; Barnes isn't as sunny a playwright as he is an introduction writer. The characters in al1 of these plays get stripped to the core in the act of attempting to redefine themselves, and the core, we find, is an inviolable tyrant. It holds the power; it authorizes our existence and allows - or denies - any attempt at self-creation. It is limited, of course, by physical and other immutable boundaries; a man camot turn into an actual chicken or meet himself at different stages of his life (though 1 suppose Henry, Madge, and George, if they were willing to lose an eye, half a leg, and take to the seas, could become reasonable facsimiles of 186 Long John S i l v e r ) . But we do see, in life, many cases where by sheer will, a person transcends the limitations of his body. Unfortunately for these charactexs, they cannot escape themselves. ENDNOTES - CHAPTER 4 Full bibliographic information for editions of Elizabethan and Jacobean plays is given in the list of works cited. 1. There has been a large volume of work done on this question by literary critics in the past two decades. To give just a few of the major examples: Stephen Greenblatt is largely responsible for getting the bal1 rolling with Renaissance Self-Fashioninq (Chicago: University of Chicago Press, 1980); Catherine Belsey writes of the ernergence of individuality on the Elizabethan stage in The Subiect of Trasedy (London and New York: Routledge, 1985); in The Tremulous Private Bodv (2nd ed., Ann Arbor: University of Michigan Press, 1995), Francis aarker takes Belsey's work and puts a Foucaultian spin on it; and Jonathan ~ollimore explores the shift of thinking in seventeenth century drama which decentred man and disnqted religious teaching in Radical Trasedv (2nd ed., New York: Harvester Wheatsheaf, 1989). ~mily ~artels's essay on the coexistence of stock and developed characters in Elizabethan and Jacobean theatre will be addressed below. 2. Peter Barnes, The Rulins Class, in B a r n e s Plavs : One (London: Methuen, 1989), 62 (stage directions omitted). 3. Peter Barnes, personal interview, 2 November 1992. 4. Peter Barnes, The Real Lons John Silver, in The Real Lons John Silver and Other Plavs (Barnes's People III) (London: Faber and Faber Limited, 1986) , 39 . Subsequent references will be given parenthetically within the text. 5. Samuel Beckett, Waitina for Godot (New York: G r o v e Press, Inc. , 1954) , 34 recto. 6. Peter Barnes, Nobodv Here But Us Chickens, in Revolutionarv Witness and Nobodv Here But Us Chickens (London: Methuen, 1989), 49. Subsequent page references will be given parenthetically in the text. 7. Invasion of the Bodv Snatchers, dir. Don Siegel, perf. Kevin McCarthy and Dana Wynter, Walter Wanger Pictures Inc., 1956. The source of al1 bibliographic information for films and television series is The Internet Movie Database Ltd ( I M D b ) , http://us.imbd.com, "1990-1997. 8. The Net, dir. Irwin Winkler, perf. Sandra Bullock and Jeremy Northarn, Columbia Pictures, 1995. 9. Other notable examples in popular culture include "The Prisonerm (dir. Don Chaffey, perf. Patrick McGoohan, Everyman Films, 1968), a wonderfully paranoid and bizarre British television series about a man (possibly a spy ) who finds himself on a strange, fairytale-like island where everyonefs identifying information has been replaced with a number, and everyoners former profession, family, preferences, and for the most part, memories have been replaced with a fantastical existence; and Ridley Scott's la de Runner (perf. Harrison Ford, Rutger Hauer, and Sean Young, Ladd Company, 19821, in which memory implants, evidence such as photographs and false sense of persona1 history. supplemented by physical mementos, give androids a 10. Of course, he is not the only British playwright of his generation to have explored the implications of messing about with identity and/or duplication, Cary1 Churchill's 1979 piece, Cloud Nine, plays on the political, economic, social and psychological consequences of having one identity as opposed to another, Several of Harold Pinter's plays, including (among others) The Birthday Partv (1958), The Lover (l963), The Homecorninq (l965), and No Man's Land (1975) feature characters whose vague and amorphous selves disrupt the security other characters have in their own: they don't seem to know who they are, but they know who everyone else is, regardless of whethek it matches the characterrs Self-image o r not. And Tom Stoppard uses the challenge the Newtonian laws of in two (sornetimes three) places twinning device in ~ a ~ s o o d to nature by putting characters at once, and to show that a thing and its opposite (the prim and sluttish invented sister) can occupy none of these works is a characterf s proper Mother and her the same space. But in self usurped by his - - duplicate. 11. Rom Harré, Identity Pro j ects, in Threatened Identities, ed. Glynis M. Breakwell (Chichester et al.: John Wiley & Sons, Ltd-, 1983) , 31. 12, Harré 40. 13. Harré 43. 1 4 . The connection was made more crudely during the 1991 United States Senate confirmation hearings of Justice Clarence Thomas, where a pornographie video entitled IlLong Dong Silveru received much attention. 15. This report from an article on The National Organization of Womenrs World Wide Web site connects the role of clothing to politics: In perhaps the first picket ever by NOW members, activists in August 1967 dressed in vintage clothing to protest the old-fashioned policies of The New York Times, which then segregated help-wanted ads by gender. ... In September 1968, New York N O W members and other womenrs liberation activists picketed the Miss America pageant in Atlantic City, New Jersey, and though no bras were actually bumed that day (some were thrown into a trash can) , this is the event from which the myth of the bra burners evolved. (no author) "History of Marches and Mass Actions, http://www.now.org/history/protest~.html downloaded 29 Jan 97 . 16. The Letters of John Chamberlain, ed- Norman Egbert McClure (Philadelphia, 1939) , II , 2 8 7 , Quoted in Anne Hermann, I1Travesty and Transgression: Transvestitism in Shakespeare, Brecht, and Churchill," Theatre Journal 41:2 (March 1989) , 135. 17. Or "Firth, as Norman Rabkin has her in his edition (Russell A. Fraser and Norman Rabkin, eds., Drama of the Enslish Renaissance, vol. 1 (New York: MacMillan, 1976)). 1 use this edition here, but have used the more common form of Moll's name. 18. For a fuller discussion of the siqnificance of clothing in The Roarins Girl, see Marjor of the Transvestite: The Roarinq Girln, Renaissance, ed. David Scott Kastan and ie Garber, "The Logic Stasins the Peter Stallybrass (New York: Routledge, 1991) 221-34. 19. Barnes is giving a nod to William Congreve's The Wav of the World (1700) : Mrs. Miliamant dictates a long list of conditions which must be met by her suitor Mirabell. "These articles s~bscribed,~ she says, "if 1 continue to endure you a little longer, 1 may by degr&& dwindle into a wifeN (IV-i) - S i x Restoration Plavs, John Harold Wilson, ed. (Boston: Houghton Mifflin Company: Riverside Edition, 19591, 367. 20. Garber 221. 21. Harré 42. 22. Peter Barnes, Author's Note to Revolutionary Witness & Nobodv Here But Us Chickens (London: Methuen, 1989) , 41 . 23. As a point of interest, perhaps, to someone considering producing this piece, 1 note a difference in interpretation of Chickens between Bernard Dukore and myself. Dukore understands both Allsop and H e m to be deluded; 1 suspect that Hem is pretending to be a chicken as a ploy to lure Allsop back into the world. His willingness to eat a chicken sandwich is a main factor leading me to this interpretation. See Bernard F. Dukore, Barnestom: The Plavs of Peter Barnes (New York and London: Garland Publishing, Inc - , 1995) . 24. Harré 31. 25. Roland Barthes, Imaqe Music Text , ed - and trans . Stephen Heath (New York: Hill & Wang, 1977) , 142-48. 26. James J. Dowd, "Aporias of the Self," in Linda Marie Brooks, ed., Alternative Identities: the Self in Literature , Historv, Theow, (New York and London : Garland Publishing, ïnc., 19951, 246. 27. Dowd 246. 28. From the research of Ralph Turner, summarized in A. Paul Hare and Herbert H. Blumberg, with selections from the works of Ervine Goffman et al., Dramatursical Analvsis of Social Interaction (NY: Praeger Publishing, 19881, p. 82. 29. Bartels cites Robert Weimann, in Robert Schwartz, ed., Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function (Baltimore: Johns Hopkins University Press, 19781, as the source for her understanding of platea and locus- 30 . Bartels 179. 31. Bartels 175-80. 3 3 . Christopher Marlowe, Tamburlaine the Great. Part 1, in Russell A. Fraser and Norman Rabkin, eds., Drama of the Enslish Renaissance, vol. 1 (New York: MacMillan, 1976) . 34. Philip Massinger, Believe As You List, in The Plavs and Poerns of Philir, Massinser, vol. 3, ed. Philip Edwards and Colin Gibson (London: Oxford Ue, 1976) . 35. Peter Barnes, Noondav Demons, in Plavs: One (London: Methuen, 1989), 156. Subsequent references will be given parenthetically within the text. 36. Catherine Belsey, The Subiect of Trasedv: Identitv and Difference in Renaissance Drama (London and New York: Routledge, l98S), p. 43. 37. A possible exception is the Hem-Allsop doubling in Nobodv Here But Us ~hickens. There is support for - interpreting Hern as being connected to the institution, playing a trick on ~llsop-in order to bring him back into accepted reality one way or another. This is Dr. Herder's rationale for introducing the Electric Messiah to SC in the pivotal scene in The Rulina Class. 38- Samuel Beckett, Krapprs Last Tape and E m b e r s (Faber and Faber Limited, 1958), 17. 39. Peter Barnes, The Three Visions, in The Real Lonq John Silver and Other Plavs (London: Methuen, 1989) , 105. Subsequent references will be given parenthetically within the text . 40. Peter Barnes, tlIntroduction, Barnes's People III (London: Faber and Faber, 19861, ix. CHAPTER 5 Power Perfected: Laucrhter! Kings, popes, murderers and the mentally il1 are at the centre of Peter Barnes's plays, but the real protagonist of every play discussed in this thesis is Power. The E a r l of Gurney, the Lascas, Pope Clement, Carlos - are al1 vehicles for this protagonist, which has the blind ontogenetic mission of continuing itself. On occasion authority lands in the lap of someone who would far rather not have it; Father Morrone, for exarnple, finds that even unwanted power can be difficult to shed. And as with any entity possessed of a survival instinct, the better it can master its environment, the better it will survive. Power per£ected would have complete control, and in Laushter! (1978) , Barnes explores the use of annihilation as the ultimate rneans of securing the perfect power: power which is so total that no opponent is left to challenge it. In common with most of Barnes's work, Lauqhter! is an historical play; in this case, it seems more like two historical plays held together by a few thin strands of thread. The first of these two pieces, Tsar, is set in sixteenth century Russia during the reign of Tsar Ivan IV, dubbed Ivan the Terrible. His Oprichnina ("an army of licensed gangsters ... entitled to rob and slaughter non- Oprichniks with impunityt1 ) ' has been menacing Russian gentry, clergy, and peasants for seven years, sometimes murdering entire families on the flimsiest pretext. The Ivan to whom we are introduced seems tired, alternatively boastful of his horrible deeds and fearful for his soul: he wears the robes of a monk, not of a tsar, but canrt quite bring himself to relinquish his authority, even to his own son- The history is more recent in the second part of Laushter! - The year advances to 1942, and the setting changes to the stuffy offices of government contractors in Berlin. These civil servants could be anywhere; they seem to be as bored with and disconnected from their work and as frustrated with their l ives as plenty of civil servants in plenty of offices around the globe. They could be contracting for the building of low-cost housing or for a symphony hall. In this case, as gradually becomes apparent, they are contracting for the construction of the crematoria of Auschwitz. The elements shared by the two historical situations are government-sanctioned social division, territorial expansionism, theft of property, and of course, mass murder - none of which are brought to mind by the title Laushter!. In fact, there are few subjects widely considered less tasteful joke material than the Holocaust. Joking about the brutality of Ivan the Terrible might have seemed equally crass four centuries ago. Unfortunately for the purposes of this chapter, what jokes there might be about Ivan's reign are not readily available, at least not to an English speakere2 194 Clearly, Barnes's choice of title is meant to be ironic, but it is also a sincerely-presented topic for the audience's consideration. The playwright offers the premise that, in some of the very circumstances where we value it most. humour is in fact a dangerous and perhaps lethal weapon. It isn' t always clear, though, how this weapon is used and by whom. At times it seems to be a tool for self-defense; at others, a method of self-destruction. It can assert its usersr collective spirit, or it can shield the emptiness which once contained their spirit. Laughter, Barnes suggests, is not always the best medicine; sometirnes, it can be the best poison. The first character in the play introduces the argument against laughter. A present day Author bearing lecture notes on the nature of comedy begins to address the audience and has his credibility irnmediately shredded by a series of slapstick gags. begiming with a pie in the face. "Comedy itself is the enemy," he lectures, and indeed it does seem to be his persona1 adversary. "Laughterfs the ally of tyrantsftl he proclaims (still covered in custard pie). "It softens our hatred. An excuse to change nothing, for nothing needs changing when it ' s al1 a joke . Then, in between his bowtie spinning and his boutomiere squirting him, he urges "So we must try and root out comedy, strangle mirth, let the heart pump sulphuric acid, not bloodtt (343). Of course, no one can give serious consideration to a lecture delivered under such circumstances, so the Author becomes an illustrative example of the very lecture which he is being prevented £rom giving. Unflappable, he continues: Ifin the face of Atilla the Hun, Ivan the Terrible, a Passendale or Auschwitz, what good is laughter?! Root it out! Root it out!" while suffering the final indignity of having his silly underwear be exposed after his trousers suddenly drop (343 ) . The scene changes to the very uncornical set of Tsar, featuring an executioner's block, the image of the cnicified Christ, and Prince Odoevsky, who "wears a loincloth, his hands are bound, and heavy weights attached to his feet, so the sharpened point of the [wooden] stake, which is covered with congealed blood like candle grease, is driven up through his body" (344). A Gregorian chant is heard. The sombre tone is maintained as Ivan the Terrible enters in the habit of a monk. Ivan has left Russia in the hands of the ineffective Semeon Bekbulatovich, whose brief reign seems to have been so uneventful that he doesnft even rate a mention in some history books. ' During his sabbatical, Ivan has tried to lead a holy life in an attempt to be delivered £rom his sins. He kneels before the impaled prince and conducts a prolonged conversation with him on the nature of spiritual and physical tonnent, or rather, Ivan speaks while the prince contributes moaning, groaning, and the occasional blood-curdling c r y of agony. mSmile,M he tells him, your chastizer's human, not divine, who gites his victims, mercv. Smile, my son, that Christ stakes me not you! You buy forgiveness cheap. . . . Tonnent scours you clean, turns me rancid. You go d o m purif ied, 1 putrify [sic] . My painr s inf inite, yours has a stop. (345) It is not until the moment of his death (literally at Ivan's hands) later in the play that Prince Odoevsky makes his first decipherable utterance : I t G o d Save the Tsar ! " (3 52 ) . In creating his Ivan the Terrible, B a r n e s emphasized the historical Ivan's apparently conflicted sou1 which drove - or licensed - him to commit the most egregious acts against individuals and, with equal vigour, commend his victims' souls to God. One modem historian, seemingly an apologist for Ivan, sums up his discussion of the Tsar with this entreaty: To some contemporaries Ivan showed high gifts and a broad understanding. To others he seemed to veer neurotically between orgies which were often profane and a repentance which could scarcely be credited. But he is always a real human being and therefore he commands our sympathy even in the midst of his enormities -' This line of reasoning runs parallel to that which values laughter for its quality of lightening the burden of the oppressed- No crime is so appalling that it cannot be forgiven by Christ, regardless of how many times it is repeated; no treatment is so inhumane that it cannot be alleviated with humour; and every appeal for forgiveness evidences humanity. Even to accept repentance and relief under these terms is, 1 think Barnes would argue, to be an accomplice to the perpetrators. Still, the staged Ivan seems entirely sincere in his piety. Creating a mood which could hardly be more sober, a 197 spotlight isolates Ivan, and his prayers to be alone with God seem answered. Speaking to God he says, "Only here, alone, wir a few simple tools - nails, hammer, axe, canst I raise a tabernacle tg Thy glory and find my true peacew (346). Immediately the mood is most bizarrely altered as "a giant six-foot Nail with two legs, [dashes] in, pursued by a seven- foot Hammer" (346) . The Hammer strikes him dom and is immediately followed by a giant two-legged Axe which is running after a seven-foot Tree. On its way upstage, the Axe pauses long enough to attack the Tsar. 1 imagine the audience's collective jaw dropped. If God is listening to Ivan, he mocks him in response. Terrified by the vengeful tools God (or insanity) has sent him and feeling himself to be an assassin's target, Ivan desperately pleads "Who canst Save me?!" ( 3 4 6 ) . On cue, a herald announces the arriva1 of Semeon Bekbulatovich, the substitute tsar, who immediately places his head on the chopping block. He so desperately wants to be relieved of the crown of authority that if his head goes with it, so be it. Again we see the "twin polesIt of authority and submission6 at work: Ivan at one end, and at the other, Semeon, who claims, " I t m one or nature's natural crawlers. 1 long t' submitu (347). Here is something of a reversa1 of the situation in Massinger's Believe As You List (discussed in Chapter 4). Antiochus cannot convince anyone that he is the king, because his clothing and appearance are those of a beggar. Here, Ivan cannot be un-tsared, and Semeon cannot be powerful, no matter what each one wears. The people, refusing to accept Semeon's authority even though he wears the crown, have rejected him with their ridicule, and he has found himself defenseless in the face of it. Ivan, in contrast, shows him how a real tsar deals with derision. Pointing to the irnpaled Odoevsky he says, "He doesn't laugh. He shakes and splits his sides but not wi' laughter. None gowf ' t in God1 s presence, nor ' afore a Tsar who carries death i' his fingerstl (348). Laughter did not ally itself with the niler in Semeon's case; in fact it proved itself a pretty useful weapon in the hands of the people. And Ivan understands this potential threat. Humour is something which must not be allowed to nin rampant. The çurreal chase scene described above immediately deflates the seriousness of what went before it, illustrating the Author1s point and showing the power of unharnessed comedy. Later, Ivan plays the straight man to a courtier's foil, and together they wrestle a joke to t h e ground: IVAN. Prince Reprin once spake tnith's truth t' rny face. SHIBANOV. Ird like to meet hirn, Sire, and shake bis hand . IVAN. I'm not going t' the trouble or having hirn dug up jus ' so you canst shake his hand- SHIBANOV. ' T i s true, Sire, truth must be buried grave- deep else we al1 wake naked frorn our dreams. (355) The first three speeches constitute a joke; the fourth is a pin stuck into the joke, popping it. The intended effect of these theatrical shenanigans, 1 believe, is to make the 199 audience hyperaware of its response. Youtre laughing at the Author, an involuntary clown, and then boom!, you are presented with a horrifying stage image. Yourre settling into a scene of soul-searching when boom! again, animated tools absurdly interrupt. It is like watching the Benny Hill production of Macbeth. Expectations are shaken; assumptions are questioned; emotional responses are highlighted, so that reactions which usually reçide in the background and to which we give little thought - laughter, pathos, fear, pity - are brought to the fore in such a w a y that they beg to be examined. The de facto notion that laughter eases suffering obscures the important question: should suffering be eased, or should it be felt to the fullest to prod the sufferers into taking action against their tormenters? Anesthetized, is the impetus to find the source of the disease lessened? If the pain never ceases, would we then face the source and, to use a recurring phrase from the play, root it out? Would observers, seeing the true extent of suffering, be quicker to intemene? An examination of this sort led Barnes to mite Laushter!: "What 1 questioned was the old cliché that runs if we can laugh at our rniseries and at the injustices that afflict us, somehow laughing alleviates those injustices and those miseries and makes it bearable.It7 Even sot Barnes canrt always he lp trying to get a laugh where he can. Sent into a fit of rage at the lack of expression of his replacement during the reading of a strongly critical letter from the exiled Prince Kurbsky, Ivan fulfills the drearn of directors everywhere when he tells Semeon, Tou ha' authority' s staff , cross and globe tipped iron . U s e Dramatize ! , " pins the messenger8s foot (not Semeon's) to the ground with a spear and has him IlRead 't again. This time w i ' feelingt1 ( 3 4 8 - 4 9 ) . A few lines later the Tsar delivers a groaner of a pun when, defending his use of violence, he enlists his impaled vict im: I1There8 Prince Odoevsky takes my point Making dramatic displays of those he feels have betrayed him is only one way Ivan works to keep his power close and his authority whole. Punishment is good; prevention is better, so the Tsar anticipates treachery: 'II kill cold. A computed 12O,OOO grimed t'death, told t' the sword. Al1 were about t f betray me, there's nothing too cowardly f' ' e m t' ha8 the courage t' do. 1 knew their certain guilt by a certain sweating ' tween my f ingers, here, hereM (350) . Much as the Nazis justified ghettoizing Jews on the basis of what they might do and not on any actual crime,' the Tsar leads his Oprichnina in the murder of entire families based only on a gut feeling that they might one day rise against him. Providing a psychological gloss on the real Ivan, one historian mites : ït was Ivan's fa te to aspire al1 his life to autocracy and always, whenever he rid himself of one overly burdensome counselor, to fa11 into the hands of another. H i s passion for autocracy and his inability to make himself really independent of those around him filled his sou1 with bitterness; he liked to conceive of himself as a victim, and he lusted to wreak vengeance on those who hurt him and to "defend himself -. . ." It was this that made him seek solace in the frightful sufferings to which he subjected his enemies, real or imagined.' Whether Ivan's paranoia has any basis in reality or is merely a justification for his murders is uncertain. He is. at any rate, following the circular reasoning which has served bloody tyrants, real and staged, well through the ages. Hitler ( who implied character in Auschwitz) t h a t if the international Jewish financiers in and outside Europe should succeed in plunging the nations once more into a world war, then the result will not be the Bolshevizing of the earth, and thus the victory of Jewry, but the annihilation of the Jewish race in Europe !la - then, having brought about the war and given himself an excuse to murder his "enemies," he gloated oves the accuracy of his own prophecy. It doesn't take much of a gift of prophecy to predict what one will himself bring about. Daniel Goldhagen writes: On January 30, 1941, the eighth anniversary of his assumption of power and precisely two years after enunciating his apocalyptic "prophecy, " [Hitler] reminded the nation that he had "pointed out that should the other [sic] world be plunged into war by Jewry, the whole of Jewry will have played out its role in Europe. They [the Jews] may also laugh about it even today, just as they laughed earlier about my prophecies. The coming months and years will prove that 1 have been rightu [Goldhagenf s ernphasis ornittedl . " Again, Barnes exhibits his kinship to his Renaissance predecessors. In Macbeth and in Kins Richard III, Shakespeare highlights how paranoia about the possible future works in conjunction with greed and ambition. While Macbeth's destiny was foretold by the Weird Sisters and was not of his own authorship, Macbeth takes it upon himself to ensure that events will unfold in the way they have been predicted. We the audience know that Cawdor has already been given to Macbeth before the witches speak to him and that they have not caused the future to happen. The timing of his receiving the news £rom the King's messenger is coincidental, but Macbeth reverses cause and effect when he tells Banquo: "Do you not hope your children shall be kings / When those that gave the Thane of Cawdor to me / Promisrd no less to them?" (Mac . I.iii.18-20). The murders of Duncan, Banquo, Lady Macduff and her children; the suicide of Lady Macbeth; his own death - al1 occur because Macbeth tried to make happen that which he already believed will happen, and which he therefore need not have taken action to cause. Interestingly, for al1 the confidence he has placed in his oracles, Macbeth rejects them once the events which herald his downfall have occurred: MACBETH. 1 will not yield, To kiss the ground before young Malcolmrs feet, And to be baited with the rabblers curse. Though Birnarn Wood be corne to Dunsinane, And thou opposr d, being of no woman bom, Yet 1 will try the last . . . . (Mac. v.viii.27-32) Only now does Macbeth break from the false logic which has allowed him to transfer persona1 responsibility ont0 fate. Prophecy also serves Shakespeare's Richard, Duke of Gloucester, but whereas Ivan and Macbeth use it to convince themselves of their blamelessness, and Hitler to deflect blame, Richard uses it to map out his future. He fully knows hirnself to be the shaper of his fate. The predictions which he makes are tools to an end, not factors in a circular proof, and we know this from the outset: RICHARD, Plots have 1 laid, inductions dangerous , By drunken prophecies, libels, and dreams, To set m y brother Clarence and the King In deadly hate, the one against the other; And if King Edward be as true and just As 1 am subtle, £alse, and treacherous, This day should Clarence closely be mew'd up About a prophecy, which says that 'G' Of Edward's heirs the murderer shall be - (m I.i.32-40) Of course ' G f will be Edwardrs murderer, but it will stand for Gloucester, not for George, Duke of Clarence- Even with the play's serious treatment of the supernatural - for example the dream-giving ghosts of the final scene, or Richard's hot potato reaction to Margaretfs curse (I.iii), there is never a sense that Richard is, or believes himself to be, caught up in an unalterable destiny, "a poor player, / That struts and frets his hour upon the stagem (Mac. V.v.24-25). He is the playwright. Regardless of the degree to which they believe in the tide of fortune, by placing themselves as conduits as opposed to actors in the course of events, Richard, Macbeth, Ivan, and Hitler are able to position themselves both within events, innocently victimized like everyone else, and outside of them, as prophets. Personal responsibility and blame are thoroughly deflected- The difference between Richard and the other three ill-intentioned rulers is that Richard has no need to delude himself as to the righteousness or necessity of his actions- Announcing his intention to kill the children of Edward IV, who would succeed to the throne before him, Richard plainly confides to Buckingham, nI wish the bastardç dead, / And 1 would have it suddenly performfdu ( I U , IV.ii-18-19). Macbeth, however, is not so blatantly self-serving. Kenneth Muir offers this explanation for the exceptional and unnecessary length Macbeth goes to in ordering Banquo's murder: He wants [the murderers] to do the deed out of hatred of Banquo, and not out of the need of money, so that he himselt shall be relieved of some part of the guilt - so that he can c ry , 'Thou canst not Say 1 did it. '12 At the same time, it is important for the tyrant to inspire fear and the belief that he personally punishes his enemies. Unlike the German "desk-murderersWl3 we meet in Auschwitz, far £rom pretending to have no connection to the tortures and murders he is responsible for, the historical Ivan : devised and even personally administered ingenious foms of death, often inflicted before an audience, as in the grim orgy over which he presided in a Moscow square on 25 July 1570, and which included the dismemberment and boiling alive of previously tomented victims . l4 Sirnilarly, in Barnes the Tsarevitch, trying to persuade his father the Tsar that he is qualified to take over the subjugation of the Russian people, assures his father that he is filled with hatred. Ivan disagrees: Not 'nough t' sustain the terror needed t' root out disobedience, There canst be no rule wi'out terror, ... ' T i s easy t f bring one man tr obedience, most're happiest on their knees. Some need only an imperious look t' kiss royal arses, others the symbols of Cross and Crown, still others, authority's true reality - gnout and gallows. One man's trembling carcass's small but Holy Russia stretches £ r o m Srnolens t' beyond the River Ob, from Kola in the Arctic North dom almost t ' the Azovian Sea. Tt bring this vastness tr obedience needs terror on an equal scale and I see no sign you're equal tf it yet. (357, 358.) Then father and son take a stroll down the memory lane of torture as they recall how "iron hooks pierced soft eyeballs, hot needles levered nails £rom broken fingerstl (358) and other atrocities they committed together. Meanwhile, as Shibanov reads the roll cal1 of the dead, "[rlows of white cardboard faces appear above the wall: their childlike outlines are drawn in black with dots for eyes and downward curves for mouthsu (358) . And still Ivan rationalizes his killing by turning it into a natural process: "What difference if sixty thousand die natural, scattered across the Urals in a day, or unnatural i f a city called Novogrod. We re-multiply . . . . Al1 s in heavenly balanceu (359) . When the Tsarevitch demands Ivan's crown, they fight and the Tsar inadvertently kills his beloved boy. This is the crown, and the authority it represents, that Ivan refused to take back £ r o m Semeon only moments before. The Tsarevitch had accused his father of denying him the crown out of hatred and fear of h3s potential power, and it is true that by appointing a weak man to his position, Ivan's subsequent return to power can be seen as being done under protest. Once again responsibility is transferred while authority is neatly maintained. The Tsar rnakes a final appeal to be released £rom his reign: IVAN. 1 confessed tf the Council 1 cut the cedar, slew my heir- Thoose another Tsar,' I craked. But they answered 'We want only you as our Tsar gi'en us by God. ' So 1 cried out, ' Holy Father, Lord God Almighty, 1 sleered my son!' 'Me too,' He answered, showing me his mercy, His terrible mercv. Who canst Save me?! (363) This the, it is Death, traveling under the name Samael, l5 who answers the call. He appears not in the customary black cowl and scythe get-up, but in the form of a beancounter, an auditor for whom dying is merely "Debit entries in the ledger .... In the end al1 accounts must be closed. It' s a matter of good book-keeping; hygieneu (364 ) . He dispassionately directs Ivan to "Give me the crown, then go fa11 into your graveu (364). Clean, convenient, efficient: this is, literally, the future of Death, as it will be practiced under the Nazis. Ivan's massacres were conducted sloppily and, Samael explains, "In the coming years they'll institutionalize it, take the passion out of killing, turn men into numbers, and the slaughterf ll be so vast no one mind'll grasp it, no heartfll break 'cause of itu (365). Only then will autocratic mass murder approach perfection. A few bars of "Deutschland Über AllesN are the segue out of Tsar and into Auschwitz. The executioner's block remains onstage but otherwise there is no sign of the violence of Ivan's world - only rows upon rows of sterile filing cabinets; a monument to bureaucracy. It is, one imagines, the sort of place Samael might work as he tabulates his endless Stream of the dead. It certainly has the ring of institutionalization: the act opens with an administrator, Cranach, dictating a memo to his secretary Else which begins: WVHA Arnt Cl (Building) to WVKA Arnt D1/1. Your reference ADS/MNO our reference ~~/14/102/01- Copies WVHA Amt D IV/2, Amt D IV/4: RSHA OMIII: Reich Ministry PRV 24/6/D. Component CP3 (ml described in regulation E ( 5 ) serving as Class 1 or Class II appliances and so constructed as to comply with relevant requirements of regulations L2(4) and (6), L8 (4) and (7) . (369) And so on. A jumble of letters and numbers which, having no comprehensible meaning, sound silly and harmless. It is late in the war, in Berlin, and the officeworkers are suffering from persona1 hardship. Food and other commodities are short; Cranach has lost a son in the war Pliberating the Ukraine from the Ukrainians" [375]) ; Else has lost a string of fiancés to it. These are unexceptional people victimized by their unfortunate circumstances. They are even decent people, who take care of their aging parents and avoid doing business with companies who underpay their foreign workers. Clearly, they are not shooting, gassing, or brutalizing anyone . l6 Gradually we come to understand that the "appliancesU being built are the crernatoria of Auschwitz. But the civil servants suffer from what Goldhagen terms "bureaucratie myopia."17 They seem to be ignorant of what they are contributing to. Stroop, an ancient clerk, wonders at the two 208 tons of Kyklon B rat poison that the government has ordered, saying ItThere can't be that many rats in the whole of Genany . It Cranach enlightens him : tfKyklon B isn' t being used to kill rats but to discredit this department. We built those complexes in Upper Silesia. If Gottleb and Arnt D prove they're overrun with vermin werre blamedI1 (373) . The more likely use for rat poison at Auschwitz, of course, is on humans. It is Christmastirne and even in this bleak environment, there is a degree of camaraderie fueled by a quantity of black market schnapps. The celebration extends even to Gottleb, a Nazi with a grudge against Cranach who has corne to the office to persuade Cranach to award a contract to Krupps. Eventually there is an overflow of drunken sentiment and a loss of good judgment, and Cranach and Gottleb set aside their differences. Stroop makes a joke about Goering's wife. "Don't laughrt1 warns Cranach. I1It's an offense to make people laugh. Jokes carry penalties . So don ' t (3 95 ) - and then proceeds to make a joke himself. This sets off a string of jokes and Gottleb, while laughing and even contributing, calls out the penalties as the jokes become riskier: £ive years' hard labour for one, fifteen years for another, 30 for one which goes that the war will be over "when Franco's widow stands beside Mussolini's grave asking who shot the Führert1 (395-96). Finally Cranach goes too far and tells a capital offense joke: "Listen, listen, what do you cal1 someone who sticks his finger up the Führerr s arse? Gottleb: "Heroic," Cranach: "No, a brain surgeon ! ( 3 96) . Gottleb stops laughing; Cranach has fallen into his trap. Gottleb has recorded everything and can blackmail Cranach into awarding the contract to Krupps. Laughter can indeed be lethal. Stroop and Else turn against Cranach to Save their jobs, but the transference of their all-too portable loyalty proves to have been unnecessary. The tape recorder f a i l s , so Gottleb pulls out the heavy artillery: the truth. "Auschwitz is where itrs happening.,," he tells the officeworkers. "You're strong, live; your re pretty, live; you're too old, too weak, too Young, too ugly. Die. Die. Die. Die. Srnoke in the chimneys, ten thousand a weekm (401)- He threatens to split your minds to the signs, sounds and smells of Auschwitz. Then 1'11 be rid of you. You'll go of your own accord- You piss-legs havenrt the pepper to stay in WVHA Amt C knowing every file you touchrs packed tight with oven-stacked corpses. No way then to hide behind the words and symbols. (402) Gottleb, like Ivan the Terrible, is a proponent of dramatizing violence. As he narrates a very detailed description of Auschwitz and al1 the atrocities taking place there, the wall of f iling cabinets opens. A mound of faceless straw dummies painted blue tumble out while the Sanitation Squad moves through, gathering the valuables of the dead. Writhing in pain from having reality forced upon them, the staff corne to see the mental picture of infants used for footballs, thousands gassed, and the skull-cracking of those not yet dead which Gottleb has been drawing. They admit to seeing the truth, but each rnakes an excuse for his or her inaction: Cranach has a second mortgage on his home; Stroop is so near retirement; E l s e has an old mother to caxe for. These are legitimate reasons of great importance to each individual, as they rnight be to any of us. Miniscule as their needs are in the face of thousands of people being burned every day, they are big enough to prevent them £rom sticking their necks out, and I'm certain Barnes wants his audience to feel an uncornfortable recognition of these characters as people much like themselves. Rallying his staff, Cranach fights Gottleb by turning words such as "gas chambersul and "ovensn back into memos, sequences, and other bureaucratic camouflage until he succeeds in getting the file drawers to close back up. l t A l l gone 'phoof', nothing disturbing left," says Stroop (408) . The desk-murderers can continue their civil service duties with few, if any, ethical pangs; in fact, once they have dispatched with Gottleb, Cranach and his staff join together in singing (albeit with savage overtones) : "This is a brotherhood of man A benevolent brotherhood of man. A noble tie that binds, Al1 human hearts and minds Into a brotherhood of man. " (409) Barnes doesnrt let the audience get off so easy. An unseen announcer introduces "the climax of this Extermination Camp Christmas Concert, the farewell appearance of the Boffo Boys of Birkenau, Abe Bimko and Hymie Bieberstein - 'Bimko and Bieberstein!IU (410). Of course we know where this is headed- The song-and-dance team is dressed in striped concentration camp uniforms, yellow Stars of David, and black-ribboned morticiansr top hats. Their patter is typical, but for its sub ject rnatter: BLEBERSTEIN. Bernie Litvinoff just died. BIMKO. Well if he had a chance to better himself. BLEBERSTEIN. Drunk a whole bottle of varnish. Awful sight, but a beautiful finish. Everyone knew he was dead. He didnrt move when they kicked him- He's already in the ovens. (410) As was the case in Tsar, the humour here is being deliberately deflated by the mention of the ovens. Bames, who has written "at least 1 have provided a good home for scores of old jokes who had nowhere else to go, 1t'8 f ully understands the mechanisms of a joke; he knows where to put the nbaDUMdum.m He is quite pointedly killing the jokes, along with the comics. "1 could be wrong but 1 think this act is dying," says Bieberstein as we hear the hiss of the hydro-cyanide being released (411) . That jokes about the Holocaust are generally looked down upon is not to Say that no jokes about it are made.lg They are; and not just about Hitler (parodied in his own lifetime by Charlie Chaplin) but about the victims - sometimes b~ the victims - as well. Steve Liprnan's Laucshter in Hel1 is largely a collection of jokes made by al1 groups of Nazi victims: ghettoized Jews, camp prisoners, occupied Europeans, and the German people themselves; in fact some of the jokes told by the office workers in Auschwitz were in circulation during the war. Much of the humour coming £rom the camp prisoners testifies to a brutal self-awareness of their situation. For example: One friend parting from another consoles his friend: "We'll meet again some day in a better world - in a shop window as soap. m2' In Joshua Sobol' s Ghetto, another play set during the Holocaust and which incorporates joke-telling, an SS off icer asks a Jew: ''Tell me, what is the difference between partial liquidation and total liquidation?" "Ki11 fifty thousand Jews and not me, that's partial liquidation. Ki11 me, that's total.m22 It's difficult even to read or hear these jokes with no sense of shame, as if even listening to thern indicts the hearer as being complicit in the crime, or at the least, in the moral crime of cheapening the experiences of the victims. On the other hand, if this is the celebrated humour of a persecuted people with an indominatable spirit, is there anything wrong with being amused? 1s the discomfort there because we have laughed or smiled and temporarily been distracted £rom a monstrous situation? Does it extend to some sort of collective guilt the West carries for failing to act? Once again: if we werenrt laughing, would we have been acting? At this point we need to test the statement made by the Author in the first scene: is laughter the ally of tyrants? Considering that both of the tyrants in Laushter find joking insufferable, it wouldn't seem to be. Ridicule drove Semeon off t h e throne, but he was never a tyrant which, of course, is why people could afford to laugh. Jokes boomeranged back on the characters in Auschwitz without even grazing the fascists who were the subject of them. Degradation is the root of al1 humour, according to some theories, 23 so it cornes as no surprise that dictators would have a paranoid f e a r of it. As Arthur Koestler put it: "the impression of the ~ludicrousness' of another's behaviour always implies an assertion - conscious or unconscious - of your own superiority; you smile at his expense."" But if these dictators understood laughter in the same way as the Author, they would welcorne it, As Pope Clement knows, and as Father Flote cornes to see in Red Noses, where there is hopelessness, as during the pfague, laughter can be a soothing balm; but where the suffering cornes £rom systematic, institutionalized inequity, its palliative properties make it a false friend of the ~ppressed.~~ The same entertainment that brings comfort to the dying can be used to distract t h e m from the source of their misfortune. Laushter! w a s written before Red Noses but thernatically, it picks up where the latter left off: with a great number of unfranchised people who live according to the dictates of a few. Father Flote cannot in good conscience put on a humourous Easter pageant in such circurnstances. He realizes that after the plague society will return to business as usual, and laughter will indeed befriend Church and State. l 'Our mirth was used to divert attention whilst the strong ones slunk back to their thrones and palaces," he tells the Pope.26 So the question becomes, was there a window of opportunity for rebellion by the French peasant, Ivan's victims, or the Jews which a fog of comedy obscured? 1 cannot attempt to answer that question here, and 1 realize the potential offensiveness of raising the issue because it lays blame on the victims. But since it is obvious that Barnes is assuming, at least for the sake of his dramatic exploration, that uprisings might have been possible, that is the perspective 1 have taken, Father Flote and the Author are echoing Koestler's conclusion that laughter prevents the satisfaction of biological drives, it makes a man equally incapable of killing or copulating; it deflates anger, apprehension, and pride. The tension is not consummated - it is frittered away in an apparently purposeless reflex, in facial grimaces, accompanied by over-exertion of the breathing mechanism and aimless gestures. To put it the other way round: the sole function of this lwcury reflex seems to be the disposa1 of excitations which have become redundant, which cannot be consummated in any purposeful rnannerm2' Laughter, then, is dangerous to the oppressed in two ways. First, outsiders in a position to help are made to laugh, their discomfort is soothed, and their sense of responsibility to act becomes dulled. Second, when the humour comes £rom the victims themselves, we rnay be fooled by the ability of someone to joke in the face of certain death. Indignation at the perpetrator turns into a hobbling admiration of the victim's bravery. Or it may seem that the situation canrt be al1 that bleak if comedy is still possible. (The quantum leap of faith in human nature in this argument assumes that people will extend help to the suffering so long as their situation is appropriately serious. As we see £rom the office staff in Auschwitz, this is not a safe assumption-1 Laughter indirectly senres the offenders in that it allows them to carry on their offenses. These offenders did not create the laughter; they do not control it; often they are even the butt of the joke - yet they are the beneficiaries of it. There is another side of the coin, of course. For the inmate in a concentration camp or, presumably, those Russian boyars who watched t h e i r neighbours being slaughtered and k n e w that they were next, the anesthetizing quality of laughter is a blessing. Who wouldn't w a n t relief £rom such pain? The Author would agree that humour temporarily releases the oppressed from their suffering; his qualm is with the utility of being released mentally while still imprisoned physically. Several writers have explored the correlation between liberty and laughter and found that humour thrives under repression. In C a r y 1 Churchill's play Mad Forest, set in Romania just before and just after the assassination of Ceaucescu and his wife, three young men who have been drinking wine are telling anti-Ceaucescu jokes in a scene similar to the joking scene in Auschwitz. Teliingly, the scene ends w i t h a joke about a violent attack on a Securitate man's car. The revolution will not be won with only an arsenal of j ~ k e s . ~ ~ An emigré from Nazi Germany writes: In a free society the joke is like a pleasant spice - just an after-dinner anecdote which goes dom well with coffee and brandy. In the West it is indeed a luxury. Jokes are not necessities. They are only one out of many possible ways of criticism- In totalitarian countries jokes are the onlv way. The next step after the joke is the political assassination. There is nothing in between." Similarly, Salcia Landmann notes that modern Israelis have far less humour in their society than did the persecuted Jews of Nazi Germany because they defend themselves with arms instead. Humour is "a means of expressing forbidden thoughts which weigh heavily upon us, and which we cannot even put into words - let alone convert into deedsn (my emphasis) .30 Others, however, find humour to be the best resource a victim can turn to, not only for comfort but as a means of revolt. Ron Jenkins opens his discussion of the subject with this statement: "In a world fraught with danger and despair, comedy is a survival tactic, and laughter is an act of faith.w31 Steve Lipman feels that "humor is one of the greatest gifts God gave mankind to pull itself out of de~pair."~~ Referring to the prisoners' cabaret in the Theresienstadt camp, created and performed by the finest Jewish artists (pointedly, "most of whom were eventually murdered in Auschwitz " ) , 3"oy Kif t concludes that " the great achievement of the Theresienstadt cabaret [was] its ability to bolster the will of its audiences to cling to hope and refuse to capitulate even in the midst of the most appalling circumstances . 1 1 3 4 Considering the outcorne, that great achievement seems impotent. And even though the Theresienstadt prisoners had a surprising degree of creative f reedon?, [tlhe one area which was taboo, for obvious reasons, was any attempt to satirize the Nazis. The fact that the authors, performers, and audience were unable to hit out at their captors may partly explain why they turned a lot of bitterness and anger on themselves, albeit mostly in a mild and ironic f orm . 3s The problem with Lauqhter! is that it is not a play where, like the camp prisoners, we are laughing at Our own miseries. We can8t enjoy the sense of superiority Koestler and ergs on-'^ describe, for exarnple, when it is anchored to a sense of guilt. The pleasure the Theresienstadt prisoners rnay have been given by laughter is seasoned with bitterness, and they were not in a position to laugh at, and feel superior to, their captors. In any case, it doesn't serve much of a practical purpose to humiliate an adversary when actual retaliation is not possible. Whether we laugh £rom the inside of a threatening condition, as victirn, or £rom the outside, as audience, laughter may be a tool to elevate the spirit, even to release it from subjugation, but it is inadequate to the task of actual rebellion; as a "survival tactic, it falls shy of the mark. As an interesting contrast to Kift's assessment, Liprnan f inds that l1 [s] urprisingly, the j okes [made by Jews under the Third Reich] reflected virtually no yearning for physical revenge or punishment. Retribution was described as in the future, in God' s hands , u3' Lipman finds a certain heroic stoicism where Kift found powerlessness. The original production of Laushter! seems to have put some people on the defensive, presumably because any treatment of Auschwitz in a non-tragic context is suspect as potentially irreverent. Art Spiegelman, for exarnple, told the story of his parents' experiences in Nazi Germany and their survival of Auschwitz in Maus, a two-part comic book (or I1graphic novel, " as the genre is coming to be called). At the begiming of the second book, Spiegelman questions his right to do the story. He tells his wife: Just thinking about my book ... it's so presumDtuous of me. 1 mean, 1 can't even make any sense out of my relationship with my father ... H&W am 1 supposed to make any sense out of Auschwitz? ... of the 1 feel so inadequate trying to reconstnict a reality that was worse than my darkest dreams. And trying- to do it as a comic stri~! [. . . ] Reality is too com~lex for comics Barnes is more confident of his right to mix his Auschwitz play with humour, but his audience did not seem to share that confidence. 1s it coincidental that bis access to the London stage for his original work dried up after Laughter!? It would be seven years before another of his plays was given a London producti~n~~, and there have been none since. This doesn't seem to be just the result of Barnes's production requirements clashing with the reduced financial resources of the theatre, nor was it felt that the quality of his craf tsmanship had gone downhill . Apparent ly , Laucrhter ! struck a Sour chord with theatregoers: When that show ILauqhter!] was on at the Royal 219 Court 1 used to feel the hatred of the audience for me, during the show and after the show, they actually loathed being confronted with it, particularly in that form. Irm sure if P d have done it in a sentimental form - they were so totally embarrassed it turned to a very, very palpable antagonism. 1 did the play some years ago, 1 don't know if things have changed, but it certainly was much too advanced for anyone to take, certainly an audience." The fonn to which Barnes ref ers is the broad, vulgar, circus- like comedy which he has used in many other plays. There was no great public uproar when he subjected one of the worldf s greatest minds to the most base elements in Leonardo's Last S u p ~ e r , nor when he mocked Christianity in The Rulins C l a s s , nor when, in The Bewitched, he made light of the torture the Spanish Inquisition inflicted upon thousands of innocent people. And I ' m guessing that there would have been no uproar over Tsar if it had been separated from Auschwitz, Clearly, an audience can laugh at agony and violence without hating itself or the playwright for doing so. Further, audiences have even laughed at Nazi Germany without self-reproach - but there again, it could be argued that laughter befriended the tyrants by downgrading the experience of the victims. Charlie Chaplin's 1940 parody of Hitler, The Great Dictator, is among the best-known pieces of comic artillery of the second World War. Chaplin had such strong faith in the power of comedy to wound and maim that he went to great trouble and persona1 expense to make the film. But he came to question this faith after the war, once extensive information about Nazi crimes began tc surface, saying, "Had 1 known of the actual horrors of the Geman concentration camps, 1 could not have made The Great Dictator; 1 could not have made fun of the homicidal insanity of the Nazis. " 4 2 But Rudolph Arnheim, having himself fled Nazi Germany, had an unwavering belief in the political potential of comedy. In his review of The Great Dictator, he wrote that IlCharles Chaplin is the only artist who holds the secret weapon of mortal 1aughter.11~~ e faulted the film only for its narrow focus on Hitler which should have been, the critic felt, trained on the wider problem of fascism. Other examples of unmistakably anti-Nazi, widely-seen contemporary popular comedy include Disney and Looney Toons cartoons and a Three Stooges short.44 It must have been nearly impossible for Arnericans to miss seeing one or more of these pieces, which would have been shown, along with feature films, at cinemas across the country. Like Auschwitz at the beginning, the focus of these comic works was the Nazi government and its adjuncts, not the more emotionally- compelling stories of mass executions or prisoners in the camps; therefore, unintentionally, the creators made the parodied dictators come off only as war enemies, not perpetrators of genocide. The focus is directed in such a way as to make it possible for people, including Barnes's civil servants, to pretend they donrt see. Evidently, speaking 221 about committing heinous crimes against hurnanity c m be comic; performing them cannot be. Of course, a perceived tastelessness is not the only possible reason for Laushter!'~ massive failure. One critic fouid the play to be simply bad and unfunny, but admits that when he did laugh (at lines which he says had been "appropriatedn) , he felt sheepish; at the same time he insists (defensively, 1 think) that his discornfort was unnecessary: I1our revulsion at Auschwitz is not altered in the slightest. 11" Another objected to the writing in Tsar and found Auschwitz dull, and cites two dozen satirists spanning the whole of Western writing to demonstrate that laughter and horror can CO-exist. He insists that no one laughs at the two events which drive the plots of these plays anyway, and he "camot see how laughing at other things makes us think them more acceptable. u46 Barnes doesnr t dispute that we can laugh at atrocity and still recognize it as an atrocity. His question is, should we, or should we cut dom any attempt at humour and talk revolution instead? At the least he asks his audience to consider the question, and not toss it off so glibly. Parenthetically, it seems that distance - geographic or chronological - influences how well we rally around our "brotherhood of manM in its most dire moments. There are, no doubt, real~olitical issues at work which complicate involvement £rom outside governments, but 1 have not noticed a 222 signif icant American (or British) grassroots effort to f ight the recent genocidal slaughter taking place in Rwanda or Bosnia. Barnes is probably greatly overestimating the likelihood that people in the relatively cornfortable West will take significant risks to help end someone else's crisis, no matter how it is presented. It isnr t only a comic treatment of atrocity that allows or, in Koestler's view, causes inactivity; we see the same inertia when exposed to news footage of rotting corpses - as long as they aren't rotting in our own backyard. Laughter is not the only private reflex that a totalitarian government would control. Every facet of an individual's life, including thought, if that were possible, m u s t be made transparent to the tyrant if he would have and maintain complete, hermetic power, Anything kept hidden from authority is a potential threat and must be exposed: rooted out. In his (unfavourable) review of Laushter!, Robert Cushrnan observes that: "The refrain, 'root it out, root it outr is taken up by the actors ... whenever they succeed in raising a chuckle. "" Again, we see the deliberate def lation of any humour which might distract £rom the horrors brought about by Ivan the Terrible or Adolph Hitler. But there is also another way the refrain is used: as a talisman capable of warding off threats and undesirable events. As noted earlier, the Author urges his audience to root out laughter. Ivan calls for uprooting four times: of his 223 sins, while asking G o d for deliverance (346); when calling for disobedience to be rooted out (There canst be no rule wi'out terror. No opinion's innocent, therefore al1 opinions must be guilty" ([357]); while trying to rid himself of his position as Tsar (362); and in his last moments, as he tries to stave off Samael, a.k.a. Death (366). In Auschwitz, each character has a tum at using the metaphor. "Al1 those cretins, mongoloids, parapalytics, sclorotics and diarrectics - who doesnft want to root out pain?" Cranach asks in defense of the Nazi euthanasia program, while in the next breath claiming, "It was al1 repugnant to me on moral grounds" (372). Gottleb, in the play's only literal use of the verb, orders the Sanitation Workers who are robbing gassed Jews to root out their gold teeth (405). The phrase becornes a group chant used to drive away Stroop's happy prewar memories (391) and, finally, the reality which Gottleb has tried to force upon the 5nnocent1' civil servants (408) . The roots grow deep, however. Despite the efforts made by dictators to quash every seedling of individual dignity and human rights, a l 1 tyrannies do eventually crumble and al1 tyrants with them. It is only a mixed blessing; at the end Tsar, Ivan has turned into a statue and a target for bird droppings, though he died declaring his immortality. Power not perfect when it is subject to erasure by the certain eventuality of time. But the end of one tyranny only seems bring temporary relief to the brotherhood of man; another springs up in Germany - or in Haiti or Cambodia or Uganda. In that sense, Ivan is immortal. B a m e s has rarely ended his plays with goodness plainly triumphant. Sometimes it hints at its existence, only to be crushed: "Send in the reapers!" orders Cardinal Gaetani in Sunsets and Glories, as the fields of wheat grow where Father Morrone died, and then are burned in "a Universe robbed of salvation. u48 In the epilogue to The Rulins Class, Grace' s Song declaring her love for ber Jack is punctuated by her scream as he kills her. The grotesque idiot P h i l i p V ascends to power as the coming of the Age of Reason is heralded in The Bewitched, and [s.d.] The lights fade down to a night sky with stars; the music and sounds dissolve into a cold night wind. Then one by one the stars go out. The wind too finally dies. Silence. Darkness. C~rtain.~' Repeatedly, Barnes sends his audience home with a pessimistic reminder of the hopelessness of hope. That will change in Heaven's Blessinss, the happy note that will end this thesis. ENDNOTES - CHAPTER 5 Full bibliographie information for editions of Elizabethan and Jacobean plays is given in the list of works cited. 1. Ronald Hingley, Russia: A Concise Historv (1972; rev, ed. New York: Thames and Hudson Inc., 1991) 48. 2. Steve Lipman states that "quite a few jokes [by the victims of Nazi Europe] were reworked versions of earlier ones against the Russian czar and other despised regimes," but he fails to offer any documentation or to specify which czar and which despised regimes he is referring to. Laushter in Hell: The Use of Humor durina the Holocaust (New Jersey: Jason Aronson Inc., 1991) 68. 3. Peter Barnes, Laucrhter!, in Barnes Plavs: One (London: Methuen, 1989) 343. Subsequent page references will be given parenthetically within the text- 4 - For example there is no mention of him in Hingley, OD. cit., or in Miliukov, and al1 of two sentences in Lawrence (both cited below) , 5. John Lawrence, A Historv of Russia, 7th rev. ed. (New York: Meridian-Penguin, 1993) 108. 6. See Peter Bames, The Bewitched, Barnes Plays: One (London: Methuen, 1989) 319. 7. "Theat re of the Extreme: An Interview with Peter Barnes." With Mark Bly and Doug Wager. Theater (Spring 1981) 46. 8. Daniel Goldhagen describes a German perception of Jews which seems ironic in light of the powerlessness of the - - Jews under the Nazis: In Germany during the Nazi period, putative Jewish evil permeated the air. It was discuçsed incessantly. It was said to be the source of every il1 that had befallen Germany and of every continuing threat, as real to Germans as that of a powerful enemy a m y poised on Germany's borders for the attack. Daniel Jonah Goldhagen, Hitler's Willins Executioners: Ordinarv Germans and the Holocaust (New York: Vintage Books, 9. Paul Miliukov, et al,, Historv of Russia, vol 1: From the Becrinninss to the Empire of Peter the Great, trans. Charles Lam Markmann (New York: Funk and Wagnalls, 1968) 122. 10. Qtd. in Goldhagen 142. Il. Goldhagen 147, quoting £rom Eberhard Jakel, Hitler's World View: A Blue~rint for Power (Cambridge: Harvard University Press, 1981) 62. 12- Kenneth Muir, introduction, Macbeth (London: Rout ledge-The Arden Shakespeare, 1984) lvii . 13. Goldhagen 164. 1 4 . Hingley 49. 15. An Intemet search turned up the name Sarnael as being connected to Jewish mysticism. By far the most complete information 1 found was from "The Kaballah FAQ [Frequently Asked question^]^ by Colin Low: The angel Samael is also important in Kabbalah. Scholen shows (in "The Origins of the Kabbalahn) that in early medieval Kabbalah, Samael retained some of the characteristics of the Gnostic demiurge Ialdebaoth (the blind god), and derives the name from meaning "blindll. He is attributed consistently to the planet Mars and the sephira Gevurah, and is the source of al1 the nastiness in the world. He appears in various guises as the Dark Angel and the Angel of Death. The suffix -el betrays his divine origin, and Kabbalists have been divided between placing him at the head of a demonic hierarchy (alongside his wife Lilith) , and viewing him as an unpleasant but necessary component of creation. Sanael is identified with the serpent in the Garden of Eden, a tempter and a poisoner of life. http://www.digital-brilliance.com/kab/faq.htm 5 Oct 97. At f irst this description doesnt t j ibe with Barnes's tlovexworked head clerk,I1 but upon learning that sephira means "countingU and Gevurah means "strength," it becomes clearer why Barnes chose this Powerful Counter to be his Death. Thanks to Sam Brezel and Owen Rumelt for help with the Hebrew. 16. In very recent news, Maurice Papon, a former police supervisor under the Vichy regime, is soon to be tried in France for allegedly signing orders which caused 1,690 Jews to be sent to Auschwitz. Michel Slitinsky, a Holocaust survivor and the person who uncovered documents leading to Papon's arrest, said "He 3s not an executioner nor a sadist. But with his pen, he was able to do more than tortures." Papon has claimed that he was just following orders. CNN Interactive, www-cnn.com, 7 Oct 97. 17. Goldhagen 12. After arguing that knowledge of Jewish persecution and slaughter was pervasive among Germans, Goldhagen rejects "bureaucratie myopiau as a rationale for the Holocaust: Since it is clear that tens of thousands of Germans who understood al1 too well what they were doing were willing to kill Jews, there is no need to concoct an (empirically unsustainable) alibi of incomprehension to explain why some others did not understand quite what it was that they were doing or did not realize that they had the responsibility to Say "no." (384-85) This may be an over-generalized conclusion Goldhagen drew from his extensive research, but at least one other account supports his assertion. Michael Verhoeven' s 1990 film Das Schreckliche Madchen (The Nastv Girl), based on a tme story, shows the wall of silence a high school girl hits when she tries to write an essay called "My Home Town During the Third Reich.;l She is frustrated at every turn and eventually ostracized by her neighbours, al1 of whom, she f inds, were aware of, and many complicit in, actions against the Jews . 18. Peter Barnes, introduction, Barnes Plavs: One (London: Methuen, 1989) ix. 19. When discussing Barnes's use of the comic here, 1 place more emphasis on the second part of Laushter! than on the first, partly because as a Westerner living in the second half of the-twentieth century, Auschwitz is more meaningful to me, but also because there is more meat to g n a w on. There are nearly twice as many pages to Auschwitz as there are to Tsar, and it tackles the issue of laughter far more directly. 20. In The Great Dictator, dir. Charlie Chaplin, perf. Chaplin, Paulette Goddart, and Jack Oakie, United Artists, 1940. 21. Steve Lipman, Laushter in H e l l : The Use of Humor Durinq the Holocaust (Northvale, NJ: Jason Aronson, Inc.) 151 - 22, Joshua Sobol, Ghetto, in a version by David Lan (London: David Hern Books, 1989) 20. 23. This I1theory of degradationn and its proponents are summarized by Arthur Koestler in The Act of Creation (New York: Macmillan, 1964) 53. 24. Koestler 54. 25. See the discussion of Red Noses in Chapter 2 of this thesis. 26. Peter Barnes, Red Noses (London: Faber and Faber, 1985) 104. 27. Koestler 51. 28. C a r y 1 Churchill, Mad Forest (London: Nick Hem Books, 1990) 23-24. 29. George Mikes, Humour in Memoriam (London: Routledge and Kegan Paul, 1970) , 252 (qtd. in Lipman, 27-28) . 30. Salicia Landmarin, "The Origin of Jewish Humor: An Analysis of its Sources and Some ExamplesIM Jewish Journal of Sociolocry, December 1962 (qtd. in Lipman 136) . 31. Ron Jenkins, Subversive Lauqhter: The Liberatinq Power of Comedv (New York: The Free Press-Macmillan, Inc., 32. Lipman x-xi . 33. Introduction to Roy Kift, "Comedy in the Holocaust: The Theresienstadt Cabaret," New Theatre Ouarterly 1996: 299. 34. Kift 307. 35. Kift 305. 36. I1Always r a t h e r humiliat ing f o r the one aga ins t whom it is d i r e c t e d , laughter is r e a l l y and t r u l y a k ind of soc ia l f r agg ing .Ht Henri Bergson, Lauqhter (Garden City, NY: Doubleday, 1956) 148. 38. A r t Spiegelman, Maus: A Survivor's Ta le , p a r t II, "And H e r e M y Troubles Beganl1 (New York: Pantheon Books. 1 9 9 1 ) 14 , 16. 39. Red Noses opened a t t h e Barbican i n 1985; i t was written i n 1978. See P e t e r Barnes, l t In t roduct ion," Red Noses, London: Faber and Faber, 1985. 40. The Royal Shakespeare Company had v e r b a l l y committed t o producing Red Noses, Black Death ( l a t e r , Red Noses), bu t backed ou t , pleading poverty, a f t e r keeping t h e s c r i p t fo r t h e b e t t e r p a r t of a year. In 1982, however, the RSC produced Nicholas Nicklebv, an adaptat ion of a Charles Dickens novel which had a cast of 43 and otherwise demanded resources f a r g rea t e r than Red Noses would have- A t t h i s p o i n t B a r n e s questioned t h e RSCfs excuse, See Mark Bly and Doug Wager, T h e a t r e of t h e Extreme: An Intenriew with P e t e r Barnes," Theater (Spring 1981) : 44 . 41 . P e t e r Bames, interview with the au thor , 2 Nov. 1992 . 42. David Robinson, Chaplin: H i s Life and A r t (New York: M c G r a w - H i l l 1985) 506 . 43. Qtd . i n Robinson 507. 44. Lipkin 237-38. 45 . Robert Cushrnan, "Nat s o Fumy, Rev. of Laushter! , by P e t e r B a r n e s , and Dinqo, by Charles Wood. The Observer 29 Jan. 1978: 28. 46 . Bernard Levin, le possession is nine p o i n t s of the Law." R e v . of The Dvbbuk by Schloime Anski, Laushter! by P e t e r B a r n e s , and A Dav Forever by Michael Sharp. The Sundav Times, 5 Feb. 1978: 35, 47. Cushman 28. 4 8 . P e t e r Barnes, Sunsets and lorie es (London: Methuen, 1990) 86. 49- P e t e r Barnes, "The Bewitched," in Barnes Plavs: O n e (London: Methuen, 1989) 3 3 8 . CONCLUSION Things Are Looking Up: Heaven's Blessinss 1 will close my discussion on the theatre and politics of Peter Bames with a few words about Heaven's Blessinss (19891, an (as yet) unproduced and unpublished one-act which Mr. Barnes generously let me read. The play dramatizes the Book of Tobit £rom the Old Testament Apocrypha, a sort of proto- Book of Job with a few notable differences, chiefly that the relation of cause and effect between wowship and reward is quite straightforward. What makes Barnes's version significant to this thesis is that, like the Biblical story from which it is taken, there is a happy ending. An unqualified happy ending, in fact; one could even go so far as to cal1 Heaven's Blessinss a sweet play. For once, sunflowers grow, and they are not hacked dom. In the original, Tobit is a Jew who as a young man was captured and brought to Assyria. Most of the Jews in Assyria have assimilated and some, like Tobit's nephew Ahikar, even hold important positions at court. Under King Semacherib, practicing Jewish rites and customs is an offense, but i n spite of the danger it puts h i m in, Tobit refrains from eating the food of the Gentiles, goes to Jerusalem for feasts, pays tithes to the sons of Levi, and most importantly, he gives dead Jews the proper burial which his religion demands, but Assyrian law forbids- 232 When someone informs the king of Tobit's illegal burials, an order for his execution is made. He flees Nineveh, losing al1 of his property but saving his wife Anna and their son Tobias. Soon the old king is killed, and Tobit returns and is reunited with his family. And then, in what is certainly among the more bizarre events in the Hebrew Bible, one night while sleeping against a wall after secretly burying a Jew, Tobit is blinded by bird droppings. His wife works to support them, but one day Tobit accuses her of stealing a kid goat that was given to her as payment, and he is so anguished at having wrongly reproached her that he prays to die. (As an interesting sidebar, after a two-verse introduction, Tobit tells his own story and sings his own praises for most of the next three chapters up until the point where he asks God for death; after that, even though he does not die, the remainder of the 14-chapter Book is written in the third person.) Parallel to Tobit's story is that of Sarah, the only child of Raguel, a wealthy Jewish shepherd- The demon Asrnodeus is in love with Sarah and for that reason, he has killed off her seven bridegrooms before they had a chance to consummate the marriage. Sarah, like Tobit, prays for death, but because she doesnft want to leave her father alone, she amends her prayer to ask that the villagers stop reproaching her. Immediately: 3:16: The prayer of both was heard in the presence of the glory of the great God. 17: And Raphael was sent to heal the two O£ them: to scale away the white films of Tobit's eyes; to give Sarah the daughter of Raguel in marriage to Tobias the son of Tobit, and to bind Asmodeus the evil demon, because Tobias was entitled to possess her. At that very moment Tobit returned and entered bis house and Sarah the daughter of Raguel came do- from her upper room.' The two families are brought together when Tobias and the angel Raphael (posing a s Azarias, a relative of Tobitf s) stop for the night with Raguel on their way to retrieve money from a friend. As he was sent to do, and with the aid of the vital organs £rom a special fish, Raphael sets everything right. He then tells Tobit and Sarah that he is an ange1 who heard their prayers, brought them to the attention of the Holy One, and was then sent to help them. There is none of the doubt about causality which the Book of Job creates: "Do good," Raphael says, "and evil will not overtake you" (12 : 6) . Barnes keeps the plot of Heaven's Blessinss close to the original story, adding only an Assyrian captain and a drunken rabbi to the cast of characters. And these are among the rnost uniformly sympathetic and human characters Barnes has written. He has always made a point of trying to fil1 even minor roles with rounded characters; in fact he made a particular effort to do this in Eaas and ~ravv, another unproduced play which he wrote not long after finishing Heaven's ~lessinss. T've got this bee in my bonnet about main characters and minor characters," Barnes told me, speaking of Eass and Graw, "and If m very very conscious at the moment that 1 wonf t write a minor character .... So nobody cornes on stage unless the moment they come on stage theytre important .... [Olne of my fixed ideas of the moment, is to try to give everybody their tremendous moment in the suri. '13 The bee has been buzzing in Barnes's bonnet from the outset. Even his most unexceptional characters have a story to tell; the butler in The Rulins Class, for example, con£ ides to the audience: A lot yer don8t know about Daniel Tucker. Just old faithful Tucker. Give doggy boney. Just 'ere for comic relief. Know who I really am? (Beckons confidentially. ) Aiexei Kronstadt, Number 243 . Anarchist-~rotskyist-Communist-~evolutionary.~ At least Tucker has a name and enough stage time for character development. But Bames gives individuality even to his spear carriers- As the First Attendant succumbs to the plaque in Red Noses he cornplains that writers are always killing off little guys like him, writing stories where some characters are important and others just disposable stock - First Attendant, Second Peasant, Third Guard. Storiesfre easier when 'tisnft possible to care for everyone equal. Thatrs how itty-bitty-bit people like me come to be butchered on battlefields, die in droves on a hoo- hooo-ooooh. But we First Attendants are important too. Wetve lives. I've lodged in the chaffinch, lived in the flower, seen the Sun coming up. I've discovered unbelievable things. I ' m an extraordinary person. 1/11 tell you a secret ... 5 which we never get to hear, because at that moment he dies. Respect for the individual is a fundamental political issue for Barnes, as discussed in Chapter 4 . Perhaps it is one of the reasons why he is more appreciated by actors than by critics and producers . 6 It isn't just story-telling which becomes more challenging if the collective "little people" are individuated; it might become more difficult, ethically, for the elite - the Jack Gurneys of this world - to screw them over - In his Introduction to The Real Lons John Silver and Other Plavs Bames wrote: 1 do not write about ordinary men and women. The variety and enormity of the w&ld and its people and their infinite possibilities make belief in the ordinariness of ordinary people a blasphemy. The earth contains multitudes of beings unique in their creative energy for good and evill So many Trojan Helens called Ada, so many Leonardos called Fred- Genius is not the exception but the rule-' Tobit and his family are just the sort of unrecognized, powerless, "ordinaryu people who might have been pulled £rom the faceless crowd. Neither powerful lawmakers nor notable outlaws, they are basic law-abiding people - though Tobit's religious laws sometimes conflict with the Assyrian ones. Barnes even forgoes a prime opportunity to play with the language of an ancient people and instead writes simple dialogue in plain modern English for the characters, including the ange1 Raphael and the devil Asmodeus, to speak. While there are undeniably fairytale elements to the story (Sarah's seven husbands, or the huge fish with the magical guts), 1 think Barnes is trying to keep this play real. An audience can directly identify with these people, free £rom the barriers of class, power, or times long gone. Moreso than most of us, perhaps, Tobit is noteworthy for being particularly charitable and good, but not in mythic proportions or beyond the range of human capability. 236 Still, the Tobit of Heaven's Blessinqs lacks even the few small faults possessed by the original; Bames omits the biblical Tobit's temporary mistrust of Anna and Raphael- Indeed, it is difficult to find bad in any of the characters, including the demon Asmodeus, who explains to Sarah and Tobias on their wedding n igh t that despite his mother's advice to stay away from those evil creatures known as human beings, and despite her contention that demons do not love, he has fallen in love with Sarah, He didn't kill Sarah's seven former husbands maliciously; he %ent them to darkness and silence. Demons cal1 that bliss . And, just before he leaves her, Asmodeus touchingly tells Sarah, "1 was dazzled by your soul- light, hoping we could gaze together into the eyes of the Lord, shining like t h e first sunn (51) . It is not, as in t h e Book of Tobit, the burnt fish liver that sends Asrnodeus away. He leaves on bis own, pointedly frying the liver hirnself on his way back i n t o the mirror from which he emerged. Therein lies the significant divergence Barnes takes from his source material: there is no consistent cause and effect in HeavenJs Blessinss. Things work out nicely, but they do s o in the context of chaos, and not according to some divine scheme or cosmic plan. God is still an important figure - for example, Raphael reminds Tobit that "Of course, you wouldn't've needed healing if He hadri't injured you in the first place, But that's His wayu (62) . In 237 soliloquy, the angel reveals a greater understanding of God's ways : 1 heard the Lord Say, "Let things be done decently and in order-" But there's no decency here, no order here, only disorder the final enerny ... Yet, yet, yet, since al1 things come £rom Him there must be good, even in that disorder, for it contains the possibility of change. I had become petrified in rny certainties, now plunged in doubt and disorder, I'm given the chance to change and grow. Thatrs the reason for God' s unreasonableness , ( 5 7 ) Raphael is indeed changed by his experience on earth. He cornes away considerably less pristine than when he arrived - he cornplains several times that the earth is filthy, and that he's grow. filthier by the minute - but with the grime and soot has come the ability to laugh. Barnes is briefly revisiting the question of laughter's value that he explored in Red Noses and in Lauqhter!, and this time, he at leaçt entertains the possibility that the palliative quality of laughter is essentially good. Raphael first tells Anna that "Humourts of the devil's party. 1 donrt need it." "We do," she replies. "Itts a precious b a h for the suffering worldlm "Suffering ennoble~,'~ he declares, and Anna counters, "It embittersn (23). On the other hand, before the wedding ceremony, Sarah and Tobit urge them al1 to rejoice in the Lord and put on a merry face though T o b i a s may be doomed. Raguel says, "When my sheep are troubled and they baa-baa-baa, panpipes, flutes and songs send them skipping." "So they go more easily to slaughter," answers the cynical Anna (40) - By 238 the end, however, Raphael does corne to appreciate, and perhaps need, humour - In the stage directions at his entrance, Barnes specifies that Asmodeus resembles Raphael, and a likely directorial choice would be to have the two roles played by the same actor. Neither ange1 nor demon finds much redeeming value in man at first. Aside £rom the filth, Raphael finds people to be filled with needless questions and petty concerns, and he doesntt understand the subtleties of human speech, confusing story-telling with lying (which lrusurps God's prerogative and recreates the world in [the liar' s] own image" [23] ) . To Asmodeus, men are "malignant bundles of rage, hate and murderH whom even dernons find frightening (50). But both underestimate the ability human beings have to rise t u the occasion, and both leave their visit to earth with a revised opinion of mankind. People were not what they had expected them to be. They donft arrive at the same conclusion; Raphaelfs opinion of people improves, but Asmodeus leaves feeling disappointed at Sarah's choice of an unadventurous life on earth. Pug, the demon in Ben Jonson's The Devil is an Ass who begs to be sent to London to show just what trouble he is capable of stirring up, also changes his opinion of people. He leaves in humiliation, having found himself to be no match for the wicked, vice-ridden bunch he finds there. "A scar upon our name!" Satan upbraids him. "Whorn hast thou dealt with / Woman or man, this day, but have out-gone thee / Some way, and most have provfd the better fiends?" (V.iv.60-62) .' The fault is not entirely Pugfs, though: as Satan reminds him, the year is 1616, and the vices men breed themselves threaten to make those devised in hell redundant (Li). Asmodeus has the same complaint : My day is passing, Sarah. Soon 1 wonrt be needed, men carry their own private demons with them. Nature eliminates the superfluous and we'll fade. Ifm already fading, Sarah. (50) B a r n e s has made known his disappointment at the lack of attention given to Jonson on the English stage, sometimes sounding (understandably) bitter at the great imbalance in production and study which privileges Shakespeare over the half-dozen or so other playwrights who contributed so much to the wealth of early modern English theatre." Doing his part to remedy this neglect, Barnes has edited, adapted and/or directed several productions of Jacobean plays, among them Jonson' s The Alchernist, Volpone, Bartholomew Fair, The Silent Woman, The Macmetic Lady and, in 1972 at Nottingham and 1976 at Edinburgh, The Devil is an Ass .ll Yet, until Heaven's Blessinas, 1 have not found Barnes's work to be much akin to Jonson's. The notable exception is Seianus, a h i s to ry play filled with power, intrigue, lust, and the intriguing lust for power - like The Bewitched, for instance. Even in Seianus, authority is not one of Jonson's chief concerns, nor are class issues; for h i m , it isn' t a matter of who can command whom, but of who can outwit whom - and who remains when everyone else is done betraying Lovewit returns to the 240 one another. In The Alchemist, when house his servant Face has been using as a base of operations for his con games, Face's sharp mind saves him from being punished, but it hasn't served to advance his position in society, and it hasn't improved the status of his class. Mosca earns a whipping and life imprisonment for his part in cheating the greedy fools of Venice, but Volpone, who [b]y blood and rank a gentleman, canst not fa11 / Under like censuren (V.vii.117-181, will spend the rest of his life in crippling leg irons and chains, an even more severe punishment. His class standing bas not won him any privileges. In one play the wicked are punished; in another, they get away with it - and neither outcome should be taken as an object lesson. There most certainly, there is It is that sense of his mentor Jonson. When is no rhyme or reason in Jonson, and no Grand Scheme O£ Things. the chaotic that Barnes takes from asked whether he would characterize the Jacobean world as "one without a moral center or at least a 'center that does not hold,'" Barnes answered Yes, they were adrift in a world without a purpose, which is what my plays are about. What 1 try t o do with m y plays is to show a world seemingly without purpose; but in order to stay sane and sunrive you have to conduct your life in a w a y knowing that the universe is purposeless, but your own life has a purpose, 1 suppose that is the definition of courage and a good life.12 In Heaven's Blessinss w e have it on God's authority that the world has no purpose, faith is useless, and the only reason for life is that it be lived. Man is at the centre of 241 the universe, and God really doesnft trouble himself overmuch with his affairs. In fact, it is the other way around: "Heaven above is conditioned by you below. So if youfre charitable, Heaven too is charitable, if you' re j oyf ul , Heaven rejoices, if you sing, Heaven is full of songw (68) . Even God - the Supreme Being, the ultimate power wielder - rejects the role of authoritarian. Where is the struggle for power in Heaven's Blessinss? Why arenrt the innocent being trampled? Where is the darkness? These elements, typical in most of Barnes, are nowhere to be seen in Tobit's story. 1s this a sign of a new Peter Barnes, one filled with cheery optimism? Probably not. After all, Sunsets and Glories, which closes with black-clad reapers cutting d o m the golden wheat which has sprung up around Father Morrone, was produced a year or so after Heaven's Blessinss was written. But just this once, Barnes sends us out of the theatre with bright light and an uplifting Song until "LIGHTS FADE D O W as Heaven and Earth sing together for a momentn (68). One final note. Peter Barnes has spent seven hours of most days for over 30 years reading and writing in the British Library Reading Room, a ritual which he kids himself about in The Three Visions: YOUNG MAN. So 1 s t i l l chain myself to the oars at the British Museum Reading Room? BARNES. .., Yes, Irm still there or some other public venue, doing my tirne. Grey days without it. See, these are the calloused hands of poetry." Barnes even schedules his vacations to coincide with the week that the Reading Room closes for inventory-taking and cleaning. Not knowing that, 1 very nearly missed being able to meet with him - and be given the typescripts of Heaven's Blessinss and C l a ~ Hands Here Cornes Charlie - because that week happened to occur during my trip to London. In October O£ 1997 the Reading Room closed its doors for good, ending a long tradition for Peter Barnes just at the tirne that my years with his work have come to a close (at least for now) . The books which were at the British Museum branch are moving to a new reading room at St. Pancras, and 1 don't know if Barnes will go with them. The Reading Room's closing marks the end of 140 years of use by many of the worldfs most influential thinkers; now there is an opportunity for a new tradition to begin. Perhaps it will portend a renewed interest in the spectacular, inventive, grandiose and uniquely theatrical gems which Peter Barnes has given us. ENDNOTES: CONCLUSION Full bibliographie information for editions of Elizabethan and Jacobean plays is given in the list of works cited. 1. Electronic version of the Holy Bible, Revised Standard vers University of 19951, http:/ - ion (including Apocrypha) , Virginia Library Electron /etext.lib-virginia.edu. prepared for the .c Text Center (Oct . 2. Bernard Dukore gives a full account of the plot of Esss and G r a w in his book Barnestom: The Plavs of Peter Bames (New York and London: Garland Publishing, 1995) 74-83. 3 . Peter Barnes, persona1 interview, 2 Nov. 1992. 4 - Peter Barnes, The Rulins Class, B a r n e s Plavs: One (London: Methuen, 1981) 31. 5. Peter Bames, Red Noses (London: Faber and Faber, 1985) 20. 6. Many of the brightest star actors in Britain's theatrical firmament have performed in Barnesrs original stage, television, or radio plays, including Peggy Ashcroft, Eileen Atkins, Claire Bloom, Simon Callow, Sean Connery, Tom Conti, Judi Dench, Paul Eddington, Peter Eyre, John Gielgud, Derek Godfrey, Aiec Guinness, Nigel Hawthorne, Wendy Hilier, Trevor Howard, John Hurt, Jeremy Irons, Freddie Jones, Ian McKeilen, Peter OrToole, Bob Peck, Sian Phillips, Donald Pieasence, Joan Plowright, Stephen Rea, Alan Rickman, Paul Scofield, Antony Sher, Jeremy Sinden, Peter Ustinov, Harriet Walter, Timothy West, and Irene Worth. 7. Peter Barnes, introduction, The Real Loncr John Silver and Other Plavs (London: Faber and Faber, 1986) ix. 8. Peter Barnes, Heavenrs Blessinss, ts., 50. Subsequent references to this play will appear parenthetically within the text. In quoting £ r o m this typescript, 1 have corrected typing errors which occur in the original. 9. The edition used is Ben Jonson, The Devil is an Ass, Gamini Salgado, ed. Four Jacobean Citv Comedies (Harmondsworth: Penguin, 1975) . IO. See Chapter 1, n.5. 11. The others of which I am aware are A Chaste Maid in Cheapside, A Mad World, Mv Masters, and A Trick to Catch the Old One by Thomas Middleton; The Soldierrs Fortune and The Atheist by Thomas Otway; and by John Marston, The Dutch Courtesan and, combined into one play titled Antonio, Antonio & Mellida and Antonio's Revense. He also adapted Eastward Ho! to such an extent that he added his name to the three original collaborators, Jonson, Marston, and George Chapman. 12. Mark Bly and Doug Wager, "Theatre of the Extreme: An Interview with Peter Barnes, If Theater (Spring 1981) : 43 - 13. Peter Barnes, The Three Visions, The Real L o n s John Silver and O t h e r Plavs 108. WONS CITED Plavs Barnes, Peter. Barnes' People II: Seven Duolocrues. London: Heinemann Education Books, 1984. Barnes Plays: One, London: Methuen, 1989. The Bewitched, Barnes Plavs: One. C l a ~ Hands Here Cornes Charlie. Unpublished play, 1990. Heavenfs Blessinss. Unpublished play, 1989. Laucrhter ! Barnes Plavs : One. Leonardots Last Su~per. Barnes Plays: One. Noondav Demons . Barnes Plavs : One. The Real Lonq John Silver and Other Plavs (Barnes's People III). London: Faber and Faber, 1986. Red Noses. London: Faber and Faber, 1985. Revolutionarv Witness & Nobodv Here but Us Chickens. London: Methuen, 1989. The Rulins Class. Barnes Plays: One. The S ~ i r i t of Man and More Barnesr People. London: Methuen, 1990. Sunsets and Glories. London: Methuen, 1990. The Time of t h e Barracudas. Unpublished play, 1963. The T h r e e Visions. Barnes's People III. Beckett, Samuel. K~~PP's Last Tape and Embers. London: Faber and Faber, 1958. ---. Waitincr for G o d o t . New York: Grove Press, 1954. Churchill, Caryl. Mad Forest. London: Nick Hem Books, 1990. Congreve, William. The Wav of the World. Wilson, John Harold, ed. Six ~estoration ~lavs. Boston: Houghton Mifflin, 1959. Eveman and Medieval Miracle Plavs, ed. A S . Cawley. New York: E.P. Dutton & Co., 1959. Fraser, Russell A. and Norman Rabkin, eds. Drama of the Enalish Renaissance. 2 vols. New York: MacMillan, 1976. Hare, David. Racincr Demon. London: Faber and Faber, 1990. Jonson, Ben. The Devil is an Ass. Ed. Garnini Salgado. Four Jacobean Citv Comedies. Hannondsworth: Penguin, 1975. --- Eveman In His Humour (England version). Ed. Martin Seymour-Smith. London: A & C Black, 1966. - - - . Seianus, his fall. Ed. P h i l i p J. Ayres. Revels ed. Manchester: Manchester UP, 1990. Marston, John. The Malcontent. Ed. Bernard Harris. London: W. W. Norton-New Mermaid, 1967. Marlowe, Christopher. The Jew of Malta. Fraser and Rabkin 1. ---. Tamburlaine the Great, Part 1. Fraser and Rabkin 1. Massinger, Philip. Believe As You List. The Plavs and Poems of Phili~ Massincrer. Ed. Philip Edwards and Colin Gibson. Vol. 3. Oxford UP, 1976. Middleton, Thomas. Hensist, Kins of Kent; or The Mavor of Oueenboroush. Ed. R.C. Bald. N e w York and London: Charles Scribnerrs Sons, 1938. ---. The Mavor of Oueenboroush. The Works of Thomas Middleton. Ed. A.H. Bullen. Vol. 2. New York: AMS Press, 1964. Shakespeare, William. As You Like It. Ed. Agnes Latham. London: Routledge-Arden, 1967. The Comedv of Errors. Ed. R.A. Foakes. London: Routledge-Arden, 1962. Coriolanus. Ed. H a r r y Levin. William Shakespeare: The Com~lete Works. New York: Viking-Penguin, 1969. Kina Henrv IV, Part 1. Ed. A.R. Humphreys. 6th ed. London: Methuen-Arden, 1960. Kina Henrv IV, Part 2. Ed. A.R. Kumphreys. 6th ed. London: Methuen-Arden, 1966. Kins Henrv V. Ed. J.H. Walter. London: Routledge- Arden, 1954. Kins Henrv VI, Part 1. Ed. Andrew S . Cairncross. London: Methuen-Arden, 1962. Kins Henw VI r Part 2 . Ed. Andrew S. Cairncross . Rev. ed, London: Methuen-Arden, 1962. Kins Henrv VI, Part 3 . Ed. Andrew S. Cairncross. London: Methuen-Arden, 1964. Kins Lear . Ed. Kenneth Muir . London: Methuen-Arden, 1972. Kins Richard II, Ed. Peter Ure. 5th ed- London: Methuen-Arden, 1961. Kins Richard III. Ed. Antony Hammond. London: Routledge-Arden, 1981. Macbeth, Ed. Kenneth Muir. London: Routledge-Arden, 1984. The Tempest. Ed. Frank Kermode. 6th ed. London: Routledge-Arden, 1958 Titus Andronicus. Ed, Virgil K. Whitaker- William Shakespeare: The Com~lete Works. New York: Viking- Penguin, 1969. Shakespeare, William and John Fletcher. The Two Noble Kinsmen. Ed. N.W. Bawcutt. Hammondsworth, England: Penguin Books, 1977. Sobol, Joshua, Ghetto, in a version by David Lan. London: David Hern Books, 1989. Webster, John. The Duchess of Malfi. Rabkin and Fraser 11. Historv, Theorv, Criticism, and Literature Artaud, Antonin. The Theater and its Double. Trans. Mary Caroline Richards. New York: Grove Press, 1958. Atwood, Margaret. The Handmaid's Tale. Boston: Houghton Miff lin, 1986. Bacon, Francis. Essays. London: J.M. Dent and Sons, 1906. Bakhtin, Mikhail. Rabelais and His world. Trans- Hélène Iswolsky- Bloomington: Indiana UP, 1984. Banham, Martin. The Cambridse Guide to the Theatre, rev. ed. Cambridge UP, 1992. Barber, C L . Shakespeare's Festive Comedy: A Studv of Dramatic Form and its Relation to Social Custom. Princeton IJP, 1959- Barker, Francis. The Tremulous Private Bodv: Essavs on Subiection. 2nd ed- Ann Arbor: U of Michigan Press, 1995 , Barker , Francis and Peter Hulme - ItNymphs and reapers heavily vanish: the discursive con-texts of The Tempest." Drakakis 191-205. Barnes, Peter , "Ben Jonson and the Modem Stage . Interview with Inring Wardle among Peter Barnes, Colin Blakely, Terry Harids, Gambit 6:22 (1972) : 5-30. ---.Teter Barnes and the Theatre of Disturbance." Intenriew with Yvonne Shafer- Theatre News 14:9 (1982): 7-9. "Liberating Laughter . II Interview with Jim Hiley. Plavs & Plavers 25:6 (March 1978) 14-17. "Staging Jonson," Ian Donaldson, ed., Jonson & Shakespeare: Papers from the Humanities Research Centre. Canberra: Australian National U, 1983: 156-62. "Theatre of the Extreme: An Interview with Peter Barnes." With Mark Bly and Doug Wager. Theater (Spring 1981) : 43-48. "On Class , Christianity, and Questions of Comedy . Interview with Clive Barker. New Theatre Ouarterlv 6:SI (1990) 5-24. Bartels, Emily C. "Breaking the Illusion of Being: Shakespeare and the Performance of S e l f - " Theatre Barthes, Roland. "The Death of the Author." Imase Music Text . Ed. and trans. Stephen Heath, New York: Hill & Wang, 1977, 142-48. Begley, Adam. "The Ternpest Around Stephen Greenblatt , The New York Times Masazine, 28 March 93, 6 : 32-38. Beier, A.L. Masterless Men: The Vasrancv Problem in Ensland 1560-1.640- London: Methuen, 1985. Belsey, Catherine. "Disrupting Sexual Difference: Meaning and Gender in the Cornedies." Drakakis 166-90. ---, The Subiect of Traqedv: Identitv and Difference in Renaissance Drama. London: Routledge, 1985. Bergson, Henri. ltLaughter-sf Wylie Sypher, ed. Comedv. Garden City, NY: Doubleday, 1956. Boose, Lynda E. "The Farnily in Shakespeare Studies; or - Studies in the Farnily of Shakespeareans; or - The Politics of ~olitics:" ~enaissance Quarterlv 40:4 (1987) : 707-42. Bristol, Michael. Carnival and Theater: Plebian Culture and the Structure of Authoritv in Renaissance Ensland, New York: Methuen, 1985. Brown, Paul. If ' This thing of darkness 1 acknowledge mine ' : The Tempest and the discourse of colonialism.~ Dollirnore and Sinfield 48-71, Bryden, Ronald. Introduction to The Bewitched. By Peter Barnes. Barnes Plavs: One. 185-89. Burke, Peter. Po~ular Culture in Earlv Modern Europe, New York: Harper & Row, 1978. Butlerf s Lives of the Saints. Ed. Herbert J. Thurston, S. J. and Donald Attwater, 2nd ed. Vol. 1. Westminster, MD: Christian Classics, 1956. Carlson, Susan. "Cornic Collisions: Convention, Rage, and Order." New Theatre Ouarterlv v. 3 (Nov, 1987), 303-316. Cartelli, Thomas- "Prospero in Africa: The Tempest as colonialist text and pretext . Howard and O f Connor 99-115, Cave, Richard Allen. New British Drama in Performance on the London Stase: 1970-1985. Gerrards Cross, Bucks., UK: Colin Smyth, 1987. Coale, Sam, "Red Noses, the Black Death, and AIDS: Cycles of Despair and Disease." In Pastore, Judith Laurence, ed. Confrontins AIDS throush Literature (Urbana and Chicago: University of Illinois Press, 19931, 95-102. Cohn, R u b y - Retreats from Realism in Recent Enslish Drama- Cambridge UP, 1991. da Vinci, Leonardo. Leonardo on Painting. Ed. Martin Kemp. Trans- Kemp and Margaret Walker. Yale U P , 1989. Dekker, Thomas. The Plasue Pamphlets of Thomas Dekker. Ed- F.P. Wilson. Oxford UP, 1925. Dollimore, Jonathan. Radical Trasedv. 2nd ed. London: Harvester Wheatsheaf, 1989. Dollimore, Jonathan and Alan Sinf ield, eds . Political Shakespeare: New Essays in Cultural Materialism. Manchester UP, 1985. Dowd, James J. l1Aporias of the Self. If Linda Marie Brooks, ed- Alternative Identities: the Self in Literature, Historv, Theorv- New York: Garland Publishing, 1995) 245-66. Drakakis, John, ed. Alternative Shakes~eares. London: Routledge, 1985. Dukore, Bernard. Barnestom: The Plavs of Peter Barnes. New York: Garland, 1995- The Theatre of Peter Barnes- London: Heinemann, 1981. Teople Like You and Me: The Auschwitz Plays of Peter Barnes and C.P. Taylor.I1 Essavs in Theatre 3:2 (May 1985) 108-124. "Newer Peter Barnes, with Links to the Past." Essavs in Theatre 5 : l (Nov. 86) 47-59. "Glories at Leeds." Theatre Three 9 (Fail 1990) 100-09. "Plays & Playing: Conversations at Leeds." Theatre To~ics 1:2 (1991) 99-116. Ferguson, Margaret W. , Maureen Quilligan, and Nancy J. Vickers, eds. Rewritinq the Renaissance: The Discourses of Sema1 Difference in Earlv Modem Eu~oD~. Chicago: U of Chicago Press, 1986. Foucault, Michel. Discidine and Punish, trans. Alan Sheridan. New York: Vintage Books, 1977. Garber, Marjorie. "The Logic of the Transvestite: The Roarins Girl." Kastan and Stallybrass 221-234. Goldberg, Jonathan. "Fatherly Authority: The Politics of Stuart Family Images." Ferguson et al. 3-32. - - - O James 1 and the Politics of Literature, Baltimore: Johns Hopkins UP, 1983. Goldhagen, Daniel Jonah. Hitler's Willins Executioners: Ordinarv Germans and the Holocaust. New York: Vintage Books, 1997. Greenblatt, Stephen. Renaissance Self-fashionins from More to -- - - - - - ~hakes~eare. Chicago: U of Chicago Press, 1980. "Invisible Bullets: Renaissance Authority and its Subversion." Glwh: Johns Hopkins Textual Studies, vol- 8. Johns Hopkins UP, 1981), 40-61. Also expanded version in Greenblatt, Shakespearean Nesotiations 21-65, Shakespearean Neqotiations: The Circulation of Social Enerw in Renaissance Encrland. Berkeley: U of California Press, 1988. Learninq to Curse: Essavs in Earlv Modern Culture. New York : Routledge, 1990. Hare, A. Paul and Herbert H. Biumberg, with selections from the works of Enrine Goffman, et al. Dramatursical Analvsis of Social Interaction. New York: Praeger Publishers, 1988 Harré, Rom. Tdentity Projects ." Glynis M. Breakwell, ed. Threatened den titi es: chichester: John 1983: 31-51. Hartley, C. Gasquoine. The Truth About Woman. Dodd, Mead, 1914. Hermann, Anne. I1Travesty and Transgression: Wiley & Sons, New York : Transvestism in Shakespeare, ~recht , ' and ~hurchill . Theatre Journal 41:2 (1989) 133-54. Hill, Christopher . %ex, Marriage, and the Family in England." Economic Historv Review 2nd series, 31:3 (1978) : 450-63. ---. The World Turned Upside Dom: Radical Ideas Durins the Enslish Revolution. London: Penguin Books, 1975. Hingley, Ronald. Russia: A Concise Historv. Rev. ed. New York: Thames and Hudson, 1991. Hinton, R.W.K- lrHusbands, Fathers and Conquerors." Part I f "Filmer and the Logic of Patriarchalism." Political Studies XV:3 (1967) : 291-300 --- . "Husbands , Fathers and Conquerors . II Part II, "Patriarchalism in Hobbes and Locke." Political Studies XVI:1 (1968): 55-67. Howard, Jean E , and Marion F . O r Connor, eds . Shakes~eare Reproduced: The Text in Historv and Ideolow. New York: . Routledge, 1987. Innes, Christopher- Modem British Drama 1890-1990. Cambridge UP, 1992. Inverso, MaryBeth. The Gothic Impulse in Contern~orarv Drama. Ann Arbor: U M I Research Press, 1990. James 1. The Political Works of James 1. New York: Russell & Russell, 1965. Jenkins, Ron. Subversive Laucrhter: The Liberatinq Power of Comedv. New York: The Free Press-Macmillan, 1994, Kahn, Coppélia, "The Absent Mother in 'King Lear."' Ferguson et al. 33-49. - - - . Man's Estate: Masculine Identitv in Shakes~eare. Berkeley: U of California Press, 1981. Kahn, Victoria. "Revising the History of Machiavellism: English Machiavellism and the Doctrine of Things Indifferent." Renaissance Ouarterlv, 4633 (Autumn 1993) 526-61 - Kastan, David Scott and Peter Stallybrass, eds. Stasins the Renaissance: Reintemretations of Elizabethan and Jacobean Drama. New York: Routledge, 1991. Kermode, Frank. uIntroductionll to The Tempest by William Shakespeare. London: Methuen-Arden. 6th ed. 1958. Kift, Roy. "Comedy in the Holocaust: the Theresienstadt Cabaret." New Theatre Ouarterly 12 (1996) 299. Knapp, Jeffrey. "Preachers and Players in Shakespeare's England, Re~resentations 44 (Fa11 1994) , 29-59. Koestler, Arthur. The Act of Creation. New York: MacMillan, 1964. Kurland, Stuart M. 'No innocence is saf e, / When power contestsr : The Factional Worlds of Caesar and Sejanus." Comparative Drama 22:l (1988): 56-67. Lawrence, John. A H i s t o n of Russia, 7th rev. ed. New York: Meridian-Penguin, 1993 . Lipman, Steve. Laucrhter in Hell: The Use of Humor durinq the Holocaust. New Jersey: Jason Aronson, 1991. Machiavelli, Niccol6. The Discourses. Ed. Bernard Crick, trans- Leslie J. Walker, S-J. London: Penguin Books, 1970, corrected reprint 1974. ---. The Prince, Trans. George Bull. London: Penguin Books, 1981. Mander, Raymond and Joe Mitchenson. British Music Hall: A Storv in Pictures. Rev. ed. London: Gentry Books, 1974. Mannoni, O. Prospero and Caliban: The Psvcholow of Colonization. Trans. Pamela Powesland. 2nd ed. New York : Frederick A. Praeger, 1964. McLaughlin, William J. ll'Scotsmen in Hobnail Boots' : an analysis of the original works of Peter Barnes.tf Diss. U of Pittsburgh, 1987. Miliukov, Paul, Charles Seignobos, and L. Eisenmann. Historv of Russia, vol 1: From the Besinninss to the Empire of Peter the Great. Trans. Charles Lam Markmarin. New York: Funk and Wagnalls, 1968- Montrose, Louis. "The Work of Gender in the Discourse of Discovery." ~e~resentations 33 (Winter 1991) 1-41. Nohl, Johannes. The Black Death: A Chronicle of the Plaque Compiled from Contemporarv Sources, abr. ed. Trans. C.H. Clarke. London: Unwin Books, 1961. Orgel, Stephen. The Illusion of Power. Berkeley: U of California Press, 1975. Pugliatti, Paola. "'More than history can pattern': the Jack Cade rebellion in Shakespeare's Henrv VI, 2," J Medieval and Renaissance Studies 22:3 (1992) 451-78. Raab, Felix. The Enalish Face of Machiavelli: A Chansinq Intemretation 1500-1700. Toronto: U of Toronto Press, 1964. Rackin, Phyllis. Stases of Historv: Shakespeare's Enslish Chronicles. Ithaca: Corne11 UP, 1990- Robinsori, David. Chaplin: His Life and Art. New York: McGraw-Hill, 1985. Russell, Bertrand. Roads to Freedom: Socialisrn, Anarchism and Svndicalism, 3rd ed. London: Unwin Books, 1966- - - - - Unpo~ular Essavs. Unwin Paperbacks, 1976. Schlafly, Phyllis. The Power of the Positive Woman. New Rochelle, NY: Arlington House, 1977. Spiegelman, Art, Maus: A Survivor's Taie. New York: Pantheon Books, 1986 (part I), 1991 (part II). Shershow, Scott Cutler. "'The Mouth of ' h e m All': Ben Jonson, Authorship, and the Perfoming Object.I1 Theatre Journal 46:2 (1994) 187-212. Skloot, Robert- Introduction. The Theatre of the Holocaust: Four Plavs- Wisconsin: U of Wisconsin Press, 1982. Stone, Lawrence. The Familv, Sex and Marriase in Ensland 1500-1800, abr. ed. London: Penguin, 1979. Tennenhouse, Leonard. Power on Disdav: The Politics of Shakes~eare's Genres. New York: Methuen, 1986. Whiting, Roger. Leonardo: A Portrait of the Renaissance Man. London: Barrie & Jenkins, 1992. Wilmut, Roger. Kindlv Leave the Stase! The Storv of Varietv 1919-1960. London: Methuen, 1985. Winkler, Elizabeth Hale. The Function of Sons in Contem~orarv British Drama. Newark: U of Delaware Press, 1990. Yanov, Alexander. The Oriqins of Aristocracv: Ivan the Terrible in Russian Historv. Trans. Stephen DUM. Berkeley: U of California Press, 1981. Ziegler, Philip. The Black Death. New York: The John Day Company, 1969. Reviews of Productions Bryden, Ronald. "Nottingham Discovery.!' Rev. of The Rulinq Clasç, by Peter Barnes. The Observer 17 Nov. 1968: 24. - - - . "Tricks in Toryland." Rev. of T h e Rulinq Class, by Peter Barnes. The Observer 2 March 1969: 27. Cushman, Robert. Rev. of Lauahter! by Peter Bames. Observer, 29 Jan 1978: 28. Hobson, Harold. "Royal Fantasia." Rev. of The Bewitched, by Peter Barnes. Sundav Times 12 May 1974: 38. Levin, Bernard. Rev. of Lauahter! by Peter Bames, Sundav Times 5 Feb 1978: 35. Wardle, Irving. "Overloaded with Good Material." Rev. of T h e Rulins Class, by Peter Barnes. The Times 27 Feb. 1969: Wardle, John. "Shots at a Double Target." Rev. of The Rulinq Class, by Peter Barnes. The Times 9 Nov. 1968: 19. Young, B.A. Rev. of T h e Rulincr Class, by Peter Barnes. T h e Financial T i m e s 11 Nov. 1968: 3. Film and Video The source of al1 bibliographie information for films and television series is the Intemet Movie Database. Brooks, Mel, dir. The Producers. Zero Mostel, Gene Wilder, K e n n e t h Mars, D i c k Shawn, perf., prod. Crossbow Productions/~vco Embassy, 1968. Chaff ey, Don, d i r . The Prisoner . Patrick McGoohan, perf . , prod. Everyman Films, 1968. Chaplin, Charlie, dir. The Great Dictator. Chaplin, Paulette Goddart , and Jack Oakie, perf . , prod. United Artists , 1940. "Margaret Thatcher: The Downing Street Years," A & E f s Biosra~hv, prod. A&E, 1993. Scott, Ridley, dir. Blade Runner. Harrison Ford, Rutger Hauer, Sean Young, perf., prod. Ladd Company, 1982. Siegel, Don, dir. Invasion of the Bodv Snatchers. Kevin McCarthy and Dana Wynter, perf., prod. Walter Wanger Pictures, 1956. Verhoeven, Michael, dir. Das Schreckliche MSdchen ( T h e Nasty Girl) . Lena Stolze, perf - , prod. Zweites Deutsches Fernsehen (ZDF) / Sentana Filmproduktion, 19 90. Winkler, Irwin, dir. The Net. Sandra Bullock and Jeremy Northam, perf., prod. Columbia Pictures, 1995. Internet Sites CNN Interactive. www.cnn.com. Downloaded 7 Oct 97. "History of Marches and Mass action^.^^ National Organization of Women. http://www.now.org/history/protests.htrnl. Downloaded 29 Jan 97. Holy Bible, Revised Standard version (including Apocrypha). U of Virginia Library Electronic Text Center. http://etext.lib.virginia.edu. The Internet Movie Database Ltd (IMDb) . http://us.imbd.com, @l990-1997. Low, Colin. The Kaballah FAQ [Frequently Asked Questions]. http://www.digital-brilliance.com/kab/faq.htm. Downloaded 5 O c t 97. l MAGE WALUATION TEST TARGET (QA-3) APPLIED IMAGE. lnc - = 1653 Eaçt Main Street - -. Rochester, NY 14609 USA -- - Phone: 71 61482-0300 - Fax: 716/2û8-5989

8. [PDF] political dissent in Grigory Kozintsev's Shakespeare.

  • Evidently, Blok insisted on producing Macbeth, a play about war, murder and corruption, even if it were to be performed “before an empty house” (qtd in Gibian ...

9. imdb.vocab - Department of Statistics and Data Science

  • ... rotten-pig-stealing-great-great-grandfather harrowingly ghraib tebaldi ... corrupt single-worst msg britan capra-mccarey klunky kildares shos over-confidence ...

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ludicrous raw table lincoln elizabeth expert reminiscent disbelief encounter faithful slapstick greater description racist brad inept league julie environment helping rolling sensitive shadow flashback appreciated task learning warned extraordinary musicals storytelling funnier claire mildly ill amazingly ain't sleeping underground cabin fourth decades depiction aunt quirky halfway suck truck stereotypical entertain regarding cultural rough notorious leslie sandler extent turkey sun daughters sword kung criminals dress convey originality honor criticism jessica arms calling expression drinking touched indie critical choices bbc praise michelle buck purely could've base experiment spoof picks inspiration comical novels basis bollywood demon notable prepared graphics throwing breathtaking cell flight miller serve succeeds friendly introduction jail join throws properly lazy rip starred causes charge kiss adding burt cooper raised stanley wears blown laura weapons handle strangely brooks via nowadays everyday lie rogers intellectual protect caring lane blair challenge regard nonetheless wins amongst ratings raise nazi fallen screening so-called escapes carried carries bettie embarrassed mirror tracy attempting westerns gruesome usa trick lion related carrying daily cases sinister alas breath arrives tree holmes philip reed wave enjoying authentic tales obnoxious tradition pet busy navy replaced obsession stanwyck exists interpretation sleazy southern mansion chilling sitcom confusion carpenter christ needless stomach madness successfully ironic jewish lucy reference remote timing presentation sutherland locked attacked determined flow intentions angels clips hood jake shut fortunately guard marvelous punch ha rival essential horrific stupidity legs titles ashamed jumps term risk intensity interviews vacation brando tight topic manager served inspector attacks established goofy remind comedian stylish oddly albeit matthau delight patient stops retarded sides seagal 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sexually projects forgive occurs stunt revelation kicks messages carefully le tea stealing hype drags inevitable identify medium notch acceptable bakshi importance jesse killings typically increasingly carrey row luckily huh cardboard comics per gift dropped investigation bush nights vague kubrick reynolds lily savage thumbs mild brand faced allowing brilliance gotta fisher strictly performing enters continued kudos toilet resolution instantly bride kidnapped destruction fitting dawson contract breasts monkey shining korean thrills afterwards lab executive brosnan non-existent fifteen importantly pleased flash jamie overlooked persona commit joey insulting presumably competition press letter con creators alike pushed norman tremendous handful silence fears estate individuals worthless must-see realise australia bible wondered useless beings arrested aforementioned mafia relative sophisticated nuclear regardless creation talked disease narrator packed real-life doors astaire buried 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versus officers it'll spare polanski masters passes react survival conventional celluloid succeeded bird cliff scheme catches mistaken thrill mummy discuss florida gadget decisions chaos financial official coherent trees explored winters maggie spirits linda thick shine backdrop funeral secondly mysteries hank primary props pays travels flies colonel generic hart clown smaller clumsy hal blatant jazz afford garden notion exotic instant streep desperation enemies toys settle brooklyn ease fighter beneath unfolds rick lifestyle amy tracks houses ginger ellen possessed primarily leg principal hates devoid dating seventies disc roman portion lyrics remarkably motives destiny garbo highest represent rex glorious enterprise wannabe offended hideous shirley montage frustration staged homer classes sidekick wives widow companion countryside dozens flop performer enormous dutch hints freak diane tap ocean subtlety lust describes march stinker models ideal consistently fond macy dances mixture bedroom measure satisfied doomed goodness disjointed benefit directs reaches immensely judging urge slave cheating li trailers impress akshay topless carrie avoided april matches backgrounds drops survivors amanda bone advance rank influenced endings disappear senseless uwe simplistic coffee adorable diana relations winds blew tear contained specifically angeles wont rebel slap outer stellar hartley ego bold celebrity niro surviving practice closet griffith soccer ups outfit tender doll commented saga crush corruption bare revolutionary ruthless godzilla politically developing transformation forms menace miserable claimed vast seed coach circle peoples ties divorce surfing snake lumet mario hardcore cure introduces melting endure dedicated shaw user daddy emphasis suited tongue illogical authority disappeared judy unsettling method sentence lena guessed ears grinch involve link honesty cinematographer loads depressed lasted weakest jonathan shelf arrogant chorus similarities thoughtful 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abused agenda ho silliness interactions sharon prepare pun wwe frightened teachers primitive grotesque masks raises musicians photo amusement precisely underneath bargain favour shoulders laws complaints newly presenting noises rifle deranged tank joins buster bunny require pro boyle musician stuart poison paramount eastern accomplish rude parade kansas milk premiere appropriately sums hopkins teaches tomorrow loneliness ordered roof awhile tacky prey complaining matched asylum function celebration penn caricatures duvall framed wagner discovering bacon fingers posey rates springer esther remakes wildly chicken unlikable exposition stark absurdity fathers alternative electric examination weakness da no-one clarke lands fantasies hackneyed choppy wakes respected straightforward misleading ships items grief region policeman unfold quietly objects shared automatically heartfelt dresses trend warming babies moreover designer muddled shoddy knight bernard attenborough paradise comedians inexplicably tierney nolan provocative behaviour mccoy laurence adopted encourage literary charged lock roommate conviction phrase femme year-old imaginable blacks pitiful citizens aspiring reign mode fog tarantino rely occasions dose generated vice coincidence preposterous ratso positively knocked ladder additional rod canyon beverly referred filling paxton realised quaid ignorance devices dont skull squad tyler cannon option tracking chills wrap outfits posters youngest chavez tube servant invites conscience woo counts cattle visiting uncut heist vader accepts credited naughty heartbreaking sung amazon releases rosemary singers puppet hopelessly tasteless preminger challenges well-written meg recommendation brendan daniels should've betrayal co lush penny morbid forty abrupt gambling jess christine insurance infected pages handling lindsay respective renaissance translated conventions cue glowing severely gina refer murdering leigh realm gillian ear deserted corpses affection 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unexplained kung-fu lifted muppet aim alvin entitled beatles nolte campaign difficulty strongest adolescent fishing nemesis non-stop yeti cushing zombi tenant disguise acceptance vein hk net cancer obligatory terrified rhythm portrayals wilder boxer emerges height steele harold harmless agency morally hapless physics phenomenon sketch set-up comparisons stores attract feminist clan insists top-notch interestingly historic mentality mothers communicate melody cohen champion explores gal poe despicable pole worn schlock predict flashy raj trivia previews recycled clock conclude steady filler tail vital guitar studying ebert prominent dates darn biased commander wings suitably assuming someday zane stairs mol redeem billed shortcomings tempted rapist sending inexplicable unrelated clueless repeating politician vibrant independence marries limit ace firing shouting heartwarming harrison garner pickford timberlake defeated completed slimy recognizable min ariel carey loretta melissa claustrophobic eats spinal considerably claiming forcing befriends couch grainy colin representation delicate marlon well-made dirt jordan legends casual gems fed fifty hokey lukas discussing connections kathryn europa ingenious bread flowers ethnic gear guinness slice norm challenged stalker http mathieu ambition dressing transformed naschy inhabitants charms hilarity item preachy toronto pixar crazed wendigo cassavetes disgusted grudge drive-in backwards duck danish uma yawn anton bend light-hearted towers ritchie route winchester immature co-star paintings partners dylan addicted snakes die-hard phillip elite vanessa tunnel bridges depends blatantly eternity co-stars detectives well-done boyer smiles programs bow natives praised backs dandy surgery genie audrey chamberlain sub-par schools wig affleck minority mermaid insightful coupled publicity knightley shorter static voted coup employed gate exploring debate mirrors christie continually feat georges organized nope incidentally keen authorities shopping stumbles thrilled cher charlton bondage doo assassination shoulder computers doctors remove corbett phillips artsy concepts symbolic differently glamorous departure natalie excess bitch controlled ton neurotic feel-good lifeless handles fifties fishburne hides mitch breakfast accurately token duration rendered braveheart dvds satirical homicide suggestion wanders hangs huston cheer salt tara btw mercy preferred trier sorely liners tip windows bars alexandre profession layers serving hearted milo goldsworthy screwed bates deserving carlito trials niece moe bogus partially outdated mannerisms inspire swept wax pacific threatened alley rope spree dudley uniformly vocal disorder messy casts feeding institution hack centre macho traffic clara demonic triangle altered forgiven predecessor evolution ie refuse uh firmly outright far-fetched sugar exquisite jared conrad healthy mutual liu obtain disastrous audition errol bowl evelyn ripping corman earn newer commenting 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triple weaker votes bravo undead globe hackman lauren deliverance contribution candidate mail holocaust affects sleaze cinemas lean mason dubious barrel stare exploits advertised restrained vastly relentless cerebral masterfully highway jedi tokyo refers des bach hats demanding applaud internal error disgust conan giants las tapes photographs rides reeve cain butcher breed saint abruptly limitations mum parsons emerge youthful mabel gained id heels detract christina lasting painter growth crosby lasts motive inaccurate o'hara dropping origin standout wonderland screw sale rapidly nominations youtube vehicles authenticity factors males expertly eleven sergeant cecil jaw monty hires mitchum landed galaxy undeniably macabre disguised potter excellently beowulf chronicles insults masterson puppets addict stunningly creek mixing fifth perception racing shepherd decline cracking casper sophie ally repulsive radical continuing deer unsuspecting strengths convinces harlow fast-paced entering 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voyage gamera worms filmmaking excruciatingly accounts berkeley frontier busey bones absorbing longest divine stardom moron respectable jealousy jacket ensure collect shepard attacking rescued stephanie chopped cape outline victorian messing enthusiastic melvyn good-looking ominous classy seymour loy promoted exorcist reports reviewing expectation sentimentality owned sidewalk karate quantum cleaning cyborg intricate scarface samantha assembled crippled longing dump arc vintage quarter earnest immense seeming romeo collette chill furniture indiana delighted embrace y addiction liam morals overblown jewel pursue theories havoc vince dukes sought unsatisfying intentional parallels steam crashing stones longoria ps lightning copied vanilla span dashing suspected fassbinder aided basket popping distract breakdown dj sanders ricky underwear fairbanks comprehend werewolves resulted tendency plotting accepting sydney whining whiny hannah experiencing dame goals rider goods salesman tourist cookie rainy jenna revolt remembering juliette redundant pause wire switched inmates leather turmoil updated herman peaceful shootout celebrated grandma sand spit routines slide demonstrated herbert august spice rivers selected knocks papers cultures live-action vega adaption slugs en subtext fills graveyard gilbert virtual stroke niven literal jaded thelma sucker sf un slip chiba demille cal rowlands conveniently carnage swearing tolerable dramatically daisy rebellious avoiding trace rounded thirties arguments lavish jolie adrian deputy cheaply brainless ghetto overboard debbie lang thieves clive sarandon well-acted goodbye horny approached alleged rewarding predictably dealer freaky packs jersey begging korea pc jury cliffhanger canceled collective taboo incorrect afterward day-lewis peculiar shell exploding consideration arquette gielgud headache angie sarcastic aiming aussie traits apply bye arkin excuses distraction hateful madsen schneider fools anytime reviewed enhance iturbi lionel colman insist polish bounty insomnia arriving axe hooper trains morons phenomenal rear stella establish kathy rea coat slapped pedestrian clooney bachchan haines poses anticipated anthology close-up courtroom razor contributed hop optimistic dahmer slaves bogart verdict commits marilyn mouths respects sickening admired diverse unsympathetic update skilled climb seasoned settled turd horrified syndrome remembers commitment relentlessly document judged troma psychologist borders pocket elliott spaghetti define wiped gibson mystical ritual puzzle achieves acquired sammo arrest beckinsale taped vanity pad sunrise symbol pirates explodes ira otto follow-up novelty first-rate aggressive lunch flavor expense populated wine republic suggesting instincts soft-core nuances lucille sheen europeans hoot cuban gooding tool strict owl guinea um readily fluid ranch deliciously seductive circles phase employee flock clone penelope amidst posing cooking meantime chong monologue immigrant arranged attending regularly delightfully possesses passage legitimate sundance forties contestants introducing shockingly python serum pushes snuff dumber hybrid encountered whites covering mysteriously fallon corn establishing counter keys ultra informed bikini dillinger pfeiffer romances spider explosive defies drab denise tax laputa leap creasy dynamics jacques obsessive feminine detroit stylized distress medieval screwball serials olivia art-house steer feeble er sailor shah beg meteor georgia rosario gloria possession ordeal kris foundation diary darth bonnie statements psyche excruciating noteworthy mythology meal abandon aftermath cigarette consist tactics produces motorcycle tickets wider policy instances inaccuracies parking intact duel tomei centuries spine mute wastes additionally embarrassingly planes mortal gwyneth pursued newcomer anxious cannes tho goldie deciding cindy agony alot pathos lethal fright dominated sondra debra clerk lowe reverse martian claude sells mormon tongue-in-cheek awakening breathing lends attended viewpoint targets forgetting pound scored columbia pros bubble verbal corey criticize edith void northam distracted doyle snowman frog cliched misunderstood indifferent dumped incidents click x-files arty exploited wheel convention freaking simpsons suspicion coffin slim juan followers freeze belly deed obstacles mentor begs stating unusually galactica ambitions realization sources executives warns rejects phoenix intro starters edison abound dumbest jose wright sixth casablanca tuned invite invention tcm unanswered indicate session dominic cody daylight hooker narrow controlling flavia pains assignment meyer ny begun rational stabbed compliment degrees medicine inclusion roughly moss cameraman eli neglected frantic july greene sentences originals visconti informative motions controversy enchanted stalked kidnap plodding varied maureen sarcasm county intensely mccarthy alliance depictions blamed paints pointing stance products releasing chamber seats wayans likeable exclusively kathleen campus johansson rambling frances therapy idol murky grip hmmm combs mick godard lip manners denouement stiles replies antagonist scripting hyped frontal gallery fanatic c'mon artistry translate stream delirious discussed apt relevance eagerly sebastian fellini gershwin iranian hawn pre-code uncanny guardian heath collins envy playwright funding consequently ambiguity mates flower predator generate uniforms fried bosses hayes sterling vonnegut flames reiser festivals grabbed satisfaction beckham graduate schedule surroundings fleet cycle enigmatic snipes loren sang rehash imaginary gus composition rohmer narrated goodman politicians baron services grendel sweden :-) upside nun omar veterans lurking hostel diner stand-up rupert feinstone investigator scenarios participants realistically myrtle shifts slater foremost convent redneck israeli vomit launch paranoid swinging gap capacity hysterically coop consequence geisha muslims bauer barney phones downs shaggy sly giovanna battlestar brides glimpses lastly rewarded gestures warden stardust factual economic admitted tomb resume dismiss periods resembling finney isabelle widowed biker coburn rips replacement glance fruit traps momentum curiously nerve lopez paths gackt gaps hmm october sensibility god-awful natali relating characterisation macdonald comeback sketches dreamy shift brooke resistance midst ignoring precise dafoe rounds stern gloomy brett haunt professionals complications locke hines cena foil blandings mandy o'brien backed meredith coke platform sho blaise laboratory rodriguez pans bennett balanced sunset injury reflected protest adele robbers cutter soprano avid martino hostage voyager qualify kells brat cab popped fleshed diego jude ruining epics handicapped determination ample sub-plot supreme olsen aaron hinted rice ignores abortion puppy biopic characterizations sheets sights breast sparks vignettes bait self-indulgent bats linked unclear payoff cow entrance colored substantial fuzzy collector gigantic extensive bleed applied silverman destination angelina benefits benjamin randall sonny stadium blockbusters necessity smash applies ferrell hand-held revolving gathering marisa educated cheers jagger brent upcoming skinny overbearing prophecy joking saloon maintains mins anita evans lunatic parrot safely coma apple kristofferson sour thailand reserved favourites shahid ajay phantasm scarlet russ skeptical invested studied bonanza repeats eh bias shotgun fuel drowned visitor iq diversity outlandish unstable sufficient stereotyped observations cap enchanting baddies artemisia excellence interrupted clunky array gannon nightmarish doug resolve lens novelist arrow trauma addressed valid maximum observation murderers shore frozen biting madeleine wash pose weekly du pilots offend acknowledge caretaker bernsen talky nutshell assure gino organization vivian upstairs courtesy pivotal orchestra brashear marcel pornography tire occult relying unfolding observe carlos nuanced reunite homicidal massey witnessing girlfriends fortunate revival plate nora colleague ernie villainous finishes riff boundaries rebels pecker chaotic madison truths daytime peggy displaying communication dynamite sincerity boogie spotlight progressed chuckles misty disco guevara cedric confined sanity unhinged bittersweet realises peril smell incest admits commanding evokes beard seduce accidental harrowing janet slashers shocks inadvertently interviewed vargas protection nauseating apocalypse awareness questioning needing crushed psychedelic famed luzhin ursula interpretations smug targeted preaching stations announced spade enduring duh landmark thereby fundamental rightly unnatural arrogance boots waking jackman gorilla controls customers sweat coward divided rourke raging thrust trivial stake marked samuel tones garfield frost commendable similarity deemed duchovny unappealing understatement turkish convenient rendering tashan subsequently filmography fascist district accompanying deeds penned elsa rolls movie-making characteristic kirsten chloe insert barker scarecrows substitute chandler thunder participate harron forgiveness monotonous caprica entries govinda hardened forgets comparable sara sophia belle choir krueger fart clarity criticized liotta herd bust understandably segal wartime recover scheming interior suzanne whore burial admirer traditions stumble perverted contestant desk kaufman unfamiliar obscurity crooks egyptian sylvia travis article reminding remark washed quintessential takashi deathtrap hobgoblins ripoff chew must've slavery shred cheerful manipulation russo blazing sholay hallmark fiancée redford despise transparent devotion howling reluctantly celebrities shameless charges bert finishing scarlett dangerously sins dallas seth yell explode beers myrna wholesome han raunchy tess gut chip cheering titular testing candle watcher achievements salvage zodiac eagle restraint imho fades affecting drift spoiling mole jan fetish captivated espionage hum runaway license annoy magically cocaine beforehand busby conclusions sherlock tide lubitsch crosses unconventional awry warehouse verge whimsical bronte geek ernest engine goat redgrave satanic holt monks laying val shameful orphan philo seattle infinitely cancelled excels bean semblance ealing conscious implies ram fritz melbourne faded shannon fraud gena voodoo rivals faye flag hunted betrayed admission relaxed kindly melancholy drowning preacher temper sitcoms pizza jo miraculously surround senator co-writer inserted considers dragging shoe ruled depardieu babes constraints oblivious informer kinski hostile pia file sunk distributed unnecessarily motel counting aesthetic proceed wrestler flows conductor rebellion summed byron henchmen tools grandpa spontaneous toned earliest camping taut dreyfuss convict slower wesley adapt tech openly crowe sane chops ideals gandolfini spiral caper solved wherever criticisms robotic ala portuguese outrageously sheep sales overtones grease sheridan sporting gangs edmund vapid incestuous circa facility lindy benny uneasy crossed variation ghastly gretchen borrow grin automatic theodore jabba programme turtle almighty pursuing avoids assistance coolest assumes mamet cells joining failures madman dwight gypsy oprah committing intend awaiting o'neill searched lil exploitative advised aniston toxic clouds flashing marvin rampant fires ensue tits paycheck monroe martians cheech robbed compensate vcr meadows underdeveloped stuffed hometown ambiance listened complained black-and-white monica fiend englund mister colony macmurray shaped demeanor battlefield absorbed sexist dunst remainder glossy ghostly egypt fashions blondell bearing travolta dominate inclined payne upbeat encouraged superstar prop networks scooby-doo progression client dictator reject juice masked meek confuse disappearance dante screened revolver regime irritated letdown fairness zelah unleashed norton spaceship vincenzo mock raid seuss auto warrant distinction marijuana je avenge croc dern who've peers policemen se castro deepest shrek stabbing peckinpah climbing dreaming fagin mediocrity lara evoke noting submarine experts plug badness sharks happenings marine elephants reagan bartender practical stepmother disregard vaughn sickness quaint jar bodyguard merry abundance bashing burnt mira bout connie courageous prologue vet tightly wheelchair presidential atrocity defending everett notices sergio cracks boogeyman traumatic fitzgerald epitome who'd farnsworth detached forrest mack pauline booth enormously ninety impending gig engineer myra prostitutes sections patty coppola idealistic permanent pigs abomination battling joint palm principles linear dash paz hanzo pretends awarded serbian admiration clyde incidental brazilian hugo geoffrey atlantic snap classmates bastard reese farrah liberty hip-hop marcus rodney outset creations clad pornographic secure blames torment framing tackle drawings padding dillon sober reported ninjas clarence ostensibly buttons bimbo saints alba shatner consciousness breathe switching worrying believability mobster discipline della bloodbath influences irving conveying self-centered barnes garage plummer unravel pierre harilal dim britney arnie distinctive norris spoofs buffy effortlessly riders edges midget investment mustache carpet electronic annoyance counterparts economy rivalry stab trigger suave symbols gosh qualifies cursed acclaim respond cassie managing existing transport labeled lindsey occupied helena lo ll combining knees boobs ang prostitution closure magazines beetle pickup forsythe celebrate interiors banks zu transforms surrender shield motivated clinic panahi roller offense categories sammy manipulated sinks employees abu crashed asset knights pompous katie pairing seduction woefully bless manga troopers joshua budding shocker strung archer associate informs hilton responds collapse reasoning injustice dish sacrifices maurice sandy cruella screenplays tended tolerate pen overshadowed daria clutter helmet reunited pervert sites carface keanu sensual uncertain theatres morse yells prank butchered mae parks boards sensibilities reno confines heather programming stoned influential digging stink sustain kilmer slept crypt downfall inconsistencies slut allan sensitivity diving emmy systems burgess queens socially bogdanovich kalifornia ewoks tramp brandon lighthearted inform surf freed fodder culkin malden midler vibe spelling islands muni shelter pam floriane radiation perspectives middle-class kareena mills officially playful noam retirement jigsaw predecessors jewelry cohesive ads pepper nest damsel loner parodies weirdness vigilante replacing monday concentration tolerance bites blessed mercifully advances barton czech captive fabric lingering sensational pressed cannibals flowing placement entertains romania premiered locale darkly transplant yarn scorpion thorn amid kidnaps direct-to-video kusturica drastically cringing alexandra rousing data supermarket standpoint thereafter portions latino drum henchman faint berenger protective natasha hale genetic gasp lurid lanza groove surgeon stares heap scratching attendant inexperienced sibling awfulness condemned decency mythical chevy functions fawcett cloak enthralling luthor geniuses lars mostel scarier echoes maintaining imitate jurassic tina ossessione auteur fiasco strained derived todays deck villa grating varying aircraft justification identified bart anguish mines shoved egg bliss transported impressions kornbluth fetched officials dwarf nearest ceremony strain stabs marrying hallucinations gruff allies fixed sorrow reckless anchors orlando dodgy tasty collaboration outlaw attic representing widower cunning manic perverse polar pertwee vertigo projected emphasize winners lt brennan forbes confession ceiling censorship henderson warhols presume rosenstrasse distorted adultery luxury division starship scriptwriter dom alarm depend mixes crowded judgement correctness roach rockets interplay russians billing dunne glenda sammi establishment kramer spelled simba poet signature lions muriel seriousness weary cowardly overwrought determine opposition throne tsui pleasures paired dickinson bigfoot moonstruck fuss foreboding earns cradle bon examine sophistication lifts melinda borrows photograph censors peaks groundbreaking predicted crooked loony dealers spells caruso engagement modern-day torturing anti towns confirmed ratio stevenson chemical liar flew bills gladiator willingly mcdowell accomplishment sigh toro potent representative gently lila launched aura deborah fanning grossly predictability spotted kings willy fierce consumed sorvino half-hour rant flame federal ali sucking penguin contributes cheesiness weaver gathered bitchy rogue continuously subdued terrorism staging fence undercover diaz profoundly scandal downbeat gusto marines sasquatch applause guru locate brush caution maturity harbor liberties animations shout airing rudd superfluous identities steaming drummer funky fiery beth threads communism mcdermott register disappoints cheung inhabit dyke trusted lays plagued significantly optimism abroad judges denying proportions monologues baddie hairy granger confronts virtue brit nifty lansbury re-make apollo chen mutants slam elected imprisoned authors uninspiring bing armor corbin structured thereof extraordinarily abstract switches azumi icons ledger showcases intelligently developments hypnotic temptation dedication paragraph sensation olds satisfactory handy bothers illustrate off-screen notwithstanding transitions zealand manipulate stripper sack uptight mud languages autobiography valerie preferably straight-to-video fewer intellectually laser bald lorre tricked unwilling anonymous celine mattei conniving nonexistent deservedly irrational lds penalty brick owe ss lawn ahmad artistically mans upbringing ex-wife wu attributes shiny keitel cynicism sarne bloodshed eyed quirks michaels curtain ravishing dukakis hawaii hustler bishop rko prefers cloth pavarotti echo distinctly romanian sleeper observed liz reportedly kenny welch appalled honey anxiety mcadams blackmail marx violently ebay bleeding snowy boost aboard defy civilians brunette moderately cinematographic denial illusion t'aime shrill co-worker youngsters lin lists peterson transformers rizzo sloane sykes holland harlin thug capitalism wielding freaked puzzled clockwork celeste mechanic zhang hunky hurry sweeping throats cockney uncredited scattered fur coaster ongoing supportive cortez prolific gram alter vienna sore ogre rapid increase greenaway golf unnerving expresses elmer ve ridden taker knocking bearable behaving legion destructive visceral elliot rhyme doris oscar-winning stirring shelves wrongly tedium kingsley booker explanations alcoholism portman dani bombed bloke maugham slaughtered glow pasolini padded reruns rapes passenger disasters gays o'toole half-way pub imitating fable fighters maguire fleeing gen nerdy cheat fulfilling lightweight lommel increasing palestinian denver shady dangers idiocy ash architect vaudeville ma operating icy ballroom hug conflicted associates defining film-maker amoral wrath monastery imply pistol hogan perceived oblivion hazzard semi hard-boiled proudly hoover corridors analyze supports worship whip mcgavin compromise dive schwarzenegger leno limp overtly compositions fleeting lesbians conquest deadpan durbin retrieve shawn jam heartless climate hans versa tolkien slow-motion operate grisly prejudices dominick alienation muscular immigrants astonishingly doses traveled happier electricity succession cousins mandatory breakthrough needlessly leaps irresistible sabu notions theo mastroianni recovering bonds comprised coverage apartheid darius elder afghanistan trendy neeson knives drain shin-ae caesar sub-plots frat protecting simpler priests robbing ranger connor ex-girlfriend virginity khouri delia mastermind horn chef christensen athletic posh animators anti-hero meanings izzard hark slips heavenly prone promoting pond crenna improvised relates volumes zany cillian coleman missions elisha illustrated fulfill patriotic whipped korda innuendo sematary urgency flamboyant prophet swift lure levy encourages mockery marjorie swords prolonged penis rugged academic climbs overwhelmed callahan roommates jolly heavens placing examined healing profile locales farewell hopeful backdrops treating concludes co-written chapters irresponsible behalf benoit cristina shaun backyard stumbling theirs sleepy vera post-war temporary distinguished vulnerability inhabited batwoman richly pranks custody agatha coal yearning mj millennium interspersed nutty bullies aweigh flipping limbs dopey jerky tobe insignificant assortment poke management frenzy architecture nineties barbarian harlem inducing plants rusty thumb seventh recreate bothering roads worm annoyingly expand tourists dodge maverick astronaut rewrite steamy ;) metropolis breathless rico wolves neglect concentrated existential bruckheimer expanded worldwide wee co-wrote truthful backwoods irwin unlucky lange compassionate impeccable dogma sailors purse versatile morgana naval jed burden largest retelling fast-forward goers science-fiction muted recurring chop hedy rapture duff continent lizard continuous stretches giggle witherspoon feared gravity daphne aztec adequately recipe insects melt tasks stature subtitled astronauts counted inc opponents lawyers rebecca passions unconscious counterpart dietrich sleuth connolly shamelessly tables tacked tango ranging keeler danning philadelphia herrings pour behaves relaxing micheal mpaa hector duryea heir pals corky zabriskie grady gage expressing administration crass intellect ecstasy honeymoon benson snatch leia traumatized puzzling inherited ella carnival kriemhild gee seal consisted stubborn stereotyping chock writer-director didnt incompetence torch azaria glee smoothly fugitive supporters unemployed swiss claw evolved darling classified december supremacy switzerland first-time cloud hesitate conception revolting il practices bury goofs condescending forgivable chocolate guided speechless nailed jameson crawl disdain waits rack collecting alligator bombing fleming hispanic january apprentice contemplate loop hayward conduct pets mac marred elevate revive sub-genre spitting smarmy jew marathon carole collar spinning askey pita janitor stupidest submit embarrass aiello cbc pauses dreadfully oppressive discernible intruder bolivia feature-length drugged cocktail gimmicks archive platoon rotting undeveloped concentrates tested chat psychiatric villagers customs alienate slew footsteps approximately discussions crouse macbeth restless vault illiterate relied balloon hamill premises lovingly casually disappearing sleeve levant perceive shaolin subtleties lightly neo springs bonding graves stalks napoleon skipping entertainer downtown slows denied islam lyrical woke knack joanna saddest carson logo lamarr apologize screamed lung lecture maiden bursts palette cocky prevalent regrets plantation suspended allison efficient teddy overacts enhances mcintire deathstalker sessions dahl seinfeld smarter rainer marlene bravery vic creeps saif confronting arizona cracker finely viggo shakespearean jessie corleone knox italians candidates percent branch hi welcomed zatoichi lotr wits sant lombard barman intestines merrill democracy oullivan bucket equals swamp sparse newcombe overseas cathy surpasses organs montages tucker lieutenant rushes flip tensions assist kamal crowds honorable monstrous usage lamas believer diver slipped planted email blackie norwegian mold heroin sacrificed rightfully psychologically wwi drifter render cheaper mindset untrue layered stefan chewing schumacher reincarnation wipe brink insanely mourning vets laden hardest fanatics darkman rests creepiness connecting vivah request friendships kindness satellite companions empathize surfers immersed squeeze admirably grandparents superiors grumpy vengeful btk baseketball boyfriends horizon snippets that'll anchorman dense atrocities toss strikingly misplaced acknowledged garnered itchy delve grain eliminated dusty gardens participation replay apartments basil thinner jock outs spectacularly prevented sentenced choke obscene infidelity looney adventurous hammerhead undertaker dental lucio stoltz maclean historians diabolical passive capt bash heart-warming rehearsal criminally suggestive billion hungarian atomic revelations amok profit mocking proverbial societies thankful outrage gifts borderline marquis regal duties kerr noah full-length stoic listing shack association longtime garcia existent adopt kiddie choreographer betrays good-natured witless haha alternately documents shrink foch stimulating converted daisies liza overt stepped vanishing eliminate virtues monstrosity drivers regain casted nuance dane trelkovsky cambodia grounded societal sans indifference undertones plotted renoir kei finch floors downside paperhouse sacred compound underused nerds shootings presumed operas sheila interpreted colourful stills caroline snappy malcolm camps crop reception overnight booze voters praying nuns oddball exhibit cleveland anchor unrated fireworks gesture achieving clumsily townspeople flee two-dimensional goo holden werner recalls soles orphanage chairman fantastically exposing shakes iceberg addressing prototype jackass schemes episodic woven norma keyboard chore shouts argento piper forum risks insulted holidays throwaway darkest ewan mortensen unborn butterfly brits illustrates confirm showtime partial gardner shue aristocrat weirdo townsend slow-moving wellington affections leopold hating exudes streak stir universally spectrum employ locks stripped skywalker november crook expertise blink babysitter bryan positions blaine fernando tremors venezuela requisite telly monumental kinky krishna allegedly poppins hes supplies veronica comic-book munchies primal hiring hockey ideology flamenco polite gaining willem bathing underdog sorta rigid eponymous smitten drums retain variations mischievous technological hurting topped dripping unimpressive siege endured surrogate practicing disgruntled oriental beau nana wolverine miracles wondrous greta gym offerings emerged matching grips phyllis adapting kentucky misfire til extremes gamut harmony atwill draft tigerland desolate lam lap nielsen albums capsule mining kermit shadowy outta planets edits celebrating strangest ferry wallach patch irs b-grade enthralled sealed ensuing transferred exposes competing yourselves unfinished kisses turgid romano mercilessly sullavan it'd exceedingly hagar ppv tanks trent spaces high-school balcony menu bonham redeemed halt decapitated stealth eustache slash rub approval olympia olympic aspirations orgy decoration roeg bullying raft over-acting faux bake bava librarian capitalize inch stable skimpy wicker frenchman di voting wb mutated hilliard hayden banana costner rumors somber aunts council amateurs radar hubby ounce recreation stud closeups insisted hunk apologies blessing aims complains abominable tepid holm exhausted weaves sweetheart charity gladly misogynistic maya michel uniquely interminable ashraf answering smallest contacts enlightenment employs punchline daft haired perfected culminating inheritance masturbation talentless soulless hiv unfairly grail slug sixteen retrospect crow wheels retains shenanigans deception coarse yea rathbone prevents beta blends preserved lithgow bathsheba minions allied owning iowa tasteful resurrection instruments jovi threats dale capshaw motif currie blinded transcends sync blaxploitation texture botched bickering eddy declares interpret indulge keeper hardships manufactured spreading attributed kerry options amuse celie unforgivable integrated unsuccessful g-girl amusingly coincidences sabretooth spot-on pbs rabid outsider binoche calculated frenetic boxes occurring documented story-telling fairytale winston pokes exaggeration eleanor jaffar opponent wray straw marvellous arbitrary runtime transform gertrude cassel hickock orchestral secluded winslet canon archie consisting catastrophe gilligan sherry addresses pursues allegory zenia spears robbie chains distributor sybil baffled abbott raiders downward fondness manor walters yikes set-pieces excrement rooker sleepwalkers implications teamed inspires surpassed offside upsetting sentiments tomlinson madly evolve dexter milland gadgets insecure abducted pullman assassins therein geeks summarize loudly integral trumpet housing marginally recruits giggles governor overweight heritage download baxter bee transvestite neighbours waterfall adelaide checks patton tenderness bum opus nell om hesitation offspring warnings lent infectious commando bumps ivy starving frye ethics competently staple lili outbreak singin boyish duncan vacuous chang neutral uneducated graces waterfront crispin joyous circumstance intrusive hackenstein conceit bagdad grieving hilary recognise detracts dreamed turturro mcgregor elegance opposing ichi denmark ilk anniversary registered connects manchu stretching weissmuller pronounced coen flood dench galore alain stalwart conroy nicky dares eggs locker smashed guarded one-sided patterns compares lifelong acquire excesses stunk outlook tent wendt warped yoda bets sheeta hitchhiker cafe actuality cyborgs chalk contrasting reeks sterile marriages travelling skipped defines megan exhilarating cos formidable helm promotion punished bathtub spawned adored deformed campers climatic lambs crummy digress savior mismatched billie drained surrealism byrne announces freely fulfilled busted dakota resurrected oriented beef robber mcbain circuit awakens renders co-workers misfits fiennes gremlins run-of-the-mill housewives notoriety prehistoric chimney shtick heiress lordi hare subconscious hagen bicycle stray pazu positives jeep artful unremarkable flea erik nanny ate unnamed greats differ backing mantegna accompany mannered rewind ranting astonished thaw hartman solving impressively foley historian high-tech therapist maintained raping postman beery devastated observing yahoo venoms congratulations honour zoo advertisement tricky devgan chow houston manos aristocratic grandson ex-con cues effortless story-line links timed humphrey speaker cassandra declared dock plausibility subversive incarnation recommending haim prints aplomb blurred impersonation instructor departments depalma wagon hosts carrier seduced ada pang sophomoric ck devious geeky triad shaq recognised shapes powerfully tease enlightened allusions environmental sherman visitors pinnacle cowboys amber igor commands pressures fineman isabel ivan lowered hindsight coincidentally perkins palpable jerks seberg stylistic complexities censored prestigious slob poignancy distributors predicament annoys gomez benet noticing declare danced repertoire raoul plods math dripped zoom superlative nods intimacy all-star rarity ripley pulse blending posed poking gerald gossip wrenching ponder shootouts featurette sordid familiarity measures wrestlemania restore stakes stepping dial ranges marley expressive pesci pianist craziness funds untalented premier masquerading savini intends memoirs occupation ransom searches indicates renee recruit textbook beaver sixty smuggling pollack sr morgue fanny disability digs profits monitor lump float outdoor krell defence vietnamese traitor raving filter brawl employer putrid andrea adulthood retro struggled unbearably humiliation maniacal one-note canned escapist distasteful scaring tito gardener durante fort invent puri foxes bores nacho pouring participating granddaughter re-animator picnic indulgent spiderman reversed spouse berserk erratic inherently finnish renowned operatic remorse wai figuring tighter katherine socialist marital velvet bouncing boarding implication materials harp theft rosie skies mia tow furry malta brash magnolia debacle monotone calvin franchot puns narcissistic instrument gellar edwards tenants donner mcshane elementary surrounds magnificently armageddon ethel dam demonstration digest classroom stupidly lighten framework stalk complement aimlessly trips morbius patriarch malevolent abby guiness output pitched sofia backstage feisty signal labyrinth waiter stooge troy numbing toes tilly homework machinery rainbow janeane repellent katsu canvas videotape roller-coaster hottest pimlico meyers ludicrously staircase recap sheet cavemen salem dung singleton labour humiliated penchant stowe brock childlike formerly weir corporations ronny inject fricker organ raven heal buscemi successes habits mormons mraovich competitive gripe laced tomato warfare iris carlyle deluise impulse distinguish emmanuelle imperial hallucination imaginations lorenzo diamonds residence colonial resembled foreground silk wherein bernie liquor conquer kibbutz schtick reverend hooks lambert noon sweetness bomber coping swayze tracey desi toll disservice costuming measured africans no-nonsense pits marvelously railroad newhart infant dunaway alluring endeavor muster wanda exclusive barn stitches basics ranma wires leadership mendes raul promotional arcs prayer arena ranked consistency luise convicts refuge steiner niche blanks commentaries careless bailey shattered researcher restoration heroism swanson laugh-out-loud usher moviegoers qualified wry roses meditation lured cavalry employment writings financially restricted progressively amiable comet selma dime quarters luc jacob olive aimless perlman zelda invariably dev utilized paine confirms rejection muddy awkwardly emptiness shook wal-mart clubs voice-overs emil plotline distraught separation phrases dignified incorporate gyllenhaal worries uncover lilly scam listener vanishes whacked woeful unfaithful humiliating aboriginal vinnie hunger sneaking accusations colbert muscle discount outcast hysteria epps twenties perversion lad swell cahill thai foggy fiona small-town immoral keller achilles contend atop chiller scriptwriters mcdonald broderick staggering annual pope fathom resonance flirting imagining corners aptly cleaner rocker waqt projection embark pimp waving blended coherence cruz professionally tng orwell wyoming self-conscious tragically graphically box-office enforcer cent fictitious quoting seas starlet assorted demographic encouraging rancid hams precision shortened ohio ripper shifting tournament avalanche snaps bowling prospect cursing ax well-developed well-crafted pastor berkowitz guidance eg rory recovered degrading prophetic nintendo astute wwf contrasts disconnected roaming wizards myriad glove commentator arises persuade ditto lassie shearer arise lemon cleese extension aggression privilege scarred rooted resorting demanded pedro instrumental applauded suite boils tribulations fluffy inconsequential adept component winger assumption goddess trashed yacht poo contemplating risky telegraphed backbone fidelity farcical hutton pryor trinity increased ironside tempest investigates biological compromised helicopters irreverent ably emerging dug fencing sparkle andie hoods refusing bags strangler slapping orca partition telephone puke cringed whoa crater wraps lana unwittingly manson chaney tissue borg soooo noses scum losses patriotism threaten scarcely confederate washing sfx lyle drawback rumor yup action-packed sydow nixon novice gazzara hottie shoestring wolfman cheats smallville parisian fling well-meaning rapists bass sprinkled preach shemp mobsters re-runs wallet jj needle respectful unsatisfied keira exhibits amos twentieth freshman invest tel mordrid townsfolk devils abbot culp connelly pregnancy ingredient progressive formal enjoyably costello virgins invincible log saura schizophrenic wiser picker closes talkie guise simplest by-the-numbers gaze farmers thematic catalog communities overused sen kaye succeeding dreaded sap somethings bureau myths rescues preparation drill metaphysical varma outbursts delves reels griffin eldest highlighted crouching shambles self-absorbed goth eyebrows scoring loach anders chester embarks sexes inviting lynn luscious spin-off clerks continuation shops uncertainty jaffe abhay mutilated bursting zoe scenic contents juicy northwest swat incessant refined emotionless carlisle strips masculine philippe midway suspicions spliced towel provoke attracts bizarrely dicaprio sesame owed wildlife intellectuals shudder venom baffling flare cherish permanently remaking immortality willard morton sardonic spared enthusiasts finance peasant brute revolve beans groovy bradford poorest hypocrisy effectiveness intertwined purposely reckon r-rated nasa grandeur recapture fateful partying burrows hawk kipling software fenton eroticism retreat uttered dominates miners upper-class faked marshal resourceful pioneer heflin splash parsifal trait picturesque majestic whomever alamo regulars sheedy fascism berry pov stratton wodehouse spectator abigail lore consummate wtc trey jeopardy yadda reginald signals repair gandalf craving troupe idealism triumphs footlight external ponderous unstoppable behaviors robocop pym shawshank deftly squeamish fading tearing burstyn sickly rao porky tin reply drown heyday dope grabbing domination relieved mansfield richer devos gown emergency geraldine bump akira ploy arch elusive refugee shields cooler peek evocative graceful hamming stepfather insomniac scantily reflections café robby departed undeniable roscoe belonged republican ringing dorm moran chubby dimensions researched tristan elevated retire capra thirteen noirs interacting missouri glorified disturb bullock kiki eater herein joyce joys romy heres metaphors construct anatomy harvest paresh serviceable fearless epidemic stricken marketed fez capabilities stop-motion aditya punks cigarettes meetings gunfire puerile throwback fulfillment darryl ing skeleton obligation razzie humane articulate smack frodo wilde personnel compilation addictive eyeballs rajpal toe late-night skillfully moods files film-noir pretensions freudian heartily mysticism enlisted hick leone riley newspapers gospel rudy dressler filmic folklore attackers gwynne roland hillbilly governments fearing earthquake ours devilish gunfight boone aviv mean-spirited kali ivory o'neal screwing confesses cleaned tar wickedly gameplay extend verbally chopping denholm leary getaway extravagant adrenaline thankless neon heightened tragedies intervention cannibalism mockumentary questioned hanson gail descends vernon sample audiard ineptitude hail commentators mind-numbing miscasting gil hilt rally concluded yuzna assumptions organic intimidating foolishly spades easiest doolittle contemporaries evolves gross-out preventing favours iago oppression bunker magnum delon candles buttgereit kari gabe strapped bloodthirsty mechanics fronts yvonne archaeologist grown-up vipul calamity earning mc unpretentious backward criteria afterlife refund floyd income pills shane naming commenter ineffective clinton incomplete irons poirot arabic moderate protector hallam half-baked vincente bases wronged arrows plump mystic engrossed levin ingenuity glances shade innovation reflecting combo hicks yankee democratic cobra laundry jumbled discarded beginnings futile sneaks singular partnership wimpy traces criticizing knightly sting munro hallways mastery vulgarity perdition darkwolf nevada grindhouse calibre rhymes caribbean omega miniature layer speeding domergue goldsmith yada presley idle binder long-suffering lupino lillian dyer graffiti whodunit chad leonardo relish terminal pows strangelove panned superpowers beds rip-offs blackadder actively assembly anal curtiz negatives neill outlaws simone earp allure hideously maher milverton radioactive scan bandit parole convenience roaring concrete advertisements haphazard seaside shooter collapsing operations smashing tapping nada sufficiently exchanges maddy hanna effeminate criterion chimp proportion researching praises thematically danza vows editors chews carefree stratten injuries charley supporter suburbs looses goons displeasure ana knoxville punched perky autistic tintin creed crushing disrespect policies homophobic vikings courtney breeze groan marina breckinridge todesking haunts guerrilla invisibility gambler thornton connecticut lords pressing overact oral trish bloated rosanna percentage noticeably duchess moses critically affluent alienated landlord belgium elisabeth caves palermo englishman approved nash panties ernst glamour muscles anti-war apocalyptic contradiction raggedy applegate fireplace scalise quotable kelso right-wing trump lengths kattan illinois comically crotch fry acquaintance harmon begged bozz bounce stylistically rochon horseback raimi goodfellas denominator grind cane colonies hailed nostril acquainted boman veronika showgirls arrangements toolbox sultry verve boast problematic meatball afterthought gleason oppressed impresses dibiase mukhsin misadventures wink preceded avenger farting clones torso slang bubba essay medal graduated pony opener impossibly hacks copyright loggia youths gi renegade modeling egan raider permission backstory electronics franz hazel shuttle oops bench tests visionary movie-going tailor gung argentina softcore disposal storyteller dual definately cracked rudolph shaken flips frosty resurrect squandered burtynsky anakin afi buffoon watchers sociopath accustomed brigitte outsiders adversity pardon enables signing decorated nominee collapses someones frailty eileen rang obsolete judi operates rene pod patriot gutter absurdly josie snail powered scars hacking lulu neve consumption trunk committee liv boo ott agonizing slutty uneventful attachment journalism grocery dreamworks mercury comprehension believably reworking heroines ricardo renny fatally boob hermann shirts sierra printed caan hellman low-rent cleverness caged depravity lecherous jonestown saxon good-hearted truffaut starr reprising maltin unfolded wyatt alpha submitted fists janine dared inherit spider-man recreated misunderstandings ozzy godmother dialect proposes bafta nadia ubiquitous schindler marching beauties banging arresting webster capitalist congress columbine moto elevates cromwell ripe bewildered incorporated col ;-) forgiving carroll civilized kirkland cotton activist yugoslavia redeems grable debts shia t-rex meanders bloodless suburbia susannah explicitly yakuza womanizing pa pretension journalists giamatti bronx vary aroused perpetually frail fetching lesbianism austrian religions grandiose yuck enticing domain breezy dominant genitals terrain moonwalker e-mail becky irani chained disrespectful cram machinations jeanette vocabulary bethany snob tyson spoilt bombastic legally imposing vanished brass abbey dino dourif gullible wimp mishaps naturalistic tautou revisit goodnight dunno inventor offenders modine xica passages dependent improves mcnally compulsive pickpocket excessively lest goings admirers bells quoted weisz envelope testimony trainer saddles ark stereo guzman additions subjective overcomes everyman grisby miraculous abe short-lived shelly stripes zooms narratives no-budget noisy underwhelming financed moustache contributions inflicted brainwashed dna copious humming didn quartet jewels imagines francois rocked akshaye enforcement dungeon depraved drawn-out refreshingly shakti tackles challenger tangled danielle watered mcmahon heaton communists a-list blooded certainty spinster manhood socks warners appetite diseases seminal traditionally eighth clifford sorcery fantastical jannings wrinkle post-modern perpetual pike gaming dumps hewitt preserve carbon retread solitary robs transforming wheeler fund farrelly hosted flawlessly togar seducing utmost tick pine sands cesar diet dien deceit entity ventura bowie brisk compliments chikatilo prowess meter cured slack mahatma esp antidote roosevelt strathairn wisconsin solidly bigelow jumpy repulsion kiddies campfire saturated appallingly ringo haggard simulated soo occurrence collage vancouver alias millard tribal rescuing detention reduce strives mcgovern cargo learnt liberated staden sideways speakers hypnotized giggling dreamlike wayward fahey exuberant freshness slackers payed retained mommy darlene hou palsy rents darkened molina increases blurry epilogue tv-movie vixen newcomers fabricated gaping noriko transcend yuppie pinned jayne mind-blowing sweets waterman inbred themed argued matinée stockwell quincy geared chomsky invading liner recite countess centres constance asians masterwork sustained hartnett spur russel barr greece unnoticed modicum weller oscar-worthy dangerfield fisherman stifler alarming engages heterosexual tribes gump pervasive doorway praising noel peet payment invitation import renewed morita pictured spray chico post-production foreshadowing cobb hawks talkies exceeded forehead port weed aag obstacle cement unavailable pupils luminous graduation quips foe dwarfs re-watch chopra agreeing attentions thespian restrictions decay hairdo boats plentiful dc tainted stuntman haircut lied butts oakland momentarily mish-mash submission tucci inn diva dudes incubus recognizes ramon bullshit cybill tub accomplice untimely strive puddle literate ant resentment belonging dross veidt strategy pi oshii responses kitsch roddy greenwood palatable trappings edinburgh improving mona anthem pawn occurrences android chairs ins sorcerer farther bunuel chinatown lon stamp savalas typecast stand-out ill-conceived cuckoo woronov dice rican timid comedienne duped ringwald reporting intolerance execute disk parable characterized brothel strands generates unquestionably artifacts sacrificing refrain immune jonny vamp select hardship oddity father-son closeup kit contrasted trophy impersonating ida innate spoofing utah suspiciously psychopathic spawn bolt lohan stallion clair escort goebbels auditioning dalmatians confessions reconciliation radiant maze punching unwanted tornado rifles perennial fridge ashes gals insufferable long-time boorman hay despised heavyweight sumptuous fashionable preference cukor unknowns reve wrapping cold-blooded bra feeds gratitude clunker skillful catalyst chin freddie infuriating skagway gloriously indirectly deplorable omg mayer waist pastiche teller faithfully portugal transylvania grader heart-wrenching spacek burlesque feminism f-word erroll gosha pidgeon venice commonly o'connor analogy cheered coolness sharply hobby mesmerized glue marylee seeds establishes distracts lapses altering shaft ek goose sweeps gloves parked sized aloof cambodian ricci finlay squarely hasselhoff surfer bullied lumiere den corrupted oneself coltrane experimenting corinne ferrer demme listless ava cannibalistic hordes wrought pretense t-shirt moriarty swordplay deus ruler removing cheryl persistent milieu contradictions sewer attain ensures down-to-earth pipes lamb proposal unfocused peruvian mount exquisitely hesitant firefighters insect majesty classify sooo bhandarkar handing slot concluding approve wasteland falcon accompanies observer tearjerker pointlessly balancing caucasian inventing delights hallway snoop magnitude reservations misfit bam delta specials strangled threesome hound mistakenly flute hostages eerily sergeants guiding yadav monarch degenerates paranormal ticked bigoted riddled malicious cleavage sidekicks disfigured maclaine gigolo charts smashes duet civilian devito healed attendance resorts chrissy spins zeta-jones post-apocalyptic wisecracks righteous faking vocals reform arctic lifestyles brightest blossom ancestors creeped needn't leonora tens painters paquin flees marking in-depth baltimore x-men corridor austria culprit horns montgomery theron conference supplied blur ridicule lair brisson televised intercourse wandered railway beaches scrappy theresa never-ending lucifer gains toddler articles williamson fearful vicki avail overhead tigers reprise non-actors prominently ethereal agreement rockwell temporarily stairway churches sliding matador abundant skips enthusiastically reacts kiefer proceeded separately tibet interference creatively cancel amazes floats prices scorcese revived harper ropes publisher dublin demonicus temperature deserts fee ranking dummy schmid elicit memorably launching pollution swordsman th arrange syberberg reporters terrifically comprehensive cuteness uniqueness slayer kooky bret sharif afloat tendencies trance collected ridley onwards wary amicus protocol disillusioned fanfan silently character-driven wipes amnesia arrangement junkie disappointments volunteer zach cylons curtains banality matuschek soha yay saget purists plethora endurance sarno microphone relegated forming back-story clause companionship reflective toto flirt disgraceful broadcasting oberon doubtful behaved reloaded keystone suicidal gabby mulligan ca comatose probable saddled rhonda eye-candy mat lorna histrionics misunderstanding tips digitally grammar bilge amaze ailing unexciting mind-numbingly airline coroner goof nobility transformations google slaps kazaam flesh-eating terrorized hearty fourteen confidential ferris miklos decadent coastal motor outings serbs shabby zucker rewards bannister natured aragorn ill-fated necks dismissed singles underbelly erica sweaty antichrist alejandro newest tosses err dorff o'clock gum adolf mugging merciless brighter sway trading narrates loosing havana tennessee louque garish hurricane stirba bel offices flushed masala oklahoma suv metamorphosis concentrating sheppard advocate exploiting devon pipe individually strangeness ungar chile dives poisonous mattered refusal overwhelm faceless damaging condensed dead-on hectic mph collaborations budgeted pathetically deol priya differs yuen accountant evolving yorker firemen burr skater spoon wally garson manny degradation perplexed humdrum interviewing morale requirements self-serving guides jud unscathed induce equation reda interrogation uttering sol sp electrical prix hauser slit wolfe ferrari poisoned skirt conquers sabotage decrepit krige bounds duds parental electrifying frustratingly trojan cynthia d'angelo standup multitude outraged seller melodramas mumbai linger specialist cate sparkling wikipedia torrance repression :( creepiest yards henson stacy thirdly neighbour undone techno fanatical movie-goers lifting photographic deja mist uncompromising nat revered powder helsing droll twister lethargic herring whichever borrowing gracefully hundstage favorable delusional insisting economical merchant esoteric steadily participated dorky settles illusions plainly forbid infantile turbulent privileged idyllic leak warrants ching smirk egotistical publish johnston bjm barren untouched prizes clients big-budget culminates joss timely pillow regina batista unresolved unbeknownst comrades spouting convert warlord microfilm savvy gangsta shattering flops adviser lsd undemanding vogue stormy storms spirituality unimportant declaration credentials assets desdemona cellar carlo beads offs tanya insecurities andrei headstrong budapest persuades wrist tying educate doppelganger brody fixing situated coyote homeland slow-paced eminently gauri await leachman adopts chopper professionalism precursor fortunes productive sprawling callous stems khanna girlfight ceremonies belgian asano posting aborted trippy browsing ooh craze cramped patiently fondly tack commend interludes ancestor unorthodox cohorts brightly hershey medication doe canal contaminated spun rituals biographical tas scarce seamlessly ho-hum ); dooley might've awaited reversal tyrone vu ahem whack decadence eras saccharine hendrix constructive demi drone hardwicke faulty dot chord una tattooed conceal priyanka diversion weave surly reinforced boyd trancers bemused awaits krause hitch zack islanders pondering dishonest teri jeez wills eden outdoors rocking rains goodies fled unprecedented shrieking ketchup veers mcclure landlady outlet scholarship motley picky connors detailing montrose cohn tolerated fellows tortures crowning nic homeward nefarious squirm pre-teen gibberish shuffle gleefully malik toast boggles recruited lerner surrealistic downer manipulating mencia unscrupulous crusade patsy solar comforting exhausting repetition milestone gale blackwood powerhouse advancement indicative celebrates listens quibble brotherhood sank twisting recognizing fragmented maradona tattoo splitting stressed pasted dizzy newton siegfried trotta defeats armies wholeheartedly tropical pitcher diaries wentworth gracie viewpoints acquaintances tully goings-on indy examines weirdly astor cosmic enraged overplayed sooooo let-down pseudo sketchy pronounce outtakes impressionable synchronized saps pakistani statues mcintyre glimmer depp screws dads sunlight rot wreak prem chimps madeline pabst casa impaled blackboard dinocroc ashton disclaimer glen successor looming solves robe blondes mimic popeye indicating sympathies undying blocks demonstrating grinning kudrow ordering pre gathers reacting benefited spectators chunk purvis marsha cynic piercing watts wrists neal pino texan relive whereabouts pee martinez mccartney sporadically re-imagining eyebrow talespin wide-eyed weaponry mm disinterested commandments excursion emulate sylvester rails counterpoint robust bryant decaying routinely miner huppert folly panache dodger damien salute messiah leaning euro richie delay fitz installments coffy poop venezuelan gloss alexis ww carr quickie unease vessel lingers specialty chant yorkers derive linklater puppies tassi missionary discs smacks adulterous overkill twisty bestiality attends overwhelmingly thinly creepshow adjust procedure heinous liquid michell decently philippines soaps overuse kissed slaughterhouse inadequate tung look-alike cigar input protée lamest low-brow spear hillbillies imax interwoven prague nap abiding naïve cheesiest horrendously shekhar solomon get-go harvard revel institute supremely disconcerting hippy claustrophobia opted macgregor tripping franks abandoning devout workings twitch hacked paraphrase pakistan numb tarkovsky cinemax mounted sexism ridiculousness riches valiant eighteen matheson brain-dead krabbé replied claymation insensitive congratulate betsy thirst jeans favored pact babbage aborigines impeccably atheist laid-back punctuated bitterness pessimistic debuted emory treacherous lick elijah spans novella coming-of-age meteorite sweetly specialized messes volatile doubles concoction non-linear tails agnes leagues cherry singh uncovered posts reaper debating raja nadir slashing avenue tougher exec sweep bourgeois shes jaw-dropping offset champions environments promo glorify sheffer commonplace schlocky livingston enlightening freud loathsome ling gunshots populace dusk gummer irritation escapism indemnity splendidly coe hickok hiking norway omitted geography soil chou hogg bikers descriptions mumbling tiring thee youngster possessing carrère unfathomable morvern absorb sookie sluggish threadbare alibi nausicaa actioner stoop levinson comfortably sleepwalking thesis eloquent siren jox linking pm fragments cad anticipating zentropa logically grieco thou facets utilizing hrs greengrass viking nonstop orientation escalating wrestlers unheard extravaganza rodgers heed cheeky bosworth buckets pic warp happenstance exorcism intervals lyric undermined morty compensated exaggerating facade excused artificially multi jeroen kristin grier gopal ilona conspiracies spall patron boil exploded rushing ineptly canoe diluted imposed aerial manipulates volunteers innocently conflicting monument father-in-law lau rebirth clinical punish blindly proposition silverstone pristine wilcox undermines flora degenerate affinity helga jfk woodard celestial jafar pill bio mower shreds rowan carnal ex-boyfriend fluke shunned hopelessness machete betray cabaret crank leaden crawling elia conditioned antwerp houseman spewing flippen hillyer riots lipstick award-winning kahn summarized memorial reserve gigi miraglia burakov ceases bulb boorish in-between accidents kristen troop squalor pounding majors d'amato fictionalized dungeons foreigner entranced pokémon rhys deft restaurants kovacs packing hammered fooling saber thorough vulcan emphasizes casey pretext versatility affectionate out-of-place melodies settling camerawork bashed paste fingernails pioneers giddy autumn lunacy sided efficiently dumbed famously fundamentally experimentation serpent anastasia magnus petiot forwarding dispatch maléfique repugnant angelopoulos befriended magnetic pakeezah abusing communicated skinned admitting tycoon dough shaving ka ki copying itch slipping kidnappers generals visibly sympathise dining violated chávez applying bluth chocolat philosopher monitors violin contributing crammed hitokiri favors mulder ballad prashant carrell unto banner melts humorless chagrin skulls hangover glossed groin unsavory caprice insistence provo ackland haley beggars mace sullen retribution passionately phenomena raquel under-appreciated gloom hazy mary-kate pyun ferdie dim-witted potato customary dispute mar gamers twenty-five schlesinger conducted ufo lamp jocks aloud aspire rani tourneur unbalanced condemn pow execs contender induced inmate accolades asinine travelers whim knockout wanna-be klein objectively custom lurks priyadarshan feud tempo unmotivated sugary knowledgeable nubile poured gojoe intending mega bratty nam ardent bureaucracy gammera mindy reactionary devised cricket forthcoming apology dip ivanna hillary heartbreak baloo larger-than-life eskimo unity raptor homages observes barking snafu hanged leering digicorp hairstyles revue conversion silhouette dye components abyss cults syrup treasured gunpoint urges longs tastefully custer wahlberg troll gunshot stagecoach unrecognizable maltese sock charmed clarkson rapper wei gymnast blocking indicated expressionist dingo portraits josé achingly appreciates grizzled resides verse dumbland predators liven risqué drowns hess believers egos long-lost barbarians erupts hooray persuasion pin-up bewitched crimson postwar quo ullman multi-million rhine jericho weep misogyny populate madame monaghan scrutiny nuke piggy startled cherished merlin coonskin vacant plagues clutches sheesh hatcher send-up eyeball cheezy continual deceptive incorporates hebrew mocked justifies yuma anti-american hypocritical stupider crumbling burying infatuated build-up uncovers pinjar interlude dramatized impotent thirds working-class trader dolly pigeon charitable sayuri impoverished cheerleader announcer tidy provokes periodically doesnt detractors whips sunglasses pacifist hairstyle maudlin uncommon distaste mst impose quartier perpetrated teachings rvd comparatively barjatya judas camel chauffeur streetcar slides ideological melvin conjure willingness radium photographers stein prosecutor spill railly terri lapd exceeds publicly illustration whine kat heel nameless terrorizing sensuality refugees delusions beatrice dwell pantheon battered collapsed erase dagger uninvolving satiric forewarned urmila superheroes dizzying skating stepsisters ventures swings tos hokum frustrations clearer axel altar hindu teaming ruling ronnie elton bla defeating defended unjustly madrid rouge statham merk caveman commercially scandalous crain wrecks squire perils regrettably moaning comforts purchasing laziness lures shefali sphinx panama slumber execrable workout point-of-view overs well-intentioned peru sollett csi uncomfortably allegorical stuffy unintelligible radically dismay boiling kitamura brittany cabinet flemming reincarnated perplexing probation sexploitation burgade songwriter hai inhuman cloris fleischer nickname under-rated manoj feather debatable erm muller detmers maxwell greetings patently drooling assaulted fatty sica textile assistants tobacco yearn poorer grinding spellbinding falco windshield schmidt vijay implying unpopular restores relieve diagnosed lenny enthusiast evangelical easter curr varies bulldog taiwanese grosse pyramid summing introspective unabashed mug dazzled hunchback ahh discrimination florence who'll instructions intolerable camaraderie shrewd extends pretentiousness atypical puberty theatrically retaining massively blasting minimalist carolina brow bravura burgundy drifting pitfalls governess codes operative maggots forgives alter-ego zen unsophisticated showy unrelenting rudimentary cartwright theology imitations marco unsubtle unsolved brodie bey dwelling furlong injects bottles sticky molested investigations bevy homemade programmer reb fates housekeeper charging rockin big-time geez geer nickelodeon sloth doodle alienating dhoom packaging breeding foul-mouthed reprises tatum sob icing gargantuan tore constitutes enable warhol kennel composers inches in-your-face manuscript serling desirable failings sexiest mankiewicz resnais lookalike loot elves stride inhabits journal moby open-minded fend suppressed grit fringe low-grade immigration nary tobias glib intercut vinny deluded halperin cardinal seduces dribble pick-up journeys declined sceptical ramtha hog alfre caleb frechette cronies rehearsing oregon surveillance iphigenia unedited wan leaping exhibited frantically consensus churned pressburger krabbe jean-marc troubling hellraiser oxygen absurdist rerun samhain recognisable loan bots nah evoked drumming thwarted line-up luther calf unknowingly marianne drawer gradual winding mare flags responsibilities shapiro vent assert humility fortress netherlands scripture ayers stagnant avenging heero frighten garofalo whos claudia archetypal homosexuals worldly scola wales overthrow glamor cecilia volckman sharma inserting broader pales mainland peripheral dishes posse burroughs strauss prompted underwritten delayed two-thirds mcconaughey nausea ankle oozes tunnels ulrich self-destructive hobson objections moreau riddle affable plastered stacey evoking assisted beasts wargames vagina hamburg whisper guidelines schneebaum doodlebops janice enigma discusses scanners faints arjun divide matured petition disguises typing roddenberry hookers puzzles archives bumped labeouf bc hemingway relic manchester conned innocents gaelic dv davenport behind-the-scenes radha mahoney accordingly anand exiting bankrupt faris salary argues zuniga herbie rhetoric template terrorize lando mvp dey det re-read province howl benicio lottery engineering seamless wisecracking co-production keener reciting virginal rawal single-handedly claptrap coin humiliate landon colleen heated curve bubbles buddhist realising blanc fey pollak intrigues voyeur loathing haters piles owing slashed liberation pappas crusty milligan charmingly jada cryptic veneer hostess masculinity nominees louisiana adversary ink unravels churchill overcoming yo somerset gigli promiscuous storylines smells cosmo gras hernandez wenders scheider fave tagline lows trademarks :d carnosaur vistas hooligans honors foreigners walston assassinate prepares disgustingly functional macdowell announce slammed elf addicts karisma doorstep quigley cleared gruner posturing lobby dangling shriek vidor walmart drunks chahine butchering romanticism veins duval hoechlin mononoke davidson osama descendant mohr mercenary giovanni striving seidl adolescence unmistakable evidenced disparate lumbering bradley ambassador hid strokes doubtless guerrero child-like sailing amelie americana protracted moralistic finesse brigade royalty injected inexcusable calculating viva originated barrett overacted chores ballads replete noodle siodmak mardi gunslinger dictionary violet uncontrollable genesis droning drafted maude dwells forests avalon respite orchestrated crud falters obese tenuous alternating pulitzer boiled barrier mullet ramblings excite toughness barbie chic advantages embittered stroll self-indulgence inherits communicating bakula dashed smiled gunman blades strains sliced leila marin competitors vendetta spontaneously tennis fraction romanticized soulful showcasing wobbly doesn casualty demolition mislead janeway tiffany mammoth sparring safer closets hain ramble patronizing meaty grenade tolerant greeted salacious flavour fairy-tale emphasized naiveté naivety denny solitude jacobi winkler thirsty draining mystique rednecks editions emilio minion olen unacceptable bordering ambient nagra decor catastrophic badass jerome elegantly hearse tavern brewster unharmed vitality hotter purity selves bilko irreversible storage fischer hoodlums accuses sonia mushrooms figuratively savagely winfrey kharis nuff inferno nevermind peralta sturges rubbing sadism collision noirish marsh programmes strippers indistinguishable surpass pupil weddings two-hour beckett aquarium cylon constitution def someplace helmer boothe unhealthy jeanne sibrel exhibition spying dermot illicit speeds shouted admiring welfare distortion clique macaulay glitz prosecution racy indestructible disappointingly vidal anti-social homecoming speakeasy maine fuqua inventions morphs triads garrison recalled qualms half-hearted appreciative advancing jacknife chronological lined futility suppress swayed org lanchester referenced downstairs bravely inoffensive youssef luxurious kindergarten binoculars hampered tv-series ju-on solutions suburb dried shove trucks preceding schwartzman grimy snobby scrubs riveted boggy morricone whit nighy braun hut tawdry underestimated otis americanized reconcile mounting dario eleniak appealed ducks touring lolita castles kralik lensman ambulance deteriorated banker babban nemo sade undergo hyper flirts translates urgent psychosis eclectic tapped mccabe spouts pedophile commandos musically dour extract completists flu olin protected conducting buses sermon wise-cracking barriers scholars lupin formation whoville incomparable penultimate welsh tia ryder ham-fisted skeletons dahlia gavin executing blier prairie pendleton tamer completing superimposed docudrama cowgirls famine leaf tempered climber paxinou tyranny plunges straight-to-dvd morose bluntly postal demeaning overlooking ideally snobbish chilly thanksgiving jai airwolf hauntingly flickering personified collide bargained dimitri bangs cédric nastassja crashers resounding utilize investigative subtitle limbo loathe lorenz oscar-nominated revolved sneering exemplifies barrage pockets founded meeker embraced weaving rgv cum kasdan weber scant sleepaway conceive spits everytown tamblyn metaphorical contradict silliest australians teased extraneous villainess mastered irritates zadora impatient fold justifiably potts diminish requirement tch susie comeuppance deathbed solace nicer bergen candid orked sinclair mawkish melville bs brynner tailored awesomely sniffing implausibility ingmar dp naudet idiosyncratic concerts viable politely operator unsurprisingly hardware perceptive capability luciano strife landis bravado mores avant-garde adolescents invaders relatable jester marky shave vera-ellen hodgepodge klaus hewlett wager piscopo roar foes arabia enlists ridiculed cord ne evergreen ouch rufus equality stahl incongruous nothingness perilous voyeurism stoner contention column unwillingness ra tempting soaked mating bid jenkins bender herschel largo honourable scar glitter dyan bodily fidel unspeakable bane autopsy freakish over-hyped cows mcdonalds anticipate yukon reservation intoxicated lectures helplessness upsets diagnosis lungs cutest gymkata illustrious copper peppered landau shahrukh adv tibetan prevails paralyzed projector gotham bricks electrocuted breathtakingly hobbits screenings bygone patrol redhead unger matte occupy nymphomaniac zip elitist tackled falsely elinore snipers trifle showcased dealings loomis lorne efficiency warmed pumped peeping frazetta pleasurable lancaster shaved mythological gerry pap pas crocodiles requiring bathed backseat biz papa hose venue venus alberto muse danni dictatorship queer psychopaths briggs collora crane herzog weeping commended bentley wistful shoving zanuck over-rated resonates har decapitation professors crazier frenzied readings hamiltons superiority sensitively natalia naomi secular collectively paper-thin hercules scarf taxes cooperation hopalong spreads pittsburgh osbourne finer whistling dunk obligated wasnt memorized canadians sombre dearly dilapidated dundee tuesday retrospective rotj cumming clausen aide starfleet scatman well-deserved cans discomfort gould midgets nominal undertone permeates blasts powerless needy evaluation serene headlines inimitable triton hinting flashlight armand stirred astoundingly quicker ussr roz long-winded goer eighty kellerman cautionary snatched meticulous catharsis antithesis bradbury saffron leung normalcy impressing inescapable delpy regional enrico visiteurs maman siskel forsaken emergence spader in-laws cheery unsuccessfully gong eaters spoils html hampton pasteur boeing bigotry drones hearst physician graduates unthinkable lineup hastily all-american carmilla bombshells benchmark calhoun sizes secretive clothed anticlimactic mortality endor daryl bandwagon overdose wiping weigh oeuvre compellingly crabs captors snapped splendor embodies cafeteria chuckling broadly sledgehammer sophomore teal'c kimberly scheduled coulouris abandonment autobiographical grams berkley leans cozy slated carrot makings age-old screeching granny unisol typed announcement resigned ringu stylised burnett funded griffiths borzage scratches freezing hinges swashbuckling gist profane laird napier hirsch infested honored cam chuckled truthfully troublesome craftsmanship arabs validity virtuous nisha merchandise hansen improvise cock idealized broomsticks unleash stubby germs slain dependable à slime replaces discourse bamboo obliged rapping marxist jeffery savages reinhold aesthetically groom cheapest appease bedknobs bambi tear-jerking catwoman premature snore resonate critters pump inventiveness contractor tomboy rightful jansen sic biehn unintelligent lori blouse dreamer gator jean-pierre drummond yawning re-release morrissey domineering matlin curator mckenzie helmed gaiman beatings fellowship stint fares entertainers dancy withstand wcw angered investigated boldly throughly immerse shen trousers cheng churn cripple ban romantically bombers entrails rammed hysterics imitated aristocrats hmmmm pr hugging afar taboos orgies stinking explosives republicans curry removes rapport bolts trafficking gimmicky unspoken catholics inflict bard attire campiness aykroyd reindeer slum raining dolemite bandits gladys chillers accomplishes homely yvaine speedy mistreated proclaims spilling bums benkei superhuman plot-wise spunky obtained separates recovers expressionism maniacs paltry attacker miya peer perpetrators sadder marginal businessmen rug channeling sturdy off-the-wall parameters buildup appointed innocuous erased miramax mutiny dynasty disposable recordings neo-realist athletes wildest macready disorders jungles oates amin formulas eliminating tuning dastardly janos dazed programmers drifts collectors wards clarify neff undisputed veritable hitchcockian plumbing attractions meager milton ziyi curses creeping proclaimed climaxes hulce highlighting reeling rpg sweetest best-selling skirts bonkers neville braga liberally jefferson inappropriately vomiting happy-go-lucky allende fraser sooraj silvers woodward lea transpires verne afflicted consent roberto gingerbread mchugh senate tossing sasha heartbroken decipher ancestry gunner modeled kgb befriend yummy hefty extinction libido zeta biographies bisexual junkies incarnations firefighter rabbits mesh lewton kessler waltz deceptively blasted candice nodding sctv implements finland bfg nipple commissioner bitterly richness brokedown criticise selections saul avery undercurrent wannabes mime consultant endures hayek pesky imminent alaska gilley dispose evacuated voluptuous luna rubble likability low-life goon grandchildren seated kitten archibald crafty quatermain lacklustre ruthlessly ozu womanizer uncaring ephemeral pusser sleepless cutesy parodying butter unlock nimoy antz purgatory reinforces anti-establishment parting jumbo potboiler accuse awkwardness patekar gasping legions chatting serbia stapleton wallop facilities heartland flippant catalogue brigham obtaining toad nanette riker babylon blethyn titillation santos entice individuality marches palmer limb superficially mid-life graced unintended distribute woodstock ole clayton madhur harrelson grifters consumer freakin enlist silvio duffell exile convictions ragged sandwich untold excerpts garde analyzed advani ab liaison dentists whatnot fixation sail tetsuo lauded patrons gripped roam breakup das helper parenting henri freeway abhorrent slowed trevor doggie fraternity underscores metro drool inanimate mcanally hijacked lanisha clicked plato wage jeon elders friction flipped jean-luc hard-core corrected abandons izo self-loathing activists lads billboards rode shortage archaeological cuddly carriers hammond stephens addictions venturing vermont revisiting notting fargo fractured backup inert bernhard almodovar pleads minorities pancake embodiment left-wing schrader personas kristel endorse talia threshold treasury woodland donovan mulroney curb gunbuster anthropologist satires repetitious nair jumble gowns angers descending remarked rethink calamai prissy commitments participant cease all-around whales cultured singularly scathing automobile ditzy adrienne rumored priority harmed exuberance enamored a-team preferable naturalism hungary collections melanie sanctimonious slant stagy kiley slipper meena wegener pointe dreyfus shivers whipping defiance notebook mechanism unflinching atlanta suitors blanket forte aames cutouts webb suicides doktor porsche phelps recorder mamie traumas zemeckis evan hilda lukewarm onstage springwood merle greasy unleashes ethical moms promos listings prettier chawla awakened exploitive endowed kor onset echoing ramsey peg prevail shintaro princes mo tsing cognac embodied psychos engineered warranted karas oversexed gratifying purports emotive baggage shipped boyhood clampett one-liner centerpiece heh miriam grasshoppers termed mckenna speculate nauseous befuddled slums lucid treasures cross-dressing meth ground-breaking vignette urinating duckling cathartic ameche hard-working offender negligible ye litter discredit preity placid jean-claude dove loveable budgetary synthesizer bont enabled schildkraut ming regretted ribs hotels insultingly condemning dome ellis deem scully chatter harassed kira messenger knotts aching phallic yang insignificance alabama leguizamo cabal ohea tanner mulholland impersonate co-starred evils intricacies whitman hera transfixed headquarters unprofessional twain poets multiply plea singapore wuhrer fruition tolstoy lowell snobs atkins depressingly african-americans beams dramatization communications sneaky mythic bjork pointlessness aesthetics collinwood day-to-day parasite foray crockett negatively engines watanabe suleiman impromptu abetted wigs february mckay reunites dissolves salad indoor andré asin horde manual genetically dil flat-out goa'uld exiled forensic horton dystopian narcissism nobel pitiable ironies louder lilith kicker sakura stinkers silberling solaris whitaker duly erotica swallowed cashier hacker costar mortgage mirren royale lining clovis amick angelo cratchit brolin so-bad-it-good cleopatra truer rotoscoped patric old-school prophecies whores anti-climatic cooks admires balsam knowingly seaman histrionic baton chucky plot-line justly greenhouse paulo pier sayonara ethnicity nurses juarez recovery judith prayed automobiles strays moonlight fountain casanova ceo johnnie strut envisioned orbit sniff tory egon calmly poland crossbow bearded borgnine tarnished burgeoning unconsciously arden embraces giancarlo businesses manly rundown compose bain knowles prancing dumbing turkeys faithfulness waco sobbing chewbacca ballantine esposito whew nursing dispatched indelible gulf commies barbaric babbling ninth auntie distressed camille eccleston identification frighteningly resists vanities yul nigel blossoms criticised foo tadanobu dragonfly grossed t-shirts undermine assaults firode well-directed vanish archaic time-line goines self-righteous exemplary justifying stuttering unfulfilled neighborhoods veiled croft chunks ft timeline gingold soutendijk undergoes notoriously trends thunderbird diminished snicker carriage spouses aisle villages sheryl scrap precocious metropolitan tracked flounder fork gamble carre quotient utilizes escapades nepotism anachronistic likelihood pedigree didactic baked sampson sorrows spout brushes peasants ugliest descended trebor sanchez cortes penguins kutcher removal tee nephews presenter bronze issued champ put-upon rv slumming astray cusak overview vacuum valette tate degraded tangible instalment parador asserts pussy baptist cheh bangkok tornadoes austere improvements gardiner stupendous unhappily trashing knockoff flirtatious yaphet southwest eliza illustrations fundamentalist crothers jolt kinetic mono enabling lite rajinikanth inevitability booty circular chronic flourishes infernal courts stifling standouts juxtaposition helms noll hastings nitpick soon-to-be foxy wallow frying ely permitted kryptonite discern invaded dolby spacecraft irritate opposites awaken beaton creepier pleas plead kotto dream-like belts masochistic o-lan hinds units passport angelic flooding pleasance sas plucky mala isle victimized loaf second-rate flopped ex-husband newsreel grate sony redfield amazement writhing fitted gawd marker sledge pharaoh schmaltzy shamefully peanuts yankees brook maestro michigan dominique completist rodeo rio alluded unholy excel babysitting stormtroopers mutilation upright trades turtles cornered mon detour finlayson scales bonham-carter costumed intensive uncovering complicate talkative appreciating trainspotting burman unfriendly hijinks moll sirens disposed cartoony adoption unlimited ribisi anamorphic all-in-all offends spilled kiera withdrawn consuming sonja spiders story-wise eggar gershon tchaikovsky golem sickeningly skewed queue overpowering diminutive bubbly friggin installed bouncy hawaiian shrunk pilgrimage emy fuse designers flashman paige gigs skinner opts apples embedded endeavors kothari sigourney collaborators tobey resolving clare kher swap whirlwind slices gabriele kruger saturn harshness marcy madge chilean macmahon whiskey bog backstabbing identifying adama jerusalem laine charlize neo-noir inhumanity imamura underlines cater reubens homoerotic hostility flik feathers breakout millie leftist chronicle beheading celebi inexperience mohanlal mallory treason employing over-dramatic ineffectual humanoid infatuation malice etched biggs hd uninhibited ai aw glows newbie migration pagan recreating merge frequency steep torrent scrat bolivian cv semen roseanne requests vatican tagged bitching tackling bettany complements slaughtering quiroz donnie dune dramatics replicate belafonte rolle colagrande sworn reprehensible arabian inkling racially choked referee elaborated hoon stomping practiced unexplored pins whodunnit plains lyman kick-ass silents grisham midkiff sanjay disposition audacity morrow cornball chanting amuses thwart duprez cosby prose smartly growling stared self-respect pathological sept heder innumerable blocked cheyenne shifty texts rentals adrien unite argentine braindead celtic persuasive bounces labute grenades goldeneye sculptor summers snuck obey brutish terry-thomas o'donnell filipino undermining hickam provincial eraserhead squares concede warmly federation colorado outcomes zimmer trusting rhoda patented whistler boobies yearns commissioned culmination grossing newfound ogling louie colossal crafts defends loopholes unreasonable flicker hoax hyperbole harem chelsea bakery allergic suckered nightly anti-christ winded oswald rehearsed nietzsche mushy auction edmond mouthed sporadic monochrome bumping multiplex extensively ellie benton everlasting rumble imaginatively stalin garrett beek esteem ridge assessment ophelia gravitas cramer prude ronda butterflies michele collects socialite substandard kleenex theoretically bushes intervenes entangled restroom gough deceived gutted recollection toilets channing realist coulier yanked herb ebenezer borne echoed topical fullest sawa atoz purest extinct sprayed commune bushwhackers requiem sunken springsteen abduction reich certificate traced pudding three-way courtyard repercussions tudor phoned gideon putain half-breed fulfills aggressively cartwrights jeanie limelight matthews megs recounting barkin brother-in-law shea deco afforded recruiting unworthy smokes okada horrorfest lusting small-time impulses borowczyk traci ishwar guillotine kulkarni medley lizzie landmarks mortimer pinkett fetisov aja glimpsed occupants irritatingly batty daninsky shrine pereira rubbed entourage babble consecutive karma shovel ticking reminisce heretic non-professional climbed tulip saddened mind-boggling tmnt otherworldly rep walrus variable downloading fletcher trails introspection melancholic mendez symptoms in-jokes arlington ingram cranked chap gardenia hustle strode prohibition pauly massachusetts seann rekindle genitalia arcane dissatisfied nikhil captivate symbolizes unrealistically co-starring junkyard titans coccio onscreen amc default monte expansive picard heros speculation warts financing excluding true-to-life complicating shelton pre-war intrinsic subliminal incorporating subs heart-breaking advises ravenous sweating creaky unofficial drenched banning giannini embezzler frigid cuz cassavettes dowdy chi nypd uninitiated plowright momsen ruben hatch feline kumari proposed necklace yum pappy websites juhi blurb acrobatics taping rien johns pro-life peach reiner lamberto verite arduous trimmed polyester ensuring self-esteem vicky heroics slicing diction bassinger drought umm halls proven rounding misused mecca bouchet yelled hard-edged l'engle reminiscing aplenty geographic radios indicator assassinated pikachu pyle bad-ass mediterranean kendall exchanged manchurian kabei maslin annette pluto indies lawless glorifies coy plates indictment thy archetype insatiable blindness pintilie morales immaculate terminally dirk dir evaluate diminishes wade full-on daniela harbors executions pandora roma fore esteban emoting facile artifice browning hasty orthodox self-respecting fetchit bulimia platinum hater adversaries deprived missiles teasing airplanes defiant nasties ridicules gialli treaty shutting lenses panzram curio awed genocide pseudonym denies mcguire disillusionment blaring menzies shelby lowbrow aborigine conceivable rae tour-de-force tabloid tribulation chabrol earthly leisurely symphony mimicking advert harassment necromancy meld idiotically unbiased reliance mumbles serenity poehler conceptual superstars sith tenor hospitals infinite banished responded miguel weirdest apathetic spellbound schaech funnily knock-off spanning star-studded ontario lollobrigida descendants ado vegetables impossibility soundtracks solicitor sit-com alarms jorge unarmed identifiable semester nagging ringmaster hush chips mother-in-law brontë exclamation groans lucienne blackmailer cummings specifics summoned instructed jang lucile badge narrating paget freshly forwards resent dictates carrere schygulla cranky familial bathhouse ½ slowing tides miscarriage fanciful basing dimwitted celestine cliffs embracing feelgood manifest batmobile reinforce simple-minded monetary persuaded cough eternally undeserved nighttime reconstruction lowly selfishness tripod stamos lightness collaborator drawbacks strand jan-michael transmitted yentl gorgeously arthouse sphere westerners ettore quantity lighted unsatisfactory prodigy churning doomsday celia ammunition cooperate flourish brigadoon g-rated iberia contradictory grueling wednesday over-sized reverence antagonists hindered alastair milked crazies strong-willed skepticism cynics silva barclay isaac terrifyingly preservation compass implicit gallagher protests weismuller coherency hahaha lascivious unimaginable bro devastation dumping tramell flashed succumbs mazes biopics cliché-ridden downtrodden lulls interrupt lawler tivo timer liberals goring rife runyon ova fellas interruptions bad-guy boasted self-proclaimed annals capably zulu obsessions censor mishmash wrecked erendira civilisation hatton headmaster seething grunts eglantine remastered cooked flattering tediously teamwork shoot-out nwa minelli kun beck aspires greenwich unemployment grades renamed holloway prayers contrivances delectable mischief isnt off-putting kino lovemaking rapid-fire rubin pours rudolf pleases captains gabriella gabrielle machina urbane boreanaz persecution twit shuts gunfights gold-digger coven vortex ozzie battalion ambush supervisor sawyer customer integrate smut garb decomposing lyon rigged manifested healy starvation balances credulity frederic pablo wacko aristocracy flaming wed battery prudish brakes punishing distinguishes nuisance taller concise finances overstated declaring tombstone humanistic sabertooth rays tilt fluent stability vinyl rewrites mikels conspicuous calendar full-blown innuendos possessive jc parlor nosy scout benevolent noni full-frontal underwood programmed sexier firefly drawl heightens guetary orcs conquered raves obnoxiously lamer stanton yanks loveless strangle depressive sinful luchino rites ill-advised exam tamil cohesion dismayed numbingly tsai moan britton consciously departs witchery tyrant reitman probing saddle aggravating nigh hulking geezer scratched rachael hee nutcracker mash guttenberg bernstein re-edited thewlis poitier reggie motifs shakespearian reacted mannequin veil unrest bleep milius salon throbbing alumni strummer bram three-dimensional organizations indescribable redundancy well-rounded rube disturbingly barrels selective bouvier trusty dominating perseverance spotting stew berman snapshot rash foree fide escapees haze pumpkin bona kip kin unmissable re-watching victorious lilies cetera gonzo jarmusch totalitarian hideout baywatch filters disneyland militant cuthbert champagne benign travelogue ishtar burdened transsexual fraught splashes predominantly savings adjective lustful estimation risking trejo bawdy grimm prestige repulsed nekromantik dilemmas schepisi bulging bogged interrupts tribeca unfilmable jarndyce flashdance shifted lucci rogen boomers broadbent elimination hoodlum snotty rehashing silences glitches streetwise gorehounds pieced preferring ice-t haven unengaging insufficient eod haircuts invaluable lynchian courtship catering apathy con-man gabbar derives heartbeat endearingly sponsored nan bleached re-run playground apologise blasphemous utility devise ecstatic permit gasoline gaudy man-eating trepidation all-out centering gel eclipsed suitor freebird waldemar changeling debonair franka curves promisingly beam hasso ecological ditsy daredevil seductress nipples nobleman prowl odysseus organisation munchie clowns hammett tarot feudal yelnats gleeful doubly feminists cannons demunn swelling scriptwriting viet wily boop diplomat stand-in unjust perpetrator allah outburst eliminates memoir gypsies set-ups indigenous slate long-running ruse follower pairs raucous barred devoured delicately cages cronenberg concealed charade survey pencil painstakingly damian highs nursery exaggerate inflicting synonymous consumers mumbo-jumbo substituted unsung well-cast moans sciamma intents stigmata anupam moodiness delusion tubes distressing utopia cashing liver corsaut dvr consumerism purist chemicals shrouded olga thanked pistols geddes blaming urging proclaim mecha superficiality shallowness breathes counselor commission margheriti myles brimming special-effects girotti arranges colleges neverending narrowly dedlock prejudiced valentino showers travers auer slams zest syrupy afterwords que vermin gratification morpheus baio undressed anxiously tabu tactic ennio contests perez doubting cherie islamic dispatches yuk turf cheerfully uninterested starsky leisen moorehead poltergeist cautious brownstone tadashi potty artfully lynne knit soap-opera intrusion humourless platitudes molestation forefront frogs meddling constable jets harshly perpetuate wince pay-per-view smartest pics misuse mcgraw twinkle hatchet nationalist expressionless elaine airs berate packaged coz religiously mightily adjani summon scuddamore taunting ladd hawkins choi cottage evenings torches opting chunky torturous knots seventeen whopping besieged paolo boasting koreans gunned coaching nath disposing korman globalization diggers hannibal preached observant occupies encompasses infiltrate audacious dola snack bookstore cold-hearted contrivance bohemian alok navigate infused dakar unmemorable provoked lava splits retard memphis penetrating looser bowery sparkles lbs ulli substituting phoning corp levine kitschy reconsider balding scrawny hairs dullness oakie prc stylishly schoolboy engulfed vicar seals flowed peaked injecting temperament cuter anne-marie summation parliament distractions sillier panther guitarist oceans volcano detriment grotesquely yoko magnetism papas guadalcanal eligible marsden debris weirder big-name django brim self-aware pheri degrades zandalee leftover swain tenth strides anguished triumphant payback webber thoughtfully sheltered bastards gruesomely sensationalism sizzling pufnstuf classmate attribute cotten cavanagh baghdad afoul unraveling kowalski higgins blush scooter persecuted generating assignments mussolini crate libre skelton myron has-been dewey quibbles first-class ditch filtered crucifix soapy aidan intricately lease transfered rants labels formulated mundae klaw frederick rothrock arising spirals boringly nibelungen pyrotechnics makeover proceeding robson countdown potente beyonce chickens distrust spook liverpool mischa hypnosis blackmailed parodied cleo ownership misled nascar complimented lamour kavner knee tissues twisters introductory rowdy patti sputnik potion athlete zeffirelli abrasive autograph insistent yash hauled shone recommendable swears immorality protestant léaud side-splitting linden archival towering utters deter argentinian statistics danelia poles prequels conformity prospective physique safari x-rated crushes cleans chavo cursory stash nicolai winona lian-chu liev tyrannosaurus liberating pained grants kyoto outfield lookout uproarious horizons wailing donate broadcasts iraqi slacker acre dementia audible mush stressful betting aural branches eburne advent poisoning confessed imperfect gall beals gung-ho sculpture alfonso oozing adamson wordy distortions welcomes parasites hag spaceships grasping macha affords crossroads rehab touchy etcetera romps conventionally rags decameron dismisses sceneries saucy everytime hayao crescendo erich carelessly taps fessenden gears selfless whereby sadie infomercial heartstrings inconceivable orgasm cultists pecial instinctively cacoyannis prevailing constitute enforced canine rift propelled reviving baptists herge tormentors new-age snoozer dismemberment unflattering stupor evade differentiate exteriors tiff curl adoration hijacking monopoly redeemable hazing laconic touted flic harried banderas luggage stevie teenaged cat-and-mouse trident oftentimes femininity rollin tumultuous spaced one-by-one loopy luger uproar consolation loni tiniest reptile idiosyncrasies undoing mavens lafitte projecting maddening suzy exceed pasts jasmine hurl hays gauge adventurer emilia z-grade panels reclaim predictions interracial kendrick brinke equipped charmer fun-loving clap isn notre sparked aghast condom thought-out decoy reduces massimo moonlighting machismo kittens pension blossomed quarry kureishi feats correction mckee assailant trenholm dominican billionaire uncensored dunn marcello mcadam rut clavier examining upward congo dushku preteen childishly godawful richest sanitized ping raye exterminator re-released docks alternates suitcase hecht perversely henner crudely madam bloodsuckers angus categorize staggeringly bischoff meters asimov teammates percy treachery compulsion lemercier gunplay alcatraz vibes debates cleansing strutting masochist ahab hogwash carved reds ferguson vasey rideau elevators rohm whitney admiral renditions pop-culture layout terrors dots taunts upscale glaringly si flown coats motivate accompaniment bankruptcy luigi cathedral appointment jen killian inaccuracy soften jody newmar pinchot eduardo discoveries royston bubbling dames convertible headlights expelled underlings hard-hitting converse frolic drive-by presque rubs warms vivacious entails deterioration erection assertion striptease (8 soliloquy stem apropos cop-out ceylon vinci vida well-to-do attila grieve translator moynahan bello carving hiroshima deposit deceive hijack gonzalez cleanse roster coveted moviegoer crucified grasped surge devine cameroon donkey lama caligari barbeau unearthed well-worn shrug beep offence sage lusty prochnow crews riemann cyber frankenheimer swine uncles roadie rosa rosy thursday personable sugiyama maysles cds kylie swiftly sim indulges stewardesses woodhouse rejecting samson blunders tires pairings selleck encountering baroque vans reclusive filmy no-name unsuitable slop brotherly swirling samberg poodle incessantly spineless unemotional lizards vierde rabies cheapo oj undertaking toughest well-executed deviant impressionistic off-camera orchid columbus wackiness baloney chronology splattered scandinavian jazzy nay rotoscoping photogenic stalkers crave honed nondescript illegitimate olympics angrily dix unpredictability pumping hattie philosophies scorned self-consciously skeet diablo nineteen lingered anthologies refrigerator pumba biggie directer minton charis cinematically crawled trickery pavement executes bosnia rag devour binge hyperactive trim wrecking antoine avengers nunsploitation wench orphans segues matata barefoot deteriorating gallico fab tamed shimizu scroll squeezing shoves declining lear scraped succumb natures uriah telescope dozed super-hero teresa pioneering himalayas vivien plucked drilling sponsor fecal busting rhodes midwest firth detect benedict vol ugliness damning baba egregious wuthering jab allusion bristol hakuna giorgio overdoes gutsy improvisation lounge ramshackle freeing starz publicist predatory aftertaste injection blithely lapse temporal subgenre succinctly aiden crops slavoj oppressors shiver downwards theorists fosters magnificence aryan watered-down nationality earth-shattering uncharted anselmo underpinnings snare cub lucien adoring waterston mercedes venomous bouzaglo storyboard displaced privacy soda enlighten anorexic illustrating fiercely gushing latex flats lise haas whoopie closeness clashes heaped holodeck johny sepia seaver disingenuous camilla whimsy kristy patchy jars coupling dork geneva exchanging greenstreet one-time characterisations barrister bootleg indoors implore axis wrench chronologically out-takes likeness outward choking coda impressionist intertwine misunderstand bikes katharine toothless salma outlines flailing protégé devote gallows caps antique manure senile commie jacqueline comprises stagey underway rhode cavorting nearing lawman lassalle fast-moving vaccaro borden montand munching anachronism misrepresentation soundstage rejoice spew euripides umeki gwen blandly airhead penniless tug captivity buggy istanbul underage invade industries marius alleys asides aubrey tumbling darcy caste ulterior chandu ilias babette genders extracts riffs shadowed na wrongs octopus apex splashy albuquerque bradshaw gunfighter vampyres morrison swarm instruction sizable pj obtrusive variant friel grudgingly grander tutor venantini infants upwards groupie karin counseling birdie detracted rockers hussey neighbourhood slashes buries apollonia homophobia structurally strindberg woes precedes poonam investigators risen clutters morphed jade shooters tents minstrel intertwining hypocrite infinity selecting blasphemy ineptness mangled judgmental sweeney rosetta willow amateurishly santiago co-producer upgrade perceptions armour carlin cookies aimee minuscule schizophrenia boxers stroheim reptilian independently illuminate paved sternberg violation lumière quid gawky milan parminder edna rewriting crafting mediums reliving oxford improv exclaims crises dysfunction inconvenient aardman expenses cnn rafael julius cancels estelle regiment jammed hunts extremities overload wham bressart monotony world-weary amends gorshin turn-off esteemed rainn incriminating hellish urich polarisdib adolph munster flaccid dissolution interrupting cancellation occupying tylo haphazardly mcphillip playfully animate crawls findings privy quits sax accented mcdoakes fast-talking prominence bassett plank embassy abysmally brewing surpassing self-destruction mindlessly winfield loathed snitch'd stocks baffles colonialism synthetic foolishness crackers replaying cited remy hopping competence unavoidable wuss recluse plagiarism cairo topping ismael o'conor siegel sensuous bedtime forwarded analyzing regrettable snippet reservoir balduin lament pentagon objection conceited concocted inserts announcing sperm banquet kundry pancakes headphones briefcase particles kibbee antonietta emphasizing walkers grodin bowels overdue truncated courting rippner checkout chillingly ministry caller moh doting riget dodging depended villian nihilistic talos expressionistic rediscovered promoter proximity sofa headmistress sleek horus tammy boggling licking keenan puppetry entrepreneur prematurely upheaval apologizing lagoon styled lassick revolutionaries morley headlight revisited heighten rig ideologies bancroft tortuous outdo spiced porch tan fiddle kober memento comedy-drama snatchers breaker ski spotty frewer scrapes diminishing muck mesmerising despises oldies goody no-brainer workmanlike sorted rajni uninterrupted discerning workplace goyokin borel nord editorial depart disgraced bendix courses stormare gooey proprietor bureaucrat greener mjh brew renée vadar cultivated tykwer rosalba epiphany panda stresses tnt self-important forcibly alonso straightheads runt imbued rendezvous brainy ex-cop conducts titillating coloured jewison paychecks anarchy kyser offscreen gracia reworked hard-nosed catered interfere heigl marketplace swan deathly garry caulfield ceilings harrold blithe whisked handicap adverts prime-time mocks taoist romans stigma smokey stunted affectionately ditches subpar curt presently documenting reputations mayeda pyar neurosis deficiencies minnesota cross-country donated representations hanka concur mortally duets bernadette temptations bartel misstep judson stench barres irishman protesting rumour outstandingly cupid lurches delinquents slowness hideo heinlein beethoven drugstore spat taka middling backlash funk rockstar latina tanaka montford ch cr appleby smoky healer vessels quirkiness fussy skye negotiation comparative rail impenetrable undiscovered responding bikinis scotty slavic colm rooftop es 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toons duran shitty transmission tantrums roberta spontaneity shaping clipped vartan taciturn floored symbolically kindred workable woken atul brag disagreement perceives suckers territories unwavering deviates cara desmond deux zenith srk ralphie situational thatcher yr ifc languid docile disapproving bidding loos mathematical sorbonne syriana trough fatigue jnr camper hallen l'intrus labyrinthine galipeau patten initiative connoisseur melted empowerment faust bitter-sweet serrault stealer tangent tandem cocktails regency one-man emile grasshopper savagery evangelist realisation israelis mcgrath unbeatable dorfman compromising sister-in-law geico snarling potatoes t'pol airwaves culturally portal huns rehashed rampling biograph ammo informing barcelona colombia patches compiled prelude transferring barricade bottoms substances momma siu publication kundera injustices malle hsiao-hsien internally whiz stimulation med mcbride jackets marbles diatribe spunk culled prospects offending pre-release cheapness ode orphaned perish dead-end unconnected drank overlapping sloppily humanism steak ghoul prosaic dobson hodder descend centred drip fared embroiled matron unobtrusive prosthetics retitled filing unwelcome stripping nudie discloses disclosed arrondissement dalmations exhibiting mic bloch exits comers tread shep co-produced duc bimbos superstitious tepper stand-alone jong-chan punjabi twenty-something bahrain stepin reefer carlson smoked gambit figment evangelion abnormal burger materialism o'neil leopard restrictive piled moulin restraining bruhl dabney sanitarium marlee instill cannavale outdoes ascertain bewilderment fanshawe founder perpetuates destroyer o'connell classed garam foursome elizondo contracted smeared considerations cubans sjoman hermit fav substantive sandwiches barf negotiate worships indulgence eisenberg dearest dumpster simulate bosnian sued jaime rawhide reuben critter tehran voyeuristic davy toots betraying exaggerations tetsurô penthouse tvm jargon interviewer sharpe marquee bogie middleton babu hormones upstate summersisle unprepared scent clocks tics pies gainsbourg coldly eytan yrs effected rockies jolts flung latter-day colorless anachronisms peep stewardess motivates ferocious cutie unsurpassed testify bearer sagemiller birthplace redone role-playing confrontations stag backside unisols mumbo impostor thinnes recreates patronising ive bombshell blitz tmtm templars proficient gimme tomba dudikoff tearful commenters loft slipstream dispense fiendish swaying nite phenomenally frawley undeservedly rhino franciosa pedophilia congregation pork abbas teaser teases syndicated ppl busty busts becker translating compressed traveler drop-dead banjo breakdancing saucer summertime liliom improbably did'nt arbuckle highlands umbrellas krista longevity lifeboat resting busta interfering prosthetic shuffling bled presidency halle odious container savant shogunate shoot-outs isabella ishii antiquated skipper goldwyn gazes heady determines fellowes croatia hues bb horner lew dreamgirls reproduce noire starewicz aviation mania sweethearts fudge organize furst reproduction rock'n'roll sweetin zillion nemec plot-holes nihilism brazen swinton carousel postcard neri neighboring abridged voorhees staunch dichotomy afro blow-up enslaved bloopers funhouse founding perú empathise truest outcasts rappers tang warm-hearted syndicate gentileschi aficionados objectivity mechanisms full-fledged margin smattering daly silverstein léo wages stirs arouse recycling newborn jockey warlock fluids retail catalina maddox pratfalls oddness rationing smarts risible blackmailing redline vice-versa bees forceful accommodate journalistic rios disowned chastity intrinsically coups saxophone prologues unleashing cady securing complication batch succumbed j-horror sexo ever-present contemplative subscribe headaches groomed completes presidents owens rf filone skimmed vicariously electra meloni cheetah pedestal te ta fast-forwarding suggestions schoolgirl treatments nugget spiritually thom shanks squirrel re-telling libby watery muttering impersonator legitimately repartee sped pinch scumbag carton fetishes embody seizure boxed fuels paces scalpel investors overworked keyes foibles moreno lok illnesses milking glitzy visage arsenal recommendations hypochondriac valued hoss schwimmer grad quiz competitor weepy dragoon cookbook bothersome bereft roast dumbfounded dismembered perfunctory one-of-a-kind attracting markham intertitles chiles theatrics moscow employers legitimacy unassuming red-headed crap-fest zp nominate nashville aileen gateway unforgiving beefcake florinda stationed propel loc collaborated icky pretenses snot tremaine hammers awe-inspiring flapping amityville girlie ponderosa synthesis searchers well-paced slippers inflation empathetic gundams longed starkly emraan yasmin edel chiefly woulda organised photographing unwarranted snails paramour leanings muska noose isaacs scholar weirdos focal prim triggers dissect beset prediction stitzer flanders polemic bolan columnist mccormack auditions nasal nyqvist deadbeat nauseum thursby cuss decorations intervening ramp rama detestable illiteracy hahk present-day shear bazza iota functioning mammy kabal properties tending bynes dawns cato eisenstein snapping flights fiance steely implanted hbk cringe-worthy undress schmaltz carlton barbecue nichole broom stroker umbrella unions savannah virulent robotech animosity prisons fernandez guerilla acquit capano eye-opening targeting bolo lieu covert resurgence pert mid-air promiscuity geronimo mod garth judicious possessions bulls alters consume clocking wincing chasey compensation kitt nandini philips infancy terence jelly moose imbecilic endorsement hull locking confidant torments nba joints nonchalantly esai dang whistle viennese categorized joyless tentative fences expanding faultless inflated violating divers adverse disturbance jaffa kidd resonated moocow portobello mummified spews chauvinistic absurdities mcnamara oversight dwindling undergone inhabiting wynn boyz playhouse uncharacteristically tightened abject zion abuses sympathetically unparalleled initiated bogs sauce fatalism gilberte analog intrepid snag disheveled haiku erstwhile gymnastics biology gwizdo undetected bolkan guild rung beetles lifshitz correspondence cloying contemplation uninformed windsor mackendrick shrinking dogville wrap-up dissertation english-language ginty screen-time mantra newbern application smiley compact resumed thrashing grounding abortions ekin insurmountable winch helmets lucrative stoolie doone quarterback pryce lovell weakly analyse swoon swoop drago tucked bedside stomp letterman gauntlet showman nazism fertile randell forlani generator resisted maddin principally interviewees sartain morph inexorably wreckage onward dept excised denizens preconceived sponge mystified time-travel warburton rosalie signe scots surfaces revolutions roofs tongues dassin hurriedly sheds measly acharya interchangeable expletives oasis artillery calvet yiddish groaning claws warring fatalistic agendas thomson workaholic sikes bios cavalier self-parody costa joyful gilmore sprung au rossellini disciples hyenas tapestry rosalind towne comprise sims bloodrayne kapur soar schnaas hodge-podge authentically staggers ceased vigorous postmodern plasma broinowski hume bombings puking misconception osborne starlets stoners rebuild tirade taft cemented squeaky kara sham feds guarantees yonica opaque digested lesley mcdowall agamemnon zeitgeist over-long annakin maes brightness schizophreniac ribbons floraine henstridge spills bulgarian marble thornway dennehy ke ks addison indulging fondling integration verma dogged zechs resonant disturbs fittingly acres rev ref impulsive colombian robberies progressing panel hungama billions moralizing ingenue caressing nablus labored unsentimental blinking jonah escapade svenson snobbery ick taffy blocker looting floundering resentful unneeded foreman swashbucklers verisimilitude streaming train-wreck deployed weighty impaired rigg asshole good-bye temp world-wide suppressing constipated substantially dipping polluted eminent bribes anaconda rears brevity winningham blinding tamerlane resource yearly brainwashing grown-ups barbed shohei legged fumbling gestapo demure contra omnipresent suffocating pneumonic eeriness bartram marrow bilal revels katey acrobatic verify hitman tabloids quieter exercises obi capped topper indescribably freezes cart rationale wishful cesspool barrie teleplay pawns anticipates footnote carlton-browne corin belongings manifestation spleen driveway valco yam kingpin erin pestilence bono whiff structures afternoons virile verses erected diaper assailants anecdotes addy inarritu bruised mai fanboy saath venerable effie expands spiteful hypnotizes jeepers trooper throes o'hearn insufferably necrophilia brushed craves circling librarians villians jindabyne coronation deconstruct festering trnka preparations prizzi recounts splashed rewritten lusts trashes plum satisfactorily well-designed well-being geriatric scoff over-acted narrow-minded creepers stank fawlty controller crust tags prag optical self-mutilation pitch-perfect plunge cover-up toenails headless unconditional harrington astutely petrol wuhl fangs forsyth helluva sustains obi-wan rudyard regurgitated malcom offed brimley unrestrained transplants neo-realism ex-lover blackmails life-affirming ernesto comrade fraudulent misinformation lustig blacksnake ducktales leroy strangling emerson jonathon hallmarks haver comebacks sludge alda stead lahr picasso catchphrase nauseatingly genteel sickest allude balanchine beatle reluctance jarvis jour untergang succubus well-played smugness reef buyer spandex setups adrenalin margo characterised assurance orbach satanists bah buford walkin buñuel doctrine amsterdam bordered dis high-profile proclaiming waif flo outweigh all-important disliking mara eisner secrecy nosferatu cups favorably bowser huggins gamblers prosecuting descriptive delinquency contractual omission nabokov hazard narrate shetty santana niemann poked acknowledges raf rad contacted fangoria laptop composure ruthlessness supplying frothy beale gantry parkins attentive sicko requested rasuk appliances eludes skippy riddler psychoanalyst bowler universities heidi manfred lobotomy miniscule stereotypically dhol illegally amenabar miniatures hallucinating matsumoto gobs milquetoast boiler billboard methodical talbot rafiki hairdresser interacted brokeback reputed creditable elam macgyver mariette compels bueller shapely missy moniker baddest cheney hounds gft poignantly ziering cassette topher narnia frits greendale make-believe comprehensible obscured snooping mishap babs spatula mutt conjured liang roulette styrofoam melrose gleaming privates ankush díaz repay torrid amorous coins sarafina capitol balkan trampled tricking flatter melange rollicking transporting gut-wrenching daggers craps part-time monogram dtv expendable frakes wouldnt pursuits separating determining duels flix operated mags abounds balloons homo unfeeling gunning duplicitous vittorio jailed terminology humanly foran philipps auteurs factions swapping forensics sleepwalks scraping radiates antony ulysses strait purportedly cameramen westerner onslaught bosom preconceptions mise-en-scene mmm raptors bloodied cutout thomerson ravaged elections undistinguished dessert pleading atlantian horne lecturer nobodies belgrade justine racket monarchy swimmer moretti patinkin culminate endear bail impediment levity cloudy athens yves minimalistic cobbled apatow escalates moot liars fragility hairspray sponsors supervision lever gosford spanky reside pining credence sennett goofball up-to-date thesiger banking objectionable latinos nearer tactical motorbike buddhism charter detachment wasn jermaine nutcase soft-spoken fps skerritt replays chick-flick cunningly lynda researchers pantomime high-pitched kabuki pertinent hatches driscoll meals recalling luster stimulate demolished gunpowder rambles hardworking war-torn booed weston jagged permits ther mayfield accounted dw chabat reuniting liability masturbating hisaishi comer non-sense feuding circulation intercontinental walthall flaherty vd documentation ghibli completion aneta mercer cringeworthy capitalists pâquerette digger pay-off bombay mississippi molesting waldo nail-biting made-up prerequisite schell attest gravedigger uncreative clinging sidelines dutton shin outweighs roadkill conjunction binks sxsw neglecting thighs manuel arzenta château surrealist handheld boisterous alimony smother crutch submerged koch howe singlehandedly fran muddle payroll larraz conform sergei waterloo overcame wachowski merging ramifications inflections spacecamp swarming alienator lowery warwick booby simplified invasions unwisely agitated recital offensively regent poised shirtless mortals tet panoramic huntley institutions life-long forlorn rarer 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somers escorted inexpensive chute castorini rip-roaring rogues regulation namesake contagious cosimo mcdiarmid stun thunderstorm savour swells underappreciated emitted belies pampered tanushree obliterated roped parted julio disappearances negotiating nastiest pineapple sanctuary delays maniacally criticizes donlan glides cauldron hamm caton-jones mustn't sweid chomet sandman shrimp multi-millionaire reins two-face carmela disagreed inauthentic induces bhai annis annik well-mannered georgie stimulated outpost miser herrmann armpit strategically pseudo-scientific indulged sandwiched bogarde masochism tumble fluorescent brawls look-a-like conversational valium acme noggin family-friendly cushion danse meh toaster dauphine lackey throw-away :p axed buffoonery silhouettes jokers wreaks metaphoric nooo lampoons splicing tours encroaching succinct post-wwii atmospherics scribe sargent edge-of-your-seat firsthand pariah crossword sleeves akane divya heartthrob tarr duplicate scammed kelley elites keggs jun apparitions raison shan't replica chapel phoney incompatible resents best-ever yaara solidifies petrifying wirework detracting raspy goggles lochlyn dimly infomercials mallet artisan snapshots angular zap intrusions sascha unfit guillermo faction saint-denis cosmetic cathryn boycott bjorlin sympathized bowel heathcliff lid laroche fosse darwin befriending clunkers whispers positioned lasser albino waynes was'nt subtract bludgeoning felon seedier subconsciously sewell vizier passworthy interrogating magistrate trove half-decent misha grappling amply proofs pu arrogantly marge scowls misconceptions farmhouse cactus daughter-in-law carve reilly ex-mrs sandu eurotrash melodramatics tosh sharper riffing retards venues lampooned imprisonment empress paganism recognizably skids countrymen narsimha giveaway damages fini coughs sort-of bete burnt-out sacrilegious reeking coed maidens story-lines bicker novela shamed insure crawley addendum geiger desplechin greystoke amrapurkar newport rai unaffected containers fends penal tit shaquille morrisey eccentricities haskell menagerie nitwit dhawan woos wool assertions hobo fiends caucasians lembach royals cambridge ghettos cornfield synergy imported branded penitentiary dildo peeled blazer engineers lodger doghi lodged endeavour reliant stitched abrahams heckerling silas hutt hovering juno haenel cadence matter-of-fact competes hypercube boarder chambara playfulness obscenity junge treadmill stoker unanimous transporter masturbates cooke harmonious vainly rewatched mythos mange downsides symmetry shawl stylings soviets pluck reviled pre-production squabble enliven levene shuddering weeds euphemism immeasurably asner combatants antagonistic pinball jouvet prowling jacks world-class re-made face-to-face wedge affliction loulou afore-mentioned barest improbabilities undergraduate heyerdahl stuffing tachiguishi roadblock personifies absolution sobering dumbo complacent enfants jerking dingy dammit renew waster stalwarts dustbin boro cynically paradoxical symbolized affirms megalomaniac on-line ruffalo foam katana reborn feckless creaking conceals spartacus satirize leith obsessively handedly diabolically transcendent procedural moonshine posses naively stored goldmine practicality costly gabel felicity tessari infest marketable gore-hounds unveiled craziest sy ittenbach erases hurls pulpy cheque head-on darrell komizu projectionist korsmo civilised museums unicorn nudge borges digestible slipshod cking pallbearer preserving farrel stitch surtees coca pepi creaks geishas preserves restraints handsomely pubescent washed-up self-deprecating vampiress windmill nordic irritable howell thhe shinobi consulted cliche-ridden wardh caribou hampshire nayland aiken flushing unwitting elegiac lagging lamont impersonations blalock incentive ingénue pialat discredited ravine ecret doren recapturing supplier limousine sabers wilton juggling sighing puritanical alight donnelly travails imbeciles avatar excerpt airlift self-pitying pastime moslems acquiring whitewash publicized eureka pyewacket wholesale sacks sensed vacationing lisp mire flak reappearance weighs rookies chambers harbour durning wierd tuxedo complimentary rows statuesque bostwick confirmation lillard justifiable typewriter frankness kaun kristi avoidable rooster thud un-funny clift timelessness conjuring fraulein sanderson intentioned dorn relay organizes megazone doozy beban instruct f-bombs delores sirico cumulative citizenx barks spores heartbreakingly developers conman floppy indonesian reigns rooftops ethier action-oriented completest dissection behest nuyoricans offal christophe smuggle wiley dosen't reversing steppers menaced rushmore irresistibly jokingly inclination horned sails feore hells yousef mercenaries citing tulsa jettisoned cabbage ignites oldman maddeningly generational arkansas adjusted trudge bananas zombie-like cosmopolitan studs ne'er-do-well chronically concho screwfly thierry petto recurrent lyndon fish-out-of-water ashore barge mille grizzly funerals ogden malamud hickox thinker bang-up woolrich bondi guillotines flint households well-choreographed milwaukee seekers connoisseurs priestess wall-to-wall vista dirtier strangulation tuition duvivier nino woe wagnerian overplay modification incongruity confessing leaned sicily d-war imprisons elliptical corral routh ice-cream pretentiously montano propels parnell telemundo sissi jouissance shoveller hp bufford favoured nel nea pudgy janis acoustic caustic princeton doves discontent carnivorous brassy gamely opt govt lazerov plesiosaur martel shit gornick woodwork jezebel hand-to-hand appetites insides oop egyptologist bladerunner kurtwood tractor revisionist unethical doings tur childbirth bathe comradeship terse joplin retiring gant economically wails forty-something edwin energies uhf non-fiction shalhoub cantankerous indiscriminately sobs shapeless gilchrist videostore disintegration gravel stabbings specifications tact insidious hinduism passively nastier highpoint deepti pitifully gedde scaffolding merchandising streamline gregg arousing non-sequiturs nj serendipity hellborn facially b-rated trois mater ans izumo applauding deported mirroring concubine siberian moronie stammering veracity provider zealous re-united necessities susceptible easy-going inequality mcelhone corporal attendants efx bambino signify dum coerced pictorial folds orangutan unforgivably nurturing vcd despairing scintillating discourage niel hypothesis unerotic high-rise southerner mikes venantino saddens deuce stuck-up sympathizers contacting resilient faerie sortie groaned sioux semi-autobiographical payton steroids instructs perros adherence well-educated cityscape disparity dictators corrine unentertaining breadth spate monitoring cornillac implausibilities swastika amulet undesirable impractical syllable soloist panics installation wymer angelica tp miyoshi befitting scat otaku adorned self-obsessed alligators chancery bulky ): notte welling grove genial zarabeth iñárritu hard-bitten bobbing vinson listeners receptive lamar ravens amendment merited mandel fly-fishing frolics sogo tickle cheapened ambersons stalls leisure furnishings margarethe juices precedent hazardous paragon fuhrer unwritten trumpets accelerated worsens rake time-waster melle bichir mitzi cantillana lonnie mandarin smurfs yu deep-seated faulted harryhausen fizzles gunmen accumulated hollywood-style intervene outrun solvang assign vidya rocco lynched puritan kal panders stuffs nabbed kato excluded infuse unwillingly rubell seagals edelman blessings cartoonist mileage lectured kazuhiro cyril processes experimented couldnt low-cut vase strayer reckoned yamada ware latent gettysburg bi-sexual do: do; dos rejoicing carmichael chum widows shape-shifting archaeologists sutton viewable rashid anouska pedophiles frolicking heavier repent recklessness exasperation slow-mo flares christ-like folding stubbornly re-used flux aversion pransky splattering poise klan bind strategic wembley augusto sensationalistic antonia rattlesnake bustling beulah badder jaco leonor fairfax bresson install erotically incredulity pee-wee southeast predates mcandrew deschanel gis invader dorie springfield curing half-heartedly tulipe flyer dutchman holliman bawling hoyt m-g-m hiss estonia discrepancy morand annoyances eyeliner pre-teens winking wrestles langley videotapes dint undies checklist bookworm frumpy poetical regretfully orla flatly vick konvitz compatible parlour unquestionable bille lta homelessness squealing checkpoints initiation withstanding miko miki coached coaches re-do risked gautham middle-east sweeter hersholt jodi rosco b-horror kikuno bowing slither recollect shipman thinkers distancing rigors despotic marolla crudeness stratosphere roadside homespun wafer-thin who're madcap bachan jingoistic guernsey deceiving jasper burglar technologies subculture pursuers itv blurring chandra submarines trudy milder conveyor displeased leoni slack-jawed pertaining hartmann friar infamy hitches cusp true-crime kapadia reisert extremists batcave off-limits surname entertainingly annabel copperfield poppa pierced eclipse euro-trash blooming vampiric dirtiest wrathful satisfies benward overpopulated sukowa tangle tipping respectfully wasteful zapatti pungent deepens nip donned tempts aiding wavelength counteract cycling outweighed charger allegations cq chefs gayle belching trainee kirstie temperatures shinji stunner flighty costars mumble fiedler estrangement indecipherable u-turn vibrator misdirected brood impresario alterations chocolates recesses righteousness sipping chalo warmer technician cadillac baiting downplayed eastman growl alludes meow agile chime attaches microcosm pious debenning crappiest aisles signifies watling mellisa chimpanzees dedicate traded beales tripods consternation favourably favourable alden robbin mcallister muscled wyler perched redefines devouring cheesier sajani expulsion abundantly insincere belting mavericks giddily glaser estonian presidente impotence serpentine exodus bowman humanizing wastrel clearing berserkers sexed nanavati zing ignorantly b-list mehbooba man-child wauters genova firestarter combustion paternal bettina submissive anti-nazi nathaniel bernice vive latch evacuee well-lit btas momo kuriyama charmless aluminum emote enraptured indirect breakdowns inception mugged inspect vested fundamentals tranquility copped lucia katya pitted travail para cropped sartre eyewitness boromir yore rib yashraj prod mole-men palminteri arlen japs japp skullduggery unjustified scoggins buffoonish horace firehouse bleakness gratuitously myspace resurrects xavier half-naked mother-daughter amores dependence madhavi rickman kurupt wane top-quality worn-out paramedics treize hounded lube jaguar cavanaugh hak nicest paradoxes bigas fossey disconnect tamara absorbs pervading perturbed rossi glean shortages senselessly abbreviated leif periodic super-human scramble jiang life-changing bedlam ringside playmate nikolaj organisations yeager faulkner specimen emanating controversies atheists amalgamation maclachlan plot-less multimedia desiring tahoe thigh furnace peking undersea nero megalomaniacal compulsively honeymooners cuddle elbow guile immediacy dolittle bracket roundabout dupont krupa pastel tong tonk sleepover thrash warthog architectural schweiger concorde mountie foregoing coalesce fumbled skaters conquests withheld layering gaffe appealingly filipinos ambling undercuts monsieur frazier guinevere manipulator illustrator cinemagic lowering machi himmelen dismembering lovebirds apposite accidently documentary-like arturo technicians devastatingly pronouncing competitions trautman withholding jails mind-bending enforce sondheim jayhawkers chadha embellished attachments improvisational mariana rca metaphysics subtracted bottom-of-the-barrel cimarron supernova accomplishing henpecked indignation balan intersection revisits atlantean traditionalist haack schmuck blasters landlords seeley ardh schroeder trots rochefort f-bomb fracas inconclusive homogenized musketeers clapton nielson ome upfront shimmering incorrectness squander jupiter carts shoot-em-up sagan lillie landers superstardom diapers wussy boa infinitum jellyfish essaying rainman tugging incisive seam permeated englebert klingsor puzo purported mule phrasing rainstorm undecided hanna-barbera suspecting faucet after-school blanca plotwise recycles toddlers cahoots magruder turaqistan nekkid disarmed underlined fascinatingly nervousness quasimodo copenhagen gaillardia aquaman disarm yeoman leibman daneliuc inexorable visualized gringo haig :-( insured shyster well-defined diseased horstachio healey dupe peddle ailments rewinding cloudkicker solino piffle implant roo inter-cut prez prep lonette batting cinéma woolf stroking ventriloquist fender even-handed whence doze overflowing immunity equations enlivened cybersix enos inflexible contextual calson magnified lee-hom resourcefulness asagoro boogey aapke leveled buccaneer sidewalks sanctioned waterworld sufficed tanker videogames bashes indignant valeria clutch tonnes plaudits telegraph restriction salaam-e-ishq tequila mens prada enlistment josef deluge mambo pest ottawa bregana all-powerful characterize lumberjack overloaded haute ex-convict countered liable ante char overhyped acs suspiria recommends fastidious ag ap fresnay interpreting avenues corps gawking emanuelle pegasus struts javert sherwood equaled sentai cinematograph bastion magicians hiltz volcanic judicial pilger sighs santo rhetorical shaadi toho serviceman re-enactments straight-forward trumped comme applauds unfaithfulness prepon secretaries show-off preppie stone-faced geller clergyman taunt gainey harvested ix modulated lorry snarky mcnicol droned snoozing elongated partridge webs mutters mantle seeps weakened write-off side-kick honours gilson observers subdue canonical multinational klowns telecast celina awarding helming heavyweights lantana coalwood catwalk d'arcy hedges processing orientals curriculum gf revulsion rotted overlooks blyth byington conservatives usefulness blight cuoco bertrand prozac fenech drek summarizes squirting barbera luca lego graaff grownups goblins rennie prankster keach folded recognises phobias dispelled geometrical magnet pollute plagiarized shatter resignation harker aymeric barek trotted histories wiki kernel moranis perpetuating serendipitous voluntarily shogo opium strawberry leaked fffc jive setback pens suprise entrancing settlers omit jolson ky hillside ferrel enveloped halves blore sandals swatch lebowski anarchic alisan neutrality plugged fervently subservient foxworth regions gianfranco disgusts asthmatic cures jingle patting equilibrium tuvok publicize fixated bragging taekwondo tween softened xena pendant sousa quarrel tasuiev plaster trumpeter discriminating luminescent isha adage redrum blip vilified beirut self-imposed shards disinterest lags dex goofiness weighted samurais tempers hun gokbakar replicas violates sacked bromfield sampling flash-backs threaded schedules quitting cocteau monsoon mutually salome fetid encouragement railsback environmentalist aldrin nepal paradiso kol konkona maison interfered louche martyrdom brice quintet quais sliver meds volunteering vagabond ten-year-old sanctity buoyant hahahaha martina retakes manicured miryang tasked enlisting scathingly mined conspired turpin knoller cheeta relieving inward revenues despondent sylvain cama emphatic seamed defensive pliers monson akhras pelletier holi umbrage keifer bribed elkaim flagging stolz omitting tora toru bumpy illusionist re-enacting timoner debunk orchids retromedia impregnated siv reflex boosted mohawk goliath bristles telepathic clowning czechs grubbing life-threatening shelved confounding furthering dieing belligerent darts cruises baritone stretcher raced medically ohad knitting buchanan slump consigned caracas unlocked stocked staunton desperado darshan crandall wallowing minimalism cutting-edge cobweb yelli ariauna tramps locust ignite fulbright haji trumps hawking tupac belmondo shiner denard six-year-old daze expectable conglomerate legionnaires motorized plummets iceland legolas gailard cragg gnarly marner wolff stingy cojones repentance hesitated fingered holcomb disqualified mind-control gonzales d'etat snore-fest immersing yvelines lionsgate friels plot-twists magdalene inflicts turbo arabella corpulent telephones labs persuading deliriously overexposed alluding spine-chilling splice financiers byproduct clownish messaging harel dips presto sausage decors starter atone literacy predilection burkina nilsson hitching candyman expires corneau dullard backpack ondi ermine jeeps kaiju pseudo-intellectual tobin preferences leaky qualm wallows kieron twitching pianists bony brideless memorabilia conduce psychobabble kik garlic unconcerned versed tie-in prairies sufferer teevee confuses twentysomething mao attorneys ore meso anus sabotages hooded damne bastille registering rowland dreyer exhibitions pups washed-out gymnasium shrugs prodding alberta saruman reverts fincher dong conspirators parc sector severing mouthful complementary cakes ensured gérald larocca zucco stomps lungren johnsons brethren orderly chupke samira mats laramie fleshes neenan nitro edge-of-the-seat superchick cleverest third-rate regretful flourishing under-used grapewin remastering raiding dictatorships tenacity choule insinuate delicacy womanhood hoshi bandages fontana youngish soliloquies uncooperative bugger vin crowd-pleaser intolerant forearm rehashes jory spiers propriety trilogies ferrot ock daves scantily-clad medusan pom ellison satin wounding disrupt gorier snort garr vulcans ufos bucharest internalized wanton rks examiner minot markets satanist warm-up franciscus wheeling tangents stimulates governmental alphonse neagle pres ensign sis luján hankies anglo pharmacist screamingly canary module publishers duane loosest feathered gables debuts garcía unmasking vat treading misjudged splinter koji hoo nobles tybalt reprimanded hutson lockers mobility bushy eps pfieffer meagre melodious truckload dissipate foiled atom four-letter teary wilfully uncompelling residency underestimate hades transcended jacksons captor livingstone citizenry bulldozers snowball reticent grandmothers terrify tyrannous flings colton silenced arrests coldest agi oracle hanif bixby figurative reeds martyr weaken progeny contraption temps shun non-fans traveller condone martindale ghosthouse moreira ahista concession colonized zefferelli edgier summerslam rebar miscalculation built-in etiquette neo-nazis yen bigwigs peacefully spagnolo rationally mays stylization hackett evading matlock suess htm harrer slinky bowled kafka couldn vehemently slaver stickers laboratories ceremonial audrie havilland scatological charlatan bamboozled scanned deadline dishwater zuckerman gazarra coalition afghan affirmative ensconced redefine dispenses large-scale boz spheres botch pillar amateurism remarry apprehensive majorly joslyn dubs flocking cringe-inducing discourages tacked-on pt unconsciousness fathered rossitto donors reems saggy brainwash bounced homo-erotic prototypical disprove gracias coogan sex-crazed madhvi flaunting uli cantonese belaney simira spiel wurb conceivably non-event pernicious sevigny fante yield dialectic profiles scavenger exhaust implicate egocentric strangles pensive distorting zaroff alzheimer oblique chomping reappearing humourous cholera seeker ph half-truths elektra ill-fitting gaylord usc germ lotta painterly weinstein subscription hepton analytical poverty-stricken bellows angled begining girl-next-door bloodlust hanlon bertolucci excelled d'or diatribes gato standard-issue kickboxer re-created intonation shaffer pummel toothbrush exerted backwater vices monitored looker intuitively premeditated essentials toshi tubbs flagship conversely copeland swank co-exist directionless bizarro isla skinhead everyones siamese pervades mma shits stutter waxes powers-that-be duress eluded re-editing subtler baldrick coincides riddles arbitrarily improper storybook vallée wheres mountbatten old-time sharpened lorraine resilience silvestri manipulations instructional symbolizing exemplify maupin pending impart smoother endemic salient wasps canyons pisses foetus thrusting burnford theses feral pajamas mifune dearth kant jung emery sustaining oxymoron seizures grimness shayan veer himalayan haggerty kojak noland verges marched supper outlived amfortas eduard break-up correlation cincinnati osa meadow gurnemanz inexpressive kimiko albright quantrill initiate ghulam all-round holroyd chabon steamer intensifies insiders thumps zappa pieuvres hickey jordana prescott tarnish omaha bullseye bulletin novarro adapts dramatisations marquez jacky conceptions aussies keusch traumatised frownland fujiko zandt roughed fielding souped nursed urbaniak braces fumble scorpione stormhold optimus replayed piovani cone canvases duggan accolade bakhtiari diplomacy all-too gaston spacious actioners interstate incarcerated eros goran sumitra aphrodite cleaver vadis pledged saboteur zealots vigilance wedlock blissful spartans retaliation greenlighted paco hitoto operators coney soweto jhoom hallorann kaleidoscope hounding drifters naissance filmfare kidnapper enterprising gens så galling zinta neo-nazi thunderchild pemberton halloway hummer monstrously wrong-headed density riverside overlap mutation pulps kusama triangular strawberries aides sweltering andretti oozed schoolchildren disciplined aquatic orgasmic drilled scotsman trimming phibes fraternal courtesan jacked steffen saki stoops assuredly spradling kwon joshi apparition spano imp novello over-reliance uncomplicated yoakam o'hanlon annihilate peeking outtake mimieux primo jarada embezzled wither oddballs valentina bloodier prodigious dippy off-key focussing hathaway zapped suzie lisbon figurehead zilch ravages ha-ha break-out peachy re-writes triumphing presences mcinnerny antiquities tombs disrobe schrieber composes dentistry browder denigrate preschool kazakos grunting rotating blimp womb emo livelier kraft all-encompassing domini hortense shenar hobos dolphin mermaids carcass dodges unsaid rodents knuckle undresses penance rendall reams undoubted annihilated pilate dilly escorting waved extroverted lasalle :o) modelled improvisations glandular dekker ntsc fallwell aqua over-the-hill donations buddha platter reynaud intersect mayoral sensations vlad sven atlantians arcati pleasantville inge klux fishermen contractors weitz systematically elixir capitalizes carnality windy concessions letty bulimic balkans exaggeratedly anisio dornhelm taco soleil quatermass guignol cocoon disclose tidbit chianese blachere marthe kristine burglary buzzer motivational misogynist throngs chutzpah vicarious knef dorf misfortunes pimps chums scourge drizella touting shlock breathlessly moneys couleur manufacturers circumstantial demonstrations pall soothe adrianne windscreen bonfire assertive five-year thoughtfulness stroh near-perfect frwl aankhen springboard bundy professions lynde repressive cambell elicot numbed synchronization gilles piedras bromell has-beens tidal lino nationalism art-film transpired animatronics earthlings altaira jethro godfrey latches percussion uppity katharina yuppies roasting sickened chancellor disapproval behemoth mushroom bettered kazihiro teletubbies debauchery shanao thiessen fleshing huntingdon gummo baraka dh sickens tugged pubs thx alchemy pancho someway chirila balzac presumes honoring fardeen hoops illumination trilling film-goer defenses leatrice ballpark storming frown schaffer willies daringly hunks bumpkin marvellously lesbos nauseam vr hhh foreseen mi takahashi airborne rappaport colby machine-gun f-words chronicled willed clenched blindingly melfi escapee prance whistles flagrantly underpinned advisor yawner beefy adieu plugging slovik snickering mech bukowski two-parter hq hm fledgling camazotz zavet inordinate operetta melies janie ghouls tatty discharged yakima tans envious zara shim primed uranus detest coffins puro misrepresented rabbi imperative unduly wormhole camouflaged mettle curled laughlin jd sahara beetlejuice alonzo lunar giggly chan-wook showmanship blacked faculty alps bleeth headache-inducing bullet-time necronomicon restart transitional ike rebound resolutely katzir implausibly thatch fondle bleek writhe chats tenure loafers overcoat monceau donen instigated cables kidnappings reenact tenchu collier thumping trolley mamoru unreality viscera bonnet lacerations ruckus interrogates lensed viruses cockroaches rangi movie-makers heinz concoct two-timing messed-up rumoured anu vibrancy peptides floods invoked styne modes purposeful callan father-figure rearranging illuminates multiplicity obtains infects dissolving barbs belittle ruge beards pd bachelors post-world enriching altruistic faso mistreatment fries oshin finn selby fem gert gymnastic emerald rewrote sword-and-sorcery rovers venal realtor vindicated subtexts sedgwick angst-ridden francoise non-sensical hordern flicking entrusted heretofore recognising over-simplified graphical zoolander vaudevillian obedient respectably well-suited abstractions nova griswold chests judaism huggaland overwritten shores stammer lotus clans rankings amateurishness rigorous markedly ti corsets empower rummaging spoon-fed marginalized transposed staginess genoa ops no-no tati unsafe defect caress loooong séance reliably shading flocked flocker stiffly scapegoat reopened altho sienna paws shuffled mumbled doco sadler hindus coleridge accusing over-produced pimping compensating lund all-girl macgraw crunch leitmotif gulfax micky supermodels mervyn ardolino xylophone implementation high-class courtland gasped cécile sachs sensationalist sundry forgetful comprehending belive reflexes saunders fuming bewitching d'arc chattering enacted housemaid cornwall slab resurrecting mastrantonio dell'orco pre-pubescent roughing commanded transmitting repetitions halprin ethos cervi mccrea beastiality ryecart deficient handwriting vegetarian fatuous mourn skinning buffaloes camouflage noone cleanliness druggie irredeemable uselessly madigan roxanne castrated chameleon one-eyed katt cheang mercurial cray agreeable saintly encrypted klaang allotted spewed quip intimidate nebulous clouded livin fingerprints damp strengthens barty philipe baking natch polygamy hocking tentacle o'brian dwivedi yankovic cleaners propagandistic schwartz film-goers fluegel oven jariwala unturned love-making twig laboriously storytellers handgun sivan kerching upping deteriorates hara orient cheeseball overplays self-sacrificing deepening bucktown burner underline underling alarmist relayed tonalities shagged brainiac croons susanna misdeeds nimble confides impervious smog lajos stockler tributes sluttish backers augusta withnail belatedly blooms remoteness ritualistic grieg brandishing harlen reenactment manmohan non-threatening lodge gamer immersive springtime atmospheres blooper inclusive naught sequal aretha prize-winning re-shot boozing inadequacy uniformed best-known renter curmudgeon probes soho hedge stepson zoot groundhog teen-age sex-starved psychics pippi underplays ness vowed augustus cheesey potboilers pons swung koen developer ding checkpoint befalls moist inflection lobotomized bohlen narasimha jordi baggy confusingly democratically humors bottomless confidante slamming oranges unforgiven renovation limiting alerted necroborgs upwardly acquires socialists camels alienates suffocates maximilian self-appointed abominations spidey dodgeball twee emphatically shipwrecked greys speilberg hyde-white carpenters bulldozer castaways unforgettably leeches ferdinand deity paraded flustered blu bison mameha squibs puny donnison type-cast airlines entanglement faintly polonius unveils dispensing collie direct-to-dvd unbilled charnier vie sirtis foregone tentacles imaginings licks eloquence hair-do zealot zeus disenchanted needham rom-com smoldering gentleness harpy harpo monthly divulge modernity dramaturgy ilsa recruitment shock-o-rama shipley surgeons platonic crippling persistence allot wonderous adeline predicts gubra cove planting preoccupations bastardized double-bill spooks gianni presson self-confident haliday farley viper straits nil competency letterboxed unavoidably plz born-again wintry write-up conquering guitars penetrated hops flavors bourbon occupations artless complicit roadster d-wars belinda nestled coordinate twitchy sniffs processor grated victoires zomcon chock-full commences ejected ouedraogo meteoric glut glum plausibly ingenuous breakneck allyson kurdish denison ingratiating hebrews hrothgar pluses fdr gonzález smithee whisks whisky polynesia notebooks tarentino renner undo malibu scrambling juggle annabelle enhancements joycelyn melba fifi nastiness elevating ape-like enzo amour hallgren stix definetely rhyming massage one-night plumb pere mouthing flamboyance revelers hassan seizing arletty cluster stairwell mop fidani intrude wittiness gussie decisive translations reeked chimpanzee stacking ryu polynesian triumphantly donaggio dismember macchio organism matures binds ri'chard larn manned foreshadowed towelhead maupassant ondřej handbook clemens manservant kader bosley languorous oscar-winner peyton sayings phases highland tftc warehouses masterworks caitlin plutonium assembles earmarks much-loved anyhoo donning bunk intruders patent uncharismatic whereupon multi-ethnic pinocchio hypocrites bungling spawns ardelean burbank perversity stupefying yale middle-age multiplexes whirlpool satisfyingly electrified hulu pascal charleston hayter professes como comb big-city suzanna dank inadvertent disposes megha raffin howlers sbs professing irate condescension thrift wayan misanthropic kazuo enveloping nathalie splat kosovo pvt ari civility pitchfork minis prof soars ether uphold relocate proog forays sinners hitherto destinations outsmarted excusable hairdos scuttle contenders boos saturation traitors dependency bugle hypnotism third-world gab consenting mesmerize intake pinto assimilated glenne mind-bogglingly snugly whacking renovated plath clumsiness epically minuses costa-gavras chink wildcat frenchmen duffel unequivocally sleuthing ptsd plot-lines pasadena mache roald darnell vigour zenda smooth-talking precode revolutionized partnered moons flipper eadie hideaway adroit averse disparaging exasperating disrupts yearned abuser bride-to-be santamarina yogi curate floated shockers hasn criminality mohandas vampiros telemovie idols shecky simonson dismantling scarman full-blooded nra olmos uranium bianco decorating integrating stalled sabotaging rainbeaux convolutions foretelling domestication sinus ire skateboarding marte vadas phat oft practise stooped underwent aito blackness high-priced wretchedly saviour zhou stinky brannagh divorces bared ruggedly disputes step-father psychologists engulfs psychically pan-and-scan bilious bening gentler jacquet reproductive crows uzi rainfall coded escalate galloping stooping oscar-caliber fc outcry psychical gorehound premieres verdi intonations nile straying scarily dramatisation stuntmen nuggets sweet-natured amnesiac karns ex-rental chopsticks differed hadass heave miseries tearfully rotterdam galadriel ladybug oncoming opposes anti-communist re-shoots avaricious socket amati uribe newlywed sidetracked sidaris halting imperious coaxed self-centred autism over-protective vcrs blythe ashwar germaine fois collaborate spokesman luciana end-credits rook gastaldi mccall aida debit enslin lettuce isotopes resistant fake-looking elli involuntary bordello cardiff evinced brightens meander kruschen bot close-knit coaxing pointedly out-do membership klute wall-e multiplayer inefficient automakers sizzle squaw cathedrals blanchett bearings vito vita snake-like autry year-olds mädchen neo-realistic puffs ukulele 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pleaser confrontational multifaceted day-glo valiantly scruples vorhees double-feature roundly melee pasty scene-stealing arne fenwick institutionalised vigo hoffmann black-face handguns well-constructed bowls fortnight auditioned frowned affirmation advisors capes avenges aurally oceanic non-professionals doormat fantine stiffs life-saving pinched explainable summarise spam garnering lycanthropy heinrich clawing assimilate chao shanty shanti girth mercies humphries infuriatingly verneuil same-old obviousness juggernaut reflexion mammals scenarists coote cpt yates manageable long-forgotten strolling impacts porcelain acorn exposures ballerina paulsen masochists well-placed condor obscura baretta hooten creeds outstay contraptions bargaining impudent tally faat butthead wove farrago hissy tableau obeys unpalatable hobbs make-shift drug-dealing ying gcse buttocks quietness migrating bianlian bayliss streamlined tv-shows incurable classless cs subverting hubbard concealing balk bale idolize annabella distort fragmentary scrappy-doo grover piers linney stefano theatricality zee germanic tian mcgee ebsen chastened aztecs monaco violinist reset sodomized sprawl excalibur margarita pratfall retires pretentions pong unlovable colt halo ee ea ec insular existentialism pendelton lightened randle hamstrung dispersed bochco brainchild togan javier disagrees bestial daydreaming reap armistead roebuck burrough mourned vern apologizes apologized drippy sunways presumptuous shushui maths tenets audie flounders giggled oaters shae rediscover hallucinates distanced airships modus low-class lakes foresight hissing gr gm espresso launius scythe anomalies repairman self-made spurious pistilli newsweek polygraph poole gaffikin chung fells fast-forwarded grittiness pimpernel dpp mohammed shi avigdor talley well-shot chandni cahulawassee suzuki typifies eliciting hunch culver do-gooder bigalow coixet decree cccc neverland long-dead fertility half-wit juxtapose fillmore gossipy jest amplify absolutley gunslingers skis crusading iconography necklaces helmut blouses watchtower hashmi popwell trotter pseudo-documentary oversized ucla yugoslav mid-section devours munch elaborately wastelands mornings deliberation carpathian saudi transit clergy freleng bibles coax pena detach maloni endearment nuyorican ko valentinov shaman openness hopefuls razzle-dazzle dishonesty excites pew life-like apprehended spasm footages hobart mulva facades fett hensley pitts gang-rape traudl retrieved flatmate waltons trailer-trash thrived jeannie arisen haddad cubic testa suraj whiney dunes leverage mahesh implants estimated ipod reversals dodo l'amour euphoric ballistic toon dcom flash-back snipe lessen jarringly darkheart limitation froze high-powered glenrowan trotti one-trick conjures armored babysitters stains hooting lillith snarls prettiest polo lifer film-school shugoro goriest caton loaned nudist denigrated congeniality equates grunge irak diluting gunk bolero malls buenos glide environmentalism nab rushton lackadaisical asphalt lushness fallible bolster tweaking advisers ecology serio-comic depression-era micawber bellini workhouse extra-terrestrial teodoro hellion redo summery unfunniest anonymously khakee effervescent rigs vegetation terkovsky arguable gosling align perpetrate fellatio ober gnatpole o'keeffe shamble quadruple saskatchewan picaresque twerp debased plunged unmasked insubstantial tetsuro heavy-duty coeds hypothetical tres untrained sulking pads alignment glasgow kunal voyages mckellen hooey mumblecore call-girl menaces scapinelli persevere adulation torpid jurgen sc tellingly unifying golan rephrase vertical mano barbet presumption sleaziness (= childress top-billed corrosive koltai ubasti wavers dodged fiorentino rhys-davies immensity laces hereafter glop cravens grossman lavished canceling backfire candor aggie spiralling kaiser non-american isaiah graduating baroness bullhorn phyllida burgermeister wise-ass napoli sin-eater frankie-boy briny disillusion assembly-line glosses textiles reappears bookends d'onofrio concerted orange-tinted bedding czerny shyness crackerjack revolutionize man-hating validates layabout martial-arts snags wa bray fess two-reel lizzy phew bookend now-a-days inquiring governed solent taye scarcity laserdisc repackaged croats waned checker ferrara corregidor dragonball thunderbolt ewww groundwork passivity scorching hamburgers menus humbug cimino yi reigning unbecoming imelda stomach-turning milner ziggy ladykillers loom thefts deployment decayed brand-new entailed aires uber integrates ziegfeld hennessey referees accomplices guff torres undressing foulkrod re-write passe messiness pimped mists magoo blinked melds diligent underclass attractively insinuating hyser delaware paramilitaries smidgen beige sayori argentinean misconceived dookie rosenberg pocasni mentally-challenged masterly hooch overtaken mystics wickedness whammy raimy tingling unappetizing gushes flatness bella neptune auspicious drablow valentines raids residenthazard facilitator aunty tesis fancier sweaters grouchy thirty-three mag rheostatics stubbornness goto whacked-out lilia up-close jumper diviner lucian monet mancini hallelujah cabo sociopaths drug-addled coincidently gravely love-sick dab conduit parn draped malignant niggling kitchens brogue chokeslam syd toil pleasuring obliges ape-man teleportation lucinda rediscovery diverts tickles posteriors savaged alaskan lobo regimes mensonges tenderly biologically slammer semi-documentary crazily kool-aid oiled muzzle parter organisms worser friendless entendres cycles misadventure affiliate fitness mahogany counselors bombard smugly traitorous swingers marveled goats sprite dello bodycount trina disfigurement mis-cast idolizes xander advancements margarete papier-mache dries anti-feminist cory judo kyd rawness mayweather hiccups thuggish inopportune tarrentino stormed pol existences mound vest ramallo erroneously dithering rance brisbane ng djinn 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songwriting proficiency negligence edwige manically emran dolphins affirm casinos pragmatic over-sexed lugubrious foreshadows muffin gatherings monteith shaloub kiwi hike pessimism korolev proverb liebman teetering aldo fetishism brake immaterial operandi mayo bucolic anniston dovetails cothk fictionalization dehumanizing emcee coozeman showered medications kerrigan marino zaz impetuous traverse accordance alfie aamir donating earle dusenberry forks side-note rediscovering tussle drawers movie-of-the-week entrapment eppes co-writers nigeria outgrown lib speculative diametrically philanthropist headey embezzlement bassenger jibe booklet dissatisfaction rees nas swede duelling testicles lowry dvd-rom converting turn-of-the-century blood-curdling apologist cravings manitoba foisted plumber heart-felt hard-on titter yoshitsune kettle gadar manifests matondkar jams ergo tagalog gossiping high-point mistrust blurbs deems uneasiness hoary inquisitive chauvinist originate well-balanced sushi 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tardis cagey cuisine zabriski abduct contributor chirping hyping mckidd dawning boatload on-set aragami loch nears engagingly naish directv disintegrating murdstone gentile daydreams uncalled dished rainbows cardos jag strengthened souvenir rougher agonized down-right audit neorealist wen kiddy manhandled succumbing watermelons dumbs valor hispanics raffles hoofer travellers red-blooded conn ancestral guesses enthused cultish mild-mannered ornery wanderings berets nosey noe nov consummated funnest sores heretical distaff bullwhip monarchs emigrant revoked winks mouton cuarón raptured quagmire babyyeah stuns bushido aboriginals well-staged treks mid-nineties ceaseless envisions horizontal mise masako storywise bonzai moritz perestroika recasting insightfully smacked chainsaws shivering nikki wickes barbarism bangladesh utilised incites genn stafford super-hot well-respected matchmaker demolitions frickin birthing soso well-established telepathically unnervingly tuner eraser narcolepsy 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playtime amor slo-mo nu livelihood takia pseudoscience studded hadleyville starlight unveiling homefront paulin piranha anodyne grieves emir gouald coupe jakub occured paralysis malthe idiom infighting curvy gangly adamantly copping wracking ricochet fests disciple imprinted judah ritualized duk py bleeds male-dominated stand-ins vaulting symptomatic awol relena uso foppish lower-class memorize dismissing barricades hipness boosts primordial trenchant hyman disarray molla bouquet belabored unremittingly admittance birney clinker rainmaker kern urged tinged gunsmoke adjustments balsa eastenders compartment crowned appreciable lawsuits switchblade flash-forwards lagosi con-artist strewn viii spectacles rewatching trombone leer beamed jewelery cataclysmic wannabee peculiarly hurtling sergius gimmickry offencive spiritualism crotchety sniveling mimi depresses checkered cramps calligraphy chungking dart dara expository biases punishments slopes unreliable yasujiro tu ts pawnbroker asgard populism lister armitage anonymity cabins pigalle gruel kunis self-reference publications sri dead-pan britons gotcha emasculated arliss wretchedness sylvie basking absentee coals vp paranoiac amis upped screamer diggs capers pandering loud-mouthed hodges hummable vents profusely logs home-made meshes takeshi seater rationalization coldness radford gainsbourgh damnation kollos rallying wat high-quality absolutly affiliation flamed hildegard navigating plodded deprivation double-edged profess sarcastically xx xp tippi yip routing televisions zola steinberg nobly schoolers proponent sundays bitty pear fizzled screwdriver insomniacs gauche gaffes naughton racetrack lasers sketched brazenly exponentially rampages haarman squirts well-chosen hell-bent policing plummeted embarking remarque instilled orbiting regroup transylvanian docked alida kelada providence nelly hoopla sedative katz epstein picket speeders tension-filled xenophobia childrens perfectionist dibley swapped katy alecia 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dramatist compliance luminescence illuminating shined bregovic old-style moovie invades long-standing reincarnate hospitality somersaults on-camera gta superlatives achilleas watershed giver selznick rematch microphones shiva novices electrocutes eagerness interconnected recounted kincaid samba nightlife diverges swirls louvre chace acknowledging doorknob wouldn yvan transformative characterizes cadavers dini harping inebriated stefania ping-pong merry-go-round playmates rollers ravi balrog peopled bartlett constrictor frightful milford remix burwell diehl tootsie jasbir blustery badger flex barnett whoopee moxy synthesized baby-faced jule baptized badlands neatness taming saucers conklin bauraki timbo cini cine preacherman racking nevsky kimmy mcguffin pickings narcotic hdtv classification moth mueller senators rubbishy flamboyantly old-timer divas bodybuilder bateman mulan boen drearily lighthouse self-confidence re-discovered remedial pro-american desecration fatigues coppers ironical overabundance quandary shuddery century-fox crappiness untill topnotch veeru mallepa melchior lina blinds ill-at-ease helpfully ddt stony sahan mourns gliding bremer preppy muffat dorks vip campsite alla epileptic yellows frock disrespected samoan brace belles pendulum reverted irked lashing harks scooped fables deduced vinegar zis doubling pout halted erasing derelict normand princesses thrush elyse cranks quickest loathes wardrobes uninventive softening solider jojo intangible derrick dogfights interns lai egged dapper horniness nth dumbass flamethrower onboard mercurio embarassing castration repelled reuse wispy shell-shocked one-minute weiss he-man braves l'anglaise disapproves migraines genes gorge envelops amputated curls showroom rebuilding scrooged mountainside flowery animatrix gobble lumps siesta moxie skyscraper fliers tutors ci seamy amputee exonerated posterior appliance quaien authoritarian pritam sharman deke enhancement adjectives word-of-mouth zomcom commenced linder neanderthals rudi demographics steered corrupting devolve reoccurring winstone intensify gels costas half-finished excitingly valkyrie one-way flickers linen permutations mismatch testifies cutlery gash announcers stump unequivocal killjoy skeptics radiating perla betrayals thunderous dejected introductions masking body-builder dieter lumley habitats inbreed characterless elude gladiators diddy participates modernist phonograph jackies guthrie half-an-hour restricting recur distorts helge mila julianne materialize overlaid deportation amelia slurping androgynous accessory piloted instills moderator hotshot orchestration cluelessness pax spoonful mog organizing goro puked craftsmen ryuhei parcel knifes oskar sarpeidon chipper dispatching prods over-exaggerated rye craptastic bathes epos goop wiggling podge newell procession mclaughlin dividing jailhouse b-flick green-screen carné scrapped mikey fending overpower oedipus brochure velankar d: dissuade widening grade-z untamed 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enthrall laugh-track ahmed dolan shipments dailey fugitives teck hi-tech dialoge platt lapping underdone sensationalized skilfully inventively honk bellow haq haw unabashedly completly lemmings duccio hebetude freelance consoled dumann leeves workmanship zod gibney jitters jittery delroy reconciling bhoomika self-promotion recoiling humorists aargh unlocks grooming allowance split-second pretence limping verified nuptials assigns elina persistently rejoin malfunctions excelent sarin tremble refunded swoozie unrewarding mora tripp biao theissen peppy cheerfulness hussar chipping excitable olde hollywood-like mias re-entry anti-death laugh-in nri counselling consulate copes impaling colonials nicholls privately blindpassasjer gremlin gases carping deadliest bacharach soft-focus cutting-room wishy-washy cross-cutting riva actualy soliti post-college evolutionary critiquing motorbikes clarified commandant chivalrous dorado entities alessandra dickenson marti marta gibbs windowless zimbabwe schmitz posterity homesick terminates stinko debunked remarried unrehearsed hone destry kirin confections certified blurts reaffirm hologram sixteenth thundering scatology kinkade sleuths fillion plumage parisien fags waxwork denton hairless drugged-out walk-on freelancer gold-digging evasive heller pembleton newgrounds heaviness imrie trans hedley heterosexuals nietzche beehive slacks excelsior monochromatic retrieving manville renaldo troubadour toting hybrids sleazebag bertille spooner propped unspoiled guillaume backus philosophers waltzing pooh pique put-together hold-up pus dion anti-military dishwasher giuliani equating gnawed comedically bottom-line netherworld mcchesney tolls jaitley mausoleum boland stone-cold atmospherically man-bat informal representational softness papua mentalities politic interventions vampira lafont salvages weak-willed deighton supermodel atan delegates amato skunk phillipines ked piloting legendarily quadrophenia propeller rots glare buzaglo carolyn 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resemblence mindedness implicating unguarded crumby unrecognized revisions clamps teeny-bopper vampire-like carrel walentin ohhhh enlightens overpriced stephane considerate blackwell churlish buggery montagne deposed unyielding half-brother midge sanguisuga chesty mystifies plying mangler tester deliveries inverse bathos slouching kaminska roadshow grope idolized touchdown variously bodrov interjected posthumous envies personage unattainable washburn gustave lui cylinders surfaced subscribed peaking cask antisocial duplicating impales frequented delectably puertoricans kilter set-design engendered rocketry paddy deviation contradicted hulchul low-keyed infringement negotiator dieterle ex-marine down-trodden lestrade sabine flaunt jacobs compounding shrewish upa totalitarianism ja-pan tongued smallpox humanize undramatic indiscernible inconvenience knighted n-word anti-smoking tough-talking outwits bronstein bemoan pipeline asserting yelchin lifespan simonetta camcorders nico puncture inbreeding placements doubtfully accrued somethin villan civics glengarry clippings bickford herded nosbusch eleventh trespassing slinking skimp jot lyricist flubbing hocus overcrowded vitti ayres spence ohtar sass dominoes laundromat ioana goldfinger stormriders ziab parasomnia escarpment symbolisms cineaste julissa cabbie nauvoo jurado bilson commemorate township matiss sensory metallica shopper ilene responsibly crewson advisory accelerate blue-haired mitali bess bachelorette adapter quests hospitalized generalization unexperienced picturing lushly bonny articulated fuchsberger fascistic schilling marseilles trampoline mekum weill indolent applicant dreamland pint-sized repaired emblematic hair-raising reconciles tasted lycanthrope fishburn dalloway occidental mince hibernation surgeries rages jaunty rivalled mccain teddi neilsen non-christians wittily flocks whitfield moroni formative deerhunter full-scale philosophizing teammate impregnate campion smmf herbs ismail aronofsky mcnabb installations sender logging cline browns clink riefenstahl paucity obama basicly pickpockets villager avuncular soulmate recherche tweaked pecking contradicting lenin sound-track honcho overheated strasberg avco semi-decent powerpuff firms blvd especial comms pines buoyed punctured one-shot reignite championed post-soviet molecules ticotin allocated rioting delaying samir psa indications swimmers sword-fighting ménage harvester denote knockers physiological nutjob wagnard bubble-gum fragment baltic obcession jam-packed workman-like frowning schreiber suwa headliners unrecognisable chimneys koechner kinship skanky un-noticed virtzer weaned mushed fairground human-like hump spiventa black-gloved detonate meerkat morell illuminations ganzel tomiche decapitates massude ernst-hugo cheeseburgers gnat medicated matter-of-factly herbal self-interest shannyn bian kenya mmpr reunions affectation melton martyrs pummeled crichton builders music-video ramsay mpk mouth-watering l'avventura filmakers fruitful macneille asl tanny sawed snoozefest suicune karo dobkin gloved tatiana ridiculing hour-long russo-japanese shag wedged marci rum panhandle warlike gp eradicated earthbound tonal khleo dereks carrington letterbox fostered debasement ordeals pools wading snyder clanging electroshock carrots hardbody mechanically dvd-release contexts calamitous zeke opera-like fleas johnathon hour-and-a-half celebrations surfeit laude administrators vholes dmd vigor aslan kassovitz bartha indiscretions non-existing gaslight manhandles nosedive buckley ddlj ranted prodigal hoof mutate boondock comply mayans sturgeon menage timeframe typist sorceress hygiene particulars mangle majkowski overstates potentials facto belfast verona matrix-like garments nonpareil mathew championships stapled reinvention balki satirizes satirized unaired indoctrinated bookshop nudes blacksmith fiji dollop adela mitts refunds lethargy ancients machacek déjà-vu arte deserting inbetween astonishment out-of-towner tusshar aerodynamics fricken deterrent langdon rwanda rambunctious knitted bibbidi-bobbidi-boo romola rankled ravings yetis ferret motiveless finnerty wynorski tribesmen salina lenient verboten guano chambermaid harlock puh-leeze beano bestseller baranski omens fishes discards low-lifes campuses name-dropping mannu emotionalism hugged hanfstaengl sig res masanori knieval regurgitate delilah ludivine miikes jaan priestesses artsy-fartsy fallibility refrained bespectacled un-pc valcos shintarô swig voilà brigitta panes panoramas cinephile tweed okey injections smokin mn harling superbad enervating vixens norfolk glisten put-off balling baffle schofield hoofing towels o'dell nightgowns pharmacy ditty dehner pelted sedated roving dolce humorist dissipated luva districts poorloos divorcée slumps queries light-headed hui verheyen badly-made thermometer friz brashness jiggs indulgences freakiest cafes poll cords potty-mouthed tuff calmer hazards vicente kleinfeld duchaussoy overactive apprehend light-years quebecois indomitable fist-fight dollman getz tastelessly edginess a-grade interferes ballplayer costing reveres tillman leading-man welding equalled precedence aggravation v-san charitably materialise payoffs daddy-o martinaud lumber galen mowing carrol unites martins hopcraft co-executive rout democrats unison landry junky weighing kovacks makin ister propensity idris tussles enact tryouts riegert esophagus superwoman priced glimcher non-western straights utilise vovochka torme aeroplane derring-do unforeseen reprised blankman dailies davitz yeaworth keisha grazing charted heidelberg fanatically more-or-less birmingham astaire-rogers bnl deviance nitrate authorized poorly-made disclosing double-cross fretting turret wardens sd privation constituted signalman cloverfield kramp ioan pot-boiler footwear life-force partook pared begotten buaku dismissive horridly redcoats untapped ostensible marienbad spartan luft oh-so re-incarnation boheme grievous wiring ludwig booster jarred regis scurrying kenner nightwing shied jamaican querulous carerra birdcage deftness hormonal super-villain homilies foundations waver sw zippo virginya garners embattled double-takes belleville lemoine mural defrocked three-part language-wise freight viciousness willoughby bartleby formless nanosecond flippin amp last-minute ua leaflets keene licenses screech midday anika devane graveyards shangai spoofed meta frigging self-help vouch manhole aggressor rollercoaster lilo astride lindo indecisiveness favoring honest-to-goodness medallion genghis swordfish exempt krisana shuddered assess predominant over-act avril deceptions midsummer algie bonafide appeasement telekinetic steenburgen seltzer subhuman sixteen-millimeter westley wi oomph saddam peacocks visualization unification seventeenth tiomkin digression stings mathau shadowing side-by-side punky caro rankin incite crones reenacting brandauer brancovis nastasya validate marischka supervised suites esthetic outlining jensen modify virgina fronted get-up slouch teeming dictatorial skimpier varney ewell on-going unreasonably granddad isolationist permeating mainframe three-hour fedora crucible chori soooooo outspoken urine infiltrates mysteriousness deviants tum ghajini imitator schieder overseen muldaur chans hospitable azadi next-door georg turandot advocates bakers astronomical embezzle unbelievability imbalance affectations sing-along cutaway anaheim camped fisted expired captioned transposition outrageousness christen yan yak smothering dammes kagemusha heathers osric plumbs beverley lager tatsuya sponsoring attains cattleman contraceptive gulliver erie empowers manfredini plex lwr boroughs harkens plies rock-n-roll easiness blais twenty-two beslon winkelman passé hamper turncoat galico appollo personages coco drudge riba bharti optically clear-cut inclusions mp superstition kilometers elect aye groucho thumbing maa mak mal claymore hormonally didactically gerolmo cris amiably maxine kid-friendly ultra-conservative joby specializing ignition sprang dunham linz airlifted victors lodgings conqueror rekindles transvestitism fishbourne guétary slovenly predisposed deidre muggers upside-down kruis first-timer californian sahib superplex gar jell-o echelon blue-screen doughty libs administrative gardening metamorphoses unenthusiastic grammy subjectively eszterhas gosh-darn carrie-ann ruthie pocus reissued off-set embarked gramps mcavoy repress infidelities parkersburg littlest shelling dance-hall asunder tight-knit raffy divisions akins conran lezlie ising joaquim tomanovich malcomson gorée incas scolding sidesplitting glanced smouldering sorcerers bandaged lulled unbroken sadomasochistic advising kapture clunks swinson leprosy deflect spanned afore darkens dalmatian sneezing kellaway questionably inter-titles poelvoorde discharge mariscal mopsy overexposure pressly hollywoodland hessler hisses russels sex-slave exhibitionist rondo trunks parallax unpaid seducer 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glyn heart-stopping ignoti foist chirpy runic umney handler meu damsels pith jamon out-and-out geist burgers clouse bobba jorja ballentine dirks serialized timo psycho-babble boulting saws residual stockbroker remar latte reaffirms freya fothergill ashby berserker scrumptious nidia noth movie-watching salo montagu medeiros amore boar leisin blackhawk devolves micmac bernarda colon scamming dumont charly darken acosta decoteau destitute riviera infrequently nietzschean compensations normative lotsa great-looking jörg backula zatôichi enclosed action-thriller pranksters moroccan preying pdf woodenly couplings belmont shorten supernaturally johar bedford metschurat zingers stylist callar clancy ebonics lagaan postings life-size proliferation growed rda labourer lowlifes bastardization husky superbabies popularized federico vibrations doink jamestown schramm reflexive suburbanite fanbase better-known terminate harsher nevermore conserve terrorise tempestuous mosaic stagebound on-stage 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mongol piqued gozu pandemonium coating begat anka draconian logged self-assurance milanese prohibited loonatics cello intersects universality tackiness wainwright evel plunked schooling amish nate cale composite argonne rock-bottom babaloo blackened optimistically concussion symptom congratulatory seemly bai immobile splendour gustad gofer novelties hahn yapping summarises kazumi eye-shadow elses olyphant sharpen j-man downing acapulco ewers spied lugs ayesha cantor birnley rashomon voyna lexicon certification radiated uninvolved thalmus kook tacit signaled b-class recreational dreamworld griping profiler measuring devoting kind-of deepened grainger ribbon animaniacs sub-zero blanding bye-bye tutoring jeering scenarist hearth ripple horsemanship shopworn clarifying amorality li'l latecomers vine vastness vanhook overlays ancona hansel cornish arsonist cognitive pronounces errant lyu lyn psychoanalysis aryeman zoey grays atlas cellach beckon lima narrators cuddling furnish jiri monosyllabic seaquest facilitate franke franky lamentable straps masti pinhead concurred overgrown filmirage sigrid frailties termite well-handled janel lumbly gulch blackouts howes shames paredes showpiece awash projectors sidenote care-a-lot carmella hollering enoch rightness culpability gordy arthritic archaeology bypasses tinting inheritor time-traveling residue glands talkers oct abydos reconstruct bingo nargis malayalam lottie childhoods dozing kaneko deathline totoro tis kitano makeups non-plussed standa bearers weigang expletive szwarc salesmen dislikeable devi fleetwood guffawing categorised blood-thirsty mothering partanna michalka one-line poppycock cliff-hanger disadvantages tisserand fade-out l'age pee-pee-pee clauses lacy hemi soni centerfold shite pervaded protects hickland refresh sincerest clinch vindication miserly hindrance bark slingblade reduction hotdog parton peppermint shortcuts divisive sokurov tv-show ardant scaled bozic heckling rutledge flour disapointed rennt commence yellin poorly-written precariously cache sediment conversions je'taime heterosexuality sheeba kerchief privileges diploma y'know argumentative bombarding withstood moguls ebts uncoordinated carelessness multidimensional stamping dentures handcuffs thieving toothed limitless eradicate half-sister kamina taylor-eriksson espouses stealthily grooms summerisle musclebound suliban triangles ointment ost cooky red-neck mafiosi pollyanna familar mullholland tile swollen materializes receipt igniting disintegrates marla buffer buffet analyzes auditory ranvijay debilitating overconfident tombes cavity marivaux pallette multi-national trussed rust colonists doot god-forsaken jealousies smallweed fluffer lanka rosebud rocketed papillon egomaniacs piping well-realized armchair advertisers buzzsaw squarepants abnormally narcissus demian sparsely gabor contemporaneous presentational lèvres overdubs raters dieting laugh-a-minute crackles on-location seclusion resistible chai snatching totem aatish whooping lombardi mistry croon gregor zsigmond yugoslavian nieztsche pettyjohn yoji hijackers rigging re-working petals jap thermonuclear thoughtlessness zarchi eaton steamboat offon subtitling fraidy making-of toyed cretinous contested filmaking infiltrating gypped watchman compassionately bio-pic derided extase penetration sled leftovers killearn champs verducci hard-to-find nullified scrubbed frontline arcand willaim vogel synch satyricon mclean substitution deathless story-teller bedi commendably interlaced unformed co-ed frazee ciel unctuous abrams fortified activated gunfighting salka rino profuse granddaddy sea-side splendini dobb tovah amagula contortions mecha-kong blubber gwenneth bat-like hemorrhage derisive sublimity know-how well-liked dabble hillarious learner odd-couple blundering street-smart harmlessly benji seafaring lohde velvety nicknames criticising porcupine tear-jerkers termites fluently rhames well-timed screen-writers vests eel deepness wind-up neumann dragonlord smothered eons sasaki inglorious utilises blimps gent geno visibility wackos swayzee consumerist cruder baftas subtraction sneer projectile sosa terribleness hiphop azmi two-disc wittier järegård katelin gay-themed magnolias leery bullsh suggestively ekspres judgemental unexceptional mordor god-like blue-gray ostracized unmarked mesmerised fictions misusing evaporates calcutta insinuates fearnet investments kinka altamont nationalists zombiez shuttles vaulted fumes suba wickerman thunk cranial hotties unequaled paparazzi moralist kabuto logand inaction nutritional parinda shonky jordanian farris contemplations coupons recitation inadequacies pepe womanising beryl paraphernalia beatniks self-importance marshes commute swamps elwes lasagna jayston davinci barroom takeko wooed hails sated ikiru merges merged testified conservationist humiliates chiseled strictest migraine shortchanged minefield gallops lovett promotions mcginley lobster kombat heatwave schmeeze amplifies zaps amping readable tulkinghorn yu-gi-oh contriving cider mortar vehicular fahrenheit zerelda alton hashed milano dobó canons hammock transplantation deflected assessments shoehorned builder all-seeing murvyn courtrooms jeeves condense crucially sanford geraldo mistreat genocidal pounce smokers unappreciative role-model leaking kindest ignoble half-mad yucky rodentz trueba reissue intermingled freiberger margaretta lupe haynes break-in single-player nike sub-human jazzed stringing groupies hmv malika casket osment corby bribery roared detritus pent-up excessiveness renderings posit stiffler emmerich presbyterian homestead ex-fiancé mohicans maría harmonic j'taime run-ins luxembourg nykvist unmask artisans ex-partner schiff farms dairy familiarly bungles gun-play conditioning orbits climaxed marlow argyll mattress cements cahiers unmentioned exert amar mmmm stumped simulating lecarré choreographing sputtering blurs seachd incognito bluegrass margret generalized doorways ballgame reassurance hedwig noche nuremburg theorist hamish disquieting enamoured drug-lord jeyaraj tickling kumble bertie bertin gargoyles campaigned oul flip-flops belmore go'ould lucius clio digestive senegal monuments titus chrissakes lakeside flitting undertaken inheriting cianelli egalitarian torchy e-bay faggot sympathizing shredded unscientific ornate oooo differentiates gayer benefiting derrière well-spent androids accentuating peppoire knockoffs bekmambetov crocky entail departing herschell valenti sniping you-know-what flanked sidebar delicatessen jeffersons tweaks new-found fop flopping shopkeepers vanguard protested lazarus vee teal shadings preponderance perseveres disagreeable maneuvered cleanest crowding dodgers mucho potted thick-headed squandering maneuvering synchronous fife couturie deduction nooooo felling reliefs pizazz must-watch neat-freak psychiatrists skier demises tragicomedy enunciated berger siberling retardation face-first graystone scapegoats luxuries indecision light-skinned ridding cackles rottweiler neanderthal petticoat sure-fire bavarian deflated hipper self-discipline splatters mott alaric clearance trueness dempster ba bw forgave hatched filmgoing segel lint linn lind savoured valuables turn-over fêtes renown disordered walon g-string yardstick green-eyed jumpstart weide geddit jackasses ben-hur self-absorption briefing bloodsucking claremont rein meiks revamp javelin beccket papamoschou paving headlining fedex lightheartedness monkees specimens hossein atypically brasco margotta chilled medusa relishes relished montmirail dd triumphed zimbalist accord cob cog analyses kotex afganistan hungrily first-person waddling englishmen angering renovating algiers pillaging blasé anti-gay saire distinguishable estimable barron expanse becuz hairline hair-brained encased wreaked entendre wingers emmanuel giornata chinese-american resoundingly soid masterclass speer deficit renovate dabbling selfishly polay clerics re-creation fe ff fl rhinos turan blabbering knott quarreled dabbing stork flattery coleslaw segue henny hallucinatory vilmos reminisces unmoving protégée transcripts optic luke-warm ex-vietnam whitlock evidences alleyway languishing critiqued heats manliness self-defeating coddling make'em suds furiously mods diagonal sumatra rosza transgression gratingly unchanged visor stickney hollywoods proverbs parlors bibi luv lug disproportionately baleful bigwig well-matched hyland awakenings low-level nato hinglish sequencing backlot greenlit trammell impatience hr offstage maury trekkies gallactica blogs zillions downstream railways reforms elocution typo moulded sizzles kabul noooo harmonica academics bankroll dama dawg unromantic blackbriar seamstress buggies cassettes zoned dodes'ka-den dufy serbedzija winnie marmite glamorizes topkapi jolene psych ducts banshee councilor romulus cosmos delete zeroes not-so-subtle usmc microfiche pathologist soured ood munchausen bottomline pointer agin jakes grist resurface cardinale magna jg swanberg torrential kimmell bmw slavering receptacle bobbies cavett asthma dissected dole dolt setton tailor-made marnac landa assessing vocally kanal sad-sack neurological ingratiate conti milks vladimir mastrosimone deb secs louts mame bartley farces laila cretins adelle batter armature double-crossed mos sapiens jerked interconnecting sneakers crone supermarionation get-away gayniggers capitalistic broome doggy cusacks fdny newscaster wittenborn prospectors reconstructed pointers jinks countryman show-stopping luftwaffe caverns linkage benoît cadre joachim reincarnations puzzlement wryly thinnest intercuts non-entity hedgehog bennet jubilant overdubbed gorbunov abo interrogated yeardley adventuresome sanitation compilations muddied ya'ara inventory turquoise nice-guy cort low-cost laborers nk nc ribbing deewana accumulation choral longenecker shelled contrite meathead sandstorm britian mauled lmao dissapointed anc belittles untrustworthy grieved detected fetuses retrograde arose vantage wallah predetermined standstill lyricism benefices meaninglessness canteen white-collar unpolished g-d bruckner ratted cadaver tex pulsing absurdism increments sentry methodist coerce disable barbi tallinn caddyshack adder unconventionally snowstorm crunching ranchers sao ramala blowhard subjectivity overtures ojos semra semi-interesting forbidding guyana scrutinized insidiously excommunicated obstinate well-thought-out hopped desiree ewok spines lodging feb uss deedlit flapper urinates negligent overtake goblin fun-house newsman unaccountably lachrymose bacio wowsers prosecute provinces paymer short-film kellogg repute volunteered perks lenght negate pouts yowsa humbling teffe wavered cobbling cyclical withdrawing himesh abstraction reassess minimizes nympho orally demongeot rs rl hearsay corvette entre transgressions hagiography ex-gi disembowelment radius hadith pierrot raindrops srebrenica yoke furnishing grunberg bedouin lollipops goddammit activates costumer melons phoebe weasels lenoir intergenerational spouted tomlin winslow spiritualist stalling kaufmann recon antic waggoner smirks catch-phrases rumination beeping exterminating compress compounds steroid nail-biter jeremie mutilating dryly snarl intestinal scholarships tireless drafts incomprehensibly mcinnes ephron tc blockade bit-part corniest untraceable tolbukhin amped celeb laundrette commotion adjoining kadee herculean extravagance premutos mayberry videotaping unoriginality presided rekindling outsourced cammareri eased directive scepticism mulcahy medved sgc fitfully mend mena fomenting writ wimpiest shorty gummi coolie johnathan claudine dbd tojo felons finales barrat va britains over-confident re-enters rekha broomstick blacksploitation donnacha biblically cinématographe disengaged chili falwell consequent anarchist glittering irvin wladyslaw coined halliburton tiffs rasulala encapsulates bitchiness julianna diversified whatsit mehndi valance headlong complimenting gulager kashakim pejorative springing life-altering indoctrination blandest fermat wal wah waw kolchack impossibilities watchmen edgerton sequential condoms non-mainstream sold-out sufferers cowl selects pasting eichmann transmissions goof-ball ormond thong xd agonising r-rating baumer jole loath gemser wealthiest phoned-in aaargh wheat artie lob perinal excusing podium ringwraiths lycanthropic smurf finality undetectable planing maple curtailed urgently humid alteration irredeemably murrow dalle prepubescent squabbles filmfour unflinchingly margolin wan't kata culinary ze newness unpleasantly gitai stephenson discard molten non-hollywood turks unlawful moths rigor dreamers gran corbucci surrogacy presentations ceausescu scene-for-scene spastic hinder coates sheriffs londoners chazen naseeruddin shanley sh-t casomai spurlock indignity carruthers mccort over-use raveena dwelt gambles dredge quench mashed doa dor planetary biohazard kolker beautician nilly sodden drug-induced followable abut ballesta fatherhood discriminate hildebrand pepoire trevethyn re-imagined adoringly arbor militarily pacios sherbert businesswoman well-dressed ruptured rocketeer shortland dishonorable abhorrence sneaked pasture waiters potemkin adler conundrum yasbeck sneeze felton destroyers bleach liceman amphibulos dabbled stave yolanda preening gravelly stroup over-directed bankrupted schoolmate disown corrupts urchin distributes wonky suarez heroically pierpont other-worldly macguffin salutes heartwrenching cogs jibes ornaments pelt anally ultra-modern negating huddled icicles cero rotoscope endurable cartland enslave rumbling xenophobic abolished thematics mio mib grandmaster sedan crediting naudets rateyourmusic exclaim aa elects wai-man ao manually vaugier movingly tristesse guises mcpherson tin-tin fleshy blowed goin violate faintest well-bred ventured billowing copulating script-writer soninha self-reflexive clu sears restrict tot northanger rolex viktor whitehouse deerfield morteval antifreeze irregular bonjour jannetty agitprop cranes roamed butthorn giù keehne disobeys couches bacteria channeled club-footed surmised groom-to-be rubik sagnier covert-one bernal ailment gallien oversaw evaluations independant serb hard-drinking hoyo closures chocked renters re-creating seema wrongful crueler czarist jump-cuts rescore strickler stalag self-interested aces eschewed ladders phoniness cheesed napton crossbreed buddy-cop adhere voiceovers punctuating notify harman deana loder pennies gilded ardala romanced doss wlaschiha professorial nader chummy law-abiding kimono mimicked ravage tristain circuses raina missie jorgen shafts ginny dussolier delany hahahahaha enrique counterfeit jimenez plural juli statute chanced old-timers pippin twinge rename terrorised ince twirl biologist sparking yoakum twirling bergdorf nyaako toured riah rehman ranko jihad maloney calculate moti delude atmosphère weighill aloofness lunkhead livened duchovony fleetingly bug-eyed municipalians nelkin rona pykes louisa trickster tinge tv-film dorian curvaceous ruka bhatt shepherds smalltime fatigued droid anatomical orginal bissonnette seediness castings insurgency drusse decreased illogically bonehead bewilderingly transcribed commissary gourd genera teacup scavengers testimonial vandalism frith polarized petulance underplaying dresden deposited mujhe unfiltered accosted prophets more-so vis viz viy rudeness supercilious canoing lantern ultra-violence feifel skinemax vocalist molecular fornication ancillary defender sayin sacrilege immortel surrendering movin blom cebuano evaluating strobe imposes flirtations fransisco doña debunking anoes one-woman lollo hitcher hypothermia bleibtreu cristal godly amble penning =d =] wiggle sharifah lavelle inquest joyously covenant afterthoughts futurama commandeered combing mera zeman informational cordial bunches mid-west brill scenery-chewing far-off pierces racheal lax inoue emphasises tsang bloodsport ogilvy remo sticked warlocks manojlovic unfortunatly honoured descendent wield emulates mtf superpower hovers devotes penetrates abort dreads rosenman cross-cultural so-and-so pornographer timecop similiar see-through beatnik guffaw wheezing bellamy apologists squirt hampers keefe mandylor brunettes gutless oratory miserables hooliganism imanol dulled anesthetic coasts transcendence stu well-researched dethman gelled steels animates simian deadpool unpromising autopsies transitory vye overthrown bruising kind-hearted raspberry gnome idk bantering burnstyn transmits cautiously macdougall neighbouring re-opened pearce cartel dandies cartridges stemmed re-use cohort marylin octavia none-the-less rennes wholesomeness blinkered eachother inscription hassled recoup uplifted schematic sourced pulse-pounding pitch-black radiantly mocumentary smudge oirish dehumanization shamrock rim bulgakov thankyou capitalise unaffecting fringes certifiably principled certifiable durst mailing keko close-minded sais snogging repertory economies wildside un-engaging well-portrayed cutaways prepping mcelwee jiggling approximate fozzie milf vv drunkard licensing nakadei sported pero perv nye nut-job janeiro pendragon marooned best-friend countenance ringleader globetrotting sporty pak founds toymaker doctoral dodos american-international octane trintignant semetary stage-play lousiest prudent sleazeball karamchand coronel putty helmsman chimera vosen ryo duffy sarducci duking drunkenness philippine chested organise directness womaniser disputed televangelist cubes flavorsome fandom arkush mortician wayland hessling jitterbug proportional xian sleepers serie sped-up druid blinks wolske breached mowed infecting koteas clement ulliel incidences fantasizing rousseau squatting dau administrator establishments showerman kits portfolio calitri jaques madras fostering injures terrorizes paradis whacks bhamra albanian relishing yelp ejaculate bonbons akbar changer wordplay oppressing buns fillers renying heywood kinder genital pomposity ji-hoon rowing sects ríos dedicates wilke confide snorer gruffudd anjaane precede skittles outnumbered condors inuit exhausts unbeknown paraphrased depot amounting fabrizio scarves confounded alway duplex receding crassly waterfalls reverie hindenburg definatly zealanders sappiness low-budgeted professed addled hercule emeric lybbert canister minimize kneeling rappin nitty-gritty rickles bbq booked discouraging wallflower higuchi made-for relaxation good-guy languidly feebly unconvinced lothario blimey imparts pirated shilling conquistadors cropper immerses lovecraftian instinctive borje turbulence collateral plywood johannes knob solemnity broods violations togetherness subvert incoherency skewers holler liberators fenced fencer un-scary fermenting metzger philanderer high-end tay göta tak byu tran pitying testifying dispossessed abductor segregated time-period ashleigh puh-lease clansmen sleaziest agreements shusuke sebastien stadiums super-powered fourteen-year-old downfalls renyolds mosquitoes libretto footwork fawn wooded altagracia airball trelkovski wand titanium wracked sentencing fig fin shivam self-titled supermans pumpkins boerner seeber exclaimed hymer irk fearlessly muco canoeing conditioner torpedoed furlough monika tavernier haj out-of-town cocked municipal mosques pileggi thesaurus incinerator sermons grégoire bio-dome childs machu grapples jeri prancer skewer wrestlemanias nobuhiro plucking overly-long influx photojournals big-mouthed approving americanised munroe quadrant nebbish skirmish structuring jig mundaneness bashful two-piece macauley snooker top-heavy cerebrally zoé beesley cherbourg coliseum fashionably dingoes deklerk d'orleans ensembles breslin retells masturbatory sponsorship gaiety extant zonked aborts unerring scottie disinformation nancherrow mensa rossa moriarity unassured harpsichord bohemians statesman bathrooms subcommander lugacy french-swiss hass mort initiates kaminsky disgraces counter-balanced scoops tenderfoot chapelle stifle niklas freak-show stoning husband-and-wife aage hedren exterminate accommodations stackhouse bhumika roundhouse deactivate empowering follow-ups provocatively selden unarguably adaptable wunderkind thaddeus truism eery microbes breasted canning uncertainties revision capitalizing rediscovers mussed assuring undeclared retell scatter rods tightrope sleeker boom-box picture-perfect staller akshey cut-rate physicians overal off-center reproducing mind-set khans devoutly merrily orchestrates re-open unsexy assassinations scotts rubric undivided fews deconstructs refuting co-horts popularize comedy-thriller guildenstern commutes misguide countermeasures cvs greco ostentatious berardinelli diabetes gopher cosas hipsters copulation pomeranian sky-high unfavourable sharpness jugular hitchcock-like rebelled lestat homerian clamoring fireballs spearhead exacts reevaluate containment pro-serbian slimmer sympathising apotheosis chrissie viertel shepis trainers micro-budget poofs yonekura obrow antarctic featherweight doga viscerally apparantly flavorful impelled nostrils tawnee reinvents reintroducing know-all disarms tono dress-up interposed brackett armoury giacomo blackly disciplining mizer humbly wopr hardening openings tenko contaminating glamorize luckett barfly frill sovereign firelight rubber-suit ophuls crime-drama puppeteer dousing case-in-point peels sahay grumpiness puffed benches trant chia wonderfull wash-up peerless dyson five-year-old paluzzi pommel anubis tami tangles well-groomed overindulgence rhind-tutt klaveno play-by-play chopin ashkenazi endeth irritant septimus nils biographer sledding thumbs-up targate figurines misanthropy gaspar squatter grandfathers self-doubt annually yearnings cathode over-zealous overbite cazalé omelet aneurysm smart-alec poof queensland youngblood disassociate refute sight-seeing kinsella burglarize scoffing wacked-out kronos nesbitt purring mohabbatein slighter slighted impressionists ooops shriver marcie marcia midsection semi-darkness shrivel toiling numbered gómez hallan gédéon once-in-a-lifetime papamichael church-going ten-minute aristide boo-bees unluckiest monorail exuding embroidered dardano communal thoughtlessly soberly vitriol settlements flamingo ferdy flds haff haft evilly pigeonholed eurohorror drools signposted strong-arm recession averages lenore embellishes everly custodian swigs newly-released gymnasts irréversible college-age puroo caterer redsox digestion battled indi gelatinous coaxes luckiest double-entendre kes a-plenty dynamism adoree colouring liken lilian conscripts tellings objected kamiki homeric cocoa baaad beaty receipe tuskan eclipsing swag picardo aug aux tomasso re-visited deer-in-the-headlights cringe-making bdsm geologists hollywoodian twinned velde ester merchants corsaire pensacola tossup conforms double-d celery appetizer traverses blameless quint regenerate putz hearkening decontamination cann world-famous realness unconditionally toy-boy repossessed invisible-man hardgore inslee long-distance barbarous suspence twelve-year-old enhancers hijacker retention proposals anti-depressants tewksbury meeks mortis dissappointed flunky serge trans-atlantic goryuy sterility motherland mass-market unworldly accountability replicator gunfighters flattered big-boned pretty-boy mind-numbed colossus malaysian requesting gammon infrastructure about-face macallum kappa milhalovitch blackballed synagogue iraqis admonishing vertically vending dawdling chimayo tomer heggie dehumanising top-five smitrovich probie steerage munchkin archangel anathema kazzam rejuvenates maps portfolios takenaka ingrained o'callaghan elster concieved amuck face-lift especialy dayton gangbangers sluggishly dhiraj overburdened eight-year humanness mirth fused grandsons peppers neo-marxist husband-to-be nukem kodak ardour lacrosse whored salvatore timber tremulous suffocation zorie bribing retailer inhospitable zhi repulse qian hoards well-rendered non-human apologetic reinterpretations phallus williamsburg dolled trembling unmade einon langford missi magorian gingerly contemptuous roslin cohesiveness emitting self-satisfied coexistence citadel step-dad tumbled grinder lakhan earshot bishops dubai napoleonic elastic insures lightfoot detours grimmer out-of-print fatness kum oaths leaven resurfaced resurfaces childless operatically quartermain drummed salsa komomo daisuke dupia exhilarated boozer mastering crusoe screwy adhd muy elk rimi frame-by-frame hands-down forgetable tress accessories prussia dada assembling anya studio-bound loins occultist particolare post-feminist tree-named roc ros bests sarlacc exalted bulbs inveterate gogol cornflakes digesting ejaculation whiplash envied completley tylenol jodhpurs troi trod sendup emporer assignations gravedancers interloper crores gagarin impaler gamin bodied speechifying ditties patrica marblehead simulator crystalline swaps hipster bafflingly ehh resonating sure-footed crumpled skewering crossovers rebuffs bhatti sux zoom-in angrier en-route antebellum envisioning holograms dorma untenable duning horribleness algerian reguera telltale hydraulic side-effects lansford teve skyscrapers shrews gill skidoo architects lumbers airtime hollywood-ish condolences engraved forego jaundiced overstuffed indefinitely styx broklynese patel treacly drunkenly rectitude plaza damita childishness incase wrinkly stick-on toils fully-realized detests schoedsack documentarist villas unchecked nellie incapacitated suffices mérimée schlockmeister pixelated sang-soo cyphers manticore buick delineated underestimating skims aleck hawtrey whole-heartedly hefner tunisia anti-semite timbre shikoku feigned reclamation sarro lawful pollan responders automated gizmo subliminally moderation otro debuting dangles emmerson nessun motors worldview giullia hellbent h-game garment tight-fisted sexton iam midpoint typified ferch iteration bodyguards knb exploitational belen meng quasi-religious casamajor mcafee lemay andoheb albiet doorman swarthy fittest street-wise masons genevieve farceurs ciro sub-genres insinuations emilie gauzy uv percolating b'elanna firecracker grifter overdid drews carpets divulges divulged fairy-tales dangly accorsi modernised scenics plot-twist malarkey sectors yielding take-offs assante orchestrating ultra-sleazy kusakari armourae turntable vandals candidly pile-up fibre realists robi literal-minded espn second-worst ultra-cheap non-factor genii dutt ration partied curling bosnia-herzegovina cloned cloney ohh av az whiners annex eatery persbrandt caveats chakotay dusky pidgin breath-takingly bremner conspiratorial nemeses kibosh delapidated rodrigues staten hauling osiris harbou reproach positioning statutory erupted trowel jerzy axton citroen she-wolf well-endowed diverge sew instituted vitamins comediennes unflagging spearheaded replicators lame-brained red-haired brother-sister minerva wilkins yulin grannies eastland ragland vowing flaunted givens coasting rantzen worsened sens s-l-o-w bemoans fertilization mehmet surreality pygmy woodlands méxico salivating burping tattersall flamethrowers beginner agriculture o'daniel loomed brunhilda pardu malpractice forbade slushy jostling lalo luminosity undergrad silent-era nowheres bossman partisan cn cc cb hyper-animated cp cu yeon mtv-style cheap-ass semi-spoiler cremation glares balm harts maggot loeb coattails ex-cia valkyries ingest gaines tristram burma sander stamina unresponsive straightaway clip-show alejandra cassanova undercutting tryout drinkin disobedient nebbishy dwindles michal peabody unfailing suing zeb zed no-brain pre-conceived kennedys hawes home-town dredged infrared shrewsbury witchfinder step-daughter eamonn mcintosh mstie schaeffer punctuation hallow bullfrogs insurgent animé condieff tribbles cundey fiza tottenham castaway périer baited lumieres demonizing britishness saito itier birdy jutta johannesburg eo eb eu ep jugs sandoval bayldon horror-movies nala gnaw outrages homegrown helium goyôkiba slugged slugger non-asian quickness shayne filmwork grange guilgud cafés synchronised productively flattened authoress grittiest austerity platitude disclaimers janitorial ex-cons pecos shakedown pyare veering humoristic irreconcilable scrye boomslang handshakes mind-twisting convoyeurs lifetimes like-able blacula henchwoman maintenance environs schürer shat could'nt crue plugs lender stubbed authoritatively daines hamlisch barack ritualistically sub-culture tastelessness hauptmann re-election gw gt materialises auspices quillan rosary repel ideologically multimillionaire mabille untouchables foiling aggravates ect arthurian headbutt klemper pekinpah naunton lamborghini snazzy semi-retired millennia bodybuilders bloodline sophmoric congresswoman solicitous accuser unmedicated nightfire kidneys extolling boultings hustlers conjoined orloff isolating well-paid riped gucci whoppi weems yamadera thickness garafolo witch-hunt fats tomita jet-pack harken enjoyability crowhaven elsie antheil upn duquesne desirous kove elaborates heffer gershwins butting soaking ewwww adobe ism non-story mattes halliday reprieve greaser lucianna acne non-action greenberg pimeduses dusting sulu apocryphal ij bottled mid-twenties heart-tugging hornophobia vilest apparatchik bundles salisbury snorts sub-stories hikers sarcophagus condoning half-witted busia director-screenwriter extenuating repressing incarnated supremes poseidon thorns sudsy unrevealed gurgling helpings massages meshing sulk anti-americanism venezuelans personalized tra-la-la führer savoring midriff sipus tut top-rated holders rivière all-too-familiar unreported dec discernable fridays aviator councellor alternated sock-puppet staircases deadlock lisbeth ayats obsesses katsopolis pterodactyl completionists fatter searcy megyn coolneß mochcinno sellars socal single-minded unthoughtful artiness bresslaw stridently compositing alphaville vukovar side-splittingly videographer kon thuggees electrifyingly gagne tanger choo-choo persuasively lenzi internalised third-person megadeth brush-off honking jessup rancor swishing ragneks percentages blankets pg-rated disrepair scrip culminated pep pea all-night beane ryosuke careens doctored aimants juxtaposes bloodbaths fogged excrete functionality zombiefied offensiveness prefect walkabout sotos thuggie mesopotamia beheads marriott in-house crosscoe boy-meets-girl o'hurley home-life hilbrand domesticity ren rec hollister afield wistfully absent-minded layton b-actors heartening preys krypton scholastic pursed voila testi mustan bafflement waxman grrr entices bun ledge divergent upstream demon-slayers orthodoxy proportioned deere mu diahann stronghold matewan intenseness fads scattershot dewitt stiff-upper-lip super-natural hypnotize zipping novelists anguishing on-demand guillame aquarius do-do not-so-good beresford infectiously groundswell delmer interprets exxon overtone avant-guard detraction prejudicial ironclad diagram nooooooo sharikov interlopers phantasmagorical compositional shoe-in hatter cathie gore-fests takeoff tessie 8: realizations pearly barfing beurk raya odette avenged tipper horvitz meridian lovestruck mortenson hatching feign surveys originators exploratory precludes southwestern tenshu stupid-funny robotics bosnians take-no-prisoners volition unceremonious well-built danube sherriff oo od reinforcing equated mongoloid politico baichwal gerrard fugue seeping combating cultivate quick-witted ousted persecutions yna late-seventies aramaic tagawa goldman mistreats ji-wan repulsiveness carmine crapness off-balance cavegirl obsessive-compulsive supranatural numspa birch bouncer hags margarine likeably translators denigration newsletter unconfirmed vampish alsanjak dazzlingly lintz weights jims jima overlaps coquettish ortolani ghidrah ibm undergarments purge vividness dance-off bluto out-there befits autographs impecunious martini mathematicians inexistent estimating nfl starkness rubberneck fennie enormity flip-flop sisley off-the-cuff carridine einstien righteously budgeting sidesteps letter-boxed dedee ejection co-eds jenni humanized nibelungs coscarelli larrazabal tizzy placate supple truckers re-creations trotting firestorm divinely advices demotes topples sturm mole-man schism top-flight rework broadhurst braincells parés aving cell-mates faculties lesbo diabetic freebie gagnon speredakos leadenly reverberates cams authentic-looking falsehoods incredibles vlissingen non-believers sombrero mclaglan auctioned munched film-loving overpowers hygienist severity pontiac simulates handshake mini-plots ambrose ratcheting suckiness semi-famous shaker geroge down-syndrome zapata quartered caldwell pompadour nitti choisy moliere dolts broken-down scratcher well-know echos sm sg cropping rioters abide patronage soze gojitmal ingred opportunism surgically retreads straightforwardly hssh wusa outclassed wust molds impregnates pro-violence paton polls nomolos pinks parsifals customized isoyc isoyg beaut sulky artemesia levenstein internship shies het hep hen gurney grand-daughter treadstone gogo otami blackbuster ambience rustlers fight-scenes eyesore parishioners dosed safaris road-trip warheads jeu aicha doberman knobs grandin hamil a-movie carpathia clothesline hush-hush downpour plagiarised demond toomey walther soufflé o'byrne must-miss dreamcatcher special-fx aloha digitized departures analysing mitochondrial graciously hopefulness deviate ferries norwegians longstanding licensed typewriters causal mutch sartana slid spruce solidarity snobbishness mitigated self-advancement mets huck polanksi lemuria oreos ever-changing noin ultra-cool packet innovator muckerji cristiano hogging inagaki annamarie wth pascoe ryunosuke high-schoolers mandate passably supervise high-caliber slathered alongwith pacifistic keeyes emancipator complacency rectum non-english pre-civil electronica heavy-breathing ciao bizzare aliases begrudge phipps gatiss agonies receipts oxide transparency thenardier third-grader whitelaw midlands hebert retort walgreens sexily soraj ascends absolve schemer stripclub moonraker dishwashers regress mignard fuelled vestron webcam spiegel dopes taylor-erikkson cleanly over-exposed ooooh acid-tongued untypical jabbering persepolis mixed-race buck-toothed palpably prescribed rpgs treet charing capper neckties callers crappier impatiently roundtree hesitates caw detaching come-back rolfe motorway jgar bhodi warps katakuris lineage furtive premchand deknight worshiped eskimos wehrmacht wanes prick brookmyre leicester crash-landed kookoo receded snoodle linguistic flesh-hungry barabar anecdotal captioning skulking cajuns dislodged untangle osmond viral cleansed volkswagen rodolfo earring songling reliability snuffed untidy daisey proselytizing mendacious kimi psm d-movie breezes iona ione dust-up ideologue bustle indra betterment indefatigable stopper ifs non-stereotypical adaptions broadest syria signaling tunic battering chipmunk sentimentalized lip-read flea-bitten wnsd flash-forward snoopers soiled preiti ecosystems flogging toppled manufacture gecko straitjacket fuzzies francen shackled rutkay inner-workings cellular crowed quayle quell sheilah sword-and-sandal evita square-jawed søren taglines obsess reeled raghavan semi-pornographic wilkinson detector heisenberg deploy tira baser oppressively andreeff comparably whinny attests klemperer halley boswell bucke over-praised dawsons wild-eyed climbers conlin husk individualist goatee mofo radiator one-act berlinale pussycat tailoring flutes andalou nirupa similes rodman devgun hurrying shortens ww-ii banged all-too-obvious well-adjusted pianiste bong gunna thereon mysterio solemnly farquhar phoniest powering waylaid secor scandanavian cower petr arsenic riled able-bodied ratzo capacities amazonian geordies angora tastier fixating maoist plaintiffs gland anthrax shatters teary-eyed petersburg fancied grilling mashing dodd keepers holywell mk dweller dwelled surmount avonlea demolish castelnuovo gladstone redness estevão mab steckler koppikar kadar recipes tropi scolded raskin ymca juxtapositions thine snippy lanter hartford osteopath kick-boxing zigzag katona damns fenn slaughters suppresses intercutting luckless unbelievers naruto photo-realistic shoot-em ex-college parrish malformed stomached ahhhh infierno grid viren ascend ascent linoleum grafting intoxication trench-coat jabbing townfolk poncho lakehurst homeys under-written razdan super-heroes emptied fetishists amenities pawing blat lisping one-bedroom superstitions prefaced near-death kasey down-and-out izetbegovic wavy sridevi crisanti paupers lucaitis freeze-frames put-down worshipers ironed births dona pare splatterfest kristina sill silo fang electoral fanu first-year gam vane brain-washing absolved prevention doran unloading ornament lard previewed extensions harasses derangement formally silencing nook picturised church-produced pruneface l'ami hayseed blizzard decrease asteroid swooping alix near-future volcanoes psyched canfield grampa charting spoorloos a-pix enraging stub azkaban fouled thwarting full-throttle where'd much-touted gurus denouncing lydon industrialist goof-off lobe space-time trudging tortuously sandell tambien collin lynching after-wards bridgers messily badly-acted pergado american-born scouted replacements fluttery tachigui guidos worsen speeded-up dauphin stipulates it-it coffers nimitz phoenixville slasher-film feedbacks indeterminate kewl fleisher smart-mouthed stuntwork arby kitch attested time-passer polemics excitedly asbestos hendry peroxide wrest beeps boo-hoo tofu simplification subverts overstep harming newcastle cameroonian tolerably kels vim yoshimura self-effacing lampe lamps campesinos happily-ever-after trafficker tearjerking trivialized paging best-worst masturbate victimization euro-cult denunciation nitrous popstar vamps lawns algy lmotp intelligible dekhne popistasu second-half ronde supplemented slow-witted synchronize bullion schroder sheiner unattractiveness gaira chiklis schooled proteins simpleminded everingham renn nazareth unobservant atenborough sculpted convoy transfusions diners womenfolk bigtime leftists pox por glossier margulies candies bermuda unqualified omelette synthesiser too-perfect journeyman powaqqatsi cornucopia choirs gibbler vipco sanitorium muscle-bound heathen sully walbrook duos als non-believer reine hungover rakes whishaw outposts blander flowered ajeeb satanism barnum profited bojangles regehr bushel grime mikael megalomania broughton rublev retaliates esmeralda bataan supermen mythologies misfiring whitehead painless cheep scrupulous rotate ill-mannered kieth gamma eight-year-old featureless daréus purcell pujari schmo margins non-jewish orkly hinkley unenviable columnists foabh half-bad dusted handover disproven rusted contending yesterdays edging firefights kotero griswalds non-conformist fuehrer rearranged tatanka stitching kneel arses frustrates avon magalhães polka pre-quel nickel linearity wilding underutilized time-bomb fantasizes superlatively manhunter hickham rajasthan iyer double-take rnrhs l'arc relents pierson monette bittersweetness cordially hypnotizing symmetrical norsk templeton beauté dunning hom symposium odile schoolmates whig contracting inter-spliced whoosh managerial divorcing screw-up mcgreevey hud fevered hue paddles broody unwholesome pickens occupational inextricably tashlin diabo thievery haiti deltoro falter bobbi up-and-down jeanson meddle insurrection reinventing fingering marxists disruption banners dotes plainclothes autant-lara rapturous logos paleface self-deprecation voerhoven merino hyper-reality descendents routes rms thomsett declaiming lithe cowed sewing instalments sala bestselling mope apiece moviemaking quack jōb heusen vials superheroine stalemate gents higher-ups speedway shark-guy devolved partaking britt polk mariage bedeviled viscous unchallenging shock-value weariness look-see specialised avenet-bradley non-speaking disruptions riviere healthier acquittal revelled tabasco lemorande matinées converts salts emancipated larceny macliammóir theodorakis bogdonavich embellishment mark-up unmanned kipps loreen b-action vulnerabilities bobbie parisians colliding devising wildfell deewaar esmond forsyte silencer jettisons deformity grapefruit flannel lampidorra griswolds mortuary sub-titled hick-town greenman priggish addicting tywker zim seydou tenenbaums pinkerton one-half gojo slabs trade-off ctu ctv jafa intramural wares frenais courtiers merton elga exacerbated halter lancelot sugary-sweet dower tessa centralized jackpot unproduced chaliya receptions re-edit shashi cut-up freewheeling movie-viewing memorizing overproduced restating inconsistently driller guinn fuji step-family expels japanese-american super-modern payout cyrus parentage gaynor unwatchably endeared one-dimensionally haggis ichikawa scrying bookcase olsson room-mates cinemaphotography youngs unharvested emigrated mano-a-mano tamakwa by-the-book kiyoshi rajkumar rowlf crythin ambiguously ilm ily widen masterpeice wraith hitlers confusions dagon dignify yech keats neva tulkinhorn cathrine vultures lovesick albéniz vacationers saltwater thingie emergencies hogbottom governing plummet rowell iliopulos tarantula dehavilland hyper-violent textural hypnotically diamantino bawl divx pinata projectiles lawmen aleisa tomboyish karvan tingle jaglom rajnikanth holiday-themed disabuse eschewing squeaky-clean ahead-of-its-time oder hassles lelia tlk campos animating endorsed gums astronomically yon vines redux marmont onna leatherfaces jumanji panamanian swingin bffs eidos climates sceptic relocating clientèle pre-partition action-flick backbiting double-dealing mish alanis hotmail interminably teesri header linus straight-arrow cosmetics wimps hideaki kwan flirty heronimo scouring meritocracy compleat translucent lampidorrans ranjit namaste kamikaze luminaries rested shilton inspection charactor veered janus fist-fights alwina lockwood cross-section sardinia facilitates strumpet valarie errands ejecting thriving intrudes adult-oriented squinting beart tabs godfathers awa thirteen-year-old molest liasons auto-pilot motorboat moors cancelling roque klutz mindf passers-by ciano chagos fondo surfboard mccloud devises dasilva redress usaf schoolyard endeavours lainie divulging evacuate pickwick exerts envisaged decca anti-authoritarian deriving cardella mingozzi psycho-sexual weinbauer vollins booby-trapped responsive leaner victories pussies fetal heckle twitches zero-g enders pringle mohammad nutter nurtures discontinuous meddlesome catalunya haje impersonates impersonated chevalier synonym megatons glynn cinderellas forty-two dingman dio dic vandalized britcoms involuntarily lindum-svendsen thrashed convoys raposo thang qissi persevering klebold tv-production mehra cyclonic creaked katsumi blacklist gurns canton merkel keyboards contractually maro marv regimental tromaville romping englishwoman authorial pegs bolted tayback staffs despicably tlps finicky posthumously whiter decode adriano dinotopia unload stand-ups iwo moffett hullabaloo horst redoubtable christian-jaque salaam lejanos biscuits girl-friend four-day affirming brommell mirrormask fins fink repels eruptions eglimata pellet safeguarding hoyts supersedes environmentalists vindicates encapsulate dobbs astrid boringness mountaineers eject karmic sardo keye whisking chaste elation seriocomic narcissist wrenchingly backlighting post-traumatic céline box-cover restaraunt inferred cd-rom ghillie slickness laraine sadomasochism boner onlookers johanna industrious tantalising brion gallo desecrated black-white jirí sweatshirt empires type-casting silverado georgetown prune nonfiction haywire roseaux rearrange suprisingly sheba cannell nyatta reconnects charlene tailspin nightfall homey two-shoes freshest zapruder custard undercard morrisette inconsolable anarene dalek funneled arwen coasters evanescent socialize mouthy unpunished powerhouses elated hit-or-miss multi-cultural re-creates ambles shearsmith chemotherapy wellesian coeur crudity overpraised gogh wiccans tediousness vexed b-boy blower incomparably enterprises garai madea optioned esquire oldboy sub-machine aish injuring polarization scorpio ex-roadie flame-thrower willowy schwarz gandhiji dobermann hardcastle guppy lead-in re-recorded starchy fresson astaire-ginger portends snip bluffs hardcover dialogue-heavy repository lhasa daisenso kyra gorges summoning devo hodiak umbopa swann appetizers cambpell qv rankin-bass saboteurs heavy-weight ibanez moneymaker chugs higgin mykelti back-stories fulsome obstinacy tock beasties multiplies zimmermann eyewitnesses umpire mccomb twosome bleakest sampled up-and-comers coffeehouse thereabouts fiddler stocky fax sawney kick-butt keyhole intercepted backpacking pressley gauged conformist disapprove malfunction airbrushed dugout suprises semi-serious treasurer pinkett-smith soared sleepwalker obstructed mockage explosively madolyn libraries gawi gawk roughneck blurted twofold foretells corroborated antiseptic shephard modifications inskip disconcerted religiosity silvestro emotes emoted mewing fadeout headliner sinuses profesor waldermar feverishly unprovoked bochner frankenstein-styled hurdles audley rutina lobbies conscripted sodding wowser dumbstruck bellucci nastie theopolis frontman heavy-metal aquafresh superimposes gluttonous suet atleast birthdays sportswriter wile far-out hippos proprietors alisha represses blankfield corcoran slur tae crossbows motorcars sit-coms digressions sheri appropriation meat-grinder mortgages chins crapola loman schoolboys abducting locken matilda pooped tsiang variables twits batchelor antiheroes esoterics ashame mis-en-scene doreen idly ka-ching expound super-tough remotest stoically rectal cohan mortified self-assuredness frisco verged workforce goofing niels mcraney outage minnie cassi six-part zippers mangy name-calling sandbox penlight photoshoot yojimbo ono punishable tombstones lefler ascendancy imperatives hypocrisies redirected krisak platte pearlman willett loveliest dark-skinned practised d'oh bombadil runnin bhave hate-filled fistfights kegan kawai dicky fitzsimmons bible-thumping bukater conceptually rumbles foreheads constabulary homo-eroticism rootless burnish anywho corker hyper-real ohhhhh out-of-work levens sikh sprinkle sublimated plotters nosebleeds inquired haldeman kensington purport cradles bedridden interviewee typhoon rivero brining sollace ugo streetlights sojourn goitre caramel hollyweird henley amoeba decades-old gobbler anti-intellectual wildcats boneheaded lancré globally surveying schön long-lasting amiss consuelo inelegant procured paley yamaguchi quixote deficiency danis hight pothead scullery claustrophobically sodomizes woolly nominally jaa antagonism rapped ah-ha blandick unearthing eviscerated paull tactfully shiloh cogan longstreet artefact heresy yarns well-remembered entropy rouen anglo-saxon dobie lavatory bombast jaemin half-forgotten candle-lit doofus davalos smart-ass crucifixes zira preformed bernson veils geyser ferryman beleive plainspoken non-pc introversion disavowed tellers uganda cong heart-shaped jost lcd cooley show-stopper couture flatten adorably strada pees conservation berle pragmatically stupendously flintstones gutting uncomprehending lideo supplement remus evades cosy twenty-seven frazer firearm bigg seidelman freckles flemyng nos sos pharoah six-hour waite monotonously humma appearence hessians dynamically mountaineer attractiveness staffer non-white brigands sulks red-herring greystone odessa baying kanwar cliffhanging darbar woodman videodisc garret serbians politeness sword-wielding terminating male-bashing prying márquez pledges arent sealing heartened grimly grill ex-general corbetts sodomy founders mimzy starbucks unsightly self-awareness null cherokee somberness adhering wishman hairdressing beamont irresponsibility serial-killer rinna casares albans addams hot-to-trot reshammiya radicalism confounds mid-sentence spawning janitors darlanne obliviously pinnochio denys waaaay fari farr dancin stout yugi hoopers granddaughters hobbled undertext tinkering girdle clytemnestra earful snowed counterbalance urf url overhearing ottoman semi-competent sylvan mickie queuing carrière ducked inter-racial investor turn-around afrika fountains duchovney publicists atheism flatley latifah twelve-year wallpapers signorelli zacharias reiterating hernando harpies languish indefinable drexler space-age evaporated weixler jealously communicative bengal teagan rich-kid breather sprocket northeast excercise physicist jotted sweepers johnstone basin mauling regurgitation aetheist sapped joneses cheapjack faustian slurs cryer corporeal menopausal prettily baldwins pimples anyday cut-and-paste oft-used hang-ups rodann wearily good-humored immortalize stonewall dogfight overreacting equip chandrasekhar toxin rattled workload parables fingertips afghans catacombs maharajah registrar lusha remorseful memo theby acumen re-watchable formulae kwok helin giulia actor-turned-director vindictively patrician rough-hewn one-hit businesslike sputters thudding japenese drugging t-bird ajnabi naam coupon skillet telescoping fakeness hurricanes eschew nits ayurvedic collegiate gimli queasy purrs mcnealy brackets common-sense vogueing plights lander smart-aleck patrols day-dreaming mainline venting raunch pri serenade resentments dejectedly enforcing sloppiest pop-corns pou-soi voltron oom-pah-pah annihilation fantasy-lover commissions biddy kabir big-breasted hiroyuki elaborating furthers lusitania whimpers barbour high-schooler philistine curly-haired cus parent-child irretrievably jiménez kael llosa storys exhaustive lineker rarities yearbook emanates anhalt jeannot winstons scouting bankers ignoramus spookiness compost roquevert bottomed hockley neikov carly sorbo illuminator mcgoohan defendant prostate dominica lecher ventresca slobbering eur pangs mclagen squabbling spokesperson commercialization reidelsheimer poolman rader scans outdoorsman preternaturally setter pave westchester fixer libbed mouthpiece luridly lebanese tranquil coronary arbaaz callarn elapsed coombs knuckles transfused mast nekhron slovenians glues kiesler engle ravish pigeonhole stand-off suspenser afro-americans airless shafeek auggie suvari bails chanteuse officious half-remembered putman potency barris drowsy charecters broth headley decision-making brandner acting-wise vaguely-defined unferth peeves brawn plasticine rock-solid beehives striding liberalism phedon dzundza clarification sequestered domestically florentine pore bales cecile cecily demolishing powerglove all-new lindberg leased syndicates reaped khemu extremis ppp dissenting lambasted hippler liveliness telepathy yuy yue well-oiled fortuitous dreamquest chessboard puppy-dog suri indelibly stats raju un-natural fatih sell-out beastie torsos y'all barging congorilla filtering opined escalated enunciates squatters andres coherently carribbean sinned shambolic leto nappy googled beached prunella blitzstein earley piracy pillows voyeurs off-road spine-tingling musta unquestioned nyman horrifies gore-effects jayma libertarian picturization daraar svea perp rouncewell synched foolproof connotation glower unsupervised cote klum tactically biswas inertia lecarre regulated flinty liquids hijacks weired huffman inoculate salgueiro clarksberg co-screenwriter mimicry clear-eyed héctor dragonheart re-animated sailplane sothern pickle kady stream-of-consciousness six-foot zizola well-founded trowa albertson acknowledgment marquise affective kaajal colette accountants airman leviathan shabbiness centrepiece titties derringer semaphore remedied cacophonous tacones conceives undertakes carolingians locoformovies exhaustively elke flagrant staccato smalltown abstinence converging pre-destined gullibility tourette barraged music-oriented grenier synthesizers implanting ocron carfax swerling icebergs talkiest shrugging decry grinnage meighan poston i'l remnant intercedes huntress scuzzy obscuring snowballs specks squint ebullient video-game displacement youngman wast mid-fifties seminars rasputin jumpin airship bleh rajini stuttgart startles rapprochement time-pass expensively housesitter fod ill-informed koun drovers fedele junket inequity sitka henrietta kingsford koo-koo traversing movie-watcher super-cool applications subordinated assignation brags cornfields ostrich walk-in renfield glimmers bade anti-apartheid yeller morays sideburns testimonials aberration mongols temuco toothpaste nogales dinosuars suplex photons researches amputation souvenirs lebanon tuba reinvigorated downturn somnambulist estela moreland schade highways facsimile two-and-a-half archived no-good jonker vicissitudes gesticulating gallop wiles premonitions roberson bulimics cockiness polarizing betamax accelerator egomaniac zohar heldar discounting mathurin then-contemporary emblazoned baudelaire executioners senorita mcfly livery aranoa commemorated yawk fire-breathing interceptors tricia splattery mutes parolini unrealism blaisdell sobriety slobs megalodon gangstas jawbreaker leapt belabor rouveroy huey indigent bu scepter troublemaker tarquin swirl lowliest type-casted jist lerman twine biro len complying pepin lusted daltrey npr man-eater alloy memama incalculable l'eclisse endowments dyspeptic uschi botox eager-beaver phonetically intriguingly bad-tempered demolishes kutter erial rice-paper softens sweetie reif volley migrant skinny-dipping cockeyed ripa unimaginatively chapeau baryshnikov verna ziva php sandpaper rambled accelerating phool neelix foretold yoshio funney huggable directory info-dumps noodling hollywoodish snooze-fest crest mid-day over-reaction greer giraffe thew profiled dialects estevez mutilate appendages crooning luncheon bikini-clad smoker conducive dm dq lemonade blighty packages jaya out-of-focus wurlitzer chorines squawking wilfrid plater gretel thi rosenstein bazookas hilly capo onegin ransacked trademarked formidably dewy hurrah darting contradictive syringe nakamura vapoorize gwyne averted rememeber seen-it-all-before barrow concerto streaks grimacing petzold dissed fruity lunches brutus wacked breeches boning hajj waterford sisterhood bona-fide medic restrooms desktop hover homicides fun-bloodbath chastised interspersing christmastime nodes lakewood peruse robed doddsville spry vindictiveness hogs hayenga mb vi bertinelli thigpen unearthly clarks fp fr fa fn overenthusiastic action-less taunted obedience english-dubbed haddock macaw cowgirl two-character upstanding wheezer unpublished chirin grief-stricken mercutio monies schlatter karla grille backstreet brussels underlies canisters ekland moira against-type outnumber perm gruesomeness incongruously crapper paoli repellently bastedo forgo black-out channel-surfing thugees arched multi-racial flashier sardonically farentino circulate father-daughter spurt plain-looking garp sprinkles sprinkler repercussion idiocies compute lux luz cohere frenetically minimise haranguing d'état matter-of-factness intimated wastebasket sweepingly ilence enacts overflow broads nookie inescapably hit-and-miss sangre schlub orifices nes recessive self-destruct ratty messrs ad-libbing music-hall nut-case jetée domesticate synthesize overstating dramatizes extorting mini-me meekly exonerate dover incoherently zoomed linguist dislikable valedictorian toulon shovels derisory sequined roms entanglements humanitarian designate unfitting poolside genji mccann odd-looking dollops disciplinarian revitalize far-away hangin feld star-crossed blushing primes intertwines kelsey high-concept hummel colloquial thre waller rossi-stuart hippo shashonna empty-handed scot-free permed biplane calloused unplanned perrault threading walnuts bayreuth ripstein coconut homesteading hideousness sullied puma kool turn-on ju jp whisperer quitte naïf sociologically vagaries takeoffs ebeneezer crocs unnerved passports ludlow forbrydelsens lo-fi roams mettler vala vale christa prosecutors tortoise roemheld dez dei dea well-photographed aspirant sound-alike aumont dispensable schoen squaring dionna fictionalised hermes recast insipidly kitchy montesi anti-matter gated endows tightens dwindle time-travelling o'grady pricey revolvers cyber-punk mclaren macedonian duct fornicating duce megalon crony imzadi rambo-like perps secretions graver abercrombie manufactures script-wise facebuster frau miiko sione lv ly paxson buah airports beringer noir-ish ortiz blakely c-list waked budge schnitzler genderbender karyo pertains mammaries clunkiness shiraki ignatius coasted barbed-wire infiltrated submits oughta excorcist santas woodsman opinon pilar hiker manawaka hath vitriolic outkast abolition paeans brull loosed jillson flippers dalmation vacillates off-guard dhavan enix sumin torque treebeard o'flaherty goony navokov smutty tressa gravestone fallow tremell disneynature blackjack tenberken companeros bide nl nt saxophonist romcom keyboardist capomezza sighed inauspicious heino tykes enjolras dalia msb fauna ishai slugging j'ai hoyos courthouse character-based unproductive approximates wad ratchets bertram armando jiminy bizarreness berton lashelle underpaid outsourcing re-shooting re-rated primus forgiveable stutters crusades pruning prospered xtian porte odd-ball wades all-together detectable home-movie swathed amours necrophiliac bounded fizzle bankolé graciousness deities extinguished new-fangled trickle three-year-old smoothness colonised regression boffo dispensed gloster rugs heightening gushy stoney consensual self-preservation hagerthy outwitted femmes dropout neurons cavernous chinnery pigeons skala beholden anthems rifkin x-rating stewarts mingled standalone clubhouse nonplussed upheld lucking tete darrin speakeasies drop-outs see-saw upper-middle-class feh fei thalman scrounging galli salaryman pakula mollà shamroy deviated induction spookily saotome baise spindly unanimously threepenny court-martial ploys clouzot fail-safe replenish nicks nicki un-hollywood sharron co-incidence darkside consecutively trouby monahan boardwalk sailed fossil atoms octavian unexpecting suckfest roadrunner laughters marchers hereby calender groaner zorba grandad yasmine two-bit reputedly ry rm hassett howlingly auscrit diario pre-credits one-year maturation botticelli stand-point ackerman fanged nationwide toler fallacious macedonia waaay subside adroitly speakman kites light-weight filmographies sheena telemachus summons vishk résumé lees enya withstands domingo irit skiing prolonging boca overarching raking bended papal enervated mascot overhaul umrao poopie keyed pygmalion cousines globe-trotting cousteau hlots reclaims trekking smirky pageantry trembled punchy clank submerge concubines out-of-this-world pitiless screed aryans aryana pastimes extravagantly kohner varela bullfighting roto-scoping rubens snart fiver supplementary dimples vocational terra z'dar retch shoot'em tt tn tm tb min-jun taylor-young weirded occassionally numerology nibelungenlied fleece scoundrels formosa high-strung fulgencio sicker pachanga elaboration spell-binding scrawled jeopardize frain zmed concocting rfd star-struck cornette come-uppance teen-ager sini tonti traipsing stupefyingly hyung-rae bangers on-target culprits scape aylmer clipping guzmán hard-line still-born cid linaker presides full-size pedestrians peek-a-boo fly-on-the-wall excursions instrumentation soooooooo dinners imperfection penquin wrangler wrangles hollis mccoys feasts loo gummy cgis hamari souler bonesetter stavros haku cinder cassell sentimentalize pick-pocket vo fashioning unbalance imprison therapeutic fatone sketching anti-psychotic slayed restricts kooks convergence stepsister yuki incorrigible miyagi frisbee merkle speeder yanking bellerophon speck specs glaciers rydell zantara publicised patronizes encapsulated mangles sassiness imperialists morass shunted muriël navigator crunches goliaths gravity-defying realy curfew timidity kafkaesque shock-moments word-for-word scours poulain projections contraband constructively replicant mann-stewart chicanery ilya alittle shakiness direction-set leeping open-mouthed borefest maronna soldiering wag kubricks anaesthetic all-action emit remarrying attendees pacey underated swathes bluntschli hotly rabble-rouser discrete clenteen repents lavigne over-shadowed migrants thirty-five accordian bi-polar indifferently goaul'd cartouche statistical yami israeli-palestinian action-movie kitne xi refresher taxation step-by-step barrows posited slag hemisphere manuscripts mouse-like crisper maladroit accommodating redlich world-weariness figurine lita lymon geopolitical oblowitz kreuger clayface utterances morena enacting seing romanians supervising peas mormonism otherness maitland detonating supercomputer woodchipper blasco nang doggett guevarra heart-of-gold kraakman latching tampered faison gaffer sondre verónica urdu ex-yugoslavia groping floozies ciphers run-in schubert middle-eastern nuthin cumbersome retellings seating wiest much-hyped streetwalker psycho-thriller assigning start-to-finish sermonizing biking thrown-together pomegranate censure stay-at-home carrigan exercising sleigh weiner reconstituted cornwell nella hasan enigmatically worshipped columbian tangier excludes bechstein scorched entwistle collaborating truckloads greyson newlyweds slitheen imparted idiocracy menotti unwind remiss cristian disembodied stultifying practitioners approachable cya epilepsy non-japanese brewery mangoes schoolgirls gouged demy rockwood ever-reliable barmaid tenner tenney hauntings bug-spray libidinal bantam aerobicide samwise legros jubilation rahul remainders haese aribert validation déjà masiela majidi smart-alecky ferroukhi rawanda envelop bonaparte livable upper-crust persist wargaming inadequately radiate slitting seep sharyn erratically doh ipoyg reawakening catalogs otherworldliness blenheim srbljanovic chun koto bloomed superstore fullness elmann giancaspro your're ebony caprio jena pasternak unsaved gottowt ludvig mackintosh proscenium forked amatuer gorcey jail-house lovey-dovey pelts simpletons classrooms pervs tatters sonorous lucidity brained racecar nimri befell renewal roswell shipyard modernism tendres buts satirically akosua unsteady accession abruptness educates ethically alyce foundling deepak fonts commandeer lackeys koolhoven splint madder hiccup adamantium conclusive sebastain husks campell mommies omirus najwa possessively wolfen mother-son miniver wiper breakdance lowpoint profiting rosanne epitomises adios zhuangzhuang gazelle limped steptoe fatales senor pochath predate rainforest supposes flitter flared whetted roughshod huff scenery-chomping lior egotism bongo eviction bisset thanatos santorini nineteenth-century one-sheet disks wip hardass scofield glob constrains goode calming schwarzeneggar straight-up laziest tuneless brushing initiating stonehenge big-eyed bested nauseated iritf butt-kicking misfired nitpicks legality institutional dilettante decorum pangborn buena jonesy by-standers deran ill-prepared bosch brusque ferula neutralize habitable ibiza mis stoddard yamasato willona fumbles loutish greenquist disrobing beguiles abortive finisher sausages portabello pitzalis dissent curiousity sintown antonin propositions bombadier x-mas defecation stellan nationals re-appear stairwells stainless unrecognised anjelica motorcyclist malishu exemplifying deville undisciplined vagrant replicating seseme practising mulgrew quintessence app shootin indiscreet bulletins expanses hendrick rabble stanze above-mentioned jerseys gentility steamrolled co-actor six-shooter mounds quicksand authorship zionist latrine cubicle bukhanovsky decorate weakening peeps couched voucher endangering ballets gettaway batali cornelius kiddish unsettlingly reyes uncontrolled benita third-grade limps estella bringsværd broached win-win muncie cheerleading abominably masterminded impulsively choreograph luxuriant obliterate slashings densely squirrels genious numbs stratham widest dully shoe-string bodacious big-shot budd yah kushrenada soderberg blankly sergent under-exposed tosha bodes re-visit warship life-sized wrestled maroney ballsy body-count cruelties brannigan colder décor hemlich noelle maiming kitchen-sink hutchison deane accumulates dilation re-reading detractor bludgeoned volkoff teleporting finnegan bayonne plundering commanders raided dre vigil markings egotistic fremantle mirai relives carthage condos wil jailbird bloodiest tamper improvises tunnelvision quake belted crikey repairing undoubtably fowler piana new-york infesting urecal asuka ames epidemics utilising inconspicuous try-outs zinn inca huitième banded sex-appeal putative giaconda ablaze zelinas udder stymied bilcock mya carstone brain-numbing moskowitz stink-ladened sepet cherishing suffocated macarena peppering little-seen conner beaux tyle taos losch cucumber shacking eradicating cognoscenti selflessness shalt geopolitics signatures hi-jinks perpetrating branding washout sacchetti buckner testimonies airmen seasickness outfitted campaigning marja tranquilizers off-the-shelf mourners exclaiming dullea zemen ruffled stingray stints emits frazzled leaks steffania triplets adrenaline-pumping zano steamship equalizer zdenek sandrine bulldozed cottages shipmates full-frame one-two impasse latin-american cardiac shudders decreases makutsi expectedly humanoids prostituted rumsfeld badguys mihic siding vilgot sai sal fix-it anti-government denizen surfboards haara invoking regularity ort defection bandage ;d fireflies mian superegos hypnotise wadd hidalgo racquel hamfisted galindo caracter gayest implores gurinder grand-parents khmer carriages lennart dung-heap vlady much-maligned vir amontillado blemishes blarney teleport conveniences languished anti-rape steinmann alls rapier mumy petronius hunched diaspora hotz secretarial interconnection urmilla non-animated leclerc worth-while prepped silverlake quimby high-heeled raphaelson sandal oberoi capulet light-handed foxhole b-o-r-i-n-g smiths aswell prideful insensitivity mesurier mohnish parakeet jcc ilse trampling darro artimisia hereditary way-out toole toola calrissian bally durga hitched pyramids space-opera wheel-chair gonzalo coming-out girl-girl songwriters naswip spiffy kyrano configured crayons bellhop scolds flender gaspard cléo loose-ends smilodon overcoats und adherents fielder aguirre overdosed mohd toothbrushes bionic mammoths mero jump-start huac pixie screentime dismantle grandparent bludgeon riead poppy silberman irrevocably whitehall envoy cláudia riverboat kindhearted life-story anti-human shucks stanislavsky distractingly jillian carrys kia geena unexplainable d-day vitaphone fitter oppress kolya blighted squirmed geologist fathoms space-cadet hulkamaniacs epochs caved plummeting biel clued matrimony remi elkaïm mingle chided interweave chides macrae taxidermy xv blithering ply show-down socializing emulated mtm conserved sistas gyrate arnett delbert goofiest smooching steeple posers shopgirl munnabhai chastise nuttier aod fortuitously winnipeg shaye pufnstuff self-admitted japrisot gobo maricarmen velva technicality natividad hot-shot aerosol hypodermic whippet bright-eyed carer clings voigt ashram dunnit falseness accosts lebeau carper excitements vomit-inducing attributable expiration grudges honing swiped snipped reminiscences monicelli roomful payer tamiyo enshrouded winslett grimace whole-hearted night-club overalls kidder std stv syncing outhouse grafted dsm-iv railroaded oppenheimer geli invocus bigots arvanitis good-bad collectible action-scenes noël-bruneau goodwin liebmann level-headed toyota perrine liszt religulous reiterated repast willian pamphlets aldolpho plantations unstructured brickman olaf hive catastrophes ribald mid-point dugdale imbue pugilist valhalla bronston heroin-addicted drinker swigging stroked face-value stadvec skeptico mongrel laydu desplat fullscreen craptacular creamed packard kimmel calloway infestation theodor prodded down-and-dirty himmler coordination atoll haldane flattest deutschland archenemy tandy tadpole footprints puritanism artiste time-space astrological bog-standard offenses frankfurt ramotswe macleans pentagram quran barometer konchalovksy toned-down blindfold garrigan ondrej execrably damascus redding show-stealing mandated upstages augusten expurgated loll grads boating pumpkinhead cancer-stick oapdish ashok exports brannon shaven macliammoir eggnog sharp-looking half-educated room-mate reddish rigorously sacramento time-slot chromosomes ray-gun mintz-plasse lieh armada berg occupiers marxism barracuda schnook mili permissive parmistan herky-jerky placings spatially portals rottentomatoes uruguay recited nyu tweety pint inhaled standby extrovert warlords silvestre anti-vietnam curdled wasters c-movie blackest larner soliciting milling cologne vanne encryption eighty-three sobbed hiram paw thinning meaningfully rat-bear maughan mor tatou besser wkrp dimensionally instantaneously rom-coms amassed compliant gruver dharmendra aster pukes princesse poorly-done forges bowers schiller largesse abm abs wu-tang puddles bloodsurfing cassevetes farrellys jailer shard kinear retrieval roper porto marybeth hommage effete devilishly cads loudmouths elba moles falsification agey dreamily headings vibration post-colonial unenjoyable dragstrip feasted exhumed curious-yellow shoot-'em-up spiritless bumblers acolyte nudists adjusts elucidation ewa eww initials super-ego jumpsuit bii blemish merquise scala nickleby bogdonovich lounges freakout woodsmen serio humanities lilli electrocute shenzi replicated splinters falcone tat grade-a humbleness rear-projected magnanimous inclinations hyperkinetic exhilaration crickets yielded tallin bountiful daw wisbar gomer byplay bullfighter jérémie unluckily turbans peeve pauper forethought seville goonie reversion thouroughly hotch-potch trekovsky whelan palate fantasyland aggressiveness desilva ion seti arming heep kiberlain unsullied christened horrorvision multi-character backfired spivs picchu manfredi amorphous rohinton geological lode kleist implode heathrow roll-up musa freccia pinching tampa jarryd appraisal magnificient non-commercial esthetically preconception northfield timbers jacuzzi ex-special knighthood constipation bankrolled knock-offs superimpose anthropomorphic corrections conspicuously ann-marie fabrications mid-western squeaking roderick collusion startle rtl agusti heeded brennen pay-dirt supplanted paratrooper salkow gritting perfectly-timed pop-corn jalopy firecrackers donaldson sequiters raho dumas grauer yali babyface bypassed watchability holistic snubbed gangsterism denounce gorefest modifies vertiginous alahani bonfires likeability kacey parters two-count funny-looking accommodation programing socialites tanning follow-on seafood semi-coherent erbe naura fiddling originates gangbanger psycho-analysis innkeeper oiran capping foyer irby re-hashed scrapbook mugger itching gumption expatriate cheap-o natica reusing high-spirited creditors fortunetly god-fearing jerilderie dexterity youngberry anjos hums smap mymovies re-elected viciente stemming groundless celebei dano imports action-drama rachels krajina formatted voguing movers creasey fret tenuta riz rin ric lip-syncing anno pallid arrondissements reproaches lafayette redlitch visualizing mccarthyism bbfc tarred insouciance miscreant overbaked rumiko mitb hagerty credulous paralleled cgi'd risk-taking fortinbras anti-german phoebus grits must-have jarrell peoria evisceration harald woebegone winsor self-evident panty high-society salesgirl famke broadside butchery marshmorton garda keneth outgrow bedfellows caked boy-crazy sette baaaaad instructive gnawing dogtown contends 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utilitarian try-out yung pampering watch-list constricting katsuya butterfield sanction gangbusters aldrich pseud untried icg meritorious domke garnished dilip procrastinator slap-happy lage dinocrap dantes heah caetano bad-mouthing formality falkland hieroglyphics bugundians withhold daoist chocula turbid eighteen-year-old sweet'nexy lavishing meteorites sánchez tsau-shen anamorph mackenna inner-demons emmys lemma aircrafts handsaw manchus damini unschooled anti-british maturing cocking winterbolt unremembered ismaël powersource coordinates quick-tempered a-holes zebra reckons clover neese blacker off-track previously-viewed hub isbn't circulated callaghan country-bumpkin atherton yipee resurrections sterno garages jakarta goksal cloak-and-dagger overconfidence crims primates mapped caswell blow-hard jetee sacker tooling laugh-out skylines darin bunks abdul libelous knucklehead spanish-speaking rawlings palmas seventy-two indo-europeans tesc tonally désirée subjugation calmed afrikaans karan subdues os op non-lethal dumbbells un-original knappertsbusch cause-and-effect tupi jus terminus hopfel totaling lifeforms ilan rimmed migrated ymphony gaels deewar emsworth self-congratulation mastana burghoff whizzpopping stewards aphrodisiac grudge-films bossing breakable painted-on should-be feedings santis scorcesee mass-murder matchmaking nitwits footed melendez firgens kerrie fantasized knock-out impalements naa leprous punters skellington master-servant darkroom brioche rakish likening birkin avarice gregson manchuria pablito creme erna harry-gregson lysette longman anurag foreseeing recluses toe-tapping metro-goldwyn-mayer ineffectiveness acapella bleaker bustiest piglet digart dodedo carjacking licata holster meth-head sunnies sunnier saturate inequities asininity pottery potters pyro pyre nebraskan wolverines jimi timberlane signifiers readout eeee marcuzzo alltime lime ta-tas blobs colorization a-class humperdink rackets gales morlar columbu udden readiness card-player unfortunates self-referencing saturates profster thuggery accident-prone adversely couterie toreson packards shumaker reenactments misanthropes steams agility romagna stick-in-the-mud emmett okay-ish mildest roue burners masayuki rascally overeating pre-fame optimally plopped sparrows qm expel cairns manicotti ehle marchal jukeboxes narrowed cavities lower-budget re-aired avg haigh waystation mfn backroom steve-o mechanisation bekim retractable mattresses kartalian darwell puccini gulping dhupia bashings incursions injun fan-made tendulkar longueurs preform happy-ending rykov xenos glamorously malarky crooner defintly soavi ates hard-as-nails derivatives browse o'reily standardized diggler comediant pigsty dandys uncinematic short-tempered pritchard biding competitiveness workaday donahue piznarski buffay ladylove silsby silicon incognizant shrubs nuel sidenotes karamazov shark-infested scheffer none-too-bright well-performed efenstor patrizia bloodstream freewheelers soap-like yogurt carwash miscommunication honouring fudges slobby barmans doth orgazmo seamen acoustics filmschool chartreuse ukranian heart-attack allwyn consultants disheartened prête-moi hoast lyubomir eick soi soh over-schematically soy miscarrage ganster otter negotiations redolent entomologist pfiefer vestiges disrepute millisecond ellipsis scalpels westway krull un-assured ever-so intension geträumte fakk bhabhi ex-professional syafie stoll undertook sl tree-climbing razors barrowman torm louisville torv televison wahington evangeline brauss palatial jannick fmv fmc trueblood typography presiding martyred ericson newscasters herlock lauper sadek parsimony babbles bushwackers ladin back-projected kellie cheshire play-station hinged jeong saawariya mane cokes sharpshooters ctrl uncredible pigtailed zoom-ins transceiver clobber unimagined corman-produced ultra-low-budget re-play vipers intel kolb até istvan swarms jonesing hew symbiosis jugoslavia wyllie ;o) jackhammer psyching lollabrigida fours carbonite wagter resell parallelism keane mylo well-deserving columbos son-of-a-bitch interpretor discriminated scud kittredge cegid whirled guillespe palin cherub hilter britannia workmate baragrey did'not hollwood burge reveries punchier zom-com deuces reconstituirea haugland caesars langoliers harrow fount osaka brithish narcoleptic housebound s'est cyanide contingency hinckley rooten month-old jeb contro kridge lavishes thawing complementing chowder rayburn cruised quizzed lewinski land-based carbines contextualized branson bigger-than-life respondents gagool twenty-fifth crashingly exteremely four-minute hardness bujeau existance flesh-crawling pian culture-clash brycer psh aguila kelli theatrex orbs rifleman manna skateboards underachieving chekhov ivay kaige ganesh full-tilt heart-melting convulsions odor lollipop prichard sentimentally ut ul uo ui ue benetakos jalousie hangups césar retract camelias re-animate enrolled stammers microscopically shetland everythings southern-fried copter darwinism althou pullitzer yoshiaki brilliantine forefathers cherubic perfecting golddiggers palates opine easy-lube wristwatch appoints efrem jerman suppressor goner boetticher subset writeup wise-cracks castigate unmasks ultramodern muhammad bare-chested strip-mine roberte in-the-dark lilt fallback economist frenchy timpani pseudo-artistic koslo dialogue-driven her-she kôhî seaboard chhaya smilin lawyer-boyfriend señor lectern keying lu revives inarguably choirmaster rewinds leroux lengthening carradines lupus shacks immortalizer turkey-zero dumbing-down nunsploit christianson cruelest steadicams jhene overcompensating vishal-shekhar larvae larval whitlow valuation gravitational trumpeters irvine draperies schloss rootbeer follywood yoon-hee pipsqueak tommy-gun cross-referencing bharat opulence plain-spoken eyeful equator mightiest beutiful nombre cherubs hasta tennesse avocado gearhead rocko hardback street-walker mountain-men disloyalty veto higginbotham confusedly daei trueheart sossman extra-long correlating grandness filmfest walpurgis keywords gores cardinals dressing-room slimiest uninhabited chicas wc wm wv long-limbed ghungroo rear-end ultra-high ait moping bashevis mukherjee hessman jannsen cost-effective tso-tsing cooze rna lashed a-ok home-grown flinching six-pack tints gov playschool undefeated computing dodeskaden encrypt unrushed concurrent ttono rainier embarassment counter-cultural purchasers byers computer-animated nother fogey beneficence conquistador melodramatically slays remsen terrorvision goemon abanazer aleister bigardo stymie benno infections hirjee civilizing bauble antiwar ktma makeing worshiper jingoism wormholes maytag madan indecent quai quad apollonius rodolphe mommie contentious mishmashed jedis tennapel zaphoid profligate pivots gleamed colgate bodega evict gilroy uchida habanera sportscaster fangirls merrie polymer consults fleecing teamboat cei ten-second oldtimer treacher cisco trekker grandaddy skunks kmart retching alladin dorkiest juggles trifiri fifty-five short-movie baddiel maladjusted generalised isms benning earnt minneli unattached superimposition unproven well-structured over-hypes thatched hand-made breezed spalding archipelago cardassian wars-type worm-like yc irrationality elson minstrels tapdancing vohrer like-minded kuno mexican-made ins't fantasising jesminder breuer mach pscychosexual chematodes handy-cam antithetical isolationism courteous purposeless boundries blackstar solar-powered steelers invisibly breadbasket aggressors anchoring loon aparthied reade hoag repudiated pricks mid-range non-the-less heartbreaks saturdays metres granzow defectives suavely sanada bolsters fishy role-play acidity chafed interlocking sulley semi-talented cribs fallows honoré izzy shackles illegibly stroud asian-style mini-uzi climes combative brooch punk-rock canals mackinnon overseer chand behead mini-van wii hydra bernhards pocahontas non-biased lazer cheapens drainpipe rations advocated marzio mcparland oughts vilify grumbling bed-hopping kreinbrink co-operate demonstrably tagliner karnage redman withering thirlby reeler beadle gene-pool follow-through impalement catch-phrase roiling gallipoli empathic majestically rasp woodchuck filmfestival hi-pitched bestest homo-sexual guss gush ecosystem rooneys carmus dream-reality portent ciera hussy sari yau serrador willa sars camera-movements chastising coraline zhigang amorós promoters dammed power-house welk doped-up stratus all-thumbs mini-skirts second-hand thesinger sternness synthesizes speers predating note-perfect non-fictional vacanta storied jor-el instructing phillips-lane mysore kelemen thirty-six wannabees wise-guy red-herrings mackerel immeasurable plot-points kohara erfoud belleau hooters full-immersion go-getting dunston tahitian crypts jeopardised tok'ra commencing anti-sex overtakes setpieces re-writing misguidedly greico terrell maximal calvinist bullet-dodging bonk gunns queen-to-be ultra-evil tasha onyulo bagging dissapears minx hannigan pricelessly padayappa brimstone myoshi two-shots grilled drug-taking well-documented questioner pollinated pate shoe-theme loader ingrate referendum ayat bodybag thinly-drawn joon-ho half-hammerhead ormondroyd contaminate rhidian scarfs beausoleil crewmate four-dimensional crewed o'hare voice-acting scatty book-inspired clichè jenks unorganized vaginal terra-cotta off-stage freeloaders teen-slasher golani oedepus genially pokeball hellbound proletariat downplays proletarian burnout traynor reenberg excellency harlins triplettes ayn amitabhz protean vous warbucks bunuels premade orang-utan livening lehar mah non-involvement consequential uptake glam-rock blanketed eyelid co-write self-determination orc ora almightly bit-parts clap-trap rebuttal farfella interred self-employed terrance stubbs baby-boomer transliterated straightening attonment mcvey hatsumo loire cornea shon shoo manoeuvre plums calvados denials ravishment teething berkhoff dempsey slingshot frakkin phenom cyndy dependably still-maligned samandar non-art downingtown kasden stomaches wurman roost flexes kaal tank-like super-heroine fueling nanook dullards self-regarding gaffney stage-to-screen cabs tonka wantonly miyan o'donoghue prism art-work baddy balasko levers duplicates empty-headed rosales prolongs contributers cameroons grubs niamh capos rusting chaparones doinel hobgoblin asta warpath dunks para-military lose-lose greeley anti-serb tv-like shakur thurber interpolated hoover-god morten continuations naacp sweatshops pupsi rachelle harrar morbidity propagandized româniei uncultured unreadable farm-boy clods allport fuelling talkshow trifled lilja suicidally becce branching mediation sparrow want-to-be picture-postcard kitchener cosima excavation erections nit-pick brillant dar kernels pocketbook galleon cowers gao gaa outperforms redevelopment l'espace leafy liba dunsky norrland conchatta airspace circumcision tennant valueless surging pricing metamorphosed brookmyres triangulated hellenic peccadilloes bluster matchsticks stampeding lessor techie tingles butlers getty sheep-like adair deware priori spurns leboeuf socrates toth denham mehta psycho-killer hertzfeldt open-mindedness payday bad-assery preamble matriarchs leavenworth three-minute dissonance snickers reissues transient unbelieving titanica alik monoxide necroborg psyches nips unseated jeon-do deathscythe spelt irrelevance moped semi-truck iren reworks pelle shiko sigel pulasky free-flowing pulaski coexist dullsville galvanizing big-hearted morganna kazakhstan palde midori cut-away ebola thumbnail thembrians thence dildos futher fouke harpoon kilcher wrings non-musical entrepreneurial eugenia eugenic rashad shimmeringly macroscopic confederacy line-readings step-dancing classicists namedropping unsuspensful emmenthal provence self-explanatory tupiniquins gidget reigned trimble rogell kristoffer montez groot peedy daftardar determinedly greenbacks sang-woo tweezers amemiya ers piranhas shills anycase mentos shyan declaims palomar appendage ocker sneery entrances ibsen cranny defences papaya dollys worldfest jefferey re-birth gosselaar interrelated quandaries proval michèle complexes gore-factor cocaine-snorting zaftig jeers buckmaster congruent subservience rudiger fragrant maharaja noodles wean diabolique techies irrelevent havn't cooby-doo huêt aavjo pojar windup thusly wanking gilligans dimensionless thrown-in ritika spanner bone-chilling hunh petting malaysia totaly books-come-to-life ucsb proprietress big-names greist trafficked minted mockumentaries metabolism trivializes buckingham dubey head-scratching westworld icf fraggles hamlets spools ibrahim brinegar prefigures phillis drier jambalaya prescriptions jorg cicely maximising edyarb jee mistral slotnick wooster not-very-funny bad-ness honoust qualifiers briget depriving mestizos menschkeit tangos pop-star n'roll altmanesque slimey mospeada klimovsky blainsworth liddy eeks persecute peddled unreachable attention-deficit digicorps homerun dimly-lit urgh rigeur tumbleweeds non-com hustled nodded marneau thatcherites ervice hiller bad-acted less-than-subtle voogdt semi-hilarious pon iterations scalese post-pubescent bequeathed groins quasi-slave non-spanish bullitt have't contrive decisively doogan ayutthaya ondricek appetit apaches garnett romolo doucette time-lines nicktoons amalric enright alisande ineffectually smokescreen moria discerned narrowing carasso rintaro unanswerable larue alf ale deportees gwilym facetious proscribed spanish-american bopper gobsmacked instilling alterio agustin murmur propashchiy jurors ooooohhhh souped-up meandered cuddy goad green-lit talmadge inquiries lipper self-serious romanticizing marmorstein stelvio reverent poachers convicting ledoyen hott loused auditoriums male-female feeb l'emploi riski low-talent electricuted cognizant perfectionistic ex-doctor coterie wirtanen transcending fairy-tale-like rte juliano lehmann vulgarism cell-phone retaliated laemmles counter-productive prescription door-to-door panky javo golmaal fireside monster-hunter cinnamon mid-century carecrow doggies murder-suicide topsy-turvy energized gilford chaplinesque porridge d'ailes suffocatingly mythically effervescence nostradamus garbed star-cast hooky edd edy navidad gouden over-sentimental scaramouche schnitz hoyden concisely vegetarianism dwarfing logande aruna rarest recount duster blotto gameshows pagans sip ruffians biryani betacam disproved grafitti ratatouille whalers mincemeat gas-masks marnack what'll belgians rear-projection ex-student echt extra-marital blik origami re-opening pronouncement tough-minded too-old puncturing peplum exhorting ritt hyperspace poorly-conceived bronco deceiver joyriding frears showstoppers auctions wale mcarthur agonisingly uncanonical long-shot horror-thriller gulzar esoterically raisers cucaracha khrushchev propositioned rabidly chaplins pretention nietszche vam l'art hitter big-g mady diplomas twangy extort convolute portentous no-ones reconstructions buddy-buddy deforrest bicarbonate roadhouse exclamations o'nine sunspot sizeable hermoine hubbie derricks ruminations fluidly near-great caiman footloose codgers awful-looking cataluña nobler low-tech amatuerish willaims eddy-mcdonald wobbling goggle xiv pneumonia acquisition jing on-again furrier confederation chirps reinvented skirmishes crimefighter supposed-to-be bow-and-arrow wearisome standpoints soundgarden cartoonishness in-flight shimono conflagration bewilder synchronicity mateo ill-equipped crusaders toasted suchlike dexterous vice-president cannibalize lustre poser nagiko rehearse yorks cohesively uncluttered line-reading fumiya incorporation scherler myopia jitterbugs wyld wyle as-is witchiepoo regurgitating smelt overturning becuase rollins congested lowdown bullfincher trashcan palminterri clubberin orientations newcomb two-faced laughless axes serguis whitch jemison overage awtwb wooley tailing over-earnest much-praised striesand slush zima varieties thump downsizing sainthood sorcha german-speaking bluish satta light-bulb sonego perpetuation eliniak bishoff financier nott ferox sall blockhead leather-clad propagandist recomendation belittled godlike handycam mops spars miscues goofy-looking now-defunct vances boaz submerging pig-like put-downs loris sayles over-licitates hickish hader non-muslims hayley knock-about libe irreversable aikens gillmore poli dekho schaefer hi-jacked nerdish exorcisms gargoyle starfucker profanities kinmont hangdog innovated outcrop mispronouncing bhosle abolish predestined standardize eggerth snagged scranton stdvd anette kuryakin neigh polson barky bodysnatchers huxtables dispassionately reshaped aarp novocaine re-produced school-level go-round penury foolhardiness re-enforces pear-shaped herngren reassures carvalho fastforward duckies retainer battement limerick frankel kurylenko vivica newsome jack-off precipitating ocial directives shadix donkeys adhered tumult kalamazoo ritz biochemical ugarte knopfler pallet surfacing ducky tacoma fibers barnet calamine chesterton eight-room derange neutering cussword cartoonery pikser dexters godawfull tinos locus pfifer ator basket-ball semi-amusing blowsy crighton shimmying taro tare tars dainton freedom-fighter furthest defenceless dainty dickman eloise redid marra counterbalancing bridgete backsides ctx slogging extricate coursing encroachments debauched passageway oi reedy szubanski g-sector watchowski bobb'e laserblast watermelon también speirs silken folk-lore tracee sidelight mannix semi-clad d'un autographed school-film nitric calculus afficionados hadfield glenaan gaurentee romanticised sensationalising ciarán monstrosities taggart jurassik k-tel retentive bruges faltering head-trip tlc lasker epigrams story-tellers reconstitution underacts deflower pixies script-writing garafalo wisest mchale desu fairies hellfire placenta pried sinewy anti-eye shipwreck contractions actionscenes ennobling air-head banton candidacy chaperone re-worked horticulturist erring prescreening clacking fainted lifelessly hoots abhor valve eire furrowed humidity quaking gershuni sorriest unpopulated ovid london-based mistimed nerve-racking kudoh groener riffed riffen worf airstrip horror-omnibus matamoros kruishoop headdress foolhardy wriggling fromage heinously cântarea highly-acclaimed tinkly lakeshore emigrates copolla regiments louse schtock understatements ratoff human-animal upshot youre sochenge overtook chandelier elucidated disorientated utlimately gennosuke alcohol-induced leech avoide suavity perimeter yakin pandia whizbang axiom zombied castleville reworkings wolhiem semi-catatonic rinsing croat banked hudgens hostilities shakespearen mercado parapsychologists smidgeon corrado wounder knowable too-short tugboat damion vegan maldera struycken legalized brava hilariousness waldomiro code-breakers whiteness novelette disavow dewy-eyed sharpton customised american-made telstar mousey dubiously emelius calchas constraint applebloom darkhunters afleck autos hortensia scaling republicanism slurp jaglon verhoven zac ill-used klebb tusks adventuring semantics horror-comedies time-shifting virginny well-read connely alfio uomini lynchings incompassionate imposter sci-fi-series béart hawai onetime shindig sembene repulsively mongers ambitiousness slogans reformers habitants inchon gorging orry fidgeted o'briain shubert zombiefest engross interleave thrower dealership fast-cut control-freak landsbury twenty-odd tromping actionpacked web-site resuscitate tlahuac superhero-movie medem sukumari lymph identikit manfully gayness yog title-only over-scripted eriksson prioritized surya hyper-violence quasi-documentary cattlemen alien-human urprisingly partakes tralala huit self-empowerment fredi anything-goes down-home cullum cortese nippy putridly weepie lira goldstein unquote aubert grocer basements kaiserkeller ever-growing misa allégret ikea end-titles reawaken monosyllables multi-billion shallowest yi-che lia thinly-veiled westbridge repulsing urviving wellman abolitionists tolkiens timidly unstoppably muting reciprocate skewing napa cannibalizing post-roman grinned fannin sünden vibrators sorenson sleazefest zoltan stashes auditor garrard winces winced sedates indigestible fourteen-year-olds verbosely pillage awwww lensing slovak dwayne bewilders sinbad five-alarm jeaneane naw gekko valderama post-pub consents blobby pinnacles duilio l'opera nets sideswiped gwynyth graying lip-synching ranft flunks celi cele tournaments andrus non-sexual teuton re-living filmstrip contentment jollies spoke-out forerunners sanctions francophile necklines character-development under-exploited moonbeast wolfstein mamabolo round-the-clock cave-paintings facilitated below-par canuck suspense-horror flip-side globo galland browbeating intruded dissenter regalbuto bolivarians durable abs-cbn residences re-cycled drivvle haifa armatures plumbed whittington alosio hit-and-run beautify sistine mcgree two-person rois bricked aprile kimball spielbergian reimann mcconnell mcdonell dry-cleaning vanquishing sheb twitter across-the-board adgth breadsticks staked xerox sws contini godson pl resented unpleasantries hot-dogs co-directors bailout laurels bubble-headed second-in-command qualitatively hatefully malleable end-of-the-world experimentalism jame aikido lame-ass reemergence cali skimped meera reality-based acteurs olaris pastorelli salivate tamlyn parkyakarkus apogee three-act jackboots gershuny verdone ministering hushed sparkly skitters urbanised guggenheim reprinted documentarians cancan treaties hoard grissom pados bal spattered mccallister aragon bronzed commonplaces unplayable serat slr chauvinism slc mancha transvestites governors emissary lightheartedly stimuli digitised pooping unemotionally triller wafers asrani natal co-existing sift phlegmatic time-killer marauder faring farina strait-jacketed re-surfaced marksman jean-marie inebriation millennial blunted tumhe janetty janette menon seasick hidebound definate summarised emasculation battre palliates kazuma career-defining gauguin shenk wain cthd thrashes subverted koontz almghandi discus krystal fla goodall harking readin cheerios hedonist lawston b-adventure hedonism sumner ridiculous-looking mais thanx pensacolians eildon totenkopf tomfoolery allegories ummmph nipper montoya caeser isabell lyons discharges lar hillard flinstones cabiria hilarius crimelord blackfoot loyd anti-pope krofft triggering flapjack impunity munn mung busiest median medias thunderdome forecast flavorless despaired razorblade laudable marj steelworker shida absences oppositions pentameter boran perth earhart-like galvanic airways transpiring mcdaniel crabtree anspach halperins chato farmiga farcial stop-animation doctrinal on-hand subdivision shiro wexford garibaldi pornichet gunilla plainness carousing damper personality-wise dian dias trouncing criminey swastikas well-animated altman-esque dichen hayman gassman pp relevation venger frilly solipsism bleah emigres rounder ralphy rendez-vous jacketed obliterating fed-ex cuckoos much-heralded juncture involvements mcnasty legrand mad-raving pinkie voice-artists bustin blushy legionnaire marathons real-looking pissing vina side-story non-recommendable she-devil intrigueing swirled upgraded upgrades khrystyne frets carano one-reel eclipses fraternization southpark galapagos widdoes one-hour unvarnished appreciably mindblowing time-capsule wheelchairs eyeglasses bubbas miffed jolted candleshoe morphett hyer jurgens usd yobs gance afflict scene-chewing ill-matched fer peevish cipriani ropers weihenmayer finley imprest leni hansom downcast lotto dumb-blonde chagrined tenuously joes kewpie-doll bods bodo incinerate sharky sews gnostic arnetia boned languorously bonet octopuses bilbo donavon ferber cinema-going quintin yr-old lesley-anne mida biroc ayacoatl unexpectedness fordist lamentably darklight proffers shariff capitalised lurching idap bohemia kulik wicks masts preliminary top-floor starched disrespecting marichal rasche schneerbaum ashenden rebuke ksm beal bead ltas unbelieveably unbelieveable universial bare-butted anti-nuclear non-essential bumblebee protoplasm postlethwaite bombards homem rodrigo finite bat-loving extra-ordinary scrimm good-will bra'tac flimsily sarajevo force-feeding islander preventative explorative downgrading donnybrook mcmillan frannie wealthier neurotically supremo garter pis berating ellipses heartthrobs vehement lauderdale jaipur daley rochesters inhibit risa shafted militia-men clean-shaven hyderabadi boooring gothenburg donor-wolf rickshaws cribbed woodpecker righting pokey mid-december sprout manji olivera meatpacking nambla cloths bucking out-of-shape ruscico anti-abortionists thorsen strenght sex-obsessed swampy curis swerves ocd fast-forwards kaka goulding unmediated fabrics send-off listlessly jigen film-lenghts post-teens vexes outshining rebounded b-western bereavement lorded krauss teapot parched fuher brewer cassavetes-like ingested trajectories incredulously torah honus over-indulgent iroquois pre-wwii fingerprinting mclellan chalte backstories internalisation outmatched simplistically non-black anti-funny waylay intellectuality boffing two-week outlandishly orangutans expressly restructuring gaghan world-renowned hermits side-plot cave-like vaugn violante living-room gurantee secures stil kiernan off-day purification bmws blare fan-boy swans qt remaindered trivilized freckle-faced olmstead hysteric redwood ruck cadby ashmith pre-evening alissia georgi gala trillion haggle candoli self-directed sex-drive tarts non-gershwin chain-gang doozies unnattractive above-ground woot frenegonde woof ssi obfuscated larenz producer-director rebuilds nikolett kazoo white-haired gein followup postrevolutionary tirard rhymer rhymed dissident now-famous kanchi lampela flakes newsflash faster-paced kilo blot hine hind light-sources deduct jiggle jiggly silvano tarkovski perused marie-anne gibe gibb long-takes telescopic fiddles trask anglicized gonorrhea grotesques woodcourt peeks govno synths trainables pheiffer tightness raunchiest plonk aberrant lesnar overmeyer coal-miner garfunkel re-titled waxed dessicated primate gut-level sunscreen housemates gorefests shoo-in caiano anh screw-ups monster-ock wilmer homeless-looking accumulate fixture falsetto dietrickson one-sentence rock-stars urprise twoface passer video-store nullifying imbred houghton unimposing re-painting squinty faccia hofd deceivingly hoff coincided causality hatty firewood unopposed unilaterally ultra-violent tamest insensible bara macinnes drain-o conrow denomination honeycombs blazed peron confessional tug-of-war vertido trudges rohan yosemite gun-slinging mustaches archetypical sepia-toned human-interest modernize stereoscopic uncharitable shawls victorians pflug imdb'ers missionaries grouped cutters hybrid-werewolves artigot humvee re-tell prolo tutu art-like manifestly dicenzo tustin hourly unremitting rationalistic oversold sincronicity decade-long cretinism interpreters flaring fidgeting zappati gurl salvaging picture-in-picture felissa deprecating fizzy occaisional halfbreed country-boy drummers tish tisk blacktop hyuk sargoth karva toasters clunking dicked powdered elope emotionality enticement ywca deadlier ahold koyla uav wheeler-dealer plummy toledo darden vies post-dubbed laugh-getting ear-bleeding oldsters terrificly wilbur ingemar cringe-fest softie salgado factoids popcorn-entertainment wilt cursor shapeshifting elbows pilcher perdu debutant hitchhike spoofy mulch laugh-riot mite apostle rathke jongchan corley copola joxs doodles macedonians ttws boor kristopherson shere blabbing heart-to-heart stiltedly up-side-down benvolio guardsmen hot-rodder force-fed joely darkon renuka pinpoints anti-gun stageplay six-mile cookers seventy-three subtleness romper patricide whizzing shears secede time-setting corrects anti-heroine competed loudness stripe maladies kfc windmills eleanora double-standard longo arousal foundational britches re-lived thad yakusho incongruent dorrit sciorra policial traction pretzel bad-bad clarifies transcendant boardman heating re-adapted blonds sauraus wyman business-related shirou parekh heart-stirring är portrayer linehan matekoni snickered airbag insubordination espoused preciously gadg over-stylized warping latecomer barcode anagram disdains filmcritic stoked cinematographical infraction administer tamo milos lenoire hot-tempered azn unnerve fanzine microwaving all-consuming overturned fairytale-like post-vietnam osd eye-openers ramrodder halmark burlap thundercats close-to-home defaults headset thorazine overqualified maliciousness overviews assimilation septic dooms purveying edouard flaubert telepath glynis majelewski antipathy recipients granville well-meant courageously unfruitful battleships besco nyfd workdays disintegrated westlake specialists bulow evened buffed thsi infuriate counterpoints understatedly suitcases corseted tortilla marnie fraiser child-friendly refreshes trinian tit-for-tat bader chitre one-upmanship mind-f gillain bainter defeatist german-language gelding brassed deflate possesed rover haystack dicks gribbon sportsmanship grigsby montossé unveil fogging pulverized eads well-planned lady-like clarice lastewka rudeboy kelippoth carel asst speaksman puppo ashoka hydraulics gillis fedoras firebrand dyes mccay over-saturated suspensefully no-account flashforward cryptkeeper paso shock-rock elementary-school anthropologists cessation pirit doon gudrun socials centrifugal changeover magnani speedboat dyed-in-the-wool aids-related state-run non-popular cartman unstated kaushik weedy traumatize heartedness cradled unexploded family-oriented sharps black-comedy cassetti informants plasters exultation bytes caught-up non-diegetic loved-ones amélie jyothika shahids cheese-fest exponential trinkets irland morisette waddles blacked-up suffolk goblet cuffs bone-crunching kumalo jovovich epochal robsahm harnessed spaz harnesses heavy-going jacko preemptive chal tudjman modernizing humpback contours cut-scenes yevgeni pick-pockets turnaround ramundo feist mendoza krocodylus torchon thoongadae loco herlie procures merlot bilingual schotland ulagam pardo byline seawater grammatical agoraphobic limousines boutique sauk leyner imagary hot-rodders boo-hiss fatboy what-ifs ponders richman murderball jean-louis perceiving jax jal michol exude iguana stepmom apostrophe swarmed marita shiftless fornicate anti-catholic agonizes paura nutso mozambique satyagrah phoren homemaker over-abundance subsidy scenography zaniness creep-out greaves seediest over-eager reciprocates plundered nénette zuckers ponytail gloats vanlint torrie wrinklies anextremely lopped punjab costanza sexualized truax contemplates babcock postponed smoochy mitchel socioeconomic camra tzc millimeter rerunning mimino derides miming priming ridgement choicest non-aggression vinod masseuse westfront self-deception detecting shrubbery renea bologna doling child-star scorpions monster-in-law dorcas preproduction bounty-hunter film-within-film uncountable cross-generational wouters trios optimum pfff pfft hijinx applicability telecommunications party-going mssr imbroglio cylinder co-produce hana invasive pronouncements edmonton antes hoists clegg malapropisms cooled fully-formed hold-ups axe-wielding oddparents herpes yauman ideologists lussier ceded arzner plymouth porkys roney spit-swapping ronet jeremey mulling drunkards ruehl flammable arkadin meercat conglomeration walterman uvsc larcenous obsessing domaine sextet softy serendipitously decker ronnies weighting giveaways godparents alger dampened vases corona nosed corrina equalling earplugs supernaturalism valérie nom noo nog blandman philharmonic well-judged gum-chewing rink pelleske soren artifices fact-based boners snout rassimov precedents sickingly celozzi stair daag un-necessary sorrowfully reprints ismay altercation yorick beltran harbouring ad-libs jeane muttered implacable re-animates sawdust petunia madwoman sickie truehart metaphysically prostituting laundering not-particularly blackberry unmentionable garrel standbys jungian maclaglen higson peaces al-qaida vertov fastened god-given minna big-league vacantly coproduction chop-socky trample evildoers registry smooch air-raid low-light insulate palm-reading locomotive beswicke anti-revenge poundland documental antigone twenty-year bad-taste hat-wearing thickheaded cromoscope misnamed photoshop laurenti thermal gray-haired heron soul-less barabas cel curtin durden post-spielberg bilodeau deride benjy bergonzini intellectualism capucine contraception pilmark barmy tonga hi-jinx bargin strum feely eldard terada zipper villianess innovating abkani matchpoint almeria vandross brusqueness playthings two-by-four albany gillies masumura utrillo disseminate luhrmann ruff zelenka multicultural eek sharaff appalachia akward benfica latvian massacessi yo-yo crime-fighter extemporaneous infront hoist detmars rat-a-tat rhimes archers winterbottom arithmetic snuggly well-accomplished svu wouk egomania teeths icier re-establishing nippon aubuchon commiserate pressberger pyrenees brunel walkman raliegh handfuls isao palettes dwar dwan invincibility defective stockard marquand ankles interdependence escarole maximizes drug-dealer galaxies wack mockney high-energy over-blown outrunning tinhorns yipe inez clayburgh chasse landscaping urn obsequious kops avati albania longest-running doo-dah djs debutantes beiser tutsi hippie-era co-creator balinese adulterer evacuees simons morolla pheonix shalom dharma cruelness pancreatic fernanda rubenstein cross-cut overlay naps flesh-and-blood tenderloin uncritically tricked-out lowest-rated plot-hook aclu strausmann supertank psychofrakulator forgone commercialisation coby clean-up knell ax-wielding glencoe irrationally snares steinem dopey-looking summarising tertiary spaniards groening stressing maleficent haughtiness wanderers autonomy pogo mcneil insemination blackish wud talbott lazar durability cytown bauhaus punctuates venezia nappies matting brutalities flatulent youngberries super-babe insinuated fangirl catharine diologue tins tink chockful all-knowing toped sierck szabo sever finalize parish suranne shoveling yeo yee hypersensitive inter-cutting well-mounted devdas greenland platters leesville archivist offcourse oreo thinned woo-hoo vacated handicaps tarnishes lonnen chiang midnite idolatry meister intellects ehrlich seahunt shankar lethally insolent sinnui rodríguez frescoes beetch purify abuzz nous interconnectivity less-engaging moralism grand-daughters leopards rattles gerrit logans sullivan-corbett char-broiled ensnaring film-student nipar specificity lambaste bobo streaked crevice begrudgingly necro lice entombed teasingly governs imom incidence washoe gimmeclassics restarted audited giulio spank pacifier starman crossfire tankentai kickin free-thinking kolos ill-thought-out primitives tiburon scissorhands villard pseudo-action over-ambitious enriquez ruminating stinkeroo ajnabe harburg imaged liquor-selling lotte kmc charlatans outa outh rough-cut one-tenth pascual rajasthani katzman cautions gavroche labelling recaptures escher burbridge goddam denzell mo-ped u'an lapped allergy worst-written myrick wherewithal mcdonough kyoko blares lafanu sixpence aonghas layover gildersleeve videogame policier high-and-mighty flyfisherman cinema-goers jidai-geki dead-ringer rättvik hyun-soo kowalkski pcp yashiro microscopic bosox saloons rags-to-riches toooooo taht mazurki picturisation thaxter big-hair loaders jabber japonese monger carted trudged lilting big-star loosens immaturity idiota zapper worst-case mecha-ghidora haseena gender-blind bourn roegs tempos warning-spoiler pamphlet dinnerladies stopwatch coyle phone-in pyaar coyly astound closed-minded furia spy-thriller virility irritably pisana red-necks post-suicide bensonhurst commercial-free distinctiveness openers delighting subsidiary macisaac mopeds deprive appetizing hinson cariboo vampyros kensett wrangle subwoofer luhzin harrods vingança premiering clime salt-water imbalanced heh-heh kiosk radcliffe super-heroic intermingles grabovsky buchholz tse pugh applicants camfield sub-levels mistrusting eking invective meecy egoist wish-fulfillment casnoff automatons hotshots rockumentary beheadings kastner camped-up attention-grabbing threlkis settee tail-end sparky guiol post-er groggy herding playboys reproduces prizefighter pre-med ambushes goofier newscast uperfly newt caddy squib well-behaved sigur aromatic elapses tutankhamun good-for-nothing outlandishness gwenn waifs tomm bowlers avowed rodger beahan one-and-a-half mpkdh chiastic nepali rise-and-fall caddie rivette tenny caviezel non-violence tz santini bbca go-getter word-play elsinore advocacy riskiest hassling un-erotic horoscope girders corollary eastwood-esquire teleprompters dracht trams baily salmans unionist over-emphatic may-december aloneness aforesaid love-affair apposed blazkowicz presumptive city-wide pyres marisol houseguests corpus estrada weightlifting physiques disorganised gesticulates milkman diversifying cash-ins milgram fellow-imdb unhurried goodbyes pro-choice seigner fanpro lupo lupa byrds dissipating subscribing schoolroom kumars o'quinn singable co-actors scattering patching re-live broadcasted long-ago celibacy peacemaker rapidity skylight cassinelli liveliest pledging whet soundly un-involving forgoes gostoso deirdre ritzy annihilates shepperton scripter pornstars rhein lost-in-translation genre-mainstay balcan downloads gruenberg avocation tic-tac-toe vitae deification apprenticeship mgr badgers rivaling porters blueprints stabilize cornerstones animalistic dispatcher rolls-royce pandemic raleigh dreamin excepts re-broadcast sloppier butkus well-edited cheermeister equestrian adversities beaded dirge ivanhoe character-actors movie-length mahayana stacie misinterpretations voluntary disrespectfully seven-year-old knapsacks pelham ntsb nicoli two-story protocols predominately car-chase endemol l'atalante slomo sence löwensohn weel mutha oxycontin sub-saharan weet panchamda jewellery junctures garcea x-amount fasted rosey fasten zhukov tethered scriptwise venessa functioned rascal pulpit lübeck demurs guacamole doggerel hurray sjöholm affluence flav reedited braininess sjöman ense retardedness argyle incitement jaws-like ebersole weatherly juhee eco-horror bazillion rakhi indigestion alexandr keester hollywood-ized ecuador compendium prototypic inuyasha digisoft meriwether well-enough tunics reba blurt xizao titty eliason mollys meanderings swanston naylor gittes insistently razzies betuel wilona deflects dozor bannings dirtbag black-outs ragman spazzy durham once-great quashed half-arsed purporting contreras yokels entitlement face-off well-assembled dall thirty-two fertilizer kenan wildness gans andersons paternity friendliness suck-tacular esque volt walruses segregating hypothetically constitutionally antennae verity dead-alive jørgen volé scarring predictible not-so-secret chopsocky white-face deductive mid-seventies lockjaw oui saviours plaguing war-profiteering hitler-esquire clunkily heartbreaker networking ziegler wagging hollywod flat-line kneecaps fowl marthy trounced rollan marguerite tomeii enrolls dooku dumitru ksxy over-emphasis drawling uncompleted agutter longinotto unclean sashays miscarriages unconventionality half-formed over-worked phenomenons co-edited largess shahadah unimpeachable tawny matrix-style nagai marcuse breakthroughs acronym ashe off-hand futurism horroryearbook mcgiver lived-in roughhousing nourishment occassionaly delt yachting specialties glassy doru off-again pancreas handedness co-pilot self-censorship hensema organizer lynch-esquire modulation twenty-third bemusedly directional hyped-up expectancy distillery raunchily waive dsm smg aniversy quetin bated jaeckel underlit attendent outlay subsuming doig zebras miscalculated doin child-plays micheál nominates profoundness magictrain on-board gallic eves guerra turman taktarov almereyda foppington ex-boxer vail dignities harangued wanderer rescinded deadeningly greame alun mary-louise abashed scrotum firmer tv-scale tushes hard-to-take ballot-stuffing fot foy fof nought brutes uneventfully unambiguous hallo width monograms suck-fest once-promising soul-mate stepmotherhood two-way whigham liebermann inscribed cremaster cribbing assassinating jammin petersson egyptology pinciotti ridgely nether fellating speedos neilson pushover wash-down epithets lilo-cay collisions unusal chineese simmered gwoemul exhibitors lodgers gjon stilts compactor lulling far-reaching merlik hocked neato onasis super-saturated intermixed corri untainted un-like unsmiling jett clunkier undercooked popeil strong-minded rotflmao mothballed vacano terpsichorean fossils grouping schwadel tubs gesturing foulness stressed-out fundraising encapsulating melding longings cop-buddy wife-beating epyon tantalised unwaivering technocratic sixteenth-century lupita lemora naiveness andreef shoplifter butt-cheek puzzler guilty-pleasure choreographic rebelliousness wistfulness ktla skyrocket proportionality rattlesnakes entrap petroleum magnification overstays post-halloween nickolas semi-intelligent unattended beastmaster toulouse-lautrec buttafuoco tamako law-enforcer eivor then-wife can't-miss philosophic deflates swimsuits northerners logistics goldthwait jean-jacques mistreating stockholders vicotria five-star tcheky balwin fool-proof german-american arye tristar radames leos townhouse mullers throw-aways computer-literate coca-cola closed-off hotrod elizabethtown yokel kasadya flaying wesson bd bf bp discontented jewellers qayamat head-shaking nekromantiks proclamations lancashire hella rescuer archdiocese tibetans mazinger jism well-trodden harrers materially gooks pantalino melina boxy dicey winched guignol-type streamed benz vivisection humerous ingersoll stedicam hongkong quasi-romantic knick belch billiard nadu rough'n'tumble hoodwinked altaire scanty baz bunched fatherland money-saving latched privies megas anyones boobytraps breathable psychoses equaling bombed-out koslack carcasses wrenchmuller baby-sitter grrrr committees shortchange thornberrys gnomes nainital harish hinterlands klutzy passive-aggressive commodus lascher bettger discounted residential magnify smithsonian skin-tight stagger xtravaganza inconstant noces propaganda-like disaffected funnel high-fives funner mistranslation on-and-off khala khali nsync choristers cheeze adorning euphemistic swan-song specialising defecating manie wagons sickos fruitcake grinchy najimi road-movie mannerism aku aki vivienne well-trained everyway choosed renovations macclane holocausts garron harnessing boyce jamal facinating overdressed hestons last-second supermarkets rolando somnolence thea thet moneyed shepperd monolith wide-open raspy-voiced drug-free tijuana grift legde gas-s-s-s zelniker gadding money-grubbing subspecies d'ya sugden subduing out-of musty exclusivity cheaply-made blotting back-and-forth db dt a-hole over-plotted irregularities non-offensive vulgarly lip-sync downgrades downgraded scribbling teenish cot raimond jays buffett kapoor-juhee marguis jerri wrightman ooh-la-la lothar hille bezukhov rahman bargo mallrats psychodramatic idealists odete brazzi tetanus sagging hmmmmmmm shabnam disputable destructed carpeting polito pirouettes insectoid margolyes pensively videocassette indecently melonie blase wotw sinese auld decipherable free-for-all acrimonious bed-ridden eke matrimonial engender obsolescence minimum-wage domenico nihilist vays yasminda suffocate centenary symbiote detonation cult-cinema mimbos errs firey tanley palaces porsches guitarists tentpoles out-of-sync dematteo disses receptionists optimist anatomie impairment balderdash undertakings foothold fabián foaming expositional goble darlington boob-tube anti-bush yumi poeshn po-faced dyslexic cupido sedition valeri indebtedness unrefined kasch burrito trapp penvensie skull-like rasta basest hovel kult masina herlihy nishabd necessitating uncivilized aeon universal-international tentatives exotica hrishita inattentiveness logics vantages disneyworld rambos much-appreciated funjatta demonise empathised mover completeness antenna genre-defining foothills laudatory inflating knotting-up jianna plastic-encased souly ho-tep reagan-era über rober fleapit o-lane longfellow dribbling ostfront lahaye carleton starrett thingee minotaur remixes ning vivaldi pusher revelry curmudgeonly maffia quelled auburn saleen hendersons trailed mix-and-match proctologist limey tin-foil super-soldiers basu protruding coastline uprooted ladylike brasília gps dachau macao carlas campyness ensitive poil kaante hardin reminisced backtrack mcgowan heads-up pisa should'nt buza rychard nickelby forseeable post-modernist mockingly jesuit grills pilgrim icare hendler bludgeons air-time middle-american dims migraine-inducing throaty set-bound text-book toy-box katharyn minced entwining crack-whore redundancies dildo-action duck-faced peeples deangelo christoper blammo arin matiko woohoo zvonimir prudence south-of-the-border kar-kui dilute pettyfer adaptaion juries triple-bill providers locates roubaix submachine farell bedsheets steadman commonwealth imparting negron spradlin christoph nickolodean battle-part beefs huckabees halima resplendent mplayer over-written bordeaux knuckleface reclaiming reactive equivalents surfs fernandina jasmin pie-hole new-wave second-string bacchan funes irena jarhead unearth pilgrims women-only gummint out-of-towners monster-on-the-loose stromboli molinaro ina barfuss effusively sexed-up lickin flexing neise unbeknownest drug-infested balboa fretted caspar tenfold witch-hunting hadly life-style zoologist overlords badmouth forrests messerschmitt baby-sitting giri softest dinoshark machiavelli coys aristidis outdoing peva alpine naturalist kerkhof one-up run-on mamas healthily green-eggs roflmao smedley in-bred anglo-american cooder postino strike-out cajoling stagnated sedaris mcmovies pianos ensnare purveys toady secondaries élan jacquouille pepto-bismol hangers-on bestow monolithic impede hore segundo chez stocking legalize counteracts stroptomycin tyke deterent high-roller up-coming vented pebbles sorte cleverer turaquistan viscously sharkman tand tana szalinski ex-lovers mueller-stahl rebellions mulrony seventy-five noethen assimilating undisturbed headstone o'halloran necropolis east-meets-west debralee manatees caseman noshame aishu rossano gay-bashing overplotted apanowicz mid-nineteenth rebelling bigley laxatives jumped-up herek vagabonds thermos inundated definatley pathway perfidy tudio jaid irrfan disneyesque agis re-cap bobrick thapar mattie melato stat hagarty briefs bulette converges forward-thinking pail unknowable eye-dot dénouement hyper-realistic gaga eighteenth foisting machetes two-plus chewy js jm jb parentheses polyphobia cult-following tiresomely hattori wowzers margit yearling terrestial voodooism destin abhors breton naaaa unrecommended unsure-of-himself kamar bullosa fume reputable flopsy inhibition garmes battle-of-the-sexes ingle anyplace alkie glória point-blank mari decimates magrath relaunch iambic supposable whale-like mayerling gumby lapel brands gangway cooperative stop-action misrepresent untroubled tv-cook alexandria planche farrady l'hypothèse flyte kwame boxset unclothed whodunnits whopper usurped alpo high-top pop-song jostled mccullough harboring flavin cannibalized zuni shikhar campground gottlieb ayatollahs defused defuses tensionless riotously tearjerkers rowed mamá uncommunicative haine tsutomu stainton pirahna abducts gills demonico speedball unacknowledged levres impulsiveness worths journeyed alon mid-shot reconsidered underdogs irises simmone unalloyed overindulging volo gossips nicaragua mehki nitta nitty paree vandeuvres tukur unwrapping pilling lifeguard non-athletic skittish strock cartoonists gulag strolled query golfer hardys dildar doctrines speckle nivens nachi slaving damagingly cresus all-too-brief crucification solidify slave-trader courteney barbies snozzcumbers vivant lp over-stressed riverdance attourney apologetically fightfest widowhood overweening indiain facie pots deducted yu-wu re-interpret deep-seeded boobie duchy transcript sundowners velociraptor cachet martest easthampton overestimated trailer-load chauffeurs blond-haired brightened blessedly madrigal badham shriners early-to-mid paternalistic gimped hong-kong diaper-clad dunked ransacking on-the-edge wisp swordfight moppets humperdinck seismic re-kindle quicktime scribbles sammie scribbled ain beater coolidge ambulances oldfish reawakened bayou atlee iceholes lankford tazer nikopol regaining scion pacinos mesa drecky mucking borneo theologian b-level sauls condoleeza scene-stealer prewar washer l'enfant thomajan over-talky enid beat-up memory-erasing lbp socio leafs upholding spetters coif coil soupy westboro flog soft-hearted gareth pacifism sheritt succulent nuf iglesia hourglass propulsion blaster extramarital port-a-potty precipitous looters counter-transference beeb elisa beet muddies change-of-pace khnh inventors monotonic embarrassments fungicide himmelstoss racketeers sanitary mosquito clawed wha cori watchings discomfiting backbeat saajan junta vicodin landor spit-takes aapkey castrating admittingly dsds tarmac hi-jacking boogaloo houseboats arcadia needlepoint cousin-in-law threes yetians sceptically hughie heart-throb dannielynn flavored epigrammatic unawares burglars mallika impartially enforcers abusers bar-none cripes technocrats half-million deep-sea spiraled reinking crème mated commissioning time-machine captained halla clevon documentary-movie tight-lipped bracketed carpetbaggers one-dollar griever bissett hey-day re-union lumped tunneling fender-bender atkine termination behavioural ithaca womans anchorwoman monetarily posehn baytes grimms andersonville hindley off-color showboat bunsen speculated sloshing roller-skates remedies silver-haired noblemen cronkite bounder tvnz remedios creditor muldoon calicos bilateral kutchek chandramukhi klasky-csupo changling tep beattie so-far priveghi sophisticate crybaby eggheads fartsy pectorals niagara absconded cancun fungus barbu flounce sub-text ashwood athletics blane north-east on-site three-story populous eff rucksack bunuel-esquire blackmoon bfi time-consuming hucksters sanam treeless chuke seven-day jerico reverberations khoi-san pythons dorlan conde nastassia stereos fore-mentioned vaguest horor pf marihuana toga contracter coerces piemaker petronijevic bibbidi keighley glamorise tendo peephole psychosomatic ranching doltish mesmerizingly begrudging eventies barfed what-have-you tackier articulating fairbrass hara-kiri teta velociraptors fair-haired carnivale shalub carny moncia rocket-launcher assemblage mccurdy continuities head-shots nixed ashcroft asha impeded exoticism zues cheif pennington poalher arkham nit-picky contaminates indignantly suiting linguistics multi-dimensional versace ad-man polishes loquacious chomiak thrifty character-building marvelling satirising european-ish unelected discomfited froid everard creed-miles spud rafts dreariness baddeley agnieszka ruman destructiveness merchant-ivory d'art mutating amigo then-husband inquisitor eyelashes corset persevered skip-able sobriquet townies layed beatles-graduates moloney sndtrk rossini disrupting gashuin airtight besmirches gurgle d'amore makhna candy-colored cmon bull-whip goodlooking daftness sputter zombiefication kablooey smolders beneficiaries coordinators vestige jms exhale leotards luvahire zorrilla father-figures sin-eaters stanwick turnip finishers ru aintry rr mayan rd rb rc tricksy mats-helge overemotional rectifier cruellest rectified hujan icicle aftereffects horticulturalist benighted push-ups unmindful rosselini abreast cougar champaign richar belabors propagates smelled self-congratulatory bodysuit meting raitt untruths comic-like beija agrawal expending real-like smoothest loughlin femme-fatales rotated dismaying rotates cleaver-esquire enchilada immediatly weeklies beutifully sleep-over camerawoman unfrozen hatzisavvas roxie co-writes sprinting igmund haryanvi sprouts wittgenstein greenery murder-mystery naoto spats donlon backwood threesomes mell witticism viaje eisley uprightness pepto carbide shouldered sirhan anulka re-establish grousing mile-a-minute deathrow optimal mellow-dramatic footstep cryin muses mused who-cares bookie matchless sanka none-too-friendly ungracefully searingly famines faux-pas synchro omfg rosina copy-cat pider-man clang ex-comrades stoppard volvos oust fratboy toyland kerby lidia herculis bersen mewling glamourise excerpted juveniles pettiness strange-looking ultra-sensitive scribblings jorney loftier cfto alredy dard capricorn pickles tainting industrialized furies sloper migrate straightens well-spoken fritchie gurinda directorship mnd etching dingle-hopper shipload snuka stunners siddons waddle lobbyist world-view volpe shock-art peary pears tie-ins saurabh industrialists cajole ingesting docudramas remote-control lasciviousness ill-will kaddiddlehopper unflappable wolf-man cocksure bris matthieu dismemberments brie scribes eye-balls investigatory aggrieved slowdown rhythmically hermandad riser bartholomew wolvie lindenmuth nickerson professional-looking alveraze reverential aan l'homme fraim va-poo-rize wedded senegalese poodles ordained gleanne non-scary thierot waldeman legislature cheeken peacecraft velveeta stoopid reticence traumatizing tornados symbolising smack-dab campions cazenove rabin michinoku harvesting notti buyout morrocco girard shadowlands gyula dareus bureacracy redoing impotency kassir perplex pretty-much weird-looking nautical amputees freighted machinal jastrow lespert barkley gueule qvc debtors lerche symona itami insolence vallette snap-shot tolkein throb assayas standish khanabadosh arnim sommeil re-adjust short-running half-dead hofstätter waltzes aortic bone-crushing betts sportsman goudry lurched biosphere guerro toffs drape rickshaw unamused charmian splayed sugest khoury leach unintrusive americanize woth quality-level ermey gbs non-christian distressingly pseudo-religious strider configuration fiorella syncopated vancleef vù ucm elmes harwood selina birthmother infertile frameworks vj counterweight serra euro-exploitation nerve-wracking enunciation sterner one-digit password schindlers macromedia demonstrators referential therapists toke peal disgracefully csokas mander fiscal beaten-down flagstaff regales who-done-it ind sharia yuwen coloration hinders riccardo waterlogged b-minus chet love-struck strip-club beckinsales anarchism cross-pollination paedophillia shurka offshore singaporean finleyson bans z-level humblest acceptation uppers furballs saddling immovable sadoul non-disney scavenging takahata redubbed on-world stage-y gunslinging unshakeable out-of-character dramamine jumpers namba sloggy homesickness acuity sacha brightening wertmuller bare-breasted imperiously darla stringent centeredness enslaving short-cut frauleins msamati dedicating gawked earth-like grandfatherly posa coral emasculating katanas akiva pirouette cruise-liner invincibly ravenna foulmouthed nags tone-deaf ferociously kitted sloths fairytales yesser perusing frothing acolytes re-examine qur'an shaming cavalli bluffing naughtiness macarther durang dispositions over-population diaboliques humanely vocation mark-paul rosetti trotwood nadja friggen hall-davis rokkuchan argo zig-zag arnaud ka-den xk xy nobody'll solstice lobbing dinky browsed kairo kaira underemployed renay hunnam tell-tale lansing malcontent chantal nudged spore culpable loudspeaker thurl stateside pontificate fleggenheimer sniggering mezrich hoffa bio-terror yootha edification unshakable cymbal killer-thriller severn mccheese ounces rudderless man-in-the-mac dodson stools externalization mid-night bio-engineered objectify tarantino-like lom scrapyard halen inclusiveness tip-off aneurism peat retrospectively nelligan victoriously red-suited daddies vamsi complicatedly far-shot one-day slants takei holier-than-thou ven zeder shlop earthworm cockfight flimsier taxpayer flirted lipsync algae bar-room inhi perceptible farrakhan war-era diavolo guaranteeing leavitt dresler withered hans-jurgen kak film-strip maïga randi finster speckled beasley consecration rocca catched slavishly precursors potently dalla statistically rijn dialing wilcoxon wining azjazz predominates wises mcgann dudettes mcgill scraggy letup misspent brow-beating charlies rummage metcalf low-quality sifting ghost-writer doppleganger klavan pretender movie-buff fencers westmore jinxed lindsay-hogg landesberg surface-skimming zd zz liota était papier buckwheat anti-anxiety felled trema transience disabling lummox beijing gitaï z-boys delineating delenn lordly marton bakovic lonny lacanians slickers tembi catcher paradorian twitty stink-bomb trekkers steadier thunderblast bergmanesque rakoff paves cyr grete costard heartedly bonejack takashima taints difford tbu samaritan shot-down impressive-looking spaniel re-tooled wheelsy sex-change nyugen space-ships blythen experimenter knuckleheads whitebread cappomaggi chappie all-female pared-down pago petey camila mixed-bag finalizing tard chazel spetznatz wringer utensils draco lancre belisario talkin salvatores jean-claud bci padme commencement zubeidaa battleground ultra-nationalist cemetary farmland lamore illeana ne'er peeping-tom outer-space järvi-laturi dru out-of-touch thieriot wart well-heeled confound gracing newfoundland over-doing friedo awoken incurs recompense hydroplane seldomly eavesdropping aparently chihuahua ecko shirking filmable scrounge methane bonita invalids perspicacious not-so-bright exorcise godwin seafront wackier dod dou sown minty worse-it morsel tiled slanderous broken-hearted fehmiu prophesy masssacre enrapt dislocate bourgeoise chug chud bible-quoting b-ball mustangs intercoms lachman farsi forestry maki interwiew larissa zoned-out dreama arrivals tennesee dornwinkles electromagnetic smartaleck assed luau restate jens espisode teletype oeuvres disarmingly canoeists iqs benchmarks originating zena congeal matriarchal anti-religious fsn auspiciously rationalised marissa tight-fitting dvorak jettison scampering aurelius cochran hbc then-studio euro-horror baer eye-contact orator colditz chertkov out-of-date goody-two-shoes movie-night autofocus rarified officialdom lantos ingela durring unfortuneatly drunk-driving arthritis marriage-minded macon mouthpieces cmdr asylums butz messiest cinematics vonda twenty-year-old isolate gloomier midas woodrow psychoactive gargan middle-of-the-night istead re-emerge movie-within-the-movie klien persians klieg loonies mandark by-the-number post-fifties corinthians rajiv cabana macro tantalizes caresses character-defining enlarges homelands server indisputably misinterpreting kikabidze allegiances breastfeed qualen militants out-perform rap-styled bare-knuckle shelli sobre angell swan-whatever race-car citation giallos vill nines einmal strived omeone marathi diffusing high-jack synopses dirt-resistant rafi rafe wobbled wobbles lemony i've-never-heard-of-you corncob flicka morte scrunching kuriyami sushant darabont lashings co-existence capriciousness limpet rigueur snakeeater disobedience psychosexual rainmakers jogs bogota quade encroachment zy woodenhead choppily thrillingly brujo mosh stereotypic marion-crawford standoff minimizing poor-quality contorted distributer wonka meir militaries santell powerbomb humoured misunderstands gateshead júlio foot-high expressiveness swish covets amps double-crossing dynastic badguy flue dipasquale austrailia publics falafel mongoloids pele aflame mcbeak degli pro-lifers pounder geese naseeb wynona manqué curie bissell beatiful aluminum-anti-radiation-alloy sarlaac freeways vicenzo speculations rallies commoner saleswoman phds insubordinate tap-dance gibler tabori royalist coped looted foundas nauseates dupes head-over-heels internecine yeaaah revs uhhh milwall antionioni counterbalanced sneakiness gaffari sabretoothes self-satisfaction remington lathan fragata woerner good-dirty-rotten-pig-stealing-great-great-grandfather harrowingly ghraib tebaldi blazers o'er magistral absalom ignatova imbibed hankering besson probobly impish homeowner schimmer chiaroscuro gunga-din kilts filleted ta'kol metrosexual multi-oscar barranco tarintino zinger anti-capitalist carves beguiled haviland auguste ar hampering kinfolk drug-related guatamala wide-boy infer mini-plot bluesy troll-like bluest gongs adr ozone desaturated tora-san moshing absconding gabin phycho luminary mechenosets multicolored infanticide loa satirise christiani kinugasa auras compasses forsa busload cabanne suare bemusement goebels two-reelers agustí self-controlled rouses synonyms embalmed amman manicure storr collaborates non-stars jump-scare arirang pence dunce puck kiarostami combats nudging wuornos careening botswana fischter waylon intellectualize excelling rupees die-hards guy-next-door always-wonderful jatte sauvages chesapeake dorkiness fête car-crash accede unalienable predated doe-eyed sympathises variance transparencies steamroller waterbury home-video vaporized mezzo-soprano ratcher perfects butt-head sub-story els anais roamer cary-hiroyuki outgrew saville digimon enunciate mechanized eaves latrina greenscreen michalis classiest git bootlegging sassoon shrieber quicksilver corbomite simplifying labia tooooo jeevan subsidize blanchard white-knuckle outmoded cover-ups christenson booking guzzling guilts overrides connivance innane nexus film-within-a-film photojournalist saboturs senso drosselmeyer tbi pterodactyls tera picnics eachd teru upto marionette unstudied disney-style froth malte omigod workshops trespass koyi shiksa glacially workman beholding dollhouse band-mate magic-wielding jammer figaro anti-imperialist zardoz uptightness parsi quarreling re-claim unearths antibodies skerrit jar-jar tightly-paced bridgette goo-goo co-dependence tollywood flesh-eaters epiphanies powder-blue over-analyze forewarn willi sofaer what-the-hell matronly diverged l'astrée castmates vilification aïssa garishly hwy vigoda corson human-cylon philosophize baps tandard litel robyn bemoaned stefanson jeniffer pullers swamplands marishka flubs lampoonery treveiler widens space-faring underprivileged solder post-rapture irritations yudai bbc-tv super-realism deslys sub-artisans organises mother-figure cast-member juvenility weisse wla dina stingers straight-jacket pre-credit end-time cupboards noughties zachary cgi-effects cuff unmistakeably restful liabilities vileness dayglo constellations hanpei torgoff back-lot sugar-coating middle-earth super-dumb anouk hae suckling equinox vemork stiflers fairborn restoration-era leporid moon-landing checkbook evildoer thoes fujimoto theremin cratchits braille galleghar spires sommersault parenthetically antònia muzak greenfield lexa cinematograpy munter mid-season fatso sutra skogland muddles jf sex-life alleyways power-struggle cemeteries tranquilizer proctology taradash dagmar lightest marsupials appeased bookstores strip-tease delane deciphered coffeshop larking nesson briar eurasian rispoli newsgroup underpin re-enter snoopy souza snoops latvia pruitt americaine peevishness ltr spazz old-world shutout fantasy-like sex-driven co-founder bois theid sep whuppin congenital snacking waldorf inspirations chancer durant gouging lemme lip-smacking awww outruns seitz shoot-'em-ups amer finely-tuned diehard cutscenes minnesotan shawlee astros gladiatorial miku adventurousness elviras critised scamp cellphones pedal mausi bitterman antsy macbride corresponds racists tennyson peña gilleys complaisance hotline sabra seedpeople ultra-secret retool venetian isaach overdeveloped rainie proto-feminist four-year watterman omigosh slow-building hague zenobia contretemps whiffs marketers panoply samoans untie flubber canonized flubbed smtm intermingling discontinued scientologists aping georgy kickoff chomps quakers programed blecch demerit cluzet blushed angola xmen natella triptych subtractions atm looneys está veggie stultified whinging mo'nique goya kayo meaney wife-i worthlessness croisette crowbar dogsbody cartwheels reverently textbooks haiduk beaudine swindlers clea zasu pilloried personalize matta stanwyk manet broeke calcium escalator pitchforks wimmer disseminated olé shoemaker gameboy then-current meringue nob ola yowlachie pleiades witte sowed oscillating manxman riffraff uccide action-hero raunchiness inescourt regenerating onlooker poffysmoviemania gibbering boogyman zant get-together quibbling kusminsky cambreau top-drawer non-witness banister by-products missable karadzic single-parent resuscitation high-speed appendix printing defusing preempted takarada radiations hard-living belying incapacity reattached suspends worthiness vegetarians reopen textual afterschool conny sky-cycles pacifists komodo lust-driven pheasants sab duminicä bobbidi sixth-sense forsake splendors interestig acid-trip deflowers thickly sebastiaan woolworths aulin furthered self-indulgently bolam whitworth torpor coughing corporatism canoes lartigau blai trounce maturely bailiff steinitz tasmanian handpicked trimmings alysons spurrier non-exploitative spurs tote beckons ddl dde temecula mopes pre-interval laugh-inducing insatiably italia buzz-saw sawant inflaming plucks machatý one-set débutant zebraman misleadingly village-broadway orb dispenza unfurnished subconsciousness norbit re-invent enactment pollock big-named signpost urbanites malo lude lucked pleaded patio allo leonine pathologically designation mumu intuitor tumnus fta sidewinder kobe gothika syllables dateless zeppelin skellen hovis dirt-poor conmen anti-female shivery underflowing undertakers inder croix parochial sayid kilt out-dated acus low-low peasantry power-singing manges manged poorly-lit micahel morland practicly mina web-slinging low-priced revile crystin balked calculator keuck renounced renounces one-legged infertility commoners leong danky running-time stonework flat-sharing gisela harvery grindingly veterinary servers hellhole small-talk zan magnificant vengence kidmans skimming sword-fights sticklers exorcismo lambasting graça gettin tunisian industry-bashing kibbutzim nakadai lolly hughly ex-vaudevillian hudsucker whovier douchet grandchild jalal counsels zir finery albanians step-sisters purposed pilfers pacifying bumbles bumbled remorseless mcgaw flabbergasting mooth crabbe non-jew red-hot self-examination hindering troublemakers based-on-a-true crewmen gun-runners psalm zoheb connived farkus vise babbette =p bellocchio assholes vacancy least-favorite nose-thumbing letzte coils azar keels rams ramo keillor silvia ravers mcmichael expounded suprematy headfirst forty-eight dinah cleavon freakazoid dy-no-mite hecklers magowan persecuting elitism re-named hi-jack midair maven loans bird-brained privatizing merc beleiving humorlessness niedhart tidey elitists psychotics inning mafias regalia shock-jock artilleryman ad-lib washboard whisk flyswatter gunnarsson irrevocable colonialist ignominious kneale slating fakey sub-world liftoff wetting radiance cites lan lao lag vietcong trash-movies ramadan gunbelt flyboys pinet opera-ish observance hand-clawing spicing beefing superimpositions hand-tinting politicization supposing vibrato reimbursed interrelationships ohana mulkurul clichès telugu hacen stefaniuk kar-leung orazio ardor steed sergeant-major gender-bending ritchy swanton shouldn hower forty-year live-wire highwayman friedrich stranglers thrice millionth preachiness dickerson cetniks handlers lajjo honkeytonk poorly-cast accumulating nin nie devalued wisps huddling mamma huckleberry drewitt salin blockheads cabby tutti accords chevalia bluebeard illogic top-billing busboy kiriya crime-solver muscats azuma a-i herrand lightoller re-imaginings matinees centring aol arn't identically commercialized brain-eating herve snidely byner anilji scrooges kingdoms cartooning thar upbraids kohler hyper-kinetic li-lin pen-friend non-traditional playgirl hoosiers gangrene lookers råzone podalydès proclamation sovsem nowicki quarrels flat-footed mom-and-pop feuds production-wise mind-meld decaprio fecund recored avian mescaleros crump rembrandt booooring sieger nunchucks soft-erotic wilkie bewitchingly questionnaire paperboy flourescent cource aligns flinches organics ghost-story chinks barca slayings burnings seethes hyper-stylized saturnine humiliations gaubert agnisakshi gross-outs tridev straw-covered upholds deep-rooted nonsenses congenial securely heaved maybee certificates cardona wanters jackhammers biographers chagossian picturisations geats jenney apalling bewafaa brinda linesmen culty viability eardrum creme-de-la-creme dester ringling contorts generalities murphys ste stm dts wastage suddenness comprehended diferent poochie jellybeans octaves home-movies beauteous mylène gelb edies bethlehem non-opera oyama unserious newswriter bandekar tantrapur unkindly gimm faired porcupines fairer gimp lemmons fulfilment rockabilly pankin gse abstain stiggs over-the-counter schoolwork bookman refracted wrack re-trial konkan quirkier nikolayev ballot princely kora drac fellow-traveler co-author moribund facebook babysits languor pucci raspberries wild'n'easy micah laugh-fest sossamon daybreak inhumanities twist-laden cackle autons hatta tintorera meadowvale tendentious od'd sleep-fest new-comer ox-bow farnworth matched-cut micro-film longinidis black-faced carmack silverfox flunked peace-loving unquenchable boisterously lances out-shined horseman then-boyfriend forgery pathogen urbania silage sacre compacted sufficiency young-looking snehal scrambles hawksian likens sonheim usaffe trammel nercessian adhesive thirty-somethings shi-jie middles evolvement bolsheviks trapero lightner harden macer over-dramatization coffee-table anniyan wangle prophesies prodigiously bolkonsky orry-kelly empathizing jlb jlh intersections supersize shakily trope roden zurich stalkings expositions cut-off filmaker obstruction bodices anticlimax moonlights betters liquefying boskovich sputtered body-snatchers non-original pacte wyat mumford sate mihäescu ria jayenge legless longingly raubal austrailian shakespere laustsen dockyard accusatory heart-failure entomology orks psychodrama mandates cheatin comedown swiping debase gta-like toothsome khoobsurat comedy-adventure salomaa two-step musgrove scrubbing off-world memorex barlow whitechapel railrodder woodenness extremly lockett reassigned credo mcdevitt peyote kanaly extorts disgruntle hollowed essanay stadling cajones tupinambas stanza speculating longish blakey merkley plice reconsiders bole baccarin tartan reaping later-on litten disneyfied locality mediaeval menville phantasms non-bridge tim-burton-movie dispels cornel e-waste notle outpouring dishonored fire-fighters victimizer ferdos jetson franck francs roundup under-aged indien armpits biter amalio mugur brontes woopie churlishly super-clever altioklar sputnick a-movies flayed unwarily bolshevik arlette trinna profiling bagatelle tigra monotoned ministro sufferance remuneration oafs parvarish aimanov embraceable clung glamourpuss limber aroma aventura pendanski profit-making aaker heisei idioterne gantlet torpedoing repertoires enumerated dream-sequences moaned saigon patroni clockwatchers bedraggled tawa waalkes voss pummels gwar clogging defected mok undifferentiated cyndi contagion digressive shoplifting wildfire ultra-corny grudging lanier cleanup dukey montanas skin-crawling kampung hanzô unexpurgated worden invigorate embarrasing anime-inspired knifed preordained leveling copycats non-south deathmatch jailbreak palillo ikwydls finalization super-cop homeworld sired catskills dramatists instigating familiarized slickest orchard giza mad-dog eunuch maclaughlin oke declamatory ports triffids brasiliano slithers hathcock cantaloupe big-studio kakka kajlich ager agee documentry scatter-shot organist sop tithe chihiro paperweight short-changed rip-snorting billingsley donati six-armed renews bogdonovitch yaaay cataloguing hero-type mejding ratcatcher sariñana merrier ruts unnoticeable moviegoing ews unspools mordred amisha interweaves rabun necromaniac schnappmann pre-school materialists malinski half-ted googly defamation scalp hard-rock hoosegow korty korte beatdown kirsty sdp tree-lined irish-american brazilians tv-work transmuted harassments trombones eight-page grogan superlame lillo understandings gawdawful self-worth falcons second-best chasers gamecube miasma sine bolls gawd-awful talor towners egress sacchi toshio beefed aformentioned emigration taz reanimates gci thrall endorsements bombardiers repentant paperbacks honks bridged junction activate blesses waay bleeps commendations laps chaser natty spookiest lim plexiglass masochistically loups chaise reveling med-school gayatri enunciating hifi tutazema striped jiving dislodge motown phased yuji neurotics lis mini-masterpiece technologist sarlac gigolos similar-looking plaid rectangular transitioned simpathetic old-looking berated uomo anorak clubbed hoped-for absorption underact mismarketed qualitative ann-margaret great-grandfather gynoid scums titilation howland brant lyne doorknobs lynx preyed wets destabilise inhibited astronomy bulwark samey obstructions lanford vili neul dead-center borrowings gulshan bethune vincenzoni kheir-abadi piano-playing overtaking federline blowtorch inexhaustible mandell spellbounding racketeer buna calvary laughting predicated whittle phone-sex caster squishing credential dethrone unsuspected dispiriting emphysema hemorrhaging clandestinely non-plot nandjiwarra xizhao excommunication pabulum a-bomb consented sven-ole abhijeet f'n f'd vashon orgasms isolates inexcusably kleine gut-wrenchingly rupturing raksha libidos dumpsters tricksters eurasians inamdar mahmoud bargains sebastián unicorns drag-racing affixed titfield phenominal white-bread charlia advision donal mão fetes playroom advertized eberhardt fuselage meisner cockneys denigrates weeper mini-epic saterday dulhaniya rollerball out-of-nowhere costarred bugundian lancer manoeuvres tetzlaff witchdoctor pantasia hegemony thriteen desica despising merian permitting harilall spanked city-slickers unprincipled injure mistook restauranteur lorri sentimentalizing free-will not-so-distant red-faced school-kids yall bowdlerised hoarse navigation modifying seventeen-year-old mescaline boxcover rumpelstiltskin stynwyck arreté lighter-than-air storymode botanist unchained leva marilla branched shinning scammers redheaded swindle condescendingly izuruha rethinking inter-personal bisexuality hard-to-follow otern whitt crystal-clear transgressive pathogens who-dun-it to-date etchings ukrainian blackburn shielah slops bryden cautioned tinnitus nobu ashutosh nakes bluntness innovatively arbuthnot compositor summa chunk-city untethered dreamtime mid-eighties hallier ville screeners three-time inculcated barger lowensohn sed imbd tweedy kee roxann shadrach dumbfounding country-rock jone joni championing byronic beltrami mears go-kart seven-year artur calamities cormans fabricate laverne ahehehe philologist feodor somegoro rawandan codependent quipped nbk nbb toothpick peice reverberate ravishingly emmental stethoscope spendthrift care-less shielded infests berkely personality-free weimar hisaichi limply racoons wangles theologians dupre unengaged causally informations mid-career unredeemed musn't dans depleted stupifying sherri unperturbed pencils majorca scaffold o'conner fonz derry blablabla krimis rinaldo pvc arg dictum embodiments incandescent acrid suspenders motor-psycho keeffe ozark misbehaving meecham ril propping in-movie limbaugh two-edged shetan kasi non-new eluding marmalade by-play prob colorize unadorned embarassed astounds declarations gerda movie-it schygula out-right delineation magnifying spectaculars nync untraditional slower-paced rrw augie highwater cyclist bickers sleepy-eyed dwarves lizard-logic iced condominium afican-american perma-turd boniface built-up onions o-shin inaugural actualities footpath gaijin richthofen elio cauffiel standoffish puya eases upheavals fusing siani boy-toy noxious caio non-educational scryeeee swooned leticia alfonse florid goodhearted sex-scene mckellar waddlesworth lassiter shlocky workin bluray ornella rumblings dividends baston linebacker audiovisual agito front-man validating bbs donnersmarck gassing loutishness merciful tactful eye-poppingly lowlights every-day ska each-other siemens starrer instants birthmark lenya leaded haywood o'donoghugh throng klineschloss pythonesque patronisingly brundage worriedly gereco kensit bratwurst hirschbiegel kerouac geysers cronyn tsukino nunnery post-cabaret trawling ctomvelu yougoslavia canet car-thievery acurately rumbustious familiarness bravora circuitry busybody tart'n'tangy stone-buddha gaskets snuggles eastwood-sergio complainers templarios zaniacs uality ghostie roach-produced self-reliant warmongering dubbed-in musical-nature pawed male-to-male philidelphia rocque mailings perfunctorily babaganoosh ex-'beyond neurologist sters bocka etherything jaekel sidebars human-shark mutinies boobage jail-sentence-worthy meteorologist couple-too-many old-guard coprophilia disparagement tiger-stripe have-to-have-the-last-punch-and-no-one-can-kick-my-a ghoultown whoopdedoodles dir-robert seda stollen non-observant concurrence thick-witted labratory cineliterate fia fmvs fie reentered doctresses fil fim counsil paterfamilias cliché-free wuss-bag slauther interwhined approporiately tantalisingly childen metafiction a-flutter borowczyks brittannica mattter leeli wern't re-goddamn ineffectively yester lazers kaliganj popularism single-wide mindgaming ho-ho thrace bakelite re-loads yeti-like hiya fuzziness less-dialogue fatherlands noli anniversaries boogeyboarded oscar-caliber-written bush-dwellers hederson straight-from-the-shoulder peacoat worlders early-marriage protags afghan-covered hymen unpersons heavyarms affaire coulisses kremlin over-enthusiasm pixilated un-enjoyable ssst tensely majo woolnough dorama sexually-repressed purged interpretaion old-soul dicker gillham created-mainly-for-profit-reasons independentcritics apace under-equipped luby usenet gallaghers mcnab on-end bicenntinial levered cross-breeding omewhere multi-starrer story-writers uncomfirmed gyu-ri edgiest advisedly descours lott irl irc puff-sleeved lyoko law-enforcement vestment tendons quagmires miyako hill-toppers ravenously repudiee j-film lookie libyan puposelessly anti-pakistan shandling triviality unleavened tutoyer hamnett gothic-script nonsensical-as cine-musique stain-teethed misconstrues rescinds look-likes prostrate halorann oscar-nominations majin animie bricklayer memoriam remand mind-state epic-like east-end torpedoes schlessinger cinefest layabouts-cum-boat mainsequence lonelier nibby sweat-inducing near-impossible half-starved lasse visability underpanted pninson hexploitation movie-just fantasy-reality pubert un-bond debell misdemeanors culpas devorah flowless re-locations ooverall ichii ursla ultra-fan raddick samotáři mordor-like apartment-themed caskets willcock savala shirdan performance-arty comedic-relief consciousness-altering corn-fed okabasho walchek denoting budah simpsonian street-pocket humbled sub-james stopkewich marber piece-by-piece eyred moderne yankovich studliest bedsheet chapter-walking slurring his-pukar rebelious breast-heaving halfassing hawked students-at yellowstone hawker hawkes pre-climax loncraine puttered brooks-ish childe maywether grand-guignol grappler yi-mou mis-matched shove-off shakycam olympus turaqui pranced pseudo-creative unattuned quick-wit pre-posterous xenophobe phillipine incrementally kavogianni roarke to-be-married matras climby crap-freaking lightning-flash chit-chat d'artagnan-act upatz effette by-far boooooooo dimitrova boylen phillipenes menopuasal semi-pitiful handbags etude doozers perishes kazakhstani wvs ooooooh edgeways futureistic black-hooded rebounding bulgari gregoire christenssen ameteurish over-dosed o'clichés mahattan much-celebrated vulkan stapes odysessy under-achievers ocassionally pogo-sticked bien exurbia jucier self-centeredness horse-thieving sniffle gypsy-type workforces jip darkly-lit under-stretched sortee dreamcatchers =o) ladysmith breakumentary didi pealing pahalniuk honduras irremediably fallin re-enacts newsradio amerterish sugercoma grimstead trumillio oddly-shaped tieney flatson napunsaktha computer-colored reisner socking gutman tableaus headbanger ex-comedian tooth-fairy pseudo-art-idiot-directors someome ustase over-trapped falworth sequals unsuitably rehan disasterous balkanic emek auroras jewell trust-funders politicos never-aging pimply martineau observationally pimple mcdougle left-hook bolshoi dimestore grinch-after footraces unforssen messier ooohhh heir-based wyne excorsist unpractical brown-shirts hippie-dippy woodbury grunner jail-break ultra-orthodox tiku carrion vohra yomada tyagi incoherences education-part fire-poker porteau ingenuos annexing liberatore yevgeniya nbtn comics-adapted dominque penitently hmapk d'amélie despaaaaaair v-card motived kinng reluctantpopstar ametuer globe-hopping nu-metal collided living-single-in wesa had-a vomits prousalis nun-chucks soap-opaeras snowmonton rylance unsentimentally graphed oxygen-deprived hella-cool conried lovableness reanimate monumentous verifies free-mind fims maeda constraining socio-path wholeness n'ai chevette befittingly peculiarities shivah feature-films it'good dickian buckshot arrrrgh now-completed germna insane-like absense fever-dream priuses dreimaderlhaus recrudescence werewolf-films sumi deosnt decomposes leprachaun snowmobiles unrelatable obstruct merilu rashamon dressler-polly supervan youth-to-mid-thirties slut-of-a-sister transmutation alexondra what-to-see-next piscapo less-funny chocolate-box thinly-conceived revolutionists holay hollandish secret-service groaningly money-scrounging rosso highest-roller adkins almost-under-the-radar borstein lady-flier secretes phoenicians ramgarh dirth fighting'-scenes merchandises self-seeking lazarous well-woven jelousy e'er marm-turned-bank amani mundi air-waves dampens valderamma synanomess left-leaning ciochetti baskervilles bhagam attention-hungry hippy-hearse woodgrain alothugh rasta-talking wind-man faxes mcgovernisms faxed sheepishly melida movie-cliché touts takkyuubin maliciously modern-day-america hipocresy legislatures cámara ever-deepening holman ceramic fishbone non-homicidal color-effects bismarck broad-minded kosugis hostiles super-surreal shot-wide cromosonic capotes moines mcgyver kirron unwraps sano macadder manjit jayce goo-ing woman-trying-to-act-sexy-edited-poorly-together otoh mind-blowers leit state-room greenness everywere honhyol portrayl heber anthropocentric mouldy soapers dehumanized luske mcclug stuntpeople feline-human half-caste overly-religious over-rationalized berwick oh-so-tolerant automata mori morn moro glowers wannabe-crook modestly-budgeted re-transcription filmcritics cuddlesome al-quida kate-watchers wieder ryonosuke peracaula actingjob ponto lesotho prostration montenegrin viventi enyard thickened yaayyyyy tulane redeemiing realllyyyy dead-set theurgist everlastingly papel stylus refried tantalizingly boomerangs obscessed reintroduced frizzi diagetic fukuoka trivialities susann bodyswerve frizzy shitless barefaced autocracy commie-loving corine eeeb-eeeb-eeeb misrepresentative gilberts homegirls gilberto whatever-the-hell-that-thing-was-like it-especially relaxers stage-fright masted l'ariete suntan daniel-day ecologically late-career carry-on transgenered databanks theroux rrhs licencing eco-zombies francescoli alterego leighton nomm noms prudery pre-mussolini speech-challenged coctails broad-casted dewitt-bukater oland fürmann syringes wild-style nod-and-wink writer-watcher swanks fonner mutilates odors overfilling fermented eeeeeek permanence moseys sebastians antagonized sports-reporter singlet altman-like emilfork dismembers two-fer thuggies pie-films cultivating artem artel brisco affix kinkiness bleepesque clipboard uruk screen-play walkleys defilers underwear-staining twill yutte seperates re-repeating black-booted play-a-clef nearside safety-division ex-air pollutions non-superficiality avco-embassy videostore-guy hauteur goggins sibblings akcent condones terror-moment leoncavallo made-for-disney condoned bergdoff-goodman reluctant-hero jawing swigert norseman homoeric stierman muddily hack-factory german-tv portait galvatron pabst-directed overbloated hollywood-made gloating nrk nrj sacrés proto-humans amphibians over-saturation moxham phillpotts ferality mujhse danoota bussle preliterate reak holton behemoths shayamalan full-screen cappucino credentialed stand-up-program over-enthusiast chawala kna fobidden tehrani pluckings zhibek rizzuto bladck salvo stargaard underwear-only pet-store crinkling fright-fest extended-vacation multi-year zanjeer yasushi burkhardt nanjing antonioni-like gwenllian so-serious changdong tenders suppliers absolom sorbet bloodfest potentate aissa mightn't ex-mercenary moodysson papier-mâché chief-fireman sub-benedek susanah well-versed cow-creature uspense hiyao katic deponent nicer-looking sipsey red-poker blood-dripping squirm-in-your-seat fanatasies starkest erick pom-hating less-than-auspicious erics sudbury thomsen head-case idleness gorylicious bockwinkle heebie eggotistical chase-type store-owner dillemma vachtangi heileman interfaith misinformative pr-world trifunovic ninjitsu ensenada vanload gianetto low-pace franklyn reece-myers murder-dramas fidenco fenner giombini kamerdaschaft essandoh concorde-new emergance non-hilarious teflon-coated less-than-brilliant gowky prissies gap-tooth unprofitable devil-may-care phyillis cry-baby splicings adma drama-less ryszard intellectual-mystery-jackass cutdowns ould adults-only fernack no-sold re-enaction multi-function never-have-been butt-stomping surrogated tahou navuoo portayal out-spoken forewarning clever-clever pff highbury actuall sidede alexei alexej flip-flopping eager-hungry o'hana murmuring non-lesbian copywriter maclachalan pet-project chor ecchhhh birth-wedding badnam horror-spoof albertini microsystem sub-game pathedic cossimo shizophrenic jetsons bilborough secretary-bookkeeper snaky nether-beings nineteen-thirties scorch homogeneous average-mediocre lavvies daughterly half-hawaiian ismir elucubrate author-figure likings must-read action-adventures frowns mindframe durban greedo rienforcation beachwear senshi galloni stalinist consigliare gamekeeper princess-to-be sahibjaan non-cut tea-time ma-china janikowski foul-ups andrewjlau vetoes not-so-dynamic torching ragbag monotheism laughter-track werewolf-theme huzoor-e-ala pheromonal toyomichi catholiques contemporary-oriented un-upgraded super-protestant view-at-life mustachioed vaccarro lets-rip-off how-to gehrlich double-shot cuatro teetered quadruple-barrel none-too-serious brechtian simple-living supersentimentality instic foyt overrate julia-louise reichdeutch dependant promo-t-shirts bandaras coverbox quickened exhalation mmiv okinawan bringleson chronologies phonies outthere orthodox-bashing dumbsh to-and hemispheres taxed re-experienced rat-race preadolescence coherant elusiveness ompuri partick prised destins destino membrane nesmith araújo bandolero mccarey let-downs pre-aids stink-fest marts campier opines saloon-owner bigger-budget taccone indict would'nt re-image kaho entitle commuter tear-stained sourly punkris indie-film werewolf-legend solidest contagonists gut-churning tattoe scaaary well-digger navel-revealing high-standard achala boppity-boo ofr moravia toyman boyens contempary idol-worshipping shaaadaaaap retro-recreation multizillion-dollar post-bout versois crach salaciousness gaudenzi eccentricmother humanization atrophy low-standard liebe mistrustful interferingly bulgy mask-clad kyun panique agniezska mega-queens f-ed beatliest vodaphone massachusettes grido radioland bakersfeild hartnell corn-flakes stunt-team predispositions puppet-driven kojac iwai louiguy dialoque curative miss-understood half-promise voudoun unfavourably stupidily positronic zinemann rosenfield exsist kman magnficiant unheated head-spinning fragmentation spectable high-brassed basiclly surfer-dudes sub-category aristotle t-house tzigan bhature yasha comedy-musical sf-western action-fantasy dittrich cornbluth giggolo impregnating seraphim x-files-like seraphic shoe-ins catholic-fathered labina caricaturist sycophants preggo caricaturish absoulely coopers huffs express-less periodicals dismissable unsteadiness dismissably hepo masticating perishable in-nit human-machine power-crazy poche cmm backlashes kenesaw riches-to-rags gasbag sabbato heart-warmer machinea pando totems anddd teen-movie offshoots pittiful out-foxes unhand betsabé remarries far-too-prevailing liferaft seast catch-up rebhorn dysfunctinal climax-scene wiesenthal contrarily inequitable bri brd mid-may salavas bohnen noticeably-written-by-a-guy post-bond ultra-non-pc tango-style administering sweated nail-bite soul-sucking gun-like huuuuuuuarrrrghhhhhh mor-infused regrouping pre-law beware-the-help story-plot ihave toreton henchgirl tolson youth'-obsessed tna dir-ewald uperthunderstingcar orations rashomon-like caterwauling machine-o-machine-o nutz rationed nutt gillan gift-wrapping implausability ejaculations bebop merritt semi-updated pacifical collison pakeeza wonderbook eion tegan padre soul-lessness film-as plasterboard chou-flick pro-muslimization slimmed vaude ex-secretary after-school-special mother-patricia christmas-themed bruijning topmost-secret laconically rotton contados well-manicured sodom ghoststory holoband varmint bhaer cloke elefant northwet kid-focused angelwas mullen bellhops darkly-themed triple-underlined baseman soap-operas miaoooou chortles professionell re-heats railroads implicates up-for-a-few-laughs in-character doom-filled take-charge tossers int'l enmeshes satanic-worshippers-run-amok sereneness korina unnecessity job-satisfaction developping mediatic jazzing sportsmen this-is-shocking kusturika prehensile quoters franticness loyalk trought troughs fortells acknowledgements leora gerschwin war-dramas brewskies ireally heated-up lindoi repudiation guntenberg now-long-forgotten coencidence ex-vice undeath fuel-guzzling objectivistic jaliyl cashews hirohisa belaboured changes-of-heart trittor emi grade-two rahad nichts aja-yee hardhat types-his under-achievements big-creature whotta upsides nahhh huang script-choosing pay-day duffer comedy-of-ills fellow-fire reality-bender thick-ear anticipatory infirm konigin camera-moves milktoast shaq-genie fluctuation unsupportive hospitalization allying glacier-like hat-hand petit-bourgeois vreeland gnp sculpt anti-metal liaised nickson un-aired warbler dentatta neo-hippy succes marksmanship blue-faced figtings mind-blowingly disingenious stroessner disparaged hollywood-izing screen-test camp-horror mouth-jabbing vapidness sullenly pet-brain dodie megalunged neater thanku door-slamming sabbatical extol stepdaughter blowback yamaha togepi cowhand sex-drugs-and-rock'n'roll too-little-seen mail-order mckenzies restaurant-wok-don daarling music-clips dualities brutishness changwei northwest-set chearator horrorible shack-like milbrant vilyenkov hrek scholl findlay non-dental the-end-question-mark deferential break-ups re-viewing ferraris gads miyamoto synagogues curios candlesticks obligate stevenses ramp-model rogoz movie-killer arcade-like dead-and-buried anti-vampire all-too-typical lamplit univeral academy-award isis not-knowing surrell sheirk lustrously groult aorta correlli energy-use nimrods petunias wollter lavitz outreach detox base-jumping chairperson mosntres signora veinbreaker bad-acting-villain valets red-scare archambault tenable borradaile kendra re-confirm alana belgian-french recoding syphilis massacre-fodder oldster quien post-'trainspotting anjana guv detonated reaking sidetrack hand-woven gob-smacked recommeded herzogian aquatania holocaust-guts reshaping sociable living-granola mellower spacial lynton paschendale unbothersome fbp fumbler filaments fbl dough-boy anti-clericism poor-performers soko slough yamashiro ghostwritten analogical relentlessy kasam iannaccone niggaz priyadarshans charishma diddley chix cult-status ruritanian team-up singletons chio chil sub-titling swine-herder nbc-tv stereo-typed angellic monster-looking froud rummenigge songbook a'hern compassionnate sklar chaingun brussel laff bluish-cast houseboy kabinett every-single-scene cop-flick schriber co-called agrama brownesque parent-in-laws lyin rinky-tink ramping broadsword inversion wide-shot one''godzilla''csi shrekification puppy-skin majyo pigeon-hole spittle bunnie self-infliction raghubir relecting annisten advantaged slaughter-so-you-better-oughta montrealers koaho kops-quality non-charismatic krivtsov non-correlating stuck-on d-movies child-molester oh-what-a-beautiful-morning crucifux libidinous lame-she'll astronuat y-ers co-authored dunces typographical misogynous prometheus bajo erikssons bauxite unscience menchú fishhooks placidness skynet miles-per-hour gingivitis nbody hospital-based mousiness inked reunuin pre-apartheid donohoe damiana damiano overemotes numan parlays byran synonomus seedy'nordid bachstage fourth-wall-busting walliams petering hairpin femur enriches industrialize business-man followings whiles watch-the audiencemembers semi-subliminal ynth bifurcation valentino-charms puppet-like baitz excoriated extravant hoek excoriates religious-minded diffusional diamond-dwelling dead-before-any-snakes-even-appear westbound kukla miraglio chatterjee whatshisface clipboards hydrate ironists nilo wellbalanced hhaha chaya nausicãa feministic hve anahareo amine bratt hvr lioness vaticani street-thugs aero tv-spoofing earth-bound elvia mph-and johansen hardiest elaborately-produced kôji bickered metric waterway war-hero panacea-like czechoslovakian dirty-talk hard-of-hearing rigby near-complete psycho-mythology rodder jujitsu vulturine scat-filled troubador howson bagpipes darcey henenlotter crackd whiz-kid she-scientist un-commercial moviestar elevator-music deatn felicities striker disproportionate hemsley kursk splenda fulls propper superficialities sameer clambake captian former-bullies zodiac-at drudgeries undistinguishable exposer now-outdated asthetics devoy non-sympathetic super-tumultuous ideally-cast tweeness mom-less taduz co-hort transitted propagating guinneth ex-runaways francie heap-load rentable non-teenager half-entertaining dragoncon poodlesque soundie tungtvannet backrounds re-watches nu-view macca bachlor perving coxsucker hammiest seven-it homeboys chorion pervasively bullet-shaped wholes amazement-filled stalinists skews car-washes tokenistic a-rated brain-stem bootie thorstenson pull-string earp-patrolled pluckish colle cabinets schoenaerts foole colli correggio huit-clot thought-provocation down-fall oft-present wrong-footing washrooms good-speaking poptart mbarrassment hedghog ballantrae blue-chip jesters non-word myst interspecies ceaser all-military heavy-water handball potee bostid re-newed post-coital putzi machination waverly augustin nonactor third-worlders engrish-speaking lazio two-and-two din't streetz nullity eating-money yoshiwara-type viciousness-when-provoked should't protractor infirmed steadying cued scallops witticisms sketch-making marring telecommunicational yaitanes argumental indirection enprisoned dalarna inventor-scientist movie-buffs semi-realistic somersaulting dowager de-lovely nehru godby re-team waterslides unlearned dioz urprises croasdell year-oldish petaluma ships-crew disjointedly eazy kasper abner commancheroes individualistic jorian locarno chautard made-for-backwoods-cable-tv pendejo kureshi ulrike kindsa bipolarity bat-rat-spider mbbs prowler heavy-laden orgy-laden prowled undestand medusans aphasia ninjo petter pettet delorean obligates atheist-self apeman protagoness york-feeling once-beautiful air-tight snaggle-teeth abbasi ntire doppler re-get feeble-minded paris'deals vercors giuliana osterman picnicking terwilliger j-dorama no-personality helmit hatley-who teamsters gibraltar speilbergs post-facto re-tokes virginhood brackish story-and-a-half horrorpops pre-in hesitating assaulter karogi hurt'n low-budget-vision auto-cannibalism zardine too-clever ipolite kindliness re-embracing piggy-back mcneice hyper-nationalism pigmalionize medichlorians ballyhoo syal coco-puffs velocity intercepting type-film long-gone abdullah ever-engaging weho keital predilections polemize stechino-very sanhedrin christan grannys retorts twoddle quease-inducing three-suns barbarian-nomad vingh howled clumsily-scripted non-glamorous pseudo-docs giorgos khiladiyon footling idiosyncratically thongs ignature splendiferously torresani isuzu kiss-posters dir-sidney kimberely giant-monster álex glieb jawed nikkhil solvency life-without macau inadmissible implosion lafia songs-get al'qaeda aakrosh sodomizing enroll transposal uswa pornos romeros jhurhad high-rolling poodle-snout grana paid-up northfork villified chickenpox war-machines dare-devil gravesite calibrated coin-flipping pillory heavyhanded vainer revisitation out-line oporto maratama sassier tv-familiar nymphomaniacs rouve zacarías not-too-subtle czechia ginuea attitiude woking aprox lipo yolu zabihi plumbers callousness icy-cold fantasy-monsters trotters plebs repressions post-synchronized leway okish not-so-new subaru novel-even presupposes not-venezuelan sorry-looking cockfighting yicky moseley visas sumptous aince head-wound sati-savitri consistently-entertaining hgtv healthful mvovies tobei dues-paying squeaky-toy limpid lousy-cgied crazy-eyed burgendy hesitantly awstruck coarse-mannered uggghh dampness wastrels teletypes televisual adoptee soupçon ppppuuuulllleeeeeez girlfriend-in-cahoots afterglow emotionally-distraught non-family syntactical demagogue correlates un-charming andaaz redundantly ansley logline denman approxiamtely documentary-feel incontinuities beat-less haaga hard-set out-stink messmer mauritania rattigan unprovokedly communions dunebuggies overgeneralizing hubschmid un-creative politically-tortured preeti wisdom-nuggets york-ese rausch andlaurel frames-per-second pscyho-sexual fart-jokes unoriginals hussle denigrating allyn prsoner gault irwins updyke autocockers mortitz cock-eyed acually withdrew meer awful-i radioing eptiome intuitions reputationally highly-fictionalized mcnaughton sugar-babe narc koslovska time-wasting bocho right-into-the-heart encyclopedic baurki chen-li lundquist formulaically interceptor shoting catwomanly workouts moebius takai monsterfest shadow-sy phony-parachuting f-troop blood'n'guts malfeasance self-centrist musical-chairs calil silent-style krakowski film-buffs lamonte undated eight-legged jilt imprecating chiefton blaringly maddened nudity-free cat-mouse neccesary skit-worthy nuristanis justiça colassanti citta trilateralists maoris mature-minded recants mariano pseudo-operatic litvak cutting-edges woodfin macphearson kaffeine time-trotting rosier thunders ciotat subdivisions venereal nytimes regs high-vote fun-and-games bitch-slap enumerating semi-feudal besmirching inde inertly cronnie sigfried sisters-in-law bigotries south-east heaven-and-earth ngo lindström warning-it alabaster well-used maritime préte-moi dwellings non-corresponded inconsisties strong-spirited rarely-produced full-blast ajikko well-integrated humpty caning orlac finiteness rifts hellenlotter filmability hankshaw plasticness illusory antler tyro direst eynde uber-happy loving-father-of-cute-little-blond-girl aids-infected laddish self-assertion diplomats scorched-earth tuvoks satiation presaging arnie-fan king-o-phile pile-on balsamic rotweiller tape-slide dull-headed unamusing actor-comedians anti-islam werewoves evil-trumps-good aren't-they-cute party-goer hogue gun-fire arch-angels kitchy-prissy siebenmal eklund shamanism greatfully hyper-cheerfulness connaughton polar-bear haaaaaaaaaaaaaarr misnomered run-dim subsonic folk-protest runner-esque formulatic recapitulates schrott woodlanders boardinghouse bi-characters urprise'-scenes matheron macgyver-kick-ass-savingtheday disallows vegetating rotc morrer aggrivating heaven't leterrier moderated reaganomics semi-psychedelic femme-fatale harbach puede nucyaler admarible geisha-fashion mchmaon readjusts horsies lionheart cyclorama twentieth-century-fox for-mentioned white-masked tamsin sequelae writhed kitschy-ness arhtur astra manos-hands tedra cavalcades kisser atya homesetting anti-classic weepy-eyed expensively-dressed cosmopolitans bruhls presaged trevyn trepidations popularizing fear-factor overly-stereotypical hoodoo chance-met hasek tackiest beau-coup borderick tomcat plaggy penetrator expence circumlocution nottingham victims-to-be auf auh wiskey schuckett redack snow-filled mini-video prattles demonicly million-times-mutilated-and-beaten-to-death-horse no-hopers leguzaimo psycho-supporting char-s unrurly russia-set less-clothed carrie-rip-off hibernate shovelware supervillains all-too-real livington ignominiously anvil-heavy outflanking pleasure-giving messanger mea hermanidad shroeder boyum salvageable antisemitic cheyney tough-guy-with-stupid-biker-helmet-look have-nots heeled blaylock re-unite culture-deeply narayan maharishi celario shahin rockumentaries affectionnates yussef beaubian defecated miss-fires movied roos helter one-upsmanship catfish-like half-covered un-locked decrying chandleresque loggers famkhee manuals whyyyy mystifyingly gum-smacking berriault sci-fiers beardy-aragorn capped-off marmelstein masonry bendrix quasi-symbolic fonze tensdoorp personae tagore not-very-bright self-repetitive glazen desdimona klendathu girl-meets-boy saloshin cross-examining ducking over-the-topness new-year no-go still-text riffraffs role-reversal mandu unbound realtime getting-locked-in-a-makeshift-wire-chicken-coop-and-lightly-belittled gasgoine gelded love-heat looong story-oriented mushrooming brrr fotp eshkeri mobocracy zapp chortle quentessential rahxephon crouther gondry oracles men-in-black psychedelicrazies whiteflokati canibalising gourmets dubbed-english better-planned ferencz come-and-go in-built oppurunity usci doodo hailstones wwwwoooooohhhhhhoooooooo m-i-l much-welcomed nine-tenths harrows action-by-action scat-singing eq'd traffic-filled cristies movie-material korean-chinese malecio backorder constrict proba proby probs dampening non-sequential horrormovie ends-oriented avantguard chalie borscht-belt macho-like mini-wave traversed hanger-on lettering over-bubbly gooledyspook dog-meat mayall hoydenish prete unreels parkhouse half-a-dozen omc motta killer-mystery beeline dejas-ad-nausea carat confuddled moimeme polchak buddist monas putu kimosabe oceanography oooooo hackerling oooooh ooooof commitophobe snipering anneliza hostage-taking bear-skin psychedelic-style eager-to-please dead-bodies not-so-tiny smarmiess mystery-musical twenty-four cang storywriter well-kept burundi kushi anti-utopian fatherless wrestling-sucks highjly standing-ovation lets-use-shitty-horror-dvds-for-coffee-coasters overaggressive balearic awkrawrd apallonia descas icky-looking noltie iréne perfomances toland imprezza over-paid boinked outriders kabuki-obsessed copyrights school-quality friends-who-know-better somewhat-similar hope-filled defenselessly paramilitary antwortet hi-fi ill-treat slapchop fugace holofernese clockers pentecostal semi-graphic carty truffle carto skateboarder frivilous carte stateliness schoolkids used-to-be repellant driven-revenge redon un-self-consciously missive pop-idol hyper-cinema non-coherent semi-complicated electrocuting raconteur mullinyan awkward-sounding plain-clothes intermarriage predestination polemical evinces homicidally porn-flic loveday ramchand barabra kroona gestaldi work-in-progress whisker make-ups cure-all mid-atlantic too-rushed marinated rin-tin-tin waldis-schwarzenberg anesthesiologist yasuzo balfour yasuzu flaw-besides humberto obbsessed penélope not-particularly-enigmatic pecialist two-fisted attack-fighter-formation-squadron unappealling vinchenzo pseuds ardently dicht hyper-focus afterworld spatulamadness near-fickleness downscale end-twist shmeared congratulating vaccuum enslavement gyaos elas stiffen biceps new-agy lanoire somos social-outcast ancient-style talkes boldest indochina tarazu airlessness servered shop-window dewan firetrap colonization strudel bos boi lion-crushing iran-bahrain kauffman childbirth-murder prison-like one-woman-struggle-against-all-odds havarti probaly boringest coutard quasi-governed liddle fuurin near-guerrilla expositing kiddos mchael benignly gourds shinto evgeni sno snm rhapsodies snr kamal-the-cop-on-a-police-jeep online-sources oh-oh-ing dignifies penthouses sergo bungle pseudolesbian dojo lahti hide-the-plot-so-person-has-to o'd cant't rovner fealing identi-kit lieing polick spoiler-free bresnahan two-plus-hour re-film oscer louuu-siana two-thumbs-up to-night left-like down-on-her-luck rubali schneider-starring fobby comedic-timing giammati well-paying watsoever recurred valdez ego-maniacal esthetes pimp-du-jour peacefulness pima auch band-mates schya waites fish'er adoptees tyaga hodgkins overheating canoe-rs space-ship pitch-white probibly guervara leitmotivs too-true-to-life philosophical-and-cultural less-than-intelligent cleavers pitch-fork sf-stories snoozes delauise truisms nozaki log-on precociousness frat-boy pastry self-flaying feitshans dir-brad bulldosers reacquainted inter-character stiltedness mordem contactees mediocre-to-unintentionally welshing blahing bleating paytv a-religious avails underground'or buyruk luogis cravat adultism ricchi peggey under-the-radar kristevian socialite-turned-moll unsubdued tightly-held sear fixate ryoo spy-ness bushranger concept-the achad wiarton jovic un-serious plastic-faced bucatinsky incovenient dreamless extravagances freudstein polluters table-scapes whilhelm trashman lisle cecelia chambered lustily cattrall mile-high falsifies staff-newcomer awfull krank bonnaire devil-on-the-shoulder protein catcalls thanksgivings high-tide geoprge essayist kazaks plebeianism shivpuri annulled alt-country extender real-events pistoleers doooor kazaki cultural-revolutionary kuba zifferedi doctoring soundproof parini convened cheesy-bizarreness hellions unbanned highly-annoying verbatum willy-nilly people-and hollywood-movie this-old-house ailton street-rats badel nine-lives mini-bio nandu viver buttercream raggedys high-paced man-type escalators short-sightedness observably buoyancy prerogatives spirogolou embalmer mappo off-ramp samotári rekay hi-tec suppressant eschatalogy visials demonio vacu-flush who-knows-where chimayó non-platonic incubation cspan patni shelton-white post-revolutionary teddy-bear wahtever bow-tie terrorist-group lost-in blurry-romantic manchild dare-devilishness love-lorn geosynchronous crorepati gabfests mohave sun-stroke fangless custom-made attanborough follet ooookkkk laugh-athon eurocult cariie jack-of-all-trades video-like boosters objectified grassroots animation-masterpiece rousset immanuel begats tomes wbal food-stamps basora ring-leading chekov violence-prone nuno northt objectifier overlit bequeaths vacillating nuyen oboro zealnd smokling self-parodying torero gun-shots hotbed basely mull binkie realated plusthe never-ever lightsabers marauders uniformity dinosaur-less sunniness desis jangling plastic-y koma deolali georgina halts gadget-brella grasses god-complex keenly-honed deprecation rejuvenated joisey painfull boogeman synchronizes hidegarishous evangelistic-induced charactistical military-reject low-risk divinities hankie human-to-human countering uttter reappeared hair-trigger squeaked oopsalof dragos rebuked heart-poundingly yiiii legalistic role-reversals name-drop ex-cowboy tournant emaciated baap baas baal impressiveness gropes rib-thin russkies tinned bewareing arduously unfourtunatly housman pupart deaththreats toss-together dallasian-forsythian spinelessly regressives kung-fu-ish backer calder fan-dom kamala mis-title nelsons rottenest uber-geek ruination treetops zealands postlesumthingor star-gazing initially-hostile demostrates chiaroscuros jetty big-production by-product four-count narrowly-missed iberica hey-ma-look-at-this ellens monica-joey giudizio under-presented ubik uppercrust mad-slasher heffern swerve non-job-related bechlar weenies gorbachev mcnear problemos kendal aout non-heroes breadwinner serviced stink-ball comden honkytonks even-worse almost-lost-to-us-but-thankfully-not-quite guantanamera gespenster-trilogy houldn't most-easily-offended stern-faced ba-zillion refusals avigail bowzer joint-success galatica prey-predator sugarman phainomena akelly lisaraye sanitize rereads brett-holmes dickinsons kirkin irresolution mind-teasing tichon high-bodycount fyrom bercek lilley internationalist alliende marinate vigourous gioconda kurosawa-film appropriations cowles suede antedote cowley n-number biljana german-italian jump-scares appall friend-of-the-family freelancing teahupoo hesitancies loulla two-valued nudge-nudge deferred flat-share o'kane nonsenseful semi-porn stoves bhopali synthpop bristle rolffes census kammerud parfait notecard horse-drawn comic-store-guys panelling un-italian shshshs visualizations vânätoarea jbj riiiiiiight rooyen inter-grates baseball-based coal-black studious spam-in-a-cabin blowjob berghe loyalism immorally hi-society unadaptable scottish-born combusts aww-inducing pre-thirty stool-pigeon balme pankaj maldoran al-coholic bluntschi self-published skinniness feigning multi-ton hindrances non-flashback intriguded soldier-cops polygamist don't-ask little-people specially-equipped disapears juicier teen-focused dissertations show'in format-no toooo sailormoon ramonister teffè lowlight procuring pickers zhv elton-ms slap-mark poseiden equally-brilliant streetwalkers tyrrell abhays challis inexpertly beckoning grémillon definaetly manckiewitz ansen under-directing selfish-teenager-bitter-after-divorce lazarou out-shoot bongos kirilian good-naturedly wyke reflectors theonly guitry sangster cooker visualising honerable dissapionted godot martínez hil-slut politbiro shipmate daddy-long-legs ill-suited soprano-while head-y chainguns proctor refundable faq mid-childhood insupportable crotches spirts miltonesque carman radio-chronicle gratitous bookdom north-eastern abdu-hamdi higher-concept havens ibánez pish-posh samuraisploitation whore-house monetegna videofilming dalamatians assination synthetically scripture-heeding operahouse andreyev bottom-to-mid skool poopers re-done lujan new-style absoluter goldfishes amrican janowski once-moribund conley lavant spearing nickolson parolee wisbech unwinding shecker pandered better-cast caminho sharkboy cartoon-quality johnnys actriss okavango living-hell loiret-caille pleasantness adminsitrative character-wise steel-town counter-domination wolfie gaudini red-coating shake-n-bake twirly accredited ngyuen gore-laden gweneth anglo-ethnocentric century-old bolden pseudo-intellectualism dis-belief aislinn semi-mindless curiousness shakewspeare baulk pipe-smoking hawaii-based tsoy zombie-dom cash-register-ringing high-hat gnashing sealer d'adele physchedelia soloflex hyper-smart enquirer arthritis-twisted yara youknowwhat catalonian unclassifiable vodyanoi concatenation top-class bolton-esquire braced peep-show puzzle-pieces invective-filled bad-assed time-compressed cynic-about-to-reform animalplanet intermediate bad-asses hunch-back much-mocked self-manufactured sayeth yeccch pug-faced defrosts flashed-back-to sarde pheacians impale effects-but shakespear city-political non-climactic hava seiner colburn befouling secreted precipice oliveira apsion heartrenching numskulls orchestrations clinkers salutory ladiesman beets peerce incredibility belivable ejaculated interdiction sullivanis skeweredness belivably cult-favorite lolling weighed-down-with-history lela prizefighting nopes serisouly roebson omg-ing reactionism monte-charge teamo ganay snl-ers less-destructive hair-pulling mini-cold unoutstanding albertine daffodils misfigured book-to-film friderwaves posative robot-like hippie-leftist mows djjohn hi-lighted archly soorya politicizing hard-drives villain-explains-everything-to-the-audience non-jews fukushima multi-cassette hard-driven africanism it'l gratuitious dir-john mundo beatle-you robbbins rememberances dykes schlock-a-mania unassaulted satired alphabetti japanes ji-won grinded slobber raven-s sub-storyline faux-military madnes turquistan residuals non-mystery blockbuster-approved pan-and numbering localize hypocritically combusted pseudo-broadway-jerome ductwork misfortunate josiane horse-like eggplant marienthal fantes buffalo-killers chics class-divided pfcs seussical dumland floodgates wrong-headedness nannyish wolf-in-sheep-clothing over-expositional enki recommanded capones scurries spinechilling crewing bulbous life-crippling anti-castro stage-producer bangster nonconformity latter-days old-hollywood conniptions horvarth quinton man-creature low-brained barcoded preexisting mummy-looking reccomended foliés-bergeres cel-shaded existience watch-able spacewalk flim surrealness attention-spans farrar replying wood-shop entelechy non-heterosexual franic kilogram media-crew jerkiest cuttrell fanclub appiness blatty calibur chávez-propaganda non-programmed milliagn jackson-haters namby-pamby kardashian saccharin-free mazurszky high-cheekboned irons-esquire slack-jacked un-solicited nwo inexpert of-late semi-offscreen schöne midseason mini-family pot-stirring intros my-face-twists-better-than-jim-carrey pacman-type well-washed vasectomies pre-pilot loan-outs anti-game well-sung child-voiced rhinoceroses open-source canners macho-s ricki tree-form lip-reading mass-produced singhs émigrés shtoop guayabera kuo xvii xvid prate to-be-husband philippa eck delli metamorphose sharawat jameses dry-spell noonann leaver moonstone let-shake-the-camera-around-for-two-hours clichée purifying airial swift-paced first-paragraph vaxham saleswomen conspiracy-theorists helte hasidic harland shadowless whoooole chracter munchers hellebarde death-by-toothbrush cult-flicks kamera wired-to-breaking roadway calvi so-bad-they-are-good lassies karaindrou minidv leggage action-extravaganza bludge brutalizing unmanipulated thoough tidying ramírez under-currents weaklings pullout amic flippantly slightyly amit amir world-new horshack amrutha half-spoken ill-researched howdy christmas-related charteris self-retarded expats blots amiable-seeming post-mediocre-film boozed pre-rehab arquett appalachians ski-trip loansharks often-nauseating sugarbabe un-innovative wrist-slitter resituation desertion ansons hollerin pre-hitler maybelline tolerans cloeck daym quasi-melfi sheriif nhl soulplane propagandizing celluloid-particularly besot-ten extra-nasty prouder wusses postcards mellows indepedence face-change anti-warfare demoiselle amazons-dr comraderie blacking uncontested role-playing-games pylon wagered pranked meked balder visser starnberg inigo mstifyed court-appointed ba-ba-ba-ba miss-able apostoles gratefulness moments-surreal post-breakdown ruccolo cabel contected pko martha-stewart-esquire teddy-bear-clutching burlesk fifty-foot stephani off-the-rack borrower beady solders egoism patronization traumitized re-surfacing half-blind keypad sharpens swooningly indonesians mut mur cohabiting cool-kid photograpy hayami funny-kind montagna red-nosed beauticin kitties milfune bwahahha heat-seeking menacing-but theology-reinforcing semi-devout uselful ele ok'd pedaling dogmatically down-on-his unmatchable unmatchably allthewhile time-and-space shoot'em'up refutes devry dashboard weezer dehumanizes quincey dazzler pittors santucci sscrack primeival shakespearean-level down-shifts upturn blackmarketers chahracters ubcontractor gonifs railbird hireing softshoe consuelor finisham sacredness hoo-uhs gun-for-hire renames ever-tasteful majored min-classics matchup explitive strong-talking kleban hoffbrauhaus khaki mosfilm philco mayleses hollywood-ization brassware jadoo hyperbolize sinny unsalted closups day-jobs fern ppy coitus slaked furtado sadeghi vaccination lay-by effects-oriented b-plus back-ordered [= vilifyied dorkily worshipful manson-style work-experience cobbler cobbles reiju inborn imposters erosion papery ultra-empowered frakken ultra-bland inklings dir-michael close-captioning hard-line-plausible-in-real-life doob unredemable mismanaged ching-wan projcect roa little-appreciated deliveried hickville electecuted noway g-m-r matchbox amateurish-like toting-incest bible-belt bogart-astor michlle metoo churchyards minamoto gatto tits-and anbuchelvan-no widened hastens yippee shandy o'meara frustrationfest talk-ridden wire-work agnosticism tatooed corben simonsons kamm fudds dis-impassioned keeslar ever-wonderful apollo-missions pinetrees re-enacted-poorly bonaerense rejectable amateuristic gamepad p'tite wildenbrück ando andi tv-shop unday maradona-biased personalities-were pret call-box casel trailer-hooked mazles deherrera unscrewed confucius depressants rap-metal a-la seamlessness slow-as-molasses sandbag cinema-experience elbaorating svale h-bomb suicide-inducing grand-standing seductiveness kaczorowski example-grinch lamping alcohol-fueled trickling watase otoko ombudsman inners ultra-lightweight meghna stjerner datedness non-green pack-at secondary-school enlarge resoundness god-squadders over-matched daslow loophole savoir-faire trash-pile purile lukes suicide-terrorist yurek end-of-the-world-disaster seldomely stuporous trash-tv urbisci chuckie-played eat-out killer-turned-to-boddhist-monk chavez-the expatiate impounding dust-free coprophagia brown-furred abounding prophesizes shock-cartoonist monopolized succesfully so-incredibly-bad-that-you-fall-over-laughing found-and non-westernized unvalidated supersoldiers non-chronological hope-hackery spin-the-bottle colcollins vainglorious louwyck grierson over-top native-born teen-rebel non-adherence woodie thickener bubble-head coulson fake-laughter quite-sexy sensharma bloomingdale cardz fiery-tempered wwwwhhhyyyyyyy stiffest benis pre-superstardom evil-hotness overruse pengy pavle mis-directed pores porel yakuzas shootem pored tko mini-war portugueses painlessly enjoied well-casted dissaude worship-the-humble-worker arlon selfpity legendry wide-ranging oxford-educated high-backed copy-pasted cyrilnik punji peet-and indentured slavic-looking frontiers-is wouldve mine-land sot arawak scalisi hempel too-theatrical timento bonneville plot-deficiency libya freddy-like embarkation indianised ethnocentric her-and killbill montauge country-boy-lost-in-the-big-city-makes-good caduta jobbo two-year prosaically benatatos subscriber dardino hat-check copy-paste ostentation surreptitiously fish-out-the-water widman walkie-talkie thecoffeecoaster lame-all koboi abductee dyno-wannabe refinery ramazzotti already-seen injurious squadroom hadleys rajendra fended miami-vice giacconino rickaby lambast first-half miteita freihof ckin free-form fantasma catchword mis-arrangements splices nazi-occupied unconverted metafilm solarbabies starks dad-friendly baseball-like oberman forget-about-a-story-and-full-steam-ahead over-sights limitlessly scraping-the-bottom-of-the-barrel electrolytes pre-conceptions ooga patrice erotic-thriller towed ex-counter-terrorist passers so-bad-its-funny canova noirometer self-propagated revisioning warren-ralph assay diced penny-pinching licoln incredibly-colorful kilted covell sharmila fillings victoria'a insturmental bouncier spinnaker daghang sumpin explicating child-pet rpg-gamers whalen amitji ehm bisaya lindstrom finalé oscar-hunting nieporte numeric haitian asian-styled demostrating over-dramatize triple-x freshly-scrubbed apeing koenigsegg no-cable dentist-he mistake-although windego metzler magnoli circuited break-thru scotches unlikley horror-segment tied-up carnegie sit-on-the-couch second-rankers laughtracks ropsenlski assassino barone bulatovic vulpi bearcats cementing tarri collagen-starved sports-hater wassup subsided vis-ca crewfly subsides draza atasever all-too-cliché kevyn non-relating spetember prognostication steeve bobiddi clinched drewbies dumbfoundedness reties clinches girlfrined uptrodden rebbe flics naziism calafornia suk phildelphia entwine time-storms oooomph nakada dirrty themself egging anti-zionist cinematography-wise underhanded exiter anti-religion reanimator reitman-i enlivenes problematically minette sequenes bottom-of-the-freddy nutcases setna out-acts bizare discipleship horsey antibiotics achieveing mind-frame body-builders decaunes no-talent-what-so-ever-actors kickass appaloosa searchlight underpar cnn-type ostentatiously quirkiest sequiteurs untied spoilerwarning unflaunting throuout master-bedroom counter-active tale-spinning dorms obstinately theathre little-to-none antidotes oversimplifying enthusast unverified erlynne jacoby jacobb jacobe chrecter sathya love-that-is-not-to-be sumire tactless baddness mainframes delimma oppresses croaking monocle anti-depressant disquiet hisako dune-like kiddoes encroach enoy unaccpectable shut-off big-deal virtuosic floodwaters lovetrapmovie avec prejudicm nature-filled leg-conscious top-shape hillermans flat-mate chaykin second-class baguettes palestinian-friendly stallions sibs vandenberg benedick exploitists videothek fidget uper-hero rain-soaked vaporised jarjar banjo-playing achcha cop-thriller raskolnikov architected cobras jodha sholem conforming sholey million-budgeted amateur-turned-crusader-for-justice gilt flyyn probabilistic no-how farmhouses gentrification nether-regions toshiyuki clowes vaunted grandmas safran ivanek painfulness incapacitating nano-technology miss-fire nickie fleashens reprint expositor catharsic rakastin hollywood-ise wroth préjean angles-prior low-budgets engalnd dumb-down paesan ultra-sinister nürnberg thrash-metal fatality confiscates sols silicons voudon anayways viles ø much-respected sences distroy olathe varda chlo silver-screen yen-ping forward-moving bvds cones workmen narsil funking mordant schorr cheney-style thief-in-the-night mankinds blues-men boccaccio already-maybe parodic highen stainboy krel cinematoraphy davis-type badgering a-for-effort evangelistic shirl rossilini grandiosely man-portable restrains tomilson super-relaxing spliting spaceman faux-jazz star-abandoned employable birds-flying-away lording unmated portastatic humaine indie-mania uncapturable albaladejo sex-maniac costarring discriminators clemence hump-able stagehands xylons teir silliphant sensually-charged strunzdumm philisophic dalmers super-powers snotty-nosed boy-hungry soon-to-be-the-main-plot pointy-head bristling balkanized csikos exoskeletons santa-slashers gujarat anti-nuke conflated heedless strumming acquiesce lona semi-vampires tattoine faceness nuttball tearoom hindig war-influenced maclhuen polarised water-cooled simonetti water-cooler moskve monster-type outlooking medina gloopy not-quite-ready-for-love splendidly-directed galbo nispel baboushka-like bachachan freedomofmind semi-doc lescaut envying incorruptable us-based re-interpretation shamefull repackage pieczanski halloween-based stales pseudo-artistically naboo hang-out skivvies renascence jyotsna alives leveler great-to-bad edina frighting keyboardists stds mini-film steiners-heavenly stunker mis-information super-girl robespierre benzedrine-popping half-body tudying hkp in-a-gadda-da-vida hrinking peripatetic lyrically kranks scaredy-cat disharmony johannsson pajama lip-synchs love-at-first-sight karmically wachtang falagists tytus hards kurta russwill d'tat procrastinate underscoring circuitous lipgloss d'ennery auxiliaries pre-meditated kleinschloss zuzz-zuzz unforunatley perms tele-serial seachange re-see shock-tactic miiki roughness trruck kamaal post-failure weak-minded sexually-transmitted ohmigod deteste new-years bull-run luthercorp so-to-speak extremal etches rotld turnpoint dutch-speaking accapella kindergarteners violator perishing ngema street-woman re-vamps dolomites isild ghost-boy asphyxiated goodie-baddie ghunguroo materialization powerfull hand-jobs shnieder whithnail enviably ultimtum seperated comedy-which palassio investogate on-i honorably hampeita herder socio-introspection furdion harriett corralled up-scale lofranco mcilheny knifings f-u loggerheads summitting half-plant hench honkong footnotes dupery old-dark-house storyman manzano guanajuato exaturated cult-leader anti-racism bensen fist-fighting couldrelate stock-in-trade daniele man-at-arms gordon-touch bone-jarringly unexamined shilpa teenagery bigga zeland gloomily half-documentary ross-rachel hs masque whe evicts pretzels inked-up most-viewed propositioning whirry moveable ill-renowned escrow night-film pulsação off-season landsman hierarchical tolokonnikov purples neighter super-sizing huge-rabbit quentine cheezie such-the kathie hulled hobnobbing indifferent-lover peacemakers veblen tammuz sauntered conelly swear-words re-defining reginal bonacorsi hammish heart-throbs camarary burton-movies warzone closet-inventor undead-gory-emperor-of-the-guts rouged oh-my-flippin'-god joh turnbull pluperfect cover-art saurian hameometer wife-sharing easy-to-take a-hem tracy-ann heredity symphonies unlogical look'a'here grindstone short-circuited rennaissance gregson-williams spinelessness naples harshest lone-avenger unrecycled almost-real-time westernization trans-mutated shivaji rousers flintlock master-class unworkable crassness tub-party meurent disinterred bucketfuls temptingly zohra suzu suze chittering nakatomi one-and-a-bit stupednous olli male-male comedian-acquaintances off-off whup-a life-extending darkly-textured timetraveling yuoki wheedon texturally supremely-talented anti-grudge semi-cult gualtieri paccino johars catchers it-girl painted-up earch half-measures uperheating daneldorado poilers flosi stagestruck aturation grushenka pr-climax flaunts trike fords misfit-like day-parade game-character stir-fry brainwaves taayla outstripped anthology-style wamp enfilren sticky-sappy zoology buice gymnastix shortsightedness be-them non-relevant love-triangle nourish hollanders defames bigamy alexs defamed gulagher gronsky embolden fossilized karts foleying horny-for-money beiderbecke burress overhauled schmoe oh-so-familiar ramonesmobile troma-licious amovie methodists sporchi coffees banjo-kazooie marshland glynnis doomed-to-be-shortlived pumpy tarrytown auxiliary turn-on-turn-off doom-orientation jembés sash over-explained impersonalized prefix kens english-canadian nrw figg shielding like'coolie fastbreak rancour starships engilsh huggies sometimes-harsh-but-ultimately-loving-and-accepting haber intensification yashere cult-productions groovy-neat kuttram moshkov trailblazers undynamic wet-work agatha-phile unlisted post-injury admira hana-ogi lawyered borrowers igniminiously alka-seltzer cheeche grade-school m'excuse reissuer santoni sex-in-the-shower besets guiltlessly maisie santons commoditisation near-mute wurth lagomorph un-professional segregationist hundred-worst hurd fifths mcgarrett better-paying made-for-the-consumers-oops-i-mean-the-young-fans non-character foodie wackyland scots-born pogees doright scottsboro anti-draft panpipe tv-of-the-week jerzee siberia tujunga lousier obsurdly crahan monkey-filled patoot offers-at trash-lite x-con juxtapositioning munna shipbuilder yecchy freeze-ray not-so-disney kinked mongering arganauts welding-job safe-land rican-born cowie sindhoor medicore sex-kitten musicly takaishvili wfst current-era washingtonians chowder-headed-liberals paper-bag high-standing navid rose-garden mahalovic mindedly sensors belieavablitly unstrained sahl secularism sahi mellowed devadharshini ghunghroo far-too-carelessly daens shopped postlewaite tastey-taste super-guy nabs ex-bmoc macchu friends-what bore-a-thon gerards'buck ungraced roeves did-he-make-it-or-not haye lawgiver sat-on-a-shelf braveness sanctifies edythe con-mystery hottub noble-looking mcewan bronson-thompson sweetums lps gordons cocoran stand-up-comedy classicism coup-de-grace ganghis figueroa ment high-trained hitler-diaries caped telegrams malplacée honour-killing dhia decaune chutney byrrh fringe-culture pass-away basball besh consummation babyhood odds-player sista timur mccarthyite swilling violators filmgoer adventured fame-type elton-smith assestment painstakingly-checked fakey-looking cult-followers uni-dimensional naya ariana giallo-director kronfeld rangeland piano-flute hypnothised de-interlacing hatfield transfuse piotr babied demon-spirit wendel aussie-rules end-goal fade-ins-fade-outs wender plonker ringleaders un-fatherly nachoo restaurant-owner fanfilm meade subpoena spearheading misrepresents pelswick selfloathing krog kroc boom-stick patched-together disporting tomorrowland coselli thickening sudetenland ursus mystery-suspense abscessed tarantulas cochrane disconnects dessertion aristos bromwich seifeld henkin unbielevable semi-being gaspy things-good common-he consummately emminently pre-nazi khialdi labeija pincher badly-realised brokerage squelching forty-somethings aryian opossums simians bankrobber head-butts voluteer gogool degen fiume farcelike bs'er jungle-man hothead laplanche seen-i conclusively gripen pay-per-views melania comradely griped biker-type chemestry slobbers courius slobbery kids-to-the-rescue scarab serafin kho ja'net siska board-posters actor-talent anholt next-it-girl pinfall homosexually schrab sniffed urinary glendyn permeable near-loss in-context dimensionality cupped headlock amoureuses prepaid farmzoid drexel over-romanticized sun-browned solver geeze porshe trash-talking telford catatonia schiffer manette braincell daubeney banyo haskins high-stepping hesterical blacky ex-comedians dithyrambical self-casting d'indy movie-only kitbag charybdis studier torture-fantasy grimmest tsurube sunbathing dangle vuxna left-behind quimnn read-up portray-white-on-black-violence-and-win-an-oscar flieder pull-out-all-the-stops fight-scene fandango chompers cute-as-a-button balibar intransigent seach'd goofus who-done-its aquawhite cavil phlip forestier sclerosis re-buttons badly-conceived garlands soros creek-brand unacceptably kanye bagels hellboy overglamorize crowd-pleasing made-to-measure water-bearer ladty prominently-placed leapin grave-robbers near-masterpiece goofily jarols reverb zerneck-sertner achterbusch woodcraft khiladi under-par child-killing unreleasable grrrrrrrrrr sibilant inspects gertrúdix screen-turned-canvas thanatopsis nicgolas pro-wresting-esquire arends shearmur prefered unrooted gaff time-traveler impure bounders pre-historical amandola rukjan leg-lock cat-familiar over-dressed sheldrake scudded radio-evangelist semi-comic cool-aid quasi-queasy birtwhistle barmy-in-the-crumpet realistic-looking kaleidiscopic fourth-tier crimefighting real-or-imagined shotgun-wielding newberry kabbalism exacted non-members rivas athinodoros non-slow taster tastey woofter only-thinking-about-sex convulsive mostess poorly-acted raghupati slurred preumably personnage dweebs comedy-not dorkness millena roby robt subiaco henshaw caroling i-iii burglarizing up-to-snuff laguna piédras unrestrainedly tidwell muscle-boy well-contained disparage raged dived espe espy fieriness lochley limelight-hogging muscle-heads hammerhead-human feistiest suceed ruphert semi-official mop-top handelman ever-burning rapacious oireland life-jacket why-did-i-ever-see-this-piece-of-zombie-dung-blues stereophonic anta seyrig second-grade offsuit caroles breats mind-catching gooooooodddd stalactite sickroom sidious limned actings resturant newspaperman theisinger brox broz majai butterfly-like horror-buff cicatillo cramming unidimensional two-year-old below-the-waist snowballing allocation unmanageable danze mediumistic bricky terrytoons break-down alloyed potentiality barbecued librarianship intensional shrines hereabouts setting-up ass-ed blondel pontificates spoilerphobic girl-child insititue fallowing pro-government asbury manat domineers yeats in-van humdinger onde mosley dj-based church-related booooy fuhgeddaboutit fein un-good ear-eating three-year-olds sojourns school-mates llcoolj fifty-percent muscle-headed bilardo transexual plagiary how'd barrimore gore-filled never-the-less samaha sachdev filmhistory one-film-only manjrekar marni underworlds tatta earth-hole graber severally kookiness af ak lansky cxxp ay ohs l'inrus yochobel beverage fagrasso shaul valentino-like big-wig rosalyn mimis cpl cpo makepease cpr extroverts asteroids not-so-blissful ugar x-th co-signed straitened anti-police almoust auto-biographical trillions ex-friends habenera will-power crypton underclothes suit-and-tie descension reality-defying kitagawa ufern gitane box-art gagnes dramatism summer-sun mystery-detective re-examined telethons aidsssss perfetta delamere cross-referenced kno boy-gets-girl alvarez-calderón grievers iglesias creepily-masked dead-beat self-strangulation emeraldas dependances looooonnnggg hotty cyber-rap unneccessary expeditious zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz what-is-real aturday glamour-oriented two-strip starkers stater zungia rettig browna daughter-love unburdened cornyness now-dated re-evaluating haggardly summarization obstreperous f-ing isd mangled-english barnard largely-forgotten sugarcoated boredome nerukku ass-wipe deedy softer-core urbanization re-imagine detested zhen iridescent rosalina expresion coercible house-boy osiric montserrat bendy fortunantely bubby chertok expiation dispised loafer rare-but congruously teabagging bookies fan-film corrugated acceptence campfest smartie paraday blankwall not-so-private bugaloo near-biographical kill'em india-based consult ketchim ting-wei pascale underfunded observatory superaction re-learn over-movied kungfu fightm sick-o heavily-accented o'day cannibale kerchner maojlovic policeschool streptomycin tpb pliable mindhunters loathable sci-fiction terrifyng monopolist clearlly larocque milennium self-generated tablet-like sooooooooo makowski dandelion clavius they'l fantasyfilmfest your'e who'll-do-it recherché low-fat low-angles act-i diomede ser chew-the-scenery göring seo sel clise non-fundamentalist castellari anti-enantiodromia vomit-fest religious-sexual happenstances noteworthily soder hooted hymilayan cow-al seemy repainted trivialise sensitiveness was'tilman swordsmans bellwood one-dimensionality kirov numinous psychlogical ring-wraiths flounced semi-uptight funt musset boppana fung inconsequental half-positive tweaker dikker auds cold-sweat gold-rope post-'intolerance leave-the-business-and-falling-in-love afro-nymphomaniacs heures beach-side ingor berkinsale pull-yourself-up-by-the-bootstraps child-murdering doan g-gundam worst-quality non-dubbed child-raping local-boys-done-good-overcoming-adversity nilson hypothesized expectation-building simi aaaugh illigal relevancy ever-so-brilliant gay-gags imovie arduíno creativity-endectomy japes camerons skin-and-bone-deep part-sexy vapor self-dramatizing holmies stabler stables blood-red weebl rosentrasse santi dorm-mates bingel trimell akiyama thurig doyeon boy-saves-world-in-giant computational sahsa misdirects-you yasutake re-define back-'n-forth kascier pucking harangue open-space daytiem adjurdubois soultendieck formalist schappert multi-storied formalism aulis unhittable fightclub incinerating codec sports-themed psyche-out goat-raper sixgun dahmers sidey sider hackney lo-res goody-two absolutelly nordham wheaties normal-looking jaspal inferenced kamen drillshaft danner kingship movie-highlights large-breasted un-talented artiest outlooks subserviant andelou kapuu unzip four-take pleasent second-biller llama languishes chaptered bartendar life-less reelers engagé mob-movie slowly-timed straight-from-the-heart judels waldsterben ulster witchypoo action-feature burrowes male-fantasy cossey fleck-lipped shockwaves erickson mid-to-late paralleling felleghy immigrating finagling siri wait-list hard-gore half-subjects crediblity war-ravaged wasp-y vocalize sharply-written sawahla organized-crime non-theatrical cameroun philippon hare-brained campsites beckoned jipped tractacus nuts-and-bolts large-bust abrina sensless dumbest-looking begetting blocky lagoons near-total unusual-looking sing-a-long klangs sitck date-a-paloozas brawlin non-genre rubbery-looking kish unimpressively bonnevie ympathy plastique expolsion whittemire howser dustbins wobbly-camera allen-style safdar annunziata seventeen-year self-parodies kevorkian movie-viewers ewige aetherial carito stepdaughters animal-core inhaling pogany rubinek boatloads unmerited chosson unisex yarding spilt transmitters olent reshovsky ihf legislative to-the-book spriggs bleu flabbergastingly out-surf spearritt tuscan jiggle-tv sidesplitter hyper-aware halliwell rock-hurling steet innum decade-discrepancy devotions prohibits wryness heft latins soad spliced-in flipside khazzan holocost monster-growling inevitabally ullrich lykis t'ien-wen wetbacks dissociate understate million-man hopi sensitises air-puffed hopa vaughns b-comedy chicago-based argentin sparsest half-comprehended apathetically easy-baking lala sulibans nist incurably under-played semi-rural dream-come-true creationism orchidea mindfu blade-girl deaf-secretary borscht semi-familiar atreides tuskegee willims mcliam norge sugared directivo too-tight clamshell pounced ct equips rochelle fame-identity equipe tough-cookie yeow hoo-doo non-gay skepticle worry-its titilating rigger thare maul american-loathing armena jenner waspish rêve air-strike bum-bum liberace-like bala forecasts somewhat-less-low balu wascavage piccin newly-written film-by-numbers loek demensional momento xer roobi-roo loew politique baccarat nanites cartwrightbride ecstacy radziwill battle-weary sun-tan boy-o-boy soap-operatic ruefully clockstoppers entertainent farrells reportary anynomous muri ballon muro crap-it cowper denchs hoarder high-definition reviczky hoarded sypnopsis fullmoon ornithologist jobbers hubley gore-heads devloping emptour bambaiya expensive-looking unhousebroken jingles synthed-up man-helping-man kedzie intimist likeliness jyaada athenean sub-second-grade arrestingly molemen color-blind gravel-voiced sub-commander beeped big-schlong-on-the-loose delivere illustrative fakely uber-voluptuous near-rape script-fillers dursley commercisliation seventeen-minute ahlberg tannen makoto movie-i ziploc pacify droplet niveau coquette ssooooo consolidated exaggerative narratively psychopathia aggravatingly self-dependent mmmmmmm machievellian postmortem urquidez litle geology hocus-pocus paris-a grumpier blanked lunk-haid uninviting particularities dwindled coffee-can ifan disbarred ant-like chaffing ah-s wambini time-shift kantor reaves bovasso beefheart burgle gritter haron bunked ainsworth pickier lespart troma-movie salingeristic mambazo oudraogo tredge vegetate krusty sanitizes deputized emeritus normal'-because non-leading szalinsky piere hitchcok grovel tinder linnea ex-cops slumberness raksin nonfictional rareness morbis late-night-talk-show-ever zzzz regresses yvone stanislav forslani throw-downs marija indefinsibly battle-gear spielmann dumber-than-dumb unhorselike horobin zem denigh forté myiazaki double-exposures poliwhirl caimano podges gudarian catalysis waste-of-time damir naysay shady-gang-type becase classifies hang-over weren't-we-awful-to-the-indians councils ever-lasting true-blue half-grimace superwonderscope forts ultra-mean laugh-friendly poop-chute vessela hard-partying unshowy jones-esquire shahrukhed zabar pinsent monoliths ishiro fill-in-the-blank four-bagger advantageous pavlovian ingenues droney dourdan balancing-out flagpole tripple totter teorema pennie okanagan ragazza sparkers horror-film-lovers colonizing jivetalking runner-up polar-opposites aspirated ff'd mcentire fart-powered opera-style ticky stationhouse wust-this prohibitive career-wrecking eminating cumulatively muckraker antidepressant deacon once-talented jo-beth serenely bull-dyke swordsmanship uninflected husband-promoter frivolities midscreen ankle-spraining shlock-horror all-a-flutter scences rissole break-dancing stratification unkillable baccalieri the-stapler-guy-from-office-space bairns love-of-his-life mr-i'm-a-reviewer symmetric invigored joseph-gordon-levitt unwaveringly intergender mistuharu shut-ins front-stage hoo-ha aauugghh nineveh torch-wielding kroft calcifying twop rawls marsalis plendor timesfunny negotiatior romantic-relationship rocchi dai-nipponjin french-made hitchock veight proclivity jeopardized whoop-de-do harboured oscar-aversion jeopardizes cock-fighting jalees bargepoles super-bad-esquire pre-colonial parfrey egal pavements ending-plot dumper doublebill quartermaine suppositives non-denom near-actors budget-related yaoi adherent delanda shoppingmal horseshoes austion counterman reichstag skivvy beetleborgs repose does'n waspy filmation alienness compeers christmanish logic-tight basset althea lack-lustre western-set bassey archiev love-seeking aran lapsed worst-ever self-love must-viewing ottiano rapist-killer broddrick podalydes macho-est hunter-niven louvers play-writing vladimír zeleznice eshley cherise a-he sonic-boom-special-effects guitar-based liquidated ganja liquidates director-related fizz yank-haters auberjonois bettis kick-boxers inwatchable multi-gendered thick-lensed either-in bar-girl moly westbridbe manhating primarilly subsist brea plot-devices octavius mola seppuka baguette shojo heiland jonh unethically saugages skimpole loving-war-like-a-drug talent-less woodworm cheaten un-catholic cheater re-enrolls german-looking nurseries scummiest huge-breasted uncoupling home-production tounge humm double-disc suberb bombasticities bruan stinting franco-prussian chest-puffing scandinavia esperanza revolutionised aperta smithapatel allayli yosimite craftwork doorpost everything-and-everybody-goes-to-hell levan dubliner monder palingenesis re-views abott changs diva-ish slave-holder sensual-voiced människor hrzgovia pedals alllll bauerisch committal pro-gramme life-after-death mega-action mobil fallafel tercero uber-nordic areakt warm-ups survivial tudo lifetime-achievement keoma airwolfs cluster-f making-it-in-the-music-industry metasonix nightclub-slash-hotel awful-good saith saitn lurked percolated carrefour pardes exculsivley ertha normal-appearing cane-twirling trophies pardey ice-skating film-as-marketing backsliding watering-down influencee burrowing two-masted fathering placido listlessness cont'd attilla banding unfortuntaely antiquarian crepe dog-flogging acrimony cut-and-pace evenhandedness internet-based schfrin paramore foreclosure semi-original cfto-tv koschmidder levitates harmful-until bdus levitated glitzed afghanastan whateverian ej ef mulher bitva simpatico ez spookfest tanglefoot thundercleese predictibability spacy super-stars quark line-by-line flabbier caultron out-of-whack homily point-of luego luege silentbob man-turned-flying mash-ups guidlines orthographic breen sheev sheez naughtier specters empire-shattering stroesser dough-faced continuity-connectivity ladyhawk larder spirit-figure pee-pee pelting ordell hedron fragglerock hongmei non-union everrrryone grotto eulilah contempory clambers unecessary grotty spears-wannabe non-thrills sterilized leatherheads milieux binysh numero unmanly numers olmes steretyped bope khamini disperses paycheque beautifully-filmed terribly-acted un-animated horroresque dormants wallet-stealing copyrighted tsubaki cattivi everything-minus-one chiyo plot-absurd comprehendable remotes begly prided bagley verbosity bowlegged catagory ultraviolent pouches hyper-funny fanned furgusson henchthings glimse innercity co-tenants phillimines work-out mystifyingly-named zacatecas touch-paper albanian-greek dreadfull sforza dog-sick not-too-convincing cringingly pigtails brick-faced exerting gadget-mobile lafontaines abgail amano nether-eye amang treets bania side-spitting pseudo-patriotism riverbank hatchway massive-scale cigs disfigures clangers sweetwater cinema-hall genre-mix austro-hungarian vaccine-hunting dee-wallace rigets computeranimation labrun professionist fair-weather buccaneers love-she fight-club cinematically-unique daytona stallich pitbull precictable ververgaert choreographs huskies frankin kyrptonite knighthoods spieberg ground-breakers citizen-aged rozzi belgrad ream produer reah cortney cortner romanticising reay dratic galvin woman-in-danger fractionally ninnies jerk-off servile microbudget a-levels bobbed putter misdrawing agers hepatitis tv-quality stagecoaches proddings akshaye-ayesha lived-life potosi physically-lovely itty philomath disinfectant goethe footloosing verily johnson-martini down-time stoppage always-interesting bean-counting organiser comicy spirits-nothing controversialist shtewart glienna atavism cartons feminist-type faux-blackness race-relations cinematographe thither monteiro indiania tv-stations boried suresh scotch-free dwelves well-acquainted chaar magtena beachhead reorganized pixie-eared one-man-show semi-plots altruism rockwell-style wyngarde astronautships bouncers rabbit-sized indubitably indo-pak frederik mindel grandly coranado neuro-implant sedation crummiest amilee numenorians yukio ever-bleeding c-i paperino innacuracies egalitarianism over-consumption wink-wink entailing semi-heroic scarlatti self-castration conflation larnia cop-kebab pseudo-chewbacca activision whoppers divison vourage thenali somersaulted snore-worthy parkyarkarkus ladki cringe-athon scetchy tapeworm as-yet-unfinished suction style-over-substance vildan aspirational based-on-real-life l'odyssée soderburgh ya-yas striving-for-chic grandkid khrysikou b-series multi-picture four-fifths already-harvested suspense-again german-born chow-ish starting-point puleeze subcharacters pocketful revoew dementing capitaine dah-duh-dah-duh whycome kroll altercations inconceivably ante-purgatory super-sized alija twenty-nine non-magical renewing genuflect jerkwad stuffiness breads bullcrap nipongo reshmmiya tousled markie rebuilder ammon zyada transcribing reviewied under-use lupinesque playrights foop programmation exeption unachieved wacks saint-yves stupidness ulfsak miniaturized stinkeye talisman agrandizement hongurai silicone-implanted neon-sign puf snake-poison asi pembrook book-turned unconcealed fight'em piscipo teeth-gnashingly avariciously cult-laden liquefied ex-service zelina anti-democracy seven-foot ol'times dressed-up media-quality criminals-on-steroids mcdonald-eddy villiers city-scene karr vulnerably substantiated karn retracted simulated-jungle laterally video-transfer l'inconnu orphee foudre duuum hobbesian rho conspiracists gregarious intimacies halflings fifty-two evil-laugh talmudic thielemans army-officer schwarznegger also-epic kinsey vitavetavegamin february-may shoulder-shrugging darted necking morgenstern marciano six-love prodigy-directors custodial missouri-kansas treen anywhoo treed bankability oxy withe frat-pack waif-like ship-wrecked blotch-less overstocking patties virginities gahagan ahistorical comic-inspired abishai super-yeti mc-gangs moldiest acquitane slapsticky handmaiden r'by slapsticks gottdog invisibilation dearden sipple congestion caravaggio badminton crazy-funny neck-deep arthouse-maverick-dogme mega-smash-monster loogies rumoring skolimowski samual taylor-taylor budgeter knob-twiddling family-drama referrals sharpish kinnison landauer faux-spiritual been-director shuttered demons-meets-clergy early-talkie shad shao grbavica klaymation much-beloved sanguisga unrolls psycho-sadistic martains go-fer gurkan hemolytic b-moovie all-present heeeeere havin spoliers sprinted vicitm fast-acting birdfood marca demurring chothes worked-out wideboy greeeeeat transperant almost-luminous handicapped-people oh-so-alternative uber-conventional terezinha refurbish rui laker weeeeeell rus e-nothing prison-drama eroticize walthal d'horror thatwasjunk chalon punkah-wallah barrens gambits cornishman creepfest eventhough x-philes loud-speaking chiropractor strikebreakers go-straight-for-the-throat fleshpots kill-fest doest basterds main-influence hollaway versifying civvies liquors ooo lap-top kibitz shanghainese heroins wingham meercats corundum italian-made rvds gv gs great-grandmothers block-buster gg ge gc hildy eradicates perovitch gh girl-sidekick tester-one mopery turtle-fest semi-comical hartmen frogging premee naïveté hyodo schooner rebukes anti-reason marielitos backing-up-into-lamp kindled cagliostro enjoythe nourishing tosca red-head talk-laden pyromaniac wylie resque would-be-legendary rotter torch-light eminem bellossom reaganesque afterwhile bigfoot-like frantisek lockstock italian-french ride-sharing fathoming sparklers taxman horticultural videostores so-in-demand indefensibly barrios coghlan ubertallented deon indefensible treasuring nemsis midlife-crisis insincerity boozed-up convincedness in-pending coincident justness hickman weawwy miri residencia tarasco tgwwt foggier exploitative-sounding elya overwhlelming foment paar pansies day-dream naschy-flicks thousand-year-old pina minimising shot-on-digital inquisitions goodmans exclusion wolliaston ralph-the-all-purpose-animal mained and-a-half ghum spy-game dainiken onj discontinue springerland indolently butchest iafrika rojar sandt slow-boiling myrnah hardie delicates islamist epic-style fur-wearers crash-bang legrix eco raphel bastardise mitsugoro propster chatham honegger stupid-ass rycart misstakes agbayani hip-hugger freddyshoop socialist-wannabe ozpetek distiguished beard-stroking crinolines pencier must-pass hyperbolic tate-of-being down-and-out-low-key-now chintz buckaroos double-parked cunard berlin-born sumthin soundless festivism beo bem bes wolfpack eco-toys mainstays self-hatred whelmed pickets grainy-look dimming jain show-the palsey zafoid kenichi completeist kiddin parkey poesy coal-mining ambrosine reprehensibly fantasticfantasticfantastic dishonours nation-wide sulfur one-panel delarua delarue leben ouverte sha shh åmål saizescus medencevic marshy writter critisism depth-less naqoyqatsi sniffish undetermined unbuckles shô charlsten quaresma yellow-eyed massochist under-estimates tiene flintlocks whedon armistice grew-up rishtaa tieing movie-section brunch capering jasonx impressionist-era neutrally-presented cornering ugly-ass every-page rebarba neuron mismatches pistoning baltimorean-brits disclosures shudn't obituary lincoln-fonda solange play-write overly-bumbling senior-most isca csi-vegas castle-esque jaysun hatreds branly gold-bearing caaaaaaaaaaaaaaaaaaaaaaligulaaaaaaaaaaaaaaaaaaaaaaa schnooks barsaat meat-eaters alegria thehollywoodnews peninsular dd-cup shophouse post-mtv accompagnied fath counter-balance historia fatu invlove as-grown-up unhooking tablespoons candi palladino jarecki niebelungenlied much-adored avni vraiment marie-paul upswing flashbacks-and fasinating workgroup up-mid choker southron ego-bashing unparrallel stows sanata wiggly-lipped movie-extra non-rocky benumbed hard-hearted identity-conscious tideland abuelita chimeras never-to-be-viewed-again neo-shaw brusquely jubilee bat-guano voice-quite n-th innes little-too mujar near-mistress all-hell glockenspur fraternities tracheotomy teeter-tottering gleefulness us-born kiddifying semi-spiritual refered azghar musain folie selick rendevous hemmingway nothan fye-tal tritely wife-candidate socialized broncho cast-lists tightest buccella haydon a'la mafia-based pubertal uber-new half-prequel crayola gorgs-supposed sexually-confused someplaces ex-civilized swoony closed-circuit angel-faced voice-of-reason comparision short-scene burruchaga westing over-voting beautiful-looking dren catch-as-catch-can buckled ultra-light weered speech-making part-german box-shaped drownes nettlebed occupys plumtree handlebar responsibilty college-educated tels slo-motion by-passing shauvians goodfellows metacinema slam-dunk merly civilisations casablanka pedicurist oleg tv-channels righto endow drizzling barbers crystallizes acrifice fizzing untruthful crystallized scrivener re-shaped c'eravamo stillm gore-o-vision illogicalities cornrows d'addario exposé oft-told oscillators abdomen afficionado splendorous muddling prize-winner sugarplams yuggoslavia idiosyncrasy vfc helfgott vfx hadj amplifying hollywwod partisans subgenera three-week-old piemakers takoma meatwad overnite only-ifs giacchino drowsiness school-time least-convincing fear-frenzied more-than-capable come-back-special luci re-watch-ability combust jell ongoingness vimbley networked satans obers stunden cthulhu satana bananaman neckett donlevey halfassed kierkegaard maneating nadija kesey almost-deaf almost-dead machine-gunned lout loggins loui braggadocio ise lauter zell hool leepy buisnesswoman strasbourg broca non-realistic est-ce dogme-films drawled compunction sub-title galicia entente semi-incestuous matted punching-bags normalizing gernot torchwood ravished thougths un-naturally inward-drawn cratchitt expeditions boaters heliports pseudo-occult not-so-stupid joesphine rowsdower witness-interview amanhecer declassified amourous lancie gambas kung-fun new-eyes brilliancy pugsley documentary-not pontification interfernce satterfield overanxious out-of-the warmheartedness daaaarrrkk hollyweed ususally retarted-elf choronzhon ferryboat-to-hades mammothly briefed kosturica d'a polley human-beings bingle ultra-campy rawest jacket-ejecting feijó mclaglin manassas bunkum mucky fanbases medieval-era war-dad pyschosis rethought paraminder lifetime-like sorry-ass cyclop girl-grandma afroamerican administrations techno-slasher annonymous urghh briish moviewise technofest reallllllllly vidpic kittson misquoted viju agent-bashing a'vuchella neak ilyena misquotes non-comics cheever iu once-funny-and-entertaining ib convulsively rarely-before-seen seinfeldish keller-to-sullivan no-man zeroness slow-paced-without-action-because arvidson decapitating reconquer stiffened dunderheads uncoventional social-conscience illuminators finale-style bandwidth dusters shillin sportswear hahahhaa kopsa relearn defray cloistered hornophobic inhales waacky-hijinks un-theatrical hallberg reconsidering low-down bruckhiemer amurai esthetics sloooowly hypermacho oompah creepazoid marauds style-choices birthparents aaaaah self-desctruction burg burl prettymuch ever-remembered harrleson six-fisted masacism l'ivresse rolly-polly aragorns birdman zuf oft-copied truley heidecke guinneapig messege douglas-he trondstad totters toe-to-toe tochirô lurie seatmate marinaro finacee unvarying trick-or-treaters remedial-level timler sidestep busying scrawl o'er-doing stirrings backett oversimplification alerts forewarns heisler cinema-loving psycho-man magically-appearing extra-plot street-walking disavows allright nokitofa somewhat-the bargearse mobilized brain-scalpel braley tredje abatement macluhen best-sustained kuchler fifth-rate bobby-soxers super-weapons imotep dinghy nandjiwarna jha jawline finger-biting abanks two-timer gurkha regality signia doxen inconsiderately squeel clavichord ere brillent gillman louis-dreyfus widdered cameo-role unrestricted aslyum erb short-givings stiff-upper-lipped easton paarthale comptroller open-range social-political butterick souring tolerantly deadful dennison brother-barrymore computer-game-generated threequels rural-and-farsi calais encode balky nerd-stigma unselfishly we're-a-big-happy-family-let-never-separate-again off-colour bonaduce hallucinogenics dosage pawning sinisterness body-counting whirls skated spectical tila agrument pre-cg hard-lucked cándida episodes-george super-disturbing andreja disembowel pickett shmaltz galton moonshining down-an-out plagiarizes smoothie cassella crone-like painfully-thin moscow-showdown cavalery dogberry valediction south-carolina craftily vodou boohooo lycra aloon an-one making-off evanescence phocion creoles alphas vahtang kouzina limpest karadzhic edwrad proffered oxbow cellulite army-captain afew mind-game blah-blah schlingensief rivets cut-and-dry preordered kissy-kissy massaged israël paynes anti-young spider-rat stipulation cartels acting-out child-woman ticaks straight-down-the-line nuimage career-killing relevantly adell genxyz sexy-as-chopped bipartisanism present-time upham animaster re-playing alucard ring-esquire brujas beachfront transtorned wreathed obstructive audio-commentary snifflin recently-added schwartzeneggar garfiled well-picked no-limits nickels cliche-spouting mallpox nyquist over-site horse-on-horse conceptwise camera-shy ramayana zip-locks od'ed space-shuttle todd-ao meadows-like rada bathetic upcomming very-fine downriver estrange career-woman chacha fisticuff chacho simonton saratoga inanely indelicate on-and-on-and-on petrén dna-testing esmerelda kirsted orlander filmy-tried chesley horror-legend germogel sheeks dater desenex genndy game-changing vivisects n't ciego luved ginga daysthis over-familiar soundbites family-run jascha sami unbearded fierstein mcguther secularity cult-queen sams intermediary gaspingly schmidtt giligan gilsen adalbert gangu gooders wifey bloque dabrova cherche maculay dipper christian-themed semi-comatose seince overpraise bakalienikoff ferment fizzling blankety baiscally photocopied flirtatiousness eyeball-munching castmember disqualifying deficating enfance so-bad-that-it-is-good girl-to-die-for pin-striped joab yeeeeaaaaahhhhhhhhh sudan boondocks doze-inducing indescretion nickles cliquey buttresses spell-checking thrashings manouvres avoidances serial-like emmies-like egality heck-of-a hessed porn-obsessed unhellish overdramatizes selflessly jung-yeop aggrandizement argumentation flesh-covered down-and-dead-broke trinary team-sports latter-saint grisham-movie kacia cacti hillbilles solvents fanfaberies mujahedin unrealness lhakpa micro-phonies arrowhead dogeared security-savvy opacity vertes michelle-gellar kieffer tarted chunkhead parallelisms fridrik needful orsen whidbey sky-rocketing pride-six reburn porcine howzbout gpm-guilty thirties-environment kuran semi-regular deesh socorro godspeed roehler konnvitz not-so-much-better effigies bonin ghatak color-ism fixx deformities copernicus long-needed venerated kerosine inferno-style hadda face-lifts bombin sadahiv libertini critically-minded cultivation bowry nimbus music-teacher hunky-australian-boy-can't-fit-into-outsiders-dominated-school-ergo-goes-for ziller nono ohara caricaturing anderson-like buttress tough-gal scctm foley-work inveighing interbreed pedofile ursine antowne mutable lowbudget katzelmacher wimping effects-wise nervous-laughter sweatily jaw-dropped fashion-loving refuges goldworthy high-voltage jerilee dyptic jaunty-jazz lite-version sodium satnitefever synecdoche clamor responsability infantrymen walla unrolled deference recordable roadies heche unconsumated seniorita clams subjectiveness stillbirth dullish berel seniority ides eye-liner brainiacs salish moking overspeedy maguires afonya heinousness segonzac half-pinter kanpur lapaine borchers scoping umaga koi manghattan brigley koz kop buppie edulcorated pickups colander kô kananga male-on-male walkees verson gentle-natured chikatila you-all latine dc-or kk kj km maille haschiguchi steveday sandefur demon-spawn schmoeller off-target cripplingly paralelling hektor androginous salum defenitly recombining shylock ciountrie korine inaugurate jodoworsky damsel-in-distress latch-key almost-but-not-quite-as-good thorne-smith leaderships double-agents pen-and-paper trespassed maligning claydon home-video-style coupledom consigliori sozzled k-ed warts-and-all velizar topactor jester-masked appearance-and child-killer goal-oriented scully-mulder jutra compatable kathe sciuscià nominators bild bilb saint-saëns the-apocalypse-via-renegade-missile undercover-like head-but low-energy club-p i-speak-a-no-enlish arenas tetes gacy personation solo-chewbacca elana bio-researcher origonal cliché'd scuzziest love-scene wife-beater morros self-education granpa catharthic gona belush lightning-speed exciter bekhti kill-or-be-killed tabac gobblygook seasame stirringly set-wise self-sacrificial steelcrafts pseudo-film pffffft peddlers counter-point high-budgeted ontop lards fetuccini loud-mouth riddlers dystopic hammer-like manjayegi capeshaw beany specifies muscle-babe eye-transplants assessed dalal poifect berkley'ish suwkowa chest-clearing long-tongued spoonfuls dispensation four-eye counter-act friedmans cashman larger-than-strife roeh re-entrance storszek gizmo-like tube-aroo four-time in-fact few-person water-stunt embellishing lucrencia breezy'n'easy ragno burlesqued brangelina female-centred burlesques enchrenched travelodge cadillac-loving z-epic scenester trousdale freire spaghettis educators borderline-personality opioion post-incident amrarcord lense paradice bottom-pinchers military-type eyow smittened mangini puffed-up jockeys hellbender respiration finely-crafted defrauds afe-zone terje ovas curtain-image loin-clothed lamplight tracys warlock-laden kabaree self-storage-space fleisher-like schoolbus hi-lite farwell abcd hangal prima-donna chakra defa-dubbing traffic-congested afl human-will batpeople chewing-on-marbles annexed teeeell tresses delattre italics wienberg grails nit-witty ivans parlous ivana non-critically dissocial tenniel child-molesting assiness heavily-clichéd privatize love-life close-mirror-curtain-boom artisanal bare-knuckles power-outages pre-hays bharatnatyam crash-lands channel-surfs oddjob wrested time-frames must-sees ehmke mmhm p-bar misting omgosh pitty abhimaan half-panicked teen-oriented one-handless ret european-style reh rei moscovite franc stenographer wwi-set sex-negative helmsmen olander pre-stan tkom umcomfortable arterial plastics plasticy auntie-mame hurdle ickle cellmates more-closely responisible goku gotterdammerung labourers dupres kage opiate popularised yaniss fantastico mycenaean secaucus judaai mispronunciation secular-progressive hazed eres urban-life singers-going-actors-movies dorsal unwarrented smoggy pleshette schulmädchen ode-to-labor egbert party-goers awful-it phenomonauts actelone hankerchief tardly newlwed otomo zaat unprejudiced kiedis ashtray king-sized unsympathetically confusathon superbly-written shakespeareans graciela big-cast cheaters ballyhooed-at-the-time too-fabulous dingbat matinatta exploiter comapny peurile intelligensia slowenian anal-retentive mise-a-scene ossification goading predispose mcaffee effacing underhandedness seymore presents-of-the-mind e-ticket budget-conscience instigators boy-alfred health-freaks sub-fordian patient-therapist trivia-bit tuvoc chuckle-fest perplexes lindley muhammed agae sweatdroid structuralist caulder western-based inter-react prosy crime-solving prost non-europeans groden raff once-worshipped kiesser alberni back-burner ochoa work-based ante-bellum pre-technology superman-type talledega supercharged rosati deirde egyptologists boss-eyed un-faze triloki ciaràn raver erman zomerhitte ravel testy chretien self-gratification done't coreen pull-off inter-connectedness sowwy discombobulated umptieth methuselah dicknson brandi semi-befriended relevent halifax devilment tenderizer fu-sheng zukovic esq store-bought brunell esl esk manifesting snapper well-informed channelling flitty ethereally preem preen cyher marzia off-topic facism alexanders predictor semi-flip winamp notorius fatcheek over-demanding tryings film-i manierism high-story annoyingly-directed bux bur davids buh south-western bub kicha emmanuell minuted produce-or flightsuit minuter control-freakery warnicki cashew farnel king-derived balcans ibragimbekov impermanence dropkicks hacksaw semis fortyish musicals-musicals mephisto donnovan esssence suited-cyborg crampton can-opener tatie derm tax-controller say-everything-three-times exasperatedly icegun-wielding reguritated asther authur randall-thornton softener balaguero despondency latently pscychological awefully make-work mandibles eggbert mcewee streed ladislas ladislav ladislaw locutions wooden-legged third-class well-compensated queenly maneater msties pata patb hedgrowed what-will-happen-next denoument tmavomodrý deers kushton monogamous concensus fanzines re-recording power-slams trixie cowpies auie beauty-pageant konishita paglia acceded accedes mg sainik ml mh spreadeagled rayvyn groovay geeeeeetttttttt geoffery četvorka clevemore dheeraj eng enh katsuhito slalom kadal astronomers amoretti bolha ltd inessential coster tenenkrommend witter peque yaaa-unique-aaawwwwnnn hairshirts parachuting person-by-person americian oft-criticized orange-skin mega-bomb unreasoned seamus parmentier strangly blatent half-brothers rowdies panamericano believe-it-or-not editing'la sophocles hesteria supermoral gaydar pinkish godchild interdimensional satred mostly-adults korzeniowsky wish'd done-already enthusiams thomilson eoes baseball-crazed kielberg who-cares-who-done-it gon manicness nunca goa harnois ex-lawyer horror-suspense interconnectedness haggling rayguns gos telletubbes scopes marano ever-shifting overwatched laborer single-mother denture overly-trusting reognise surender virtuality cooperating non-stooge feline-like eerier tazmanian broaching seijun toot sex-addiction far-too-late all-rap cowhands nakano quickie-mart seagle ethnical jaguar-noise ménage-à-trois insultingly-bad stargazing anthonyu mid-twentieth feistyness drug-fuelled hot-dog ryne man-oscar ryna michale evangelism non-association spellcasting romantick manigot one-headed weeing prollific rubbiush b-b-bad mostof marinescus post-nuke unfunny-which bamatabois crime-thriller windblown jumbo-tron skinnydipping oft-portrayed public'in rhymin wisdom-accrued earpeircing what've here-and encapsulations elopement tapeworthy clairedycat lowpoints execrated amalgamated medoly small-mindedness hellbored error-spotters truffault question-why vaguely-familiar monograph hot-and-cold pardner theowinthrop non-abrahamic fogelman grmpfli double-breasted newsreel-style dyke-ish snips pinkins conspicuously-unnamed fleurieu hapsburgs mwuhahahaa moomins hallucinogens petrus chappies partner-in-crime heeellllo enyoyed what-the-heck-feeling nut-scratching madres out-of-this culturalism sealed-in scene-transition twiddling padbury ape-culture visayas anxiousness postmark many-layered tuscany mikimoto sex-in-the-city karino emilius vilifies mirages off-scale modulate re-vamp luckly flutist eckart jordache deriviative harmann avalon-annette enviro-marxism totalitarism one-step-ahead giff bio-terrorism aikidoist temporally lieutenent ex-vaudeville ich don't-miss icc icb antimatter disinfecting subordination saw-type erodes bizmarkie drool-worthy over-wrought landowners spiritualists run-time polysyllabic low-brain mega-mall everage electorate entirelly late-night-cable younes weskit hugues syrkin adorn trahisons simulations picturizations ogar sporks kostelanitz unmercilessly time-walter apart-i terribly-produced quirkily kanmuri near-fever straithern jerk-offs chopras masterton mind-damaging forgeries afgani dimentional approxamitly daoism outsize brandie double-duty stetner trustees neck-tie lapels light-heartedness hatted drug-abuse double-park sub-'usual matthaw fahrt trouble-making denounces heigel trek-style nemisis baku bako spiro luchini compass-shaped spire manikins spirt groupe thru-out eliminations empahh annoying-kid cinematographer-turned-director journey-to-love parme hand-out steeleye chriterion selve hughes-later handed-over rejuvenating crack-head tough-as-old-boots reductive genre-revitalizer abutted magestic gryll porn-movie luvs misreading andalusia garbageman reflux predominating corrupter garbles plaintiff hook-up undefinable motorists psychoanalyze self-sabotage nannies nishiyama reposition epic-ness brosan accoladed subpoints hardison sappingly igloos mariesa poplars mailroom o'gill love-and-laugh tenzen theoscarsblog karlsson chiani escapists menalaus sanctimoniousness dis-jointed maniquen shelbyville we-have-security-on-all-exits-but-he-still-escaped tarantino-esquire cactuses substories innocent-n-pretty bubi brewsters demon-fighting bouffant obituaries semi-attention loffe embrace-able horror-but-funny clevelander budweiser carnet five-ing self-denial acct bwahahahahha sullesteian circe keyshia lache inexpressible huk ticking-timebomb obtuseness cooney dance-offs schuer transcription diligence armaggeddon charisma-less synopsizing encasing whoo-boy lynch-pin perch vetted admitedly strobe-flashed perce imdb-users er-hem ribsi malnutrition-ed soap-opera-ish orpington crimp less-than-normal white-hat boilers nicodim transistions phonus wonman flatlines mewes deritive under-eights foxbarking non-mormon know-nothing north-west filmtage charters seers hackenstien berrisford butch-ness history-it cycs radelyx tweeners active-duty call-up snarly authoring polt pols percussionist mcmurphy after-effects stylophone poly minoan chemistry-less pundits colom giegud over-emoted older-style kid-level cineplexes bedsit movie-travis asesino kin-dza-dza in-name-only operations-south way-beyond-the-hollywood-fringe amend spirtas explicitness straitjacketed teen-porn tolliver pânico snaking unpersuasive fever-dream-like rungs layabouts awesomenes mantaga brawlings bover whats-her-face pig-sty barish yukfest dental-phobic kannes-kompetition-krowned-korean-kraap un-seriously especically jaynetts virtue-threatened peyote-enlightened differentiation purposly overlapped grandmother-inspired velez cookoo loaner hydros gumbas video-camera-toting labyrinths aured bonaire ape-dad pookiness glossy-looking bellevue adjuncts gungans doctor-turned-detective collyer d-tent outhpark swanning demarcation og indestructibility aankh ou guiseppe nesher psychic-cum-sleuth lakeview hooooottttttttttt cro-magnon unambitiously ducommun hazardd jug non-sexy jul music-and strenuous jut soprana lärm diniro girldfriends back-lit anti-alcohol madchenjahre signore muzzy beren asynchronous revamps foxed otávio vashti dvder bicycling ebon kümmel scrappys star-filled browbeats salomé arsenals overblow white-wash hunland carfully motor-mouthed sports-fan he-saw-that-but-did-she migrates cooped grainier menzel cave-woman i-man fill-in equivocal inhumanly soled chasity jig-saw real-live ratt enormeous copters accent-free nonlinear high-heels cunninghams gday yecch gorged cryofreezing don't'know quality-wise athenly wolverinish historic-action-adventure sculptural vivement cheadles taupin zeroing day-buffs leatheran villain-versus-everyone kayàru tarpaulin interception inlay transgenderism machism mcdemorant dribbled draughts farrah-fawcett hypnotherapy forysthe cosmological despairable cell-murdering story-arcs sigrist pool-boy earpiece near-miss lowlevel maddison fakest-looking this-is-an-important-film gervais-type rotund footer semi-interior ski-slope feminized tallahassee egm-button anachronistically non-patronizing paunchy concentric paleographic besting non-matching nack biggen uncomprehended mecgreger premedical leiutenant roman-a-clef cardboard-cutout ex-husbands unhackneyed zalman taekwon anti-cherubic vacillations nacy marketplaces deadens drug-damaged leza kang-sheng disbeliever wayyyyy tilt-a-whirl shudderingly goobacks chechens point-my award-material super-hearing frech goalposts nicer-than-nice resnick surviving-this raily re-igniting sew-up psycho-killers kalene garderner rustlings pugilistic kos x-girlfriend panjabi sex-drama viay cross-hybrid clickety-clack non-linearity appoach haoren hexagonal innaccurate hernand charactures tian-ming woopa bandes bathouse upremacy loan-sharking chantings flava soul-crushing embeciles arkoff evertytime derrida arroseur cayetana destiny-filled back-projections bushfire heart-filled sjöberg achero tommorow metacinematic mcquack misbehaves procrastination gispsy treshold oaks crime-busting dis-figuration semi-boring dizziness loveliness upsurge wimpish adames thayer langauge obstructionist slapper techno-babble hollywood-wannabe watchin erno rodent-shaped over-dragged co-viewer michelangleo high-sounding classic-style bleached-white excution onishi ex-priest whelk out-of-luck oversupporting rillington buzzard armors age-inappropriate dumbstuck quinten mäger noble-price horse-driven daftly ahah bashers usses thirdspace steirs age'has interlacing coris windbreaker over-affectionate akte oh-so-quiet re-design adorble behind-the turati tinkers-to-evers-to-chance maughm sagacious genre-film suman dodgerdude gruelingly aroona window-dressing dullllllllllll minimalistically cundy manheim borehamwood cunda kercheval vindicate pathe lip-locking dvda cabrón newly-unemployed niño scripts-r-us kevnjeff niña bit-torrent folders fucking digard crotchy ulcers ttss meda begrudges warm-blooded smoochy-face tampers paniards manner-and sheng conversant nuevo sunniest bhagyashree stick-to-it-iveness bespoiled wilson-jones spy-movie maillot nonlds mustached dreamy-eyed-waif pool-man urely brooks'-type trogar movie-you rock-pools hongos happy-to-be-interviewed mortified-looking trivia-sheet non-argento durfee drinkers thesigner monotonal why'd krogshoj faithless freakiness camerashots everything-from dir-walter kp impertubable verhooven field-doctored chirp hit-men athey trans-sexuals veddar naffness deterministic ultraviolence showstoppingly rough-and-gruff karuma saiba flame-effects asumi reinterpret bounding diddled bollocks serafian youv'e nowdays pussycats overhype caalling euthenased clean-ups acing envirojudgementalism fan-boys files-type diedrich vonneguts vonneguty not-so-smooth debitage millinium slates confiscating half-elf gladiator-type catalyzing performative hussars examinations canadian-accented avin enthralls hitch-hikers fracturing tellegen lattés itsõ cill samurai-constable psoriasis by-passed keeranor distractedly ural sharples sangue unsurpassable noite mini-massacre setbound ayda hemlines hadled slandering longhair babysat inter-wine oft-seen meitantei seiing brain-addled sports-mad liason espescially do-right edited-for-tv unsustainable quedraogo rock-melodies film-friendly krypyonite inspecting goldenhagen refracting eastward not-quite-acting-but-it'll-do topcoat satellites tranceformers bejard hellspawn beingness thriller-by-numbers deyniacs nfa films-think admonishes meat-head plot-within-the-plot unshaken iron-willed anteroom fame-hungry dread-locked undyingly lève brawled volker zoological bering schombing volken message-laden schirripa anupamji darko-esquire super-crossbow middle-to-upper-class love-hewitt aldiss art-buff boo'ed count-up air-ace riga fatefully zegers lion-eating physicallity roué precipitously inarticulated x-rays car-to-car shallot faux-infant segements yoda-speak swaile pint-size vanner vannet three-ring-circus chattered horrendousness assassin-liked semi-forgettable unfortuanitly nothwest tohma roux sagacity masak-masak pleasure-type outerbridge overhyping supernanny much-anticipated pre-kojak warrick franciso self-attributed sivaji ender schaffers cold-sweating reality-drama filmes wrestlings ralston plesantly rujal stowaway homeliness heeru bonsall ghostwriting dietrich-type not-very-auspicious qa brail qe braik ql elase expen ulysses-like ousmane kringle alistar braid landru loser-bums half-fish katell re-invention spooking salli sunn mclendon-covey spikings motionlessly slight-gnomes gang-members hehehe lady-cats pull-offs videoteque guys-story tlog pinho wabbit glock over-choreographed mercilessness antiguo compering avy post-tarantino virgin'''made linklaters man-see sistahs re-vamping evilmaker coscarelly auteur-with-vision ranyaldo newly-converted tais nancy'd extrication quinn-martin perseus inter-webbed over-slow gyrations aliso marianbad not-all-there crack-you-up watch-and-squirm preprint roussillon hideko sototh favre honest-but-poor mpho grinderlin moral-policing kadeem excactly re-formatting tauntingly ex-emperor desperately-hungry-for-acceptance-insecure-and goldhunt note-taking succinctness quasi-government ex-vaudevillians yellow-suited superkicked mineo tanak bump-and-shriek crispen obee trash-wallow bullet-timed rolled-out-of-bed saddly additives ääliöt fundraiser repetitevness appy indira armetta apps wha-bam hotly-contested valalola tracked-in zombie-baby shank shand shana bitched coool israelites prompter anja anji gwangi soft-spot special-forget stalag-lufft zeferelli swartzenegger half-second gannex tuengerthal smolley nazi-soviet circumspection jetski quietus rosamunde laxitive saimin sleazebags bad-cops necheyev mélanie ubiqutous doppelgänger icon-like ultra-romantic super-swordsmen propane quiting soba action-paced perfetic duh-what bilk over-accentuated l'osservatore over-reacting atem heyy lgbt sufered semi-hot horn-dog falsifications flatlands yesteryears cowmenting kearn ruskin schapelle flotsam nihilistically cinemax-style willock forementioned blabbermouth spraypainted still-pining ozaki caricaturation disharmonious cheese-atmosphere awardees debases less-than-captivating cajoled semi-gothic otakon quickly-paced over-sentimentalising tetsuoooo beyond-beautiful pre-fidel enchantress imperishable clubbing hesitatingly ad-dollar tomason umecki-chan mufasa henreid survivable rough'n'ready constants persuasiveness buzzy eensy-weensy non-belgians klicking fairly-safe over-lacquered being-symbolized sànchez thornbury uber-controller christmave death-struggle ump-teenth thrones jason-leigh code-approved rewording slats substanceless secret-weapon celest unwary depositing undr mutineer jhutsi us-only kristensen cassady square-offs hodet sewanee hodes speedo lucina kukkonen uburban dad-in-distress naggy balloon-flight tango-tango cheepnis elms dions yawn-inducing lászló ole-thorsen lunges expunged forceably über-spy honest-to-god bear-suit foreignness semi-noir urfé comedy-part paghetti fritzi post-cuban frequently-voiced lumpur pederson welll welle non-affair groundbreaker eyeless devil-like semi-final rotary camo circulations sorel carreyesque baja reschedule unmanaged pnc joel-anna vasectomy badat kabob hand-puppet ballyhooed jeanane did-she-or-didn't-she spencer-nairn pre-empt terrore biarkan patrizio perier group-sex tomie zabrinskie iron-curtain pricking cubbi solicitude sports-related delphy cubby brit-com debi most-convincing ill-located hargitay sancho o'rourke meanacing lohan-movie be-get comportaments playwrite fudged male-prostitute munches trickiest re-education cadilac parley soon-to-be-ex-husband ultraboring teensy-swimsuit rigoli dott b-grader wow-wee estabrook dote dawson-with betas action-fest tzu borring gen-x snazzily ex-commando pawnshop ruttenberg by-gone drop-out jelaousy coachload writer-producer-director moviemanmenzel match-winning danayel day-it manhatttan comedy-team superceeds quantitative deductments dissects super-long mega-gory jurking mantels subtracts swabbie tchiness dyno-mite sania quirt mona-my-biological-clock-is-ticking-away ill-planned specie specif foolight crematorium benjiman mcgwire vats ballooned dedications science-run-amok fuzzy-lined poundage firefall vato cultism muito lindsley co-billed child-safe film-world muita woodeness no-wall summerlee shakey hoplite casavettes eumaeus amateur-scientists incentivized delerue versacorps student-type raiser woch atkinmson half-and-half authorizes obsessives lambada re-submerge sniffles bloomington londoner manmade seguin perky-post-teen genealogy extremity paprika overly-melodramatic killer-crocodile extremite evilest caprios crucifixions mccreary hollar grandnes canonize funny-that safarova dumberer ramadi black-and-brown taurus chicken-scratch nine-inning modell whiskey-a-go-go co-scenarist downloaders staphane staphani troublemaking characterising master-criminals inch-thick faux-seine tepos weezing inflected atavistic arminass ingin brain-drain tousle-haired govich wharton unessential brazilian-portuguese half-shell plotholes sherryl ecoleanings knife-throwing tacky'n'trashy entrusts monomaniacal less-informed stormcatcher difficult-to-watch kidô langa locked-watertight clampets arch-bishop twilight-zone-esquire hungarians demonisation nicolette higres well-hidden wicket ever-ever-ever sunburst bmovies child-beating touristas zombie-creatures nussbaum daal sieben sanctified single-dimensionality só malign choise parents'lives britannica echoy factory-made underlays steege splatter-tongue druidic wung indulgently boogey-man-like davidlynch sex-and-gore french-italian ataaaaaaaaaaaaaaaack quarter-hind golfers nakhras minorly paiva johnathin sn sb augury hupfel artificats lovelies mosbey nirgendwo corrodes horror-filled art-related pafific overcaution oh-so-daring tipoff folsom re-christens kostner arbitrariness derivitive back-forth biospheres over-explains semi-historical easy-come cissy reshuffle semi-classics whittier councilwoman readjusting washingtons monsignor smker mouthburster scar-faced dolf out-of-reach almost-a-tv-movie manichean kuan stock-piling uks native-english-speakers shiven convene stensgaard fooler bored-stiff stupid-stupid mega-budget topham talkier tome-sized hans-christian jurrasic recapping go-camping-to-make-out-then-fight-a-monster spender horsepower hukum not-too-shabby unfortanetley blubbers to-do co-mingled metaldude crochet winiger photochemical gadget-coat shoudln't energize sades shut-down oversights fastward temporality lolita-type sebastião murmurs signoff un-french woosh fanatstic un-likable mastan haunted-house actin actio never-explained thinkthey non-barbra tomeihere grafics once-estimable hedged-bet polaroid-esquire blige exsanguination hsss loondon wager-takers younger-than-usual anywayz outclasses marginalization fierceness sited khanna-ayesha inmate-roles manr mana shatners mountain-rescue coked cmmandments bottin sinatras venin aegerter giss povich aerodynamic xperiment intenational telefilms bowdlerise less-than-special pinko punksters emmy-gored pinku smalltalk expenditures gcif resided trash-filmmakers defenetly everday mouldering rightous self-fulfillment caugh serenading t-lo metamorphically non-underwater quixotic bastardizing lockyer fictionalisations tirol dimmed over-idealism hutchins robins debating-clubs weirdness-es computerised inferiors breakage legalised greenbush kenney conditional pterdactyl pie-esquire merriest henrikson sucht brianjonestownmassacre westcourt the-always-great-actor issei eight-ball pipedream exoticism-oriented ryaba seond cineastic legerdemain starry-eyed knifing headsets quin-essential crossers treetop hamnet ever-increasing hex hights fertilise hel hem calito pliant appeal-we saatchi conspiracy-laced razor-clawed blueish madhumati movietheatre lefteris geeks-which hohum margineanus human-kind ahahahahahhahahahahahahahahahhahahahahahahah low-profile frys house-style lambeth schürenberg music-track mideaval miriad pepperhaus adriatic snitch masi down-and-outs priyanaka it-eventually vagueness mandala nicco toddler-age pre-occupation homepage degeneration crumpling l'argent apricorn left-overs appart harra japan-set mishima samoa allusive discriminates maggio mamardashvili cohabitation danson six-degrees-of-separation jive-talks lippo-suction intellivision thumbtacks programmatical sentient linklatter vieques body-stockinged everlovin reactors kayle contrivers sunnydale cadmus misanthrope corto fa-luting candians britannic expositories check-ups hathor liongate jumbo-drag atc debriefing message-less leolo facelift belly-laughers watcha hardyz unratable cine-buddy masculin camillia sonzero gainsbrough diculous relinquishes toe-curling godfried noir-thriller half-century cimmerian eithier blotter ozporns referent break-there highly-effeminate leitch poplular televise mousse dirossario ameliorated macadam wiiliams irish-pakistani-bronx-cockney-cajun hzu enyclopedia nerae tentatively steadycam intangibility overreliance tovarish consignations quasi-intellectualism english-educated much-neglected supervillain crap-o-lantern envoled jellies trannies shovel-fighting seselj icecube penicillin revealled scrabbles multi-themed un-known hair-styles foal un-bookish belied villedo believ radditz strongboy strongbox hoppers studio-sponsored wgbh spastically holo-brothel inner-london dinged ex-daily prop-up half-fantasy jez semi-washed whorde prickett contre underdog-makes-good codswallop benella phreak iwill expositionary happily-married transposes irresistable american-canadian comes-a-looking pre-pee-wee middle-classes ladyslipper filthiest non-dancing underhandedly honeys moonshiners sontag lorch bummed-out unconstructive roll'em flannigan brockie somtimes bodies-styled kneecap somnath misanthropist ccthemovieman eventully not-at-all same-plot argufying d-generation orgy'esque wiliams bald-headed movie-dramas enzyme writen roughie bovary art-cinema quizzes wga claudel woody-lite overburdening trolley-dolly enema well-displayed space-talk toone dedicative aaghh contour ill-treatment lumiere-family didgeridoo aaaarrgh fission demoni shahid-amrita hassell verst prerelease screecher semi-crazed headbangin cult-masterpieces rivalling loudmouth rippingly berzier matrix-circular-camera benkai souffle closer-to-the-character disowning eightball tless dvdbeaver movielink pdvsa disputing sound-a-like lib'ing connally doctorates bad-guys estimations luckily-placed mean-ass aggelopoulos spottiswoode high-living west-east murder-moving mud-wrestling exult larva liga recently-announced alcott understating ame time-worn amg nouns dialectics tongue-in plessis alleging italicized half-ass-ed wierder normals gingerale marraiges self-parodic somethihng second-team over-intellectualised creepy-looking extra-large hamwork drizzled duhs pathologize jutting tenderhearted entrenches timed-release apparition-laden celluloidal rostenberg ego-tripping deep-held good-side mercanaries pure-hearted psycho-teacher superheating hype-meter wresting sheakspeare russsia disposal-man ax-murderer belén eaghhh sacrament syched peruvians rakeysh brownlow striven mbna non-dimensional macbook suis crackdown check-up deflowered well-regarded regenerative solett prowlin over-step geting all-fruity acid-mushrooms unpremeditated not-quite-sarcastic ug ub storing vodka-soaked comming conanesque illogicalness parsee parsed spritely akria retrace paurush accessorizing ferried autie trouser dobel wild'n'wacky lucie unsynchronised walcott holey movieworld learnfrom japanamation melty hofeus shoulda-woulda-coulda informally tramonti saree feints jagoffs juan-like disase wips äänekoski girl-chasing doe-boy bhajpai proto-hippie pigface non-americans timewarped keena pueblos imple heckled leakage morsa mornell sick-looking glammier sports-bra unfindable lickerish mockinbird super-obnoxious shepley buffered jon-mikl who-who air-flying digitally-shot bazaar punch-fights sizemore steakley bat-history possessiveness unplug re-located transylvians rebelliously montecito cinegoers pseudo-happy coffie sabc sabe dumb-witted schnoz it-so-bad-it-good cross-fire cheungs paternally hawt dominos disapprovement far-too-many brekinridge poorly-created pollution-free dorcey z-slasher maitresse deducing fooey shola semi-conventional choses an-old-song-to-evoke-the-period no-story refering badly-crafted pen-gizmo vermette wagnerites blackballing animal-killing-humans rule-bending hanahan incomprehendably looonnnggg hassadeevichit mstified must-see-tv pseudo-philosophical top-of-the-line non-curley rape-in-the-shower kelton cunty over-permissive yello yella suppositions porfirio razorback guptil lead-man toy-car collared-shirt steensen adaptor sub-sequential isildur sindbad lunchrooms adventure-story lembit ekeing roberti kasbah misirable daiei quasi-gothic encyclopedias affinities lunche nickolodeon erye frogland waffles airport-novel-of-a-movie waffled awes warily hoovervilles liswood logophobic logophobia inanely-repeated gussets trampy kidnap-thriller once-off nobdy incarcerate sub-division lairs naturaly half-written wiseass swith all-of-a-sudden capsules cowlishaw ochiai high-falutin bondy bonde boundlessly prominently-billed extra-sensory dattilo waaaaaayyyy low-rated zomedy saturday-morning-cartoon ever-escalating espanto squeakiest un-subtle gym-toned piston mies oprah-ish astroturf cristiana ende butte pragmatics endo goldin odets trumph mishmashes assosiated inarguable half-cocked hedrin nine-to-five calleia poeple accursed jussi one-liner-allen steadiness bilancio pulsates nit-witted giusstissia awwwww chastises pedantry toasting renoue crapsterpiece rythym globalizing whitewashed omni frenches fly-specked money-shot doule exagerated styled-up confab franjo franju nekkidness breck leidner unstylized helms-burton two-storey over-earnestly norsemen greengrass-directed fast-talker theater-play eehaaa clipper information-clogged tiefenbach shakingly geek-strings excursionists punchbowl lame-meter slathered-on givney cedar weasel-like nva hehehehe nvm rip-off-the-body mechagodzilla weepers obligortory eight-film heidijean dali-like oragami high-time castrati castrato castrate re-kindled pictograms frameline pregame hammeresses jet-fueled krs whistled cadena convientantly centrist bacon-directed bizniss shoppe banco beep-based scientalogy larvas massenet over-stated vadim elsewere crowd-this anchía paper-thinly so-scary overly-laconic haiduck ghost-skulls retina dogpatch whiskeys point-for-point dissy howdoilooknyc testosterone-driven lisa-raye veiw pick-axes muldayr bivalve whiteboy dyanne acmetropolis house-guest nightwatch zero-law-enforcement brevet unico cias crapulastic biblical-like defraud dick-philes whatever-phobias rheyes barmen ten-foot-tall also-though modern-life offhanded re-enlisting gautet rem distractive mehmood semi-nude grisham-genre metamoprhis fwwm draaaaaags subaltern deeper-into metal-heads bharai 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palsy-afflicted hilt-deep lost-minded jehan scened unappetising h-i-g-h frittering gradualism yancey dog-eat-dog hyper-critical presumbably tyrannosaur high-minded necktie war-instead gloaming quieted dessinées umiak snowflake exercised fear-mongering virginity-taking untempted alumna macpherson luminously menially possibly-redeeming mentally-disabled lemon-shaped naieve grape-juice-shooting-out-of-elevators damen fisheye envoked stepfathers styalised even-bigger american-ninjas over-the-rainbow firebombs al-khali brain-rotting stasis three-dimensionality straight-to-tape gorey wildfowl eradication gored boomerang-throwing goren nofth libels winos montezuma idioms b-side septej waldron discontents falon one-hundred ever-brilliant cloutish layrac cellist meadowlands manky wt ws mcconnahay desensitization foer stomach-heaving exorcises ve-ery garnishing moshimo ilka not-quite-there cesare acid-tongues ever-stupider cryogenically expectant-dad co-owner no-one-more-independent-non-american stubs windbag pig-headed rassendyll rosenmüller loooove mo-hawk kodachi plateful odlly camera-ing looniness eleanor-nell dandia nukkin bollwood ossana awkward-girl megessey lithium rodrigez someting bredon noncommercial halleluha prescribes romcoms achingly-beautiful indigo kale oringinally sedatives linton bandied pre-title eréndira isthar boars worhol arm-chair woodify kairee i-cant-do-without-u rnb east-indian dream-cast faracy drekish bolivarian tracksuits non-dukesofhazzard marriage-bed jrr hyperventilate off-hollywood lasher kidnapper-on-the-edge eyeing metaphores whatchoo dishwater-dull nuzzles near-legendary loonie-suit mulls imodium haberdasheries saaad thge appallingness hackensack have'nt commodification ex-model obv dilwale scene-wow obs dwervick anti-rock midgetorgy drip-feeds travelogues actress-from-vivah congas accountancy happyend feinstein turveydrop non-native-english-speakers once-dead-but-not-anymore anee again-this oly lumpen hunchbacks all-nite near-tragic low-angle propellers documentedly vaporising hautefeuille sensationialism outlive quality-conscious per-say consul carabiners hennesy afrikaner foreshortened unsubtlety squirmish shrinkage squirm-inducing pintos g-spot hadddd barbedwire cussack menaikkan muxmäuschenstill timeslip marney seen-or titillates pickpocketed stop-sign eurythmics one-and-only joão snakes-vs-nun emetic porely punkah wolfs iedereen wolfy charlee satelite leguizemo wheelies ejaculating muslin adachi third-to-last man-an hanneke arendt pulp-paperback jhtml kassar gentlemens penalized ciefly slayn primrose aborigins ayatollah revolutionairies upendings lashley long-legged we-need-to-enlighten-this-wholesome-girl well-proportioned over-the retro-futuristic futon soon-to-be-spinster over-head emphasising terminators knee-high wolf-dog serial-comic crime-noir seizure-inducing un-interesting café-terrace coke-addicted bridesmaid cheesily tarrantino molasses-like saturday-afternoon self-elevation backlots frizzy-mullet-ponytail necula yasumi favorit go-more bannon sweatin sub-themes once-lost-now-found armageddon-type one-season maraglia demotivated direfully consiglieri pre-lee hustons shiploads slobbishness bejeebers evos cyborg-populated black-tie ape-species tetsuya deify anti-lycanthrope havegotten discplines satyen hot-cha happed meckern defame hurries booooooooobies genie-turned-rapper-turned-wisecracker wiseguys authority-defying ex-mentor baras pulcherie audery punka cannibalised heart-gripping helsig clarion daviau low-end toulouse rosenliski sub-clarice beach-head olajima crossings blackening waner nutrition quay hubiriffic preservatives piggly-wiggly love-letter vermicelli quas mahdist fine-dolby doozys bat-cave relationsip monopolies audiocassette madelene most-annoying-character-since-cousin-oliver phisique sarasohn infatuations amuro jardine vågen sf-related mispronounced cab-drive mechanised greencard shmatte spiderwoman mountain-esque laureate over-compensation mains 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mendonça fleischers cogitate video-game-like rulez why-it wolf-point-of-view top-brass hotel-ballroom snail-like misquote gjs yuppy hubba-hubba ruths galigula youth-giving ridicoulus throw-up-in-your-mouth honour-killings cités manhatten indie-darling pickman on-street so-bad-they're-not-even-good pylons epsom bathhouses sloth-like barrio barril non-wasp sro adotped wold rarely-seen doordarshan decimation statuette unfaith numerically fifteen-twenty slave-mistress shaq-machine inverting superbugs animal-adventure robotronic transitioning vincenzio lourie worse-staged shernaz mother-of-two burn-victims team-substitute donor-necessity tellin greyfriars juggler tarzans brittleness non-primary self-declared woman-murders-her-husband-for-a-man-she-been-cheating-with exasperates horrror strauli stealers computerized redecorating non-present airheads flat-chested ciarin romaro hari-type ogle-fest pontius missile-silos pieish malcontents reconception cia-front bench-over oh-but-that-stuff-only-happens-to-other-people skeletor street-lamp sudern gift-wrapped urbibe mesquida spooky'nhuddery shock-material humanitarianism legiunea kiosks mutterings nose-job small-breasted blaire doted unblinking director-actor ecclesiastical boobacious indie-feel home-shot pseudo-original fun-hating loosy stunned-this sanfrancisco rest-area tranquillo hims miamis fucus faßbinder canby alterated invalidate limos virgine short-careered toyo step-mother-in worst-looking un-thought-out livinston thalassa probabilities couple-fest bijelic furmann stuckey howzat postdates good-guys peeters yemen alyssa wordsmith nautilus minutely-choreographed faludi sodeberg sharat ball-are triad-style toughest-skinned no-hoper cloak-veteran gardeners camera-angles repossessing battlecry that-a-way computer-besotted spectactor uvw lederhosen redfish helo ffa tanaaz blow-darts domination-submission al-qa-eeda reception-area exsists asides-sinatra tomato-attacks enterntainment yb störtebeker god-figure inamorata yt iff boo-let kiriyama give-away organic-looking woulnd't mascouri marple bernicio commercial-quality flattening muscels menephta naushad sales-pitch pasqualino opps who-is-it nickleodeon kuni commericals cenic kazetachi one-uped bierko schweibert sofcore half-myth stewert stress-related enquanto cinéaste for-rent hungering kimberley socio-maniacal schema inground obstructs ijoachim sulfuric floozie tunis tonality fancy-dancy demystify surmising shater koala slow-going evasion besant unstuck slice-of-urban-life hombres cannes-winning indiscretionary totin totie newspeople romanus accuracies caries hardcase hrabal standing-up you-know-who destabilize legible dintre belly-ache ingalls polically death-by-stereo patzu o-bad-it-good half-asleep snake-oil millenium poisoner re-work oh-so-out native-language moraka one-nil slezy rudiments centrality un-masculine hickenlooper secrety pre-dvd hahahahhahhaha ferrigno hollodeck phobic hewn dirty-old-men-in-macs stoped complied watcxh self-harmed duckula effects-filled colourised pre-reagan fairhaired anti-israel loof homo-sexuality facelessly soiler endanger docteur hobbiton-like mallow welshman tudent klansmen john-rhys fanservice ericka treasureable sliders gulped repudiates candy-coated shuttle-cock spliced-together eeyore sining pumkinhead ninja-movie pantangeli sprayed-on happy-happy migratory overflows for-the-time semi-hiding hjm elven titains wienstein windgassen triste a-bustle thatcherite resold name-homages stay-clear plainin vacationer fettle conditionally revenge-from-the-dead bangville deliverer becall stef resistable television-to-big gaberial contessa gagorama funnybones c-class patchett shins say-so hypesters ahmadinejad diage thevillagevideot jetpack non-sequitur simpons himmesh asshats créteil honeycomb art-deco hares entwisle fantasy-based estrogen laser-disc proxate fashionista deep-breathing chafes tuo tongs scotish genome sasqu est shorelines war-starters wellbeing oversimply megawatt snow-fall collusive aquires young-girl kintaro yeasty best-sellers butrague vanderpark fishnet dogie quelling gallner un-sexiest counselled andalusian amateur-horror gretta kirschner transposing panic-stricken foregrounds defiling suckotrocity pornographe counterstrike mariiines decreed ultra-rare decrees revelations-oriented aeneid wallace-based over-wise dreadcentral decore phoenician cat-fights tambe no-refund sheilas mystery-writing gino-giovanna sweat-hog wie somwhat theologically victoriain engendering redefining prohibition-era inlcuded space-based up-raised shut-up mage premièred unintenional snockered onwhether bernhardt syudov finish-line rethwisch super-annoying milliardo un-lovely zaping valga midwinter lazed depravities austere-looking sakaki ferrets dreichness skeptiscism flake seiryuu balaclava shachnovelle action-based accrutements post-lucas pantaloons uncontaminated shwartzeneger boooooo batmite magisterial slovakian interspecial sceam cosgrove-hall goodliffe retardate less-often contraversy afflect scrap-yard dike envelope-stamper ever-so-short tattoo'd old-money to-camera co-editor brielfy popculture front-end triskelion marahuana breteche guilherme mega-bank sharpville epoque levys palagi busom rephrensible klimt clenching coptic acker wanna-bes wallace-stone gold-diggers quick-march derivations chitchatting trackings sleep-walked l-l burkes surmounts hyper-dramatic paradise-paranoia nietzcheans non-partisan pavillion magnetic-cannon post-mortem picturesquely masjid post-zombie unboxed metroid cuing flavors-of-the-decade zenon unprovable semi-recurring mother-in-law-to-be plasticky ho-ho-ho scotsmen leninist figureheads reservist portrais woman-bashing gratefull trinder non-prejudicial movie-brat dearing ohaughnessy databases transamerica mocha asscrap superbrains constained synovial unability fast-food-mainstream launchpad depression-thirties age-range kid-sitting loveably fuzzy-looking tollan commendation orgy-in-a-box abilityof fateless watcheable barnstorming coldblooded troma-fanatic consilation yosi gore-drenched heroin-using disjunct tiré blinker booooooooooooooooooooooooooooooooooooooooooooooo horrizon film-crew pettiette britten syed houseguest plankton verndon naista oric five-film saro yat sanctifying dopplebangers yas yar rapid-paced suposed kickers celoron temmink bippity quotation frat-level ghoul-busting re-thinking jonesie young-ish whole-package afterstory novacaine pequod auto-biography amercan huertas wranglers transformational spacecrafts weld non-lackluster great-grandmother welt senza movergoers modernizations milinkovic sufi ondu devo-esquire zoo-keeper trude mammonist handiwork yeesh metephorically alledgedly waaaaayyyyyy pertwees hollywoodised rostova subhumans clyton baaaaaaaaaaad cavernously otsu situationally rubrics rubrick creepies darlian rival-for-homecoming super-sensitive resi mini-games brainlessly in-stead consacrates muling bludhaven interlinked mofu crankcase eighties-looking crasser cranberry just-for-the-fun-of-it njosnavelin silby pastries screwier crispian half-way-to-hell wims re-choreographed relegates rentarô drownings engelbert turnings semi-sexy canine-demon multiculturalism orignally reconnecting bakes trailer-park bakke hikes dixen funiest stumps just-so-happened re-invented techno-wiz mega-coolness quebec-montreal all-too-few crybabies jyotika intricately-plotted rains-as-belasco honchos voluble schulberg generation-defining tamping quivering-with-fear sagramore wildman embroider gracen bohbot morrill two-cent slogs aachen peobody missoula anglified mahin yeeeowch liberates pragmatist mikuni abductions piccirillo omarosa codpieces all-original reçue government-required brattiness tng-crew repugnancy axe-handle spiky-haired tabatabai demagogic ethnographer grandkids deputising decried hitlerism overworking well-concocted lwt cult-value characteratures laath majestys klembecker víctor curtain-thing centaurion puppet-show verdant ultra-wealthy log-cabin akim candidature fun-to-watch neat-freaks not-so-evil turners caricias wendingo punt scooters construe wwwf jerk-like versprechen stepchildren zita ensigns uncoloured plied killbot shaffner smooth-ness chrismas placates mcaffe mckoy doggone always-marvelous teressa moviemusereviews che-chatting porker casterini briant mead briana mishkin old-maid galens mundanity gunny rhetorics keaton-like maneur groovadelic groin-kicking novelistic generics hershman-leeson arrest-induced srathairn tashi tashy frenziedly rehearses shagger vuissa univeristy anti-science thackeray ka-yan myrtile strivings hatchard fomentation mayble rougish horror-type amazing-looking genre-cinema stratified anatomically turrets caled nostalgics ferdin janson sharecroppers devolution segundo-second senki goodings minium lowball king-pin imperialflags rocaille reimbursement franc'l'isco nay-sayers coppy gautum tkotsw stud-for-hire t-bone thnik soilders clobbered abides carbone pattes phoormola raiment patted khanna-strictly yeiks stupa-fly mid-movie accidentee jump-suit exponent strenghtens aggresive smacko edinburugh day-old warrios belenguer riffling blitzer acadmey witch-hunts mukesh disorderly prefabricated flores agonise stygian laryngitis contentions gushed emhardt not-too-helpful cream-pie gusher tiana abdominal sac mcveigh riles capra-like soulfulness five-man set-backs exiling concomitant reshoskys entitles polaroid movie-that mixtures tv-guru kil mondrians li-photon powerlessly self-fiction proibido two-job suplexing constantly-nagging thieson hanzos lab-work wormtong out-of-sequence ex-governess augments room-bound suddenly-reopened ascents badjatya dosn't mcgorman turnbuckles lundren doesn't-so maltreatment stagnate snyder-gray on-and-off-again inters eked oh-la-la stiff-limbed suckiest vaguely-political nervosa een veda mame-type pay-offs vaginas idylls analise daur lorado daud energised sweetened-up air-borne abrazo takingly yrds maccullum corporatization gentrified salk nutsack turpentine rabble-population rapidshare foul-swearing reasonbaly turtle-creature pedagogue mastrontonio difficultly järvet deathrap mcphillips million-dollar grabby second-longest venezuelian fowell katre sodebergh death-scenes hollered on-the-spot eder freuchen hitchhikers marjane anglican chokeslammed post-worker cassavets musical-film hairband sufferes exploitation-sickie laggan mooted happy-smiley multi-teared gulf-all trended teen-humor sleezebag morissey camelot harline shazza rasputin-the bipeds sensuously visions-omens unban roache lust-object f-film two-dimensionality arjuna mis-guess soul-draining warnercolor bruiser prognathous mosters cable-tv kebab ciggy-lighting-by-fingertip city-brat-look part-mexican aspidistra generification body-cross aspirin compulsiveness coahuila sister-soap blachère walking-around onion-peeling clubfoot role-switching retreaded complainant dorkknobs hats-off less-complex undistilled poignance whaaaa mam fraudulence leonowens rn long-range taly rangeela gijón frocked guttersnipe fukasaku mclovins lame-ness gold-plated darkangel hard-up bushwacker startrek grantness wackyest emailed dull-as-ditch-water verveen christening dis-like æsthetic lyudmila ancien dipti giallo-masterpiece anti-civilisation rusticism signage earnest-yet-hopeless cheeee-zheeee pipe-up hemmed fazes centerline decorators alexanderplatz apperciate gotb cudos orr pseudo-cronenberg consistancy keita flashing-eyed remenber what-so thins slamdunk nicolosi generalissimo hands-off seychelles off-network down-break throwaways aborting now-dead bloodshet jeannette exoskeleton installing eritated thick-plotted beyond-heavy-handed kevlar chasing-car disturbing-many siecle dugal enterieur grab-bag intercalates warsaw mega-erotic edendale ninja-flicks emperor-loyal crookedness colorist hokier hmmmmmmmm fops love-poetry hooror rockythebear ftagn nowadays-corrupt single-worst msg britan capra-mccarey klunky kildares shos over-confidence magic-realist pitched-battle shakepeare notld dream-scape papamoskou lesbo-bloodsucking big-as feng ferengi plume germi rave-type curatola breaking-up turd-a-flambé lead-singer pharaohs disinherit staffenberg wall-street cordiale twin-brothers dehaven on-purposely-bad naschy-enthusiasts cliche-wise hand-picked marmo limbed maltex tammi-played kristan crucifies lilienthal fairplay narrtor animal-like foulata profs yapfest eissenman bruneau parachutists chaperoning hubby-to-be blindsight action-films bathebo pre-tribulation toofan double-chin hand-holding votrian chales partido rajasekhar loafs ideologist memorialized un-furls divined brulier cloyingly hounfor côte confucian babushkas ill-behaved enquiries converses not-quite-confess idea-oriented mellifluousness du-rag oik riggs movie-watchers reconaissance shakesspeare twist-off pen-name nonjudgmental easing hipper-than-thou zhongwen woodworking roosa rosselinni mathias guested pupi shingles over-sexualized visine punsley cgi-helicopter jaku luck-deprived distrustful character-design psychologizing expediton categorise counter-arguments hand-smashing nausicca desides psychosexually sociopathy pro-war yakking briggitta dog-show mwah ubermensch uncontrolled-bowel-evacuation tackily bogdanovic birkina tour-de-star-wars-force bullshot tonks dinosaur-like celler zaku charistmatic adman non-nz'ers memorials bricklayers spescially gomes b-thriller quasi-freudian herringbone-tweed on-foot doozie conaughey hearfelt oppressions raw-bin wlaker sketchily-drawn striken kart striked laugthers nonviolence face-down not-insignificant grasper saviors wlaken welliver made-for-tv-look deen deel amritlal ceaselessly workday whippersnappers sardine readership wormy gob logician bakshki goy amants poopchev waterstone godawul rush-felt bucketful colwell self-contradictorily splitter hairstylist gop kiowa abridge disscusion reactivation left-eye elopes d'you gate-crashers sendak-carroll tierneys well-measured gruntled lightnings airstrike enmity harddrive dream-girl tottered hand-to-hand-combat play-throughs empties mitropa anti-communism asti heavy-handedness ballgown incestuous-thinking brights one-story yomiuri gil-scott doctor-turned-vigilante halopes village-hall birch-style intimating tomelty ughhhh seboipepe sses non-bunker ssed morphosynthesis willens iliada pre-feminist astronaust a-budget solomons douses misra mortem half-assesd bradycardia sausage-fingers finessing re-assignment intrusively rifled cker destructively carpentry de-glamorized home-brew apparently-evaluated longlegs safe-cracker tighty-whities eventuates dung-swill deroubaix fast-wound franics granola schemers prinz mackichan grandeurs illustriousness un-bleeping-believable interislander self-reflection dond azimov lithgows mcculley save-the-blonde-chick-no-matter-what haroun paro poésy ryus kapor plateaus priorly cried-at-it-all-before slide-guitar sssss oopps bacula vicadin silvestres misguiding prison-set talked-about mother-does-the-dishes story-driven augh mildewing icewater swatman paré booby-trap anglicised rootlessness svengoolie furry-footed more-often-than-not nogami jaret ensemble-premise bodybuilding frisch massing jean-baptiste yardsale character-film slithered whalin katsuhiro greevus pallance foul-smelling over-exaggeration despirately mmm-kay gravest changeable tax-man balconys techno-nintendo criminologist farida tilts chatsworth tyold jumpiness complete-the gender-confusion pencil-thin whole-some telfair yakkity smarmy-looking faggoty dancey minesweeper mobarak-shahi lust-like fountainhead extra-thin aaww gaz jirarudan gah under-the-weather gad roadrunners keven kitaen beuregard frame-rates zering self-aware-rich-girl thescreamonline ultra-shy-but-secretly-brilliant personally-gratifying bom-bad menen fun-fair temp-jobs virago freebasing engrosses lovingkindness dgw blackfriars rommel thunderously not-so-ageless ahamd craved ditka redesigned hanfstaengel bravado-besotted kenovic blueray freejack zardkuh often-lacking sparta cockily good-cops wags brainstorm squashing dramatising smallness idealizing changruputra bambou delancie ptss harped lowest-bidder wheatena musmanno larp easy-to-please snickets hand-cuffed ufa uff langara super-sophisticated anti-competitive subsequenet minus-points pseudo-playboy portuguese-film gramma ahlstedt kagaz profondo anti-life gahannah tingled pro-woman personalty dänemark aldridge loews criss-cross carefull loewe severe-looking schechter excempt cubbyholes de-physicalizes wisened jupiter-c o-my intelligence-insulting ruban cher-esque kaylene newtypes hot-spot mood-settling camera-shots execution-scenes pseudo-irish tessering wax-faced none-too-proud bhagat multi-talents case-not wana-be lewis-esquire petrucci pre-owned back-drops notability urdhu kliegs noor now-paranoid ultra-loyalist male-pig ghina half-porno yeux iniquity old-country super-people break-lots fastmoving thing-there multiple-stories-in-one-film herilhy hurl-buckets waisting beiges wiggled mendanassos paddle inconveniences sing-alongs inconvenienced cordova piped averagey logothetis spacing demoniac luiz co-viewing b-westerns anjela lay-it-all-out pulp-style tech-heavy slug-laces platinum-blonde avionics escapistic fannish excersize china-girl script-edited externals male-only fjaestad fancy-schmancy mystery-drama faux-depth myriads late-thirties red-black unscrupulously pseudo-intense super-spy first-aired exeggcute camera-visible uncomputer love-budding dorfmann snacka ghettoism aviatrix lamo horse-loving lams wendigos flavius lamy reliefus kastle physit skits-to-movies very-stylish billings swiss-french kliches maschocists rippings paulista pandro caligary giallo-history over-zealousness looping muresans concentration-camp re-teams some-one sugiyama-san magic-breaking marshmallow kriegman bedpost mariska ethnically towney ectoplasm intersperses lynch-elements krystina wagontrain irrelevancy wilson-stoltz-wuhrer reate candyshack winkel mind-scape winked tooms bergenon hemel wilful zestful re-experience businessman-boyfriend cinemaniaks heretics classist duffle gore-delicious classism viejo craft-wise adapters innovates to-the-edge cinema-photography bama high-resolution-super-slow-mo bams eh-i-grew-out-of-it pelly comedus tolkien-themed johney smolder feature-filled completer discretionary beute actor-dancer-singers ballers toturro gamboa circumspect mackey spitted time-shifts balalaika ladybug-like documetary labouring haridwar eyebrow-raising ill-developed easy-go limp'n'lethargic miniskirt parke nonaquatic occaisionally suucks i'm-the-figurative-and-literal-representation-of-the-naked-vulnerability-of corroborration cage-like ambersoms iterpretations pachabel trendier page-to-screen oozin afresh emma-really-lame-for-this-film-frost bregman reconcilable school-life dabneys divali parris eye-wrenchingly slandered retarted kehna not-only-smart increadably festooned jeayes rrratman whistleblower demigod lobs omebody cinemademerde strutters turkic-mongolian danielsen bad-to-average allures drivin sibley gion nebulosity deep-discount pioneer-feminism decibels castillian political-religious lumpens bosh mother-son-duo sluttishly-attired cop-heroe rock'n'roller bashfully deferent puerility byways cameraderie centerstage anarky raffs protuberant semi-anecdotes jagging grappelli preforming bulu selten yellow-spotted mf'ing con-text self-glorification bang-'em-over-the-heads attendant-he pro-dictatorship head-point shanties commending convection tough-goofy chakraborty-madhuri articulation tagged-on donut-shaped eugenio weverka detainee massironi disseminating neolithic upclose awfuwwy pinfold self-abuse daring-do jayden deltas mafia-hit-man hollowness casette panhallagan movie-version bahumbag aleksandar johannsen worest twats ballgames podunk multi-station motorola half-speed marcellous french-canadian oscar-material discontinuities eugène towelheads slooooow self-flagellistic nostras dictioary in-line imagination-challenged dining-and-sleeping-car overcharged tar'actors crocuses tense-less horse-lovers half-horse not-so-stellar dufus tailer epätoivoista ribbed six-minute pagent tableware mija culloden parental-type harridan call-centre doophus gretal contemptuously four-hour-long levie hymns wannabe-lovers quarrells fbi-agent dandified montes talmud flys shrekism balad blood-smudged sällskapsresan plush-toys booboo anyhows absurd-yet-winning début sugarcoating rite-of-passage cigarrette overreact child-eating whorrible mccaffrey pide debunks yonder cloyed palladium blackploitation ex-pal roach-smoking ranchhouse natacha film-not montrocity bruinen low-rider spiritual-sounding pooled aquaintance flutters repenting longendecker spiceworld space-war partes co-writing frame-frozen worsel happpeniiiinngggg bejarano immitative feirstein psycho-dynamics save-mart collinson finders zombie-verse wodehousian ynecdoche cantinas uncalculatedly forepeak avante-garde coupes boingo mcguyver gwyenths companys allmighty oldsmobile knicker-wetters soviet-satirized re-viewed queenish gender-bent coulais quasi-socio-political-isms cyberspace valmont fijian abrasively daltry eye-to-eye valse schlump codenamed oysters superbox-mart island-hopping doncaster clapped summer-retrospective heavy-drinking hakim happy-thinking andcompelling superball churchgoers waffling heart-tugger bootstraps piyadarashan langoria randomized estevez-knockoff eacb maxford psicoanalitical stockbrokers vità zoinks militarized wilbanks hwang lecter-like anklet super-corporations non-fan salesmanship delphine not-so-memorable tunnel-builder suvs chakkraphat bogdansker operetta-structure disant rana quakerly mandingo to-be-killed numbly ex-roommate griefs freak-seeing megazones toon-toy viccaro hippy-toker-jokester tribute-band uncomically dewaana commercializing torpedo-ram forty-plus re-married plot-heavy screeds devincentis steve-thomp melty-faced infliction serling-esquire lifesaver declan mid-to-late-seventies vauxhall takemitsu peine heretofore-normal-seeming skitter mithraism sagr surroundsound sudser mithun refreshment desparate toy-spawning doorbells frenchwoman anti-soviet maryl ear-marks noodled flopperoo heffron dementedly bascally pseudo-orwellian byword kareena-saif nihlan either-he backstreet-are unconscionable berhard teensploitation grant-irene fifty-seven craparama kind-a donnell unfussy anti-discrimination orgazim pseudonyms astro-mystic bakvaas pre-spideyman second-rater lept keyser coleseum glider wedged-together spider-web maryln heigths delle underplotted presnell out-standing semitic villainesque yaitate corn-pone circumventing holst città alterior mistiness eisner-sponsored matriach moko moke ever-teeny tassel horror-fan faustino huuuge north-america gabble beacham deploys jook non-believing demonous post-gas-crisis bleakly-talented neofolk drood semi-well mongoloid-barbarians strenuously weigang-as vérité panjab kell morally-flawed mountian hermitage make-out afficinados dismount amazon-ic feather-wearing zoos dollmaker faultline mahnaz muddled-up drink-a-thon yuletide-jaded bulb-lights super-dark beatlesongs totals totall ucsd sachetti s-l-a-s-h-e-r-s cornily saleable glissando post-post robitussen hanks-philes non-cantonese bogmeister oghris outbreaks katchuck whistlestop mabye cool-funny-family large-lipped near-biblical epsilon fahklempt by-now re-starting raymie dollying rhee spaceflight pagliai agless sub-bela praiseworthiness through-the-jungle hama margareta unbalances male-stars punster rues cleric cootie superposition dumbdown miscellaneous emission unoticeable kor-movie teen-like navel full-face whalberg g'mork julietta muscle-men lls balthasar basis-ala trekkish shakspeare redheads squirlyem scheie remorselessness jianjun eichhorn pick-axe mutiracial austrailan sours uncynical recomeçar qdlm invidious icu espanol glushko better-than-expected cat-fight zwartboek pedo bitch-slut bannacheck no-inhibitions dresch colossally time-killing anti-aging comic-liberal deludes bleached-out philosophising squawks metaller treasure-hunter wolf-like ravaging intriguing-sounding rearise rambha anti-feminism swern period-style hawshank beautifully-trained negroes schulman reorder pop-cultural futurescape ayer vernois cam't orginality smarminess terseness montplaisir corporate-sounding former-student-turned-nazi-racist-killer-who-then-committed-suicide samourai roundtable sponge-painted studio-atmosphere crinkliness kya poe-like kyz lusciousness flockofducks cookie-cut painkillers payaso instinctivly tape-over undocumented hoffer audience-pleaser law-free everpresent force-depleting crasher armed-to-the-teeth logistical exhibitionism frider overscaled unidiomatic muggy littttle shiri-a drumsticks manana second-language hilltop wood-ish holed-up future-design tornado-it grifting branch-out furnishes paternalism orléans video-bin sweey joysticks rhyes chihuahuawoman sooni soong troma-style actor-play never-inevitable sharkbait cat-burglars non-mormons bi-play closed-captioning tupinambás godzillasaurus distended steam-shovel bittersweetly dredd altman-quirky ex-christian zombie-related augusta-less motormouth catylast amma ammi ratbatspidercrab shockingest detective-killer transgressively non-gritty hairdressers jackhammered long-form seibert situations-imagine criminal-politician-police bahamas headmasters indie-type pro-british copp subbed dress-suit oats look-and-sound-alike mayron heroistic weoponry band-aiding reni gigi-like renu fuckwood prison-dyke touchings stormer typed-out pardesi ciff self-opening bubblingly love-in outland motion-capture-animated inappreciable humilation nlp mtv-esque moldavia ito brubaker then-cutting strike-team flying-car kirby'll airphone hanley subpaar mah-cheen blow-ups gay-scenes downhome semi-enjoyable o'terri fercryinoutloud martita comensurate rifted neuroinfectious pentimento elbow-in-the-ribs ravetch trinians nooks gass-s-s-s fun-fluff communicators it-all dinero brooklyn-american irreversible'-style small-scaled showiest kinghtly simón semprinni berra oft-cynical wanderd duomo phriends alli kev poa jusassic eitel rhinestones angst-laden billionaires kep verica break-dance foot-fetish loved-one less-than-spectacular sediments pre-date aphoristic caprino uckridge khufu scarcely-seen sedating thunderjet isaaks ocurred dislocating saldy dir-mick ever-pregnant personl nobel-price opulently outstretched illicitly oodishon dehli gaionsbourg re-offend sherif kalifonia mihaela semi-dull rosi gosh-wow urmitz son-erik door-man tanto neecessary movie-coonskin-on office-bound nissan song-smith thomason rock-sized x-rayed semi-attractive over-budget nikolaev stagehand divvy eight-minute zombie-ashes doiiing sex-based wheedling lasergun post-transition particullary fragmentaric reinas lorain epiphanous non-pal implausiblities hugwagon gard dismissively dishevelled plot-hole glommed harlotry don't-tell eratic ever-evolving asinie tantric reassuringly ends-up very-bad drip-drop bogroll revues full-motion hard-sell sub-eminem marishcka battlements carlottai hasnt space-thrillers news-room lieving concoctions boringlane need-for-speed excavations internalizes ickyness all-stars trattoria devagan perogatives non-uptight tanned alo quizzical cucacha pta swng cutish aly alt pts alp beaters dutchess anti-woman zorich educative chicle writer-director-actor moviefreak brooklyners nitpickers garwin unplugs xenomorphs immanent alí alá defibulator tastic smeagol deewano tastin faltered gadget-mallet asiatic now-peaceful non-fluent visnjic special-effect raked oscers condenses wachs jack-o-lanterns norden cleaver-like piquant grâce colorous simple-looking reappropriated friendly-naive cooed seaward frats verhoevens chillout vhs-system crumley obvious-cary clichées hollywoodize confessionals hoopin stationmaster under-staffed will-o'-the-wisp acerbity acquaints schoiol co-wrestler unfairness ghost-movie forever-popular sadistic-masochist front-row sympathisers laden-double gollum-like half-year posidon shekar mockable adelade field-people carmelo crusierweight unedifying derrek yellow-clad mantagna pras vulgate scob lipped quartiers sweden-germany thoroughbred chinatown-lookalike dianetitcs mulit content-wise starchaser franzisca alraira emotionally-weak inflates ouvre chunder pleasantvil defininitive sneak-peek mecha-godzilla prat-fall foible angeletti muscals chemists execration retro-music wrrrooonnnnggg perplexities al-quada bhag bodysurfing fourthly splatter-movies bhat non-fact farman gourmet neo-conservative wobble-cam grims mobiles ski-doo megalomanic second-biggest riske aime metropolises yehweh voyeur-friendly snicker-inducing unprocessed nighty dangling-thread freshened undertaste klein-rogge banshees seances unusually-composed playboy-style numberless ryall crap-shoot kiss-fan mountain-lion mood-wise purifier'pinto hesh intertextuality cdg cdn not-quite-dead juliane stubble tabloidesque pully kefauver zanta wallece knowledgement typos rest-stop long-takes-without-cutaways idea-level air-burst baller companion-piece ahead-of-his-time stuttured tenth-generation arms-traffickers italianised oyelowo outloud imbibe desegregates astrogators makinen interessant emmannuelle zugsmith super-important multiple-plane filler-female seti-worker gussied knee-deep dispensationalism sakal crisps asda crispy garbage-mouthed scented cbbc theotocopulos jabba-the-hut-esquire sci-fi-asco twenty-eight favelas kilograms cinematek i'd've recogniton plante strapless reprogram ermann out-of-tune sharpening inneundo assuaged dailys bracy heahthrow abounded couldve non-cinema moralisms parveen breastfeeding perico megabucks-making alloimono impairs reinstate monstro shellen teahouse tag-along pro-progress bollixed house-to-be eberhard-if dunnno rigoberta sprinklers jullian many-sided semi-executions all-mighty incriminate perseverence deille inexactitudes simmers quasi-detective misreadings squeed gracelessly jamacian schwarzenegger-wanna fantasic conserving unbelivebly gay-rings dalip kireihana tighty-whiteys burchill whip-oosh chauncey anticlimatic penguim delfont will-driven misaki retirony co-starrer six-year-olds budget-starved imean slyvester governmentally-approved unjustifiably peices interisting ching-chang-chong slicked-back sotd possesor shallower unjustifiable trance-like housekeepers bloodthirstiness unpatronising haney-jardine conker janset boogie-ride sea-front un-sexy oscar-contending ede overwind ministers edu speeding-vehicle-and-explosion super-excited over-the-back not-quite-equal-yet-but-getting-there shake-your-head down-on-their surkin ionizing heartaches patresi asiaphile heart-beating eurosleaze cleaned-up strouse outvoted etc-it gore-show spinozean-like chillness broadway-style woefully-underfunded ayone outbreaking delineate tiglon country-house categorically post-graduate all-for-me infantilising cocoon-like rear-screen motor-psychos angasm dark-blue kunderas long-delayed phone-booth-at-night devotional amazons gigantismoses plot-loss shock-rocker all-hawaiian sexploits berlingske looooooooong shostakovich dougherty luckyly chappu chappy napkins albot out-think germ-obsessive minutiae-based monsey manish non-football nearness haight robinon talibans tamizh vaccum watch-worthy milk-can ham-and-cheese doesn''t deep-dive sanest limited-length supplication november-december pulses human-scaled lifeblood carols hoschna caroll gasses goldcrest ppk-some discomfiture gawfs worldy blurry-eyed wine-cellar worlde 8( brunda zaire unencumbered collera double-check schmucks valley-girls incertitude disbelievers pseudo-kafkaesque vacations over-encumbering shinbei impkins reaks news-items segall airdate demoralised segals kurasowals motor-mouth titillatory offense-either texicans dupatta linette estrogen-fests magic-carpet way-his mostey hoarsely desdemona-like dietrichesque wittle faun duping farligt near-poetic academically atoned turrco dexadrine wild-life hand-ticks shiniest petron a-materialism often-overlooked tholomyes taratino janitor-induced aughties kamanglish stylizations wall-eyed moberg shirly neurotoxic semi-tough content-free broad-billed caligulaaaaaaaaaaaaaaaaa andys sitra timebomb portrait-ed lemongelli antonellina mouskouri comradery fleetingly-glimpsed gregoli normalos liquidators overall-wearing scarecreow geometrically edmunds flat-nosed fastball perfeita mid-seasons gieldgud hellll succesful eser renault proleteriat heterosexism detlef bachmann under-laying sequenced man-rape ultra-nationalists wali incidentaly re-rent incidentals increses finneys ungallant priyan unowns inbound walloping overture peeew easyrider enforces overturn catharses brenden right-now hightlight dumbly mid-afternoon count-out skeleton-guide star-struck-dom kamalini mid-performance tomatoey disorient windstorm aymler unpredicatable hilmir road-kill extramural upporting geoeffry harried-looked could't goldfield allay 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frelling camp-age overcast gloom-doom comrad bustiers cabells novac sordie oakies wormed extrapolating black-dot female-impersonator lettich stassard promenade condoleezza non-threateningly reshipping broadened fritzsche anti-mainstream wee-gee akst nau-day cihangir strong-headed surrey bilgey hypes furlings certo hindi-speaking cohens carter-wonder nineties-era sieldman rusted-out surveyed bottacin joads micheals adabted seamlessly-inter nicolie down-the-drain complicatedness way-white pupil-less aaip wrong-not engletine extermly chiaroschuro aestheically group-think slowish storyplot star-watching timeworn checkmate incompatibility manilow attention-deficit-disorder half-samoan key-moment razzie-worthy meta-film-making widdle woman-hunt prfessionalism minute-long herendous overexciting wood-chipping apallingly fictively non-sequentially muchly one-thousand ellman mini-sub unvented imam iman imac half-convinced pseudo-actors marijauna kiyomasa phantasmogoric hack-work down-times disbelievable ruuun treble-y background-noise tin-like daaaaaaaaaaaaaaaaaddddddddd fannie baseline boettcher-tate marzipan stinkpile tassle-twirling fairytale-ish book-type unpretencious misato confiscation non-streisand planetoids on-and-on lilleheie whispery rubber-legged stock-market five-dollar wookies sex-exploitation docu-noir opprobrium familymembers amara beffe spelunking translater abattoirs halfway-decent droningly good-to there-nothing-on-and-i'm-bored hat-tipping perked urbe ammmmm beeyotch turgenev ex-pats noble-spirited yiannis incited super-low-budget buggy-driving half-expecting sandcastles nonreligious spiffing asmat plumping post-structuralism scattergun semi-balletic lieutenants maurren unaccomplished abominibal crochety bratislav china-town nine-page untucked racisim habilities bed-sty side-boob syllabus textually conover amateurist maffia-like warrier beaten-up re-drafts non-histrionic cooperated rainers gargantua red-leather bushell corrective overracting defend-one-right-to-party again-which text-screens ppv'd shoufukutei nac nad jamboree non-whites reeducation nav nau zither cult-movie-video-place widely-recognizable fewest gower antecedent gramm windlass excellente anti-americans worse-than-normal evil-laughing shatfaced snake-loving extra-super-sized varshi morsheba languishing-now-dead inthused drosselmeier japery quasi-philosophical nappy-changing mafia-style recollected lamposts kriemshild informers sempre göteborg guidances boriac slip-shod arrondisments goodloe cels unhelpful heian appreciator weirdy weirds afro-wig aggravate gacktnhyde joint-regent dramatic-nothing motherfu fun-lovin morsels mnouchkine gump-like sharkuman unfathomables hillbillies-like fill-every-moment-of-silence-with shiranui title-sequence dosent hightailing lawnmowerman subsidized dir-steve expressway hatian levelheaded blindsided dinosaurus ridd villechez emigré behrman filmde junctions bfgw side-bar egg-throwing casevettes over-serious bhhaaaad virgin-bride movie-lover furnaces basement-level questing crazes mis-identifying softcover mega-disappointing creamery warrors zephram life-endangering rove un-biased workingman purgation who-hash stuggles kmadden wife-to-be perschy echo-ey wonderously towns-folk emphasised indendoes il-sun pseudo-sec meri testicle cheesy-sounding costener unsurprised youngers britta euthanizes flop-sweat seminarian semi-oblivion informercial super-intelligent playgroung picford intertwain interplanetary bass-player dingiest black-wearing hungers pilfering salcedo berlusconi play-like indisposed willingham rectifying bumpkins aftra pressman kicks-in cafferty touristy adopter five-hundred-million pseudocomedies counterespionage bassist cinematographicly swindled comity title-cards hollwyood jaongi re-entered zombie-infested mplex grayish selectman unko